diving bird is a series of 12inches on idle hands from cornish artist andy mac the third in the series sees mac draw on highlife and dub influences the a side leads off with sketch 3 a rough hewn house track with live elements. dancehall style does what it says on the tin in a concise manner. on the b side acido s dreesen and pst remix longships from diving bird 1 into a hypnotic and subtley subby track with a dub techno feel

bleed release a second ep of the year in the form of a third solo outing for label head volte-face, who also records alongside daniel avery as rote. recently featuring on semantica s latest nonnative compilation, you bury me sees volte-face further refining his hypnotic, atmospheric approach to techno. the a1, shirime , is dark and trippy, with a brooding atmosphere throughout. iori s remix on the a2 recontextualises the core elements of the original track with a broken-beat. the b1, you bury me , features a grindingly anthemic synth-line and marries it to a gothic ambience. dead cat on the dinner table rounds off the ep, an unapologetically straightforward beat underpinning some outrageous and unpredictable sounds. early support from dj nobu, svreca, daniel avery, tripeo and etapp kyle.

it s no secret that idle hands is a label built on a foundation of dub. from the earliest releases by pev, kowton and szare through to more recent output from o$vmv$m and christian jay, the influence of bristol s soundsystem heritage looms large in the myriad electronic music threads the label encompasses. sometimes this influence is explicit, other times implied, but the principles of sub heavy, spacious music for both body and mind guide the stylistic arc of the label as a direct result of the label s long time immersion in roots and dub culture.

*regular & irregular* is a collection of five unfolding tracks, that reveal themselves through hidden sections, like walking through a foreign city at night hearing snatches of life. these tracks were created over a two year period and represent andys further exploration of melodic, rhythmic, and sonic ideas, some with instrumental parts contributed by fellow fallingup (the bristol club night andy runs) crew members typesun and jay l. spread over 2×12 inches, this is the 7th release in 2013 from idle hands following on from esteemed releases by outboxx, rhythmc theory, kevin mcphee and strategy. this is andys first release since his acclaimed 12 inch for peverelists punch drunk label.

tempo records bringt uns ein weiteres neues sublabel namens temposubs. den auftakt dazu macht der brasilianische dj andy.

lumberjacks in hell welcomes deep house vet andy compton and shamrock for a trip into plush disco, laid back funk and more besides. bunny chow was reportedly recorded in south africa, and features the vocal talents of asli on a number of the tracks. you can certainly hear the afro influence creeping into the simmering groove of the title track, while aslis vocals shine through the clearest on the downtempo tones of everything is gravy. nifanyeje is another warm trip through afro disco replete with noodling guitar lines and a crisp drum machine beat, while roga mziki ends the record on a high note with a final blast of that infectious, sunkissed sound the pair have clearly mastered on their musical adventure

spinning plates is back for another long overdue release, and this time it comes in the form of a split ep featuring returning artist andy rantzen and laccy with two tracks each. the vinyl only release comes with very special screen-printed silkscreen artwork and is pressed on meaty 180g vinyl for an extra warm and deep sound. andy rantzen is a sydney based artist who appeared on this label s superb second release. the 98% track from it was used by sonja moonear in her cocoon mix cd shared with carl craig, and andy is also well-known as part of the duo itch-e and scratch-e along with paul mac. he assumes that alias here for a remix of the dial. laccy aka pascal sturmer is a young but talented artist who regularly finds himself behind the decks at cult clubs like berlin s club de visionaire and the spaced parties in london. a friend of label a&r bruno schmidt, he just released on francesco del garda s label timeless, is a real underground head with a bottomless well of knowledge when it comes to cult sounds and scenes and is signed to the top crisalida agency.

home recorded above a lawyers office and next door to a brothel, the retrospective is lead by the earth shattering digi stepper rock steady. originally intended for an abandoned dub album, rock steady and fantasy dub were saved from the cutting room floor by australian cd-only compilations on creative vibes and vital collective clan analogue, while green river was never released. now demanding wider appreciation, the dubs finally find union with green man’s new york hip hop/dancehall style, lifted from his second solo album the blue hour vol. 3: deep blue. humbly excelling in all electronic forms, rantzen helped guide techno-rave duo itch-e & scratch-e through the 90s with paul mac. winning the inaugural best dance release category at the 1995 aria awards, mac thanked all of sydneys ecstasy dealers, without whom this award would not be possible, while rantzen stayed at home. the two would also operate incognito as boo boo & mace and screensaver, often collaborating on looney dubs with sheriff lindo - the master of seismic shocks down under. rantzens earliest work stretches back to pelican daughters, an ensemble who proliferated industrial-leaning ambient and tape loop experiments

the cryovac machine operates independently to service the world with an original strain of techno. our people are pioneers of their own sound and seasoned veterans of its cause. this cause is the basis for our action and the motivation for our vinyl. cryovac believes the vinyl format is the truest way to take in our music, and this is why we take great care to personally craft our own plates and photograph our own art. the cryovac approach and stance make it a true oddity in a world of commodities, and we hope you realize, feel, and respect our work. andy vaz is a rebel from the city of cologne. he is a creator of techno labels that follow their own path and challenge the standard dogma. his version of the techno sound has gone from stark and funky minimalism to synth cascades and housey feels. andy vaz is the perfect choice to collaborate with andy garcia. garcia s brand crunchy soul tech mixed with vocal nonsense is the yin to vazs yang. these like minds share a name, a spirit, and a drive to keep moving forward no matter the cost.

collaborations are often the fortune of timing. with andy having moved on since closing the dissident label to launching his cave paintings project to tim s departure from battant and striking out as andrew weatheralls engineer and soon to be co-member of the asphodells, an alliance was born between the two to undertake a series of live jam sessions at eachs respective studios. a love of new wave, new beat, uk bleep and detroit techno all feature in b-ultras and the aptly titled, neu beat. both cuts are heavily soaked in the pitch black, smoke machine funk and strob-laden fug of andys (and co-hort joe hart) infamous world unknown dancefloor. running at around 10 minutes the tracks are essentially an examination of acid houses ideals. clattering hats, throbbing basslines, stabbing keys and doses of 303. keeping it pretty simple but all about a pure groove on and on. backing these up is a remix of b-ultras from jamie paton that accentuates the groove and drags the acid deeper down to some b-boy dub throwdown - with more to follow from all protagonists in 2014.

liverpool based andy ash hits the saft imprint with two excellent analog house jams. the overall sound andy comes up with, hints to the early machine driven house sounds from the late 80s on the a1 in love whilst transitioning into the more jammy house sound andy has been purveying on his string of latest releases on his a2 jam called black stem.on the b side saft regular kastil provides andy ashs >in love< with a heavy machine rework. kastil proves he has been crafting and perfecting his production skills with some new hardware gear. this remix hold the intense feel of a 4am sweaty club session. all and all saft proudly present the 5th installment in their series of pure and all round house releases.

from the full length album, staight vacationing by andy vaz, soiree records is proud to present the unreleased mixes of feelin featuring vocalist eva soul. drivetrains reflection-a highpowered fusion bringing the feelin to a climatic, electrifying crescendo of deep scientific intelligence. andy vaz-original-it all begins here…the sumptuous voice of eva soul the colaboration of precision musicians and the absolute of machines, resulting in a feelin of authoritative electronic soul. norm tallys feelin-the late night creeper delivers another incendiary composition submerged in signature detroit intoxication

next up on nang, we have the long awaited full-length from nu-disco hero and synth aficionado, andy meecham. the release sees meecham step away from his revered emperor machine monkier to create something conceptual and truly visceral, yet still retaining those signature grooves and rich tones we all know and love. the aptly titled monophonic volume 1 is a synth purists dream. each track has been crafted on a single classic synthesizer (and named after it!), giving each piece its own identity and sense of time and place, referencing landmark moments in the history of music technology from the east and west

nice price deal !!! the third, somewhat overdue, installment of andy blakes cave paintings series finally sees the light of day. all the cave paintings releases are one-take analogue excursions constructed by machines and recorded live in new cross gate and mastered for vinyl in hackney.3x is a close cousin of 2y.a simple but dramatically effective warmly buzzing bassline is clambered all over by layers of interlocking pure analogue percussion.machine funk meets the locking crew for a warehouse showdown.3y heads into thus far uncharted territory. an evil, growling lfo driven bass underpins militaristic percussion thats slammed hard into ancient spring reverbs and accompanied by the sound of synthesisers being choked to death. heads down strobe-lit dancefloor action.

if you have ever heard a crunching roland system 100 bass line ringing in your ears at 5.00am in the morning, there is a good chance that it has been written by andy meecham. whether as emperor machine, sir drew, chicken lips or even bizarre inc his music rolls and waves in incredible ways and sheds light on all the probable combinations of familiar sounds. morning banger is certainly a hot potato! upon the first listen you are hooked in with the slightly aggressive korg delta drawing you in. the track builds and builds into a crescendo of beautiful tension and before you know it your brain is eagerly awaiting the next step of the journey.

recorded in the immediate aftermath of his last ep >passed me by<, this new doublepack from andy stott features six new productions that are more desolate and exposed than anything on its predecessor. the opening >submission< tumbles into being with layers of washed-out digital revolutions, creating an artificial landscape thats quite at odds with the analogue machinations that follow - yet somehow rendering the alienated feel of this material perfectly. >posers< nudges its way into being abruptly and embeds another squashed funk variant thas all low-lit neon and growling textures, awkwardly shuffling into a more robust 4/4 template suffused with sparkling percussion and disembodied vocals. >bad wires< is the centrepiece of the ep, a relentless percussive cluster*ck that belies its slow tempo with a fearless rhythmic attitude. its as immersive and narcotic as anything ever produced by stott - peeling away one layer after another with each repeated listen. >we stay together< (part one) was the first track written for the ep and offers a more spacious narrative and a more sparkling, hazy palette - culminating in a beautifully frayed central hook thats somehow in keeping with the vhs aesthetic of both jamal moss and ferris bueller. >cherry eye< tumbles deep into a darkened hole before ep closer >cracked< turns up, fuelled by an odd mixture of adrenalin and sorrow to send you on your way.... buzzing and forlorn

this february sees the launch of a brand new label, boogie originals.
the labels first release gives a taster of what to expect, four tracks of original music with feet in the past but head in the present.
dj play: crazy p, daniel solar, dj rahaan, cole medina, chris duckenfield, cosmo vitelli, nick chacona, anthony mansfield, maelstrom, jon dasilva, illija rudman, phat phil cooper, bonar bradberry, krysko, deadly sins, rejekts, ltj experience, sleazybeats, craig smith (6th boro), kelvin andrews, unabombers, soft rocks, david dunn, andy mac, disco bloodbath, ashley beedle, mark e, rob j (main stem), alkalino, cottam, bedmo disco, tristan da cunha, sleazy mcqueen, tal m klein, jacques renault, ali ooft ...

cave paintings is a new imprint dedicated to rough as you like machine music that lives somewhere in techno, house and ebm territory. all the tracks are done live in one take on old analogue boxes for a loose, organic and spontaneous feel that its impossible to capture when using computers. for the same kind of reason these are only available on 12. the mastering and the vinyl itself are an integral part of the sound. on this first release side x is a ten minute straight-up bass-heavy skeletal club groove with hints of a latin vibe about it and side y is more grinding and pounding in a nitzer ebb on quaaludes fashion, relentlessly developing for a full fourteen minutes

huge dancefloor weapons incl remixes by tim green (trapez), andy chatterley (saved) and dj wady & patrick m mosca

das aufstrebende modern love label macht ordentlich eindruck mit ihrem bisher straightesten release. tip für alle basic channel / maurizio fans

uses samples of james browns sex machine produced in cool black legend style

das aufstrebende modern love label macht ordentlich eindruck mit ihrem bisher straightesten release. tipp!!

plugged-in pop, concrete prog & global robotic rock.16 highly charged currents of latter day electro-magnetic poly-pop, robotic rock & modern day mechanical music. featuring unreleased electronic music for atari video games, swiss construction companies and low budget eastern film productions alongside unknown and undercover synth driven rarities by members of can, hawkwind, niagara, soft machine, dynastie crisis, gong & nucleus.compiled from a well travelled dj bag of inhumane second-class sound by saxonic wax magnet andy votel ( finders keepers ) including full length tracks from his acclaimed vintage voltage mix tape.

dj andy smith Ð one of the worlds premier funk djs and the man who supplied portishead with their samples Ð joins forces with keith lawrence - renowned reggae collector and reggae dj from www.colourfulradio.com - to present the heaviest selection of funky reggae in the uk smiths comps have sold over 35.000 units inc. the acclaimed -document- series which included albums for greensleeves & trojanp>killer cover versions of stevie wonders you havent done nothing (sly dunbar), marlena shaws woman of the ghetto (hortense ellis) & william de vaughns be thankful for what you got (donovan carless) super rare cuts from bumps jackson, barry waite & sly dunbar tracks from impact, randys, demon, dynamic, hot shot, tent & various pama records offshoots various tracks from the pama catalogue which back-in-the-day was a contemporary of trojan inc tony scotts what am i to do now, pussy by kid longo, lloyd terrells i did it, ricos tribute to don drummond, d tony lees peyton place, lester sterling & stranger coles bangarang & children get ready by the versatiles.

dj egon von stones throw ist ein fan, und fŸr shan ryder von den happy mondays ist andy votel aus manchester >the most original dj ive heard since 1975<. der macher des labels finders keepers hat als produzent mit kŸnstlern wie badly drawn boy oder kŸrzlich gruff rhys gearbeitet. auf dieser mix-cd gibts nun weniger fuzz, dafŸr mehr fizz - 68 stŸcke obskuren, europaeischen library-elektro-pops in 72 minuten!

es ist fast 2 jahre her seit unserer letzten reissue-compilation, deshalb freuen wir uns, shrr06 anzukündigen: seven hills presents governed by rhythm 94 - 97!

wir machen einen weiteren wilden ausflug in die welt von andy jones, dem mastermind hinter precise daily rhythm, einem label, das wir im jahr 2020 neu aufgelegt haben. governed by rhythm war ein ventil für andys schnellere, trancigere dance-tracks, im gegensatz zu dem groovenden techno und tech-house von pdr.

first ever vinyl pressing of asc’s album “truth be told”. mastered and cut by andy miles at star delta audio mastering, pressed on double vinyl.

30th anniversary edition - limited to 1500 numbered copies on black & yellow marbled 180 gram vinyl.

the new album from glok (aka andy bell of shoegaze legend ride) on limited orange double vinyl.

the new album from glok (aka andy bell of shoegaze legend ride) on black double vinyl.

re-issue des 2001er albumklassikers - zwei jahrzehnte ist es inzwischen her, dass kreator ihr bahnbrechendes zehntes studioalbum violent revolution veröffentlichten. -das ist eines unserer stärksten alben in der kreator historie „sagt mille petrozza aus Überzeugung“. wir nahmen was wir auf coma of souls und extreme aggression gemacht haben und implement-ierten moderne metal elemente zum bisherigen sound. das war eine neue kreator Ära die damit begann. eine wiedergeburt könnte man sagen und der start in eine zweite karriere.- der produzent für das album war andy sneap der sich nun damit einen hervorragenden namen in der szene machte.

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die größten hits aus thomas gottschalks 68er show im zdf. das doppel-vinyl erscheint im klappcover

respuesta alternativa or the alternative response was the project of spanish musician jesus ma catalan, created with the help of julian c. perez. as the title implies the music was generated in response to traditional music notions of the time, and reflects how jesus ma catalan would challenge these traditional ideals using a fusion of styles and his unique vision. jesus laid out his synths and drum machines, while other musicians played traditional instruments over the top. this unique approach worked to create atmospheric tracks capturing simple themes, with each influence being carefully thought of in the joint result. as he explains each instrument weaves independently throughout a passage in a curious game where the listeners attention goes from focusing on a keyboard, guitar to bass or percussion. previously only released on a cassette album in spain, left ear have polished 5 choice cuts for a 2018 12inch.

k.o. ist die blaupause für einen futuristischen neuen dancehall-style, der miss red in ein gemeinsames outernationales beat-continuum mit seelenverwandten acts wie equiknoxx (jamaika) und seekersinternational (kanada) setzt. ihr debütalbum erscheint auf dem neuen label pressure ihres produzenten kevin martin aka the bug, der schon auf ihrem ersten mixtape -murder- (2015) neben mark pritchard, mumdance und andy stott zugegen war. die zwischen london und berlin pendelnde mc aus israel tourte als teil von the bugs line-up mit mc-kollegen wie flowdan, daddy freddy, warrior queen und riko dan und arbeitete erfolgreich mit dem warp-künstler gaika zusammen.

best effort records jumps out of the box with their inaugural release ’number one’ - a selection of tracks that celebrate friends making music together. cold emotion are danny wild and rory stenning. the duo explore improvised club music using various keyboards and modular synthesisers. “toast” is a track taken from an extensive live recording session from 2015. accidental cv messages create unexpected cyclic baseline patterns while keyboard melodies float freely above jacking modular beats. the result is an imperfect, inspired club jam ready for any occasion. -cantao- pitches things down from the hypnotic frenzy of -toast- to offer a unique hybrid between computerized dub, subaquatic g-funk and triphop ambiance. canadian content! -manipulate me- is a collaboration between ivy barkakati and phran. the stark, alienated quality of ivy s spoken vocals & dark subject matter sounds even more claustrophobic and sinister backed up by the duo s frigid machine-funk, which is more in the spirit austere & icy 80s coldwave than modern house music. metric systems are a duo from somewhere in australia. the fathoms-deep -adaptation dub”, recored in 2009, is reminiscent of australia s after-hour dub technicians sheriff lindo or andy rantzen. look out for a full lp later in the year

special packaging edition. uriah heep’s 1971 lp, which established the band as an international arena act. the original lp on 180g vinyl remastered by noted engineer andy pearce. presented for the first time in “mirror-board” packaging.

initially paying tribute to the analogue absurdity, sonic diversity and sheer imagination of the early 90s dance music landscape, future four returns after a hiatus of several years, pushing into new eras, machines and ideals with connection. initially a solo project of andy meecham, the brains behind emperor machine, chicken lips, and bizarre inc., connection is the first future four release to feature the contribution of erol alkan as a permanent member, and is a coupled with a remix from i:cube. a veritable powerhouse of synths, vintage drum machines and all man-ner of effects, connection unfolds with minimal tempo and maximum impact, as sequences of unexpected electronics gradually build from every direction, each landing with the razor sharp precision associated with their composers. cascading synths overflow like fizzy drinks, pro-pelling the track along an electronic patchwork of fm synthesis and psy-chedelia. on the remix, i:cube takes the unpredictable rhythm of connection and coaxes its versatile, multiple elements into a timeless slice of boogie house. nurturing the outsider casio feel of the track under a musical heat-lamp, the always forward-thinking frenchman emerges with a cut that could easily soundtrack both sun deck and space station.

2018 repress incoming! double 12 inch plus download code for the full album.
since bursting onto the drum & bass scene back in 2008, the uber-talented young russian upstart alexey egorchenkov has become one of the hottest properties in electronic bass music. better known as enei, his brand of forward thinking musical muscle has featured heavily ever since in the sets of kasra. friction, andy c and many more, and in 2011 kasra snapped him up to become criticals first ever exclusive signing. a name on the tip of most tongues, eneis debut album has been the talk of the d&b town and is now finally ready to unveil as we head towards the close of 2012. >machines< is set to catapult enei to new heights, a long player of devastating proportions full of incredible bass-wayed angst, vocal masterpieces and production that’s second to none. get ready for the sound of the >machines<, the most anticipated drum & bass album of 2012 and you are about to find out why.

welcome to the next vinyl record on kickmasomaass records and we are back with next edition of hardgroove planet the second one. the only one real hardgroove techno sound on this planet released on vinyl! all others are only cheese! as always we bringing you also this time four tracks from creme de la creme of hardgroove techno producers. the first one chewy martins has delivered us track called dark shadows and i think that this one is one of his best tracks he has made. excellent dark synths with hard tribal beat and heavy kicks. a dream of every hardgroove fan and one must have for every hardgroove party. second track is from well known andy bsk called machine. this very poor producer from slovakia has finally delivered us one real hardgroove track that has a potential to destroy every club. his beat and sound is so catchy that every hardgroove fan will love this track. the next track on hardgroove planet 2 is from dj gumja called noelom. this slovenian dj and producer has delivered us a track with real hardgroove heart. great tribal beat filled up with a catchy vocal. great work from him! the last track and a grand finale for our hardgroove planet 2 is a track called moon from recycle bot. all fans who is know this producer knows that he is more hardtechno or techno producer as hardgroove but his track moon has something from hardgroove sound too and thats why we have added this track to our compilation. great hard beat with tribal percussions, dark synths and heavy kicks. so thats all for now. hope you all will love this new vinyl record and if you want to show some love then spread a word to your friends about this new release. thanks for all support. enjoy!

an old hero at int hq, andy meecham(bizarre inc, big 200, chicken lips etc.) released his debut for internasjonal recently. no we with vol.2 of a 2 part series entitled 2500?. all synth noodles and doodles written, performed and produced by andy meecham and one rework by wolf m³ller prins thoma

radio: bbc radio 2 (zoe ball, alan carr & mel sykes, craig charles) bbc 6music (craig charles, steve lamacq, nemone), bbc introducing bristol. jazz fm, solar radio, radio one italy, radio krimi, wncw, radio pepper greece, radio nova portugal, kane fm, radio 1 prague, khol, ibiza global radio, 1brightonfm, d-radio kultur, ckia fm quebec, wutk 90.3, radio z burenburg, fg chic, press: wpmg, stereofox, 45live, monkey boxing, fleamarketfunk, the dutch guy, kbps, life support machine do you long for a time where you could head out have a good time and dance your pants off? well the allergies invite you back to the glory days of northern soul, high kicks and throwing yourself around the floor with their new single entitled to that . it s an up tempo stomper with feel-good soul sensibilities that would be equally at home at the wigan casino as it is on today s festival circuit. following on in the same vein that made their 6 music album of the day record – as we do our thing so popular, they continue to reshape classic sounds for the modern dancefloor. talented soul songstress honey larochelle provides the sass in this peppy number co-penned with the allergies by regular collaborator andy cooper (ugly duckling). this second single taken from their forthcoming album push on shows they ve lost none of the verve that made their debut so good, and gives another taste of what to expect from the lp. they balance out the release nicely with a steady groover in the shape of get down on you – a steady funk groove with a catchy bassline and the usual signature flair touches from the guys to keep the crowds entertained.