the new album from ozzy osbourne on blue & yellow split-coloured double vinyl.

the new album from ozzy osbourne on black double vinyl.

the new album from ozzy osbourne on transparent red & black marbled double vinyl.

the new album from ozzy osbourne on double picture vinyl.

the new album from ozzy osbourne on clear double vinyl.

the new album from ozzy osbourne on black double vinyl, comic book included.

µ-ziq revisits his past.

a collection of slow-burning tracks inspired by the power of organic elements and psychedelic experimentation from artists around the world, including duo stevie r and parisinos, roe deers, dan bay, colossio, leonor and id_ua.

the debut album from amber mark on double vinyl, housed in a gatefold sleeve.

two lethal tracks from tigerhead, remixed by matrixxman.

groovy d aka denham audio with the next hardline release.

fiesta soundsystem cements his reputation as one of the most exciting and dexterous producers currently working in electronic music, with his spellbinding not to be ep. augmenting crystalline bass workouts and swirling acid euphoria with his own unique blend of future-focused jungle and darkside drum & bass.

strictly limited as usual.

new on hajjs (bfdm) label dawn darkside r&b influenced electronic pop tracks. 100 copies only! recommended!

house and breaks vs uk garage

part 2 of the princes of abzu compilation series from hard fist.

darkside drum n bass, ardcore soundsystem techno and dark ambient-

new lil wayne album on double vinyl, housed in a tri-folf sleeve.

infernal sounds welcomes dark tantrums on their label

the debut longplayer from laumé aka yumi zouma frontwoman kim pflaum. limited pressing on pink coloured double vinyl, housed in a gatefold sleeve with download code included.

bluematter is an atmospheric, darkside jungle project. the duo, a.k.a. long time electronic producers jozef k & thomas ragsdale, also experiment with incorporating sci-fi and futurist elements into their soundscape.

ebm, electro, new beat, acid, balearic beat… a perfect compilation for the lovers of the old-school darkside of the dancefloor!

the 14th release on the ifs imprint is a really special one, from a legend in the 140 scene, cluekid. he makes his return to 12-, after a very successful release with canadian imprint vinyl vigilance, and dishes up two lost dubplates which have been needing the plate treatment for years. having already received heavy support from the likes of j:kenzo, v.i.v.e.k, darkside and distance, this release is a must have. particularly with the added addition of the full sleeve artwork, designed by emily dayson illustration.

london based rico casazza has been sliding out warm, harmonically rich techno for over 10 years now, shoring up on labels such as bonzai elemental, archipel, stock5, cartulis music, variance and more. on his latest release, which lands on sterling techno imprint murge recordings, he s channeling the spirit of detroit in a plush spread of warm and expressive synth shapes. -transmutation- is strong in its original configuration, but it s also propped up by some classy remixes from big hitters. kirk degiorgio steps up first with a tense, darkside techno workout for the peak of the night. aubrey then pings things up into a trippy, heavy-rolling workout drawn from the freakier end of the spectrum.

vol. 3 !!!

a colourful storm presents exquisite angst, a collection of christoph de babalons most hardcore, abyssal and mutant creations of his haunting past. if youre gonna go out, go out like a muthaf..cker. a colourful storm presents exquisite angst, a collection of christoph de babalon’s most hardcore, abyssal and mutant creations of his haunting past. a blown-apart, mangled depiction of muck, grime and breakbeat-drone, its tracks parallel the timespan and isolated madness of the if youre into it, im out of it recording sessions. bleeding, darkside breakcore/jungle reconstructions that draw no comparison - theres a reason why thom yorke plucked him to tour with radiohead, only to never speak to him again. includes the previously unreleased gaseous invertebrate and valediction.

african-influenced jazz and funk (dokkerman & the turkeying fellaz, the mabon dawud republic), head-nodding hip-hop beats (abase, tom caruana), straight dancefloor friendly pieces (bete aka suhov, umoja, m.w.d, chilum trio & auto reverse) and also, laidback grooves (freakin disco & crookram)

the very best of dream dance volume 13 - 16 on double vinyl, housed in a gatefold sleeve.

person of interest returns to l.i.e.s. with a sleazy three tracker weaving in and out of the edges of house and techno. lines are blurred in only the best way as p.o.i. expands on the sounds of his last eps, refining his style with broken beats and darkside tribal leaning driving techno pressure. top shelf stuff from the brooklyn producer.

vibraphone records continues to deepen its contemporary repertoire by inviting andrew soul into the fold with a vocal contribution from house music legend robert owens. slipping into darkness is a beautifully rendered deep house gem with expressive piano work, rubbery bass synth tones, but in some ways the minimalism of vincent floyd s remix gives owens vocals a chance to take centre stage. as you are is a crooked, broken beat exploration on the fringes of deep house, and owens voice sounds resplendent in the more experimental surroundings before nick anthony simoncino comes on board with a 90s flavoured, darkside remix of the highest order.

peter darker makes his long overdue return to 7th storey projects with nights r darker ep. featuring 4 more tracks of frenetic, darkside jungle

maya jane coles ist seit anfang der 2010er-jahre die sensation der londoner tech-house-szene. spätestens seit ihrem debütalbum im jahr 2013 genießt sie internationales ansehen.
sie trat in über 40 ländern rund um den globus auf und ihr hit »what they say« konnte sich unter anderem wochenlang in den top 3 der resident advisor-charts behaupten. zudem kann sie zahlreiche titelstories und auszeichnungen verbuchen. während sie unter ihrem eigenen namen hauptsächlich house-musik veröffentlicht, hat sie sich unter dem alias nocturnal sunshine vor allem auf dubstep spezialisiert.
»take flight« ist coles langerwartetes zweites album, das auf ihrem eigenen label i/am/me als 3fach vinyl-box

die -contact- ep von produzent hans hu$tle und sängerin tahnee matthiesen ist ein atmosphärisches, dunkles und intimes werk. stark inspiriert von größen wie portishead oder darkside, erschaffen die beiden münchner psychedelische klangwelten, die durch fokussierte arrangements zu abwechslungsreichen songs geformt werden. zerbrechliche, hauchzarte stimmen stehen im wechsel mit schweren bässen und scheppernden drums.

on “rest in space”, his first full length outing for music for dreams, the lp keeps a steady pace of around 90-95 bpm, but never gets repetitive with islandman taking us on a rich and ever surprising journey, full of quirky turns and mysterious instrumentations. the opener “rest in space” treats us to a funky percussion-thick rhythm that lounges into a pool of playful & jazzy horn & flute arrangements. this is followed by the epic “night wind” which sweeps across cinematic desert landscapes of synth layers and falls into a dark night time groove reminiscent of nicolas jaar & dave harrington’s darkside project. “seikleos” centers around a motorik electronic rhythm pattern (not unlike the classic electro-pop classic “popcorn”) that develops into a chugging balearic house jam while stand out track “future days” brings in a female guest vocalist to complete the album with a breezy full on groover that echoes of both sheila chandra and tom tom club. also included is the previously released digital single “agit” as well as a remix by berlin-based m.rux, toning down the heavy guitar of the original in favor of a more bouncier interpretation. the stunning “ikaru” wades in through chunks of jungle ambiance and watery percussion to lounge along on a rubbery funk bassline, coupled with a heavy laid back beat and wobbly derelict synth figures. “tawhid” is an odd mix of new wave brilliance and prog momentum that breaks into a cascade of pouring rain and surprising percussion breaks. lastly comes gorgeous eastern guitar opus “the true word of the wind” and the warm vibey dreamscape “following”. as a whole, islandman delivers a delicate buffet of influences - spanning the spectrum from hazy balearic pop to tropical new age flirts to deep spiritual psychedelic jamming.

dubcore vol.12 welcomes back rotterdam soundboy fff under the radar. fff droped two tunes for dubcore vol.7 in 2009, now he is back for four more tunes. he is taking his round this time with a melange of footwork infected jungle, hardcore slaps on dubby basslines and darkside and ragga breakbeats.
fat mastercut done by lxc on 45 rpm on black vinyl, limited to 300 copies.

25 jahre, 18 alben und mehr als 20 songs in den top 10 der charts: scooter sind nicht nur kult, sondern gehören auch zu den erfolgreichsten deutschen bands.
2017 arbeiten h. p. baxxter und co. weiter an ihrem ohnehin schon beachtlichen Œuvre und präsentieren ein brandneues album: »forever«.
contains extra cd with selected rave classics reworked by scooter

nice price deal !!! second drop from grievous angel this week, making a huge impact with a shockout vip version of naphtas soundclash 1, backed with his supremely odd grime stepper harpy. in whats turning out to be quite an immense week for releases from the grime/step scene, grievous lords it up high with his mix of naphtas junglist soundclash, forging the sort of darkside bass lick that sends shivers down your spine, and welding it into a hard stepping garage framework indebted to the legacy of steve gurley and el-b. absolute bomb track! on the flipside gas wicked harpy sees the light of day, making nods to wileys early grime/post garage reductions with a splintered percussive palette and agitated synth stabs balanced by a powerful dubstep bassline.

local action and nts radio’s finn launches his new label, 2 b real, with a 12- of fast-paced, no-nonsense club tracks. finn first appeared in 2014 with ‘keep calling’ - an instant classic and one of the year’s best-received releases, played relentlessly by kode9, dj q, murlo, eclair fifi, scratcha dva and more. since then he’s developed a cult following as a dj, with a palette of regional us club styles, classic house and techno, grime & freestyle electro beyond his years - broadcast through his monthly nts show and his regular b2b podcasts, where he goes track for track with a dj he admires (such as uniiqu3, teki latex and conor thomas). 2 be real is finn’s new home for dance tracks high in thrills and low on bullshit. on 2br001, he draws on classic ghettotech for the melodic keys and urgent 909s of ‘late at night’ (with a more uk-indebted darkside mix on the flip), and teams up with resident swing ting mc fox for ‘lightwork’, a vocal cut inspired by detroit’s own legacy of hip house and ‘chant’ records.

limit and asymmetric are in fact both the work of st. petersburg-based producer evgeniy sergeev, who has been building up a library of contemporary d&b productions digitally and now makes the leap to vinyl with some of the strongest of his productions to date. stormy is aptly titled as it rips with ferocity through mangled breaks, rave stabs and hoovers aplenty and quarantine is a quintessential darkside jam with more of that tricksy drum programming. the b-side offers a little more respite with the sunkissed tones of transzendental and the soulful yet ruff mood of jazz is making a smart counterpoint to the heavier a side.

shoot recordings presents fierce, a collection of dancefloor sickness from some of today’s finest bass technicians.
calculon, shamanga & austin speed drop the original, a savage, banging slice of classic hardcore fast-forwarded to the future. cutting and chopping with swooping sci-fi basslines, fierce earns its name, the meanest track shoot’s released.
dj madd turns the sick first mix, a halftime juke rework that puts fierce in a lowrider and serves it a cup of sizzurp. the bounce version for all the cali heads.
skeptikal is up next, deep-freezing the track into a tidy stepper. focusing the track’s scope, it’s a deep space killer, exactly what you’d expect from the don.
survival is the anchor, turning out a rugged neuro vibes that race through the nighttime city streets to assassinate your eardrums. the darkside sickness.
four tracks of pure fierce. shoot recordings for 2017, dancefloor innovation.

currently being rinsed out by dj storm, digital & flava... this is response s 2nd solo track for horrific recordings, he first featured on horrificoo2 back in 2014 with aiden s tune an amen piece under the guise ego scene . you know response s trademark sound, his contemporary runnings on v - recordings,ingredients,commercial suicide,fresh 86. manchester s most dangerous d&b purist kicks this one off with haunting perilous chords over a crisp two step break, in comes a high pass amen, switching gear with the baddest apache pre- drop breakdown. a haunting voice sample smashes instantly into the nastiest darkside ride of 2016, knocking the dance floor over side ways. rewind !!! everytime !!! reminiscent of j.majiks epic legendary 1994 track ‘your sound’ on metal headz. label artwork features ‘psycho’ 1980s new york subway train graffiti in pure hip hop style by james jessop. also seeing regularly club play by dj storm this autumn 2016, hypnotic chords weave deceivingly through each dimension re-distributing the frequencies. shuffling/marching beats and a mammoth, reece bassline, delivered straight from the deepest vaults. m.o.d is the madchester s two wildest brother s second release on horrific this year, following their huge floor essence 10- on horrific remixes 001, our ten” remix series

limited edition vinyl features white scratch-off ink and a 25 cent piece cased in a plastic outer sleeve. each copy will be unique, as the quarter will move around the plastic sleeve in transit creating its own pattern. this is intentional, so any scratches that appear on the front cover when the vinyl arrives is a result of this. sirens is the highly anticipated second full-length lp from nicholas jaar, the chilean-born electronic music producer, mixing engineer and dj, which comes out on october 14, 2016 via other people/kobalt. a prolific artist with a wide palette of talents, jaar spent his teenage years in dance music circles in new york city, where he now resides. in 2011, he released his debut album, the critically-acclaimed space is only noise. in 2012, he was contributed to bbc radio 1’s prestigious ‘essential mix’ series, winning ‘essential mix of the year’. in 2013, matador released the debut album from darkside, jaar’s project with his friend dave harrington. the band toured the record with a giant, rotating circular mirror, with key performances at primavera sound and coachella. other notable projects by jaar include from scratch, a live concept first developed for moma ps1, pomegranates, an ambient record and alternate soundtrack to the armenian film the colour of pomegranates, and the original soundtrack for dheepan, a thriller by the french filmmaker jacque audiard about a family of sri lankan refugees living in the suburbs of paris. dheepan won the palme d’or at cannes in 2015. jaar is the founder of the new york based imprint other people, releasing music and spoken word by a diverse group of artists ranging from lydia lunch to ezekiel honig

the first renascence 12” contains five tracks from coastdream. some dance floor tools with a fresh and punchy vibe straight from brazil including a darkside rework by the german producer annanan.

bodyjack returns to his bodytrax label with another 3 outstanding bodytrax. is he always like this? is an infectious groove-based techno workout which has been tried and tested by a select few djs over the last few months. kamala’s revenge is a hypnotic tribal roller with darkside vocals, off-kilter rhythms and & tripped out fx. one for the heads down crew. last but not least, the uptempo house jacker disrespect combines a killer bassline and bodyjack’s now signature razor sharp beats ’n’ stabs to round off the ep. oh, and there are 4 locked grooves on the 12- release for the heads. don’t sleep on this one!

tectonic label boss pinch returns to home territory with his latest tales from the darkside. hard, uncompromising beats, sculpted for twisted dancefloors. lead track ‘screamer’ sees recent collaborator and grime-legend, riko dan, pick up the mic to voice pinch’s industrial garage style rhythm, true to terror-form. complementing the darkside sonics, riko’s savage delivery threatens from the offset, with no let-up, no sign of weakness. not for the faint hearted. flip for ‘no justice’, seeing pinch on solo production duties providing a sub-heavy pounding rhythm, twisting an almost ragga style beat in dark dub territory. police sirens wail around calamitous thunder and atmospherics before the beat pounds in. second drop brings warped basslines to the forefront, pushing things further down the rabbit hole. ‘screamer’ has been played on bbc radio 1 on the benji b show, also featured on mary-anne hobbs’ 6 music show. dj support from the likes of mumdance, loefah & many more.

the mysterious nurve follows up on his tectonic debut, originally released back in 2014, with 4 crunching darkside cuts, conjuring the spirits of ed rush & optical circa late 90s, to appear here in a techno form.

nice price deal !!! manchester s techno alchemist and master of the roland tr-808, the enigmatic mr.raw, debuting mancdetroit 12” on win or loose records straight outta toronto ca! long term nightclub shaman on the northwest of england circuit, raw served time in rotterdam s early 90s gabba circles before returning back to manchester to twist brain s n bodies with his wild blend of freestyle techno. raw s witnessed trends in production go from hardware to soft and back again but he s never strayed from a solid rack mount set up based solely around the tr-808. with a few added choice fx processors raw s style is loose n live and captures a pure spirit rarely exercised by today s pacified youth. -perseus dance- sounds like the kind of shit the great ron hardy would jam on, with two copies, for hours. inflicting a sherm-stick flavored mind-blast to the floor that may have indeed caused the good man to blush, we find percolating 808 percussion woven together with a mystic, fizzing lead line and twangy analogue artifacts. darkside acid dragged wailing and whining from rusholmes drains. flip and we have -hard on-: a twisted x-rated porno horror jam. raw s rapid-fire double-speed drum loops firing away while a plethora of abhorrent vox and coital sounds converge onto the track. a total wrecking ball of filth and hellish distortion which just smolders away in the basement of some sadistic nightclub like a rotten but highly intoxicating fungus ready to switch on any passing freaks.

its always been tricky predicting what firecracker recordings will release next, though few would have expected an ep of freestyle, darkside drum machine jazz and percussive drone from berceuse heroique, nous and bedouin regular healing force project. sounding like early 23 skidoo replayed on drum machines and samplers, theres much to admire about the hectic rhythms, foreboding textures and dusty samples at the heart of gravitational lensing. its unclassifiable and completely out there, paranoid, dense and intense, with the fizzing drums, mangled horns and metallic percussion hits of random walks just edging out the experimental jungle-jazz madness of apophenia in the top tracks stakes.