(180 g pressing) for his third album for far out recordings, london based multi-instrumentalist and one of europes finest saxophonists sean khan ventures to rio de janeiro to collaborate with iconic brazilian polymath hermeto pascoal.

nichts passt besser zu dieser aussage auf diese wundervoll zusammengestellte und verzaubernde musikselektion, die, wie auch jeder agnes obel-song, ruhe und frieden ausstrahlt. es ist die entschleunigte antithese zur rush hour, wie ein zugefrorener see an einem sonntagmorgen. agnes obel verbindet songs der enigmatischen jamaikanerin nora dean (eine duke reid produktion) mit dem kargen, bitterbösen -party girl- von michelle gurevich, das den gleichnamigen französischen film inspirierte. wehmütige stimmen von the bulgarian folklore choir, nina simone, ray davies und agnes selbst treffen auf mehr oder weniger elektronische tracks von yello, can und der griechischen kultkomponistin lena platonos. garniert wird die kollektion mit neuem agnes obel-material wie den dänischen song -glemmer du-, die vertonung von inger christensens -poem for death-, sowie den song -bee dance-. die doppel-lp erscheint als limitierte 180g pressung mit allen 19 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen plus kunstdruck in 12- größe.

tva is the latest album from malmö-based artist singular. electronica with acoustic piano as a starting point, we find ourselves in a borderland of contrasts acoustic & electronic simple & complex rhythm & melody. the sound world has influences from both electronica, pop, jazz and art music. the goal is to achieve harmony between the shine and the sharp the light and the heavy. simple and effective melodies are placed in complex, often slightly skewed and chafing, sound environments. the end result is a singular vision in the form of an imaginative and multi-faceted sound experience.

music inspired and taken from the film “underground” by emir kusturica (palme d’or, festival de cannes 1995).

unveröffentlichter soundtrack des norwegischen kultfilms operasjon cobra aus den späten 70er jahren, das album von 1978 wurde mit einer all-star-besetzung aus talenten wie knut riisnæs, henryk lysiak und thor andreassen aufgenommen. remastered von den ursprünglichen mastertapes, erscheint das album in einer limitierten auflage von 500 stück.

the palm tree needs no introduction to anyone who has visited this part of town. diamond boozer and blitz survivor, it stands solitary on the regents canal between mile end and the roman road, quietly resisting the urge to move with the times. on weekend evenings you can enjoy the jazz standards of the great american songbook played by the musicians who feature on the album, no ticket required. tom oldham (@tommyophoto) is a london-based portrait photographer, shooting portraits of musicians, sports stars and talented folk all round the world. his work has been widely recognised by the taylor wessing photographic portrait prize, the open series in the aop awards and most recently the sony world photography awards 2018. andy gangadeen is a drummer of international renown, playing with bands as prominent and diverse as duran duran, massive attack, spice girls and chase & status. he a true pioneer of live dance music drumming and has been known to pick up the sticks at the palm tree from time to time

limited rsd 2018 release.

miles davis’ greatest hits back on vinyl .

drunken foreigner band is a brooklyn-based ensemble that makes a sprawling electrified iteration of the akha and lam lao musics of thailand and laos. the majority of the bands music was learned from cassette tapes of the largely-vocal music traditions, gathered by keyboardist dave kadden on his trips to southeast asia. comprising members of sunwatchers, invisible circle and other experimental brooklyn outfits, they are releasing their debut lp white guy disease on electric cowbell records.

a chance encounter in barcelona, spain brought us together to make this record happen. it’s a precious little marvel of love from kou keri kou and electric cowbell. based in barcelona, spain, the group began with the aim of making music to dance to, taking inspiration from all over the world with no fear: the music from cuba, perú, jamaica, congo and nigeria is as important for kou keri kou as the music played in europe or in the united states. los zafiros, gary numan, los destellos, radio futura, sunny ade and kiko veneno share place in their imagination and help them create open-minded pop that always looks to the future. their lyrics are sometimes open, sometimes a bit more cryptic, sometimes political and sometimes biting, but always try to communicate with the listeners while trying to make them dance. they’ve been playing together for two years, creating songs that didn’t exist before, urging the people to dance and singing about their issues, which may also be yours.

back in the day, french pianist, composer and all-round jazz superstar jean-françois quiévreux, a.k.a. jef gilson, was up there alongside the likes of peers john coltrane, oscar peterson, and sun ra. in a fitting homage to the decades worth of sublime music, and his sad passing away in 2012, french quarter palm unit have released a lively, honest tribute, upbeat and contemporary re-interpretative vision of his legacy

the youthful jazz iconoclasts of schntzl are undoubtedly among that much-talked-about new wave of belgian jazz.this brand new ep paper, wind is a moving collection of melancholic snapshots in which they keep flirting with minimalism and subtle electro.

ghent based pianotrio steiger have earned their place in the ever growing peloton of young belgian jazz innovators. as a result, they won the young jazztalent price at the 2017 gent jazz festival. with their luscious and rigid grooves in minimalistic framing, they cose themselves between schntzl and de beren gieren, likewise minded young beljazzbands that don’t take it so closely with traditions. they play jazz with a rock’n’roll attitude. sdban ultra is very pleased to present a sampler of their debut album ‘and above all’ on a limited 10” vinyl for record store day 2018. this release marks their introduction on sdban ultra, their sophomore album is expected next fall. ‘and above all’ houses both jazz and modern compositions, avant-garde and experimental electronics. steiger takes inspiration from jazz and refers to the traditions but equally pulls those apart, for example in the chaotic miniature bachfag and in the intimate inverse/reverse . with berlin revisited the band clearly chooses electronic instrumentation. it is reminiscent of the electronic jazz of the noughties: bands like triosk, sofa surfers and flanger did not so much work towards jazz but used the genre as a stepping stone to dive into the cosmos. steiger are launching themselves into infinity on this track with a pounding beat, shrill cymbals, overdriven keys and an unwieldy bass.

reissue / repressed , troupeau bleu is the 1st and most famous album which had been recorded by the french jazz-funk band legend, cortex. the obscure french jazz group that’s been a favorite of funky collectors for years! reissued last in 2008 by underdog records, it’s now back in stock in a final limited repressing of 500 copies, reissued by trad vibe records under official license from alain mion. in 1974, alain mion, alain gandolfi & jeff huttner formed the mythical band, cortex, who then recorded several lps, including the legendary “troupeau bleu”. “troupeau bleu”, recorded in 2 days in july 1975, is a real musical u.f.o, an unclassifiable record, a mixing of thousand flavours, the kind of records you will discover listening after listening. the result is a stunning electric groove with a feeling that’s really fresh, nice and warm, and funky in all the right parts!

over the past few years orchestral instrumental music from outside the classical establishment has become huge, and neil leiter and margaret hermant of the belgian echo collective have witnessed the evolution and extraordinary rise of this movement right up close. they ve worked with some of the most important players, including stars of the lid, dustin o’halloran and adam wiltze’s a winged victory for the sullen and o’halloran’s solo projects, as well as jóhann jóhannsson. and though the echo collective members themselves very much do come from within the classical music establishment, they don t care which side of the fence they are seen to be on.

the complete show from copenhagen, march 24, 1960 on miles davis’ and john coltrane’s final tour for the first time on vinyl.

1 lp, first re issue ever, cut from original masters. original packaging strictly reproduced + printed gatefold sleeve and printed inner-sleeve with cd included. original year of release: 1991. features the tracks le soleil de bodega, face a la mer, famille heureuse, etc. les negresses vertes was the biggest french act touring the world in the beginning of the 90s. the band has just reunited and will tour europe this year to celebrate the 30th anniversary of mlah. the album famille heureuse has been unavailable on vinyl since their first original pressing.

a primer on london’s bright-burning young jazz scene, this new compilation brings together a collection of some of its sharpest talents. a set of nine newly-recorded tracks, we out here captures a moment where genre markers matter less than raw, focused energy. surveying the album’s running order, it could easily serve as a name-checking exercise for some of london’s most-tipped and hardworking bands of the past couple of years. recorded across three long, fruitful days in a north west london studio, the results speak for themselves: they’re a window into the wide-eyed future of london’s musical underground.

the torben unit band from berlin returns more experimental than ever whilst still being rooted between jazz and rock. after the self-titled first lp on money $ex records, the second album -sawaasch garahsch- will be out in winter 2017. no label – self-released. the new album consists of many episodes telling a story that couldn t be purer nor rawer. jazz-rock is the genus when modal madness meets electronic soul and psychedelic spheres. the spectrum of instruments being used is huge: from bouzouki to pearl s syncussion, there is no limit of instrumentation whilst the core of e-piano, guitar, bass and drums mostly remains. torben unit s concerts as well as the records are a guaranteed jazz-rock party with never ending feeling.

karl neumann: keys & vocals georg seibt: drums ludwig labuzinski: synths & effects valentin handrick: keys & percussion gerry franke: guitar & bouzouki max graef: bass & rhythmguitar

official reissue on 180g vinyl.

(180gr) following the recent reissues of jose mauros obnoxius, piris voces querem mate? and victor assis brasils toca antonio carlos jobim, far out recordings presents a second album from victor assis brasil from the treasure trove of the quartin records catalogue, esperanto

auf dem neuen album der sängerin und gitarristin ulla haesen, rio so vim matar a saudade, verbinden sich die talente von drei gefeierten brasilianischen künstlern (kiko freitas, lula galvão, nelson faria) mit der passion einiger der besten musiker europas (decebal badila, alfonso garrido, jesse milliner, francesco petrocca, gabriel pérez, jürgen schuld, hendrik meurkens). das von klaus genuit meisterhaft aufgenommene projekt rio so vim matar a saudade, bietet uns eine musikalische brücke, gebaut mit liebe, neugier und einer persönlichen sehnsucht nach dem glanz fremder kulturen. pressung auf schwarzem 180 gramm vinyl.

as a truly indispensable bookend to any listeners with the slightest interest in experimental music, french culture or the foundations of mechanical songwriting this inaugural release by these parisian musical revolutionaries not only predicts the future sound of modern composition by almost 60 years but detangles the deepest roots of european popular culture celebrating an important historical family unison in the process. combining the infant steps of magma, the sonic blueprint of 1970’s tv theme picture box and the sculptural creations of polly maggoo this important and groundbreaking 3 track 7inch ep takes us back to the very first aural glimpse of the future of pregressive europe at the hands of physical sound sculptures glaring in the face of premature technology.

(lp+dl) reissue of the belly dance holy grail from the organ king of cairo, combining traditional rhythms with spaced out modern sounds.(lp+dl) reissue of the belly dance holy grail from the organ king of cairo, combining traditional rhythms with spaced out modern sounds. hany mehanna, beloved musician and composer of the greatest artists from the arab world such as oum kalthoum and abdel halim hafez, shows himself from a more experimental side on his solo albums. originally released in 1973 the miracles of the seven dances is a pure work of genius: hypnotic organ grooves, psychedelic guitars, mystic strings and haunting percussion. belly dance as good as it gets!

one of the funkiest albums ever from gilberto gil – a set that beautifully mixes rootsy elements with tighter funk arrangements – in a style that’s not unlike some of the 70s samba soul experiments from jorge ben! the record borrows heavily from american funk and soul of the time, and takes gil’s tight songwriting and infuses it with an even catchier edge than ever before – really creating a fantastic groove that seems to illuminate gilberto’s lyrics even more than before – with a sense of personality and joy that really comes through, even beyond the barriers of language! the whole thing s wonderful – tight, but never overproduced – and very individual, despite an influence from american soul music. titles include -rafavela-, -aqui e agora-, -ile aye-, -baba alapala-, -era nova-, -samba do aviao-, and -balafon-.

previously unreleased from the original radio broadcast tapes. recorded on 3rd november 1972 for vpro at heemskerk societeit progress, the netherlands. pressing on 180 gram vinyl, download code included.

kein anderer jazzmusiker spielte im laufe seiner 50jährigen karriere die trompete so lyrisch und melodisch wie miles davis. kein wunder, verlieh er seinem spiel dadurch eine ganz persönliche note. miles davis trug in großem maße zur entwicklung der jazzgeschichte bei und hatte zwischen den 40er und frühen 90er jahren bei jeder stilentwicklung seine hände mit im spiel. viele seiner anhänger behaupten sogar, dass der jazz in dem moment zum stillstand kam, als miles davis nicht mehr da war. auf dieser vinyl befindet sich ua der titel so what, eine jazzkomposition aus dem jahr 1959, dieser song wurde zum inbegriff des modalen jazz. auch die weiteren aufnahmen sind eine besondere rarität für alle fans des ausnahme-musikers.

the first release on power trio, the new label from ben nevile dedicated to a return to musicality.

“never change a winnig team”. that s what radio citizen s niko schabel must have thought when he decided to release his fourth album once again on sonar kollektiv. after the success of “the night & the city” (sk310lp / cd) from 2015 and the productive collaboration ever since this seems like a wise resolution. schabel s idea to retrieve to a mountain cabin in salvenberg, tirol with his band and tons of equipment turned out to be an even more crucial factor to the cause. here they could create and record new songs and bring them together neatly for the new album. the 13 tracks assembled here on “silent guide” are – each on its own and in its entirety anyway – best proof how wonderfully this approach has worked out.
double vinyl in gatefold sleeve with download code included.

pretty great sounds from the legendary antonio carlos jobim – an album cut a bit later than his bossa years, but with a darkly sophisticated sound that’s pretty darn compelling! the album features larger orchestrations by claus ogerman, and in a way, it’s similar to the jobim album on decca from 1973 (aka maita pere) – in that it’s got all the simple elements of jobim’s earlier bossa scoring, flushed out into moodier orchestral forms that we’d rank right up there with the modernist work of gil evans or duke ellington. a few cuts have a breezier sparer sound, and you’ll hear english versions of some older bossa tunes. titles include -dreamer-, -canta mais-, -olha maria-, -wave-, -two kites-, -this happy madness-, -song of the sabia-, -estrada do sol-, -voce vai ver-, -off key-, and -triste-.

an incredible album from lo borges one of the best singer/songwriters on the brazilian scene of the 70s! borges first burst into the spotlight for his work on the club da esquina album by milton nascimento and his work as part of miltons corner club really helped shape the style of the more famous singer. yet borges is almost an equally great talent on his own with a soaring, soulful approach that’s every bit as great as the best nascimento material from the period and recorded in a wonderfully similar spirit! the sound here is completely sublime right from the start music that moves us, even if we can t understand the language of the lyrics like some of the best work by caetano veloso and gilberto gil. there’s maybe a bit more guitar than on some of the milton nascimento work of the period but used in a fuzzy way that slides in nicely with some of the jazzy phrasing of the instrumentation which is delivered with help from key contemporaries who include beto guedes, nelson angelo, toninho horta, and tenorio jr. the songwriting is amazing and titles include cancao postal, voce fica melhor assim, nao foi nada, calibre, faca seu jogo, toda essa agua,pensa voce, como o machando, and aos baroes.

brilliant 70s material by antonio carlos jobim – one of his key sets from the middle part of the decade that had the composer really deepening his approach to both singing and songwriting – moving past some of the more instrumental modes that he was using at the start of the decade! there’s a richness to the songs that goes way past simple bossa styles – and the lyrical brilliance shows that jobim hardly ever needed a poet or co-writer to help him hit the heights – as he really wins us over with his words as much as his music. claus ogerman produced, and gives things the right balance between fullness and space in the charts – which allows both a great focus on antonio’s vocal style – expressive, but very down to earth – and a few nice solos on fender rhodes too! titles include -saudade do brasil-, -correnteza-, -boto-, -ligia-, -valse-, -arquitetura de morar-, and -o homem-.

polysom brazil 180 gram vinyl lp repress import, released in 1969.
heady heady work from the legendary gal costa – caught here right at her early best, smack dab in the middle of the tropicalia years! the album’s one of gal’s legendary collaborations with arranger rogerio duprat – and it’s very much in the spirit of her other incredible session from 1969, but also features some even heavier and more tripped out guitar – in a way that really pushes the psychedelic aspect of the work! the sound here is really amazing – very fuzzy and freaky at times, in ways that make the album one of the most rocking sets of the entire tropicalia scene, but in ways that still hang onto the quirky experimental qualities of work by os mutantes or caetano veloso. gal’s vocals really rip out amazingly at times – light years away from the sweet sound of the late 70s, and more in the frenetic, urgent style you’d expect from the politically-charged scene that spawned the set. caetano veloso and gilberto gil join gal on a great version of -pais tropical-, jards macale guest stars on the classic -empty boat- – and other tracks include -tuareg-, -meu nome e gal-, -pulsars e quasars-, and -cultura e civilizaco-. essential!

a wild solo project from rita lee – done after the breakup of os mutantes, and offered up almost as some sort of commentary on mainstream rock in the 70s! there’s a much more straightforward approach to the music here – a sometimes-glammy sound that’s echoed by the band’s space-style costumes and makeup – but there’s also some weirdly old-style rock instrumentation too, almost like the way that an artist like gary glitter could fold the 50s and 70s together in his music, and come across making something very weird and new. here, the keyboards are almost stronger than the guitars – and rita herself plays moog, melotron, organ, and piano – on titles that include -tem uma cidade-, -menino bonito-, -mame natureza-, and -eclipse do cometa-.

the * dance session band project* started for the session with the dance duo symbol-ism who represents yoyogi, tokyo known as the base of yygrec. the band is composed by three members. daisuke fujiwara (sax), well versed in detroit techno, got attention when he was playing in his original band “phat”, which sublimated the improvisation style of techno and jazz in 90’s. after that he has played with jeff mills and also with underground resistance. masatsugu hattori (drums) who has been playing across the genre, has appeared on the fighting-style music event boycott rhythm machine versus live. he has also played and gone on a duo tour with mc sibitt from a hiphop crew origami. keigo iwanami (bass) is playing in a club jazz band sleepwalker, a punk band midori, oncenth trio, zycos and more. he keeps playing in various fields of music like jazz, pop, punk, improvisation music etc. in this project, they creates “physical” dance session music inspired by symbol-ism, and reflects their each musical backgrounds of jazz, techno, house, hiphop, punk, improvisation and so on.

double vinyl in gatefold sleeve. original recordings rermastered - dmm cutting.

2014 anthology of classics & rarities curated by longest serving member & current arkestra leader, marshall allen. newly mastered from the original tapes.

double 12 inch vinyl in gatefold sleeve.

suzanne kraft and jonny nash are matstudio.

recorded in new york’s avatar studios in may 2017 and produced by manfred eicher, blue maqams brings tunisian oud master anouar brahem together with three brilliant improvisers. for anouar brahem and dave holland the album marks a reunion: they first collaborated 20 years ago on the very widely-acclaimed thimar album. brahem meets jack dejohnette for the first time here, but holland and dejohnette have been frequent musical partners over the last half-century beginning with ground-breaking work with miles davis – their collaborations are legendary. british pianist django bates also rises superbly to the challenge of brahem’s compositions. and anouar in turn is inspired to some of his most outgoing playing. blue maqams is a highlight of ecm’s autumn season.
180 gram double vinyl release.

180 gram double vinyl in gatefold sleeve . vinyl 2 is a single-sided pressing.

black vinyl lp with download code included.

black vinyl pressing, includes code for download of full 43-track score.

lp + download card. new album waiho is brzzvll at its best: excellent psychedelic jazz-funk in which the band s solid, characteristic sound comes forward.the seven piece interfuse improvised dance music with jazz-fusion, afro funk and rare groove. it is freaky, it is trippy and it follows no rules.

the new cinematic orchestra album as black 180 gram double vinyl with download code included.

ugly papas were one of the leading acts in the belgian rock scene in the early part of the 90s. 23 years after their final release, they are back with their third full-length album. feisty indie rock, jazzy loops, zappa-esque episodes and fela kuti rhythms. with luc dufourmont (two russian cowboys, id!ots, bevergem) on vocals.
the vinyl release includes a download code.

180 gram double vinyl in gatefold sleeve with download code included. vinyl 2 is a single-sided pressing.

lp in printed innersleeve + download card. de beren gieren confirms their reputation as one of the most adventurous jazz trios of the benelux with their fourth album.raw energy, impressionist melodies and complex structures are generated via piano, bass and drums provoking polyrhythmic soundscapes with unexpected twists and sudden turns.

was auf oracle ungeschliffen passiert, ist der erste output einer deutschen jazz supergroup. zunächst wollte man ein unperfektes spiritual jazz album aufnehmen, das vorbildern aus den siebzigern fröhnt (strata east, black jazz et cetera), einfach mal der leidenschaft nachgehen. und man wollte eine fiktive band erfinden, die es nicht gab, und rausposaunen, es handelt sich um ein unveröffentlichtes album von namhaften und beseelten typen aus den 70ern. nun ja: dann hätte man nie live konzerte geben können, von interviews ganz zu schweigen. kurzum, es wäre schwierig gewesen, das geheim zu halten, also hat man sich entschlossen, die identitäten preiszugeben: web web sind: roberto di gioia (piano, synth, percussion), tony lakatos (tenor- und sopranosaxophone), christian von kaphengst (upright bass) und peter gall (drums).

vinyl reissue of os mutantes live album from 1976, their last recording until the 2006 reunion. an excellent progressive rock record with the legendary brazilian bands trademark quality and the line-up oforiginal member sergio dias, paulo de castro, rui motta and luciano alves on top form.presented in facsimile artwork and pressed on 180g vinyl.

just over a year after the release of sophomore album origin and echo, snow palms return with a powerful two-track 12” – almost 18 minutes of music in total, pressed on clear vinyl.

comes with download code and poster.

release #64 in mr bongo’s brazil 45 series.

dona onete - ‘the grande dame of amazonian song’ - returns with further tales from the river amazon on her sophomore album banzeiro.
whether she’s championing gay rights, singing about the delights of indecent proposals or praising a former lover for his ‘crazy ways of making love’, banzeiro is defined by onete’s honest reflections on life, love and sex, as well as her delight in the everyday pleasures of life in the amazon, whether that’s spicy seasoning, salty kisses or fishy-smelling water.

han swolfs turns our senses to more classic and jazz infused pieces, improvised almost entirely on winged piano. gazebo compositions can be considered a resting point after hans more energetic electronic releases and grasps back to his roots. inspired by a video-work by jef cornelis, han translates moods and impressions of memories of his youth and his relation to the artist using a technique similar to ecriture automatique. each note sprouts inspiration for the next one and composes the full story with uppers and downers. belgian duality in its bloom for this summer release. . written and performed by hantrax. mastered at dubplas & mastering berlin. pressed on (180g) 12inch black vinyl with a video still cover taken from de koninklijke serres van laken 1877-1902 made by jef cornelis in 1974. packed in a silk-screened transparant over-sleeve.

“the mark of the devil” is the third and last chapter of alex puddu’s trilogy with italian legendary vocalist edda dell’orso, here featured in three songs. written, arranged, produced and performed by alex puddu, together with many great musicians, the album is dope-groove, is prog-rock, is psych-blues, a walk through the gates of hell within lust and temptation. this album is the most obscure and experimental alex puddu has ever made to date!

electronic producer max cooper and ambient master tim hecker rework ben lukas boysen on his new ep golden times 1 – out on erased tapes, june 30th 2017. the vinyl release includes a download code.

the new album from yann tiersen on 180 gram double vinyl with etching on side d. housed in a gatefold sleeve with download code included.

this is one of the most influential groups in jazz history, a coming together of like-minded innovators who would be considered crucial influences by succeeding generations.

1962 was the year raymond scott composed and recorded portofino in many different arrangements. however, no recordings were released until basta did include two versions on manhattan research, inc. movlp1855 the track became one of scott’s most popular electronic compositions.
limited edition of 1.000 individually numbered copies on gold 180 gram vinyl with download code included.

at the start of the fifties miles davis career had hit a barrier which, for a period of time, seemed insurmountable, but by mid-decade, with his substance-abuse troubles behind him, he had established himself as one of the major artists on the modern jazz scene. kind of blue can often be found at the very top of jazz record polls and, despite competing claims, is probably the best-selling jazz record of all time. the listener should be in no doubt that they now own some of the most essential music of the twentieth century and on gleaming blue 180g vinyl!

at the start of the fifties miles davis career had hit a barrier which, for a period of time, seemed insurmountable, but by mid-decade, with his substance-abuse troubles behind him, he had established himself as one of the major artists on the modern jazz scene. kind of blue can often be found at the very top of jazz record polls and, despite competing claims, is probably the best-selling jazz record of all time. the listener should be in no doubt that they now own some of the most essential music of the twentieth century and on 180g vinyl!

limited edition of 500 hand numbered copies on 180 grams vinyl, first 200 copies are green coloured.
the label is called spettro (the word has two meanings in italian, it means spectrum but also ghost) and the releases will be split in two series : spettro library and spettro soundtrack - this is spettro library!

herbie hancock is one of the most prolific jazz pianists of the 20th century. a child prodigy, he played with the greats such as donald byrd and miles davis. he was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound.
music on vinyl is re-issuing this hancock gem for the first time since 1973!
pressing on 180 grams audiophile vinyl.

scorned by critics at the time of its release, miles davis 1972 album >on the corner< is now seen as a forerunner of post punk, hip hop, drum and bass and electronic music, thanks to its revolutionary recording techniques. miles wanted to reconnect with a younger audience, who had forsaken him for rock and funk, and the experimental >on the corner< was his answer. leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio. >on the corner< isnt one of miles easiest records to listen to, but it can yield the most fruits. now released with completely re-mastered audio on 180 grams audiophile vinyl in gatefold sleeve.

numbered vinyls in fluorescent orange discobags.

piano musik für regenwetter

2lp vinyl printed gatefold, includes cd! cd edition and cd included in the 2xlp feature the same tracks in the same order. this is a clear perspective on comelade’s musical universe and can be considered as an ultimate “best of” and a radical introduction tothis chaotic and uncompromising instrumental music. rocanrolorama abrégé (-abbreviated rockandrolorama-, in english) is the short version of the complete works and reworks of pascal comelade published at the end of 2016 as a 6-cd box set in a sold-out limited edition of 1000 numbered and signed copies. pascal comelade made this album as if it was a new and separate album, with tracks that he considers best represent his work, from 1993 to 2016, according to the principle applied with the rocanrolorama box set: songs in their original form, alternative versions, reworks, additions… this short version was conceived especially for a double vinyl lp format: four sides with six tracks each, which you can listen to in the right order, from start to finish, according to a logical, thought-out progression for each side (slow tempo, medium tempo, orchestrations, electricity, etc.)