Releases from artist / Veröffentlichungen von : Pana

dj and producer espana from barcelona

90s styled house

originally released in 1969

decks tipp

r.a.n.d. muzik recordings welcomes the return of uk tech house pioneers, the alien recordings crew with tracks from a2, stopouts and the late, great andy panayi.

first ever vinyl reissue of the rare 1973 album from chilean band panal.

2021 repress in full colour sleeve with download code included.

panam panic is one of the best jazz-groove french bands.

panam panic is one of the best jazz-groove french bands.

originally released in 1982

hand-stamped 140 gram vinyl 12inch

hand-stamped 140 gram vinyl 12inch

hand stamped vinyl!

a1 ! tip!!!1!!

re edition

brazilian boogie merchants barefoot beats treat us to two very distinctive but equally refreshing flavours on yet another highly collectable 10 inch record. first up they welcome nyc dj & music collector jacques renault on board to exchange the loft for the beach bar as he drops a heavy slice of funk inspired boogie bliss that s perfect for the beach party. on the flip, selvagem s trepanado transforms the party sound by dipping into a more synth driven and edgy 80s influenced brazilian warehouse party vibe that builds to a break so tropical you can actually feel the sunrise coming. tudo bem! vamos!

we are happy and proud to launch the debut release from alexei versino, 1 half of stump valley. we are equally excited to have the legendary joe clausell on remix duties as well on this one.

prolific producer mathis mootz is very well known within the drum/bass and hardcore techno arenas as being one of the innovative pioneers to merge both genres with an unique approach. his contribution to the electronic music community is not limited to his explorations within only the drum and bass and hardcore genres, mathis also has various experimental projects, most noteworthy being his m2 ( squaremeter ) project with releases on mille pleateux, ant-zen and hands productions. the sound of m2 is defined as a combination of micro sound and industrial soundscapes. the panacea is no stranger to the world of techno as some may suspect, his command of the position chrome record label came from his close relationship with force inc. music works which was one of the earliest german record labels to fuel the underground techno/rave scenes in the early 90’s. since position chrome came under his guidance in 1997 it has become one of the most important labels in electronic music due to it’s integrity and an impressive release of quality music for it’s genre. more recently, he has been investigating the techno landscape with david frisch together known as new frames, their latest release on hands productions is essential for those interested in contemporary electronic music of the dark techno/industrial kind. “ above the absolute “ is a 12’’ of mercenary techno produced with expert skill. the opening track “ above the absolute 96 “ is pure sound wave balance with all the components for what is sure to light any dance floor on fire. “ most basic resolution “ is a dark, mood shifting, hard acid techno reminder of what it means to create music for warehouses, pure old school for the hardcore. “ overdrive ee “ continues in a more contemporary direction and demonstrates a mastery of percussive elements in tune with the kind of atmosphere that brings people together in the dark. the final track “ walter “ goes back into the future with a track aimed at the headstrong, an exceptional closing chapter that hits dead centre on the search of the perfect beat. an overall completely impressive work from an artist who has set no limitations for himself.

limited edition of 300 copies on clear vinyl.

great reissue of the hugely in-demand rota enterprises 12 inch release of panaches massive jazz-funk tune *sweet music*. unstoppable and fiercely funky, this brilliant cut never lets up the energy for a second - frenetic guitars and bass combine with grooving keys and sweet vocals in a highly-charged dancefloor bomb. backed with the equally wonderful instrumental jazzy version which ramps up the drums and keys, a big favourite of kenny dope amongst others. unbelievably good and ultra hard-to-find in the original, you wont want to miss this!

the new ep from panama - who signed to future classic in 2012 with the release of the magic 12inch. this was followed by its not over, a powerful anthemic jam

released through future classic (flight facilities, flume, luke million), ‘its not over is the dark horse of the content-heavy indie-dance world.

limited coloured vinyl.... the panacea with a new rework of human resources dominator.... kiss yourself

a classically trained pianist from the age of six, jarrah mccleary grew up in the sticky heat of the northern territory, australia. his previous project, the dirty secrets saw the band working between australia and london with iconic producer and engineer, nick terry (klaxons, libertines). after working on ideas for a new record for over two years, in early 2011, mccleary declared a new album and boarded the airplane, bound for los angeles. between splashes of yacht rock, trop-pop and nods to peter gabriel (thanks to the iconic 80s yamaha dx7 synth), a short summer experience in the city where dreams are made lead to tracks tinged with hints of hopeful house music strewn with the sleaziness of venice beach and too much free poured tequila. and so, panama was born. magic is a modern summer anthem. and what better way to celebrate the party season than some bonus remix action by the worlds most avid dance enthusiasts? the sydney-based quartet join forces with dfa heavyweights and panama fans, midnight magic and gavin russom (the crystal ark) on remixing duties for their debut release.

the essential subsolo imprint drops another indispensable release. on the a side we have >maximum height<: a electroesque static bass tune with cryptic ambience, nautical!. flip over for b side pressure. maximum width subsolos next pitch, not missing the strike zone. this knuckle ball will score for sure. incredible street track that will break bones

classic tune !! ltd repress !! pepe bradock & jacksons single on pepes own atavisme imprint. a cinematic soundtrip with fabolus strings & an experimentation never heard at this time. chevalis the choice for tech-house lovers, a real must & an amazing groove. tip!!!! groove chart no 1 !

ultraphat techno electro acid monster …incl remixes by jesper dahlbäck & headman….-big support from: sven väth, ivan smagghe, i-f, optimo , tiga, dj t., ata and many others

coole clubscheibe inkl. brooklyn bounce rmx

strong 4 tracker ....

reworks

the omnibus band was founded by jarda zajpt and petr dikan in 1979 in czechoslovakia. having met at the electronic high school, electronics was their field of expertise. over time, petr dikan constructed several sound devices such as the Šílený fridrich (Šf, crazy frederick) keyboard and the vsd (všude samý dráty/wires everywhere) generator which he operated during the recordings and also at concerts. at that time, heavily influenced by brian eno and robert fripp from the king crimson band, jarda zajpt played the guitars, using all kinds of effects, pre-recorded tapes, and one or more interconnected tape recorders. the first record, “israels”, was produced between 1980 and 1982. in 1985, jarda zajpt swapped a guitar for a keyboard and a new member arrived – pavel zvolenský – who programmed and played the automatic percussions. martin bauer, playing the bass guitar, completed the trio. they have produced a second album, “rhythmus”, in this assembly. remastered from unreleased tape recordings. this is the first release in the framework of the project jupiter 08 – archeology of the slavic electronic sound.