denmarks leading outlet for fresh, forward forward-thinking jazz, april records, proudly presents the debut release from award award-winning danish vibraphonist viktoria sondergaard.
eine zeitlich gut abgestimmte remastered-version dieses killer-jacking-electro-tracks von aaron carl auf dem legendären metroplex-label, auf dem kein geringerer als juan the man atkins zu hören ist. die veröffentlichung umfasst vier versionen. schmutziger, unverzichtbarer detroit-electro.
maara ist zurück mit ihrem klassischen b*ll sh*t oder sprichwörtlichen höhenflug auf ihrer neuesten ep revenge from the penthouse. maara beehrt uns aus ihrem elfenbeinfarbenen penthouse und präsentiert uns 5 clubtaugliche knaller in ihrem typischen stil. mit ihr ist nicht zu spaßen...
nach ihrer ersten zusammenarbeit mit claudio prc tut sich artefakt nun mit maayan nidam für den zweiten teil ihrer kollaborationsreihe zusammen, die sich auf live-studioimprovisationen konzentriert, um die rohe energie einzufangen und neue musikalische verbindungen zwischen den künstlern zu erkunden.
fjaak kehren mit einem kraftvollen remix-paket zurück und liefern frische interpretationen einer auswahl von tracks aus ihrem unvergesslichen album fjaak the system aus dem jahr 2024.
after decades of dj-ing and recording for acts in the dutch underground hip-hop scene (like osdorp posse, def p & beatbusters, onderhonden) and being a mainstay of events like rauwe school and in full effect, dj daan releases his first solo record. six atmospheric instrumental tracks sprinkled with some mild turntable action, meant to sit back and chill out to.
das niederländische ebm/synthie-duo staatseinde kehrt mit artificial renaissance zurück, einem elektrisierenden neuen minialbum. die band verbindet die dringlichkeit des klassischen ebm mit der kühnheit des futuristischen synth-punk und schafft eine interstellare klangreise, die von pulsierenden rhythmen und dystopischen erzählungen angetrieben wird.
a walking contradiction expands its label family with aa sudd and kombe. having released solely exclusive varuna material before, the basel based imprint now welcomes two close friends for the first installment of their demi monde series. three murky slow techno jams in typical varuna fashion where fascinating eerie atmospheres work their way up through vigorous half paced grooves.
published on the occasion of charlemagnes aa-sschmmettrroossppecctivve exhibition, audiomer. is proud to present historical piano recordings dating from circa 1974.they were played on a bösendorfer model 220, regarded by some as the rolls royce of pianos, at charlemagnes 64 north moore street studio, tribeca in new york.
laconic phrases are all about less words and more sense. we use the same principles in our stripped down grooves which are released on fresh imprint - laconica. its all about minimalistic dance-floor tools which were tested in different clubs around the world, from kyiv s closer to concrete in paris.
for a debut ep, label founder alex pervukhin presents 3 different grooves. on the a-side you can find hommie groove, which is an excellent example of a broken-beat house music with good-old airy juno pads. on b side there are two 4/4 tools: bb, which could be heard in varhats mix for concrete which was so hyped last year. aa is a peak-time killer with analogue chords and jackin bassline. strong minimalistic grooves - exactly what laconica is all about.
this 12inch is pure trance. who is/are rita furstenhof? we have no idea who she/he/they are. the a1 track, the mighty -hadron collider- was sent to optimo music hq about 18 months ago. normally sending one track is not much use to a label, but this was so good that we instantly replied to say we wanted to release it. rita furstenhof works in mysterious ways, and it was 18 months until the other tracks for the ep arrived. along the way there were a few times when we thought they had completely vanished, and we were never going to have a complete ep, but finally, here it is.
volume 5 of the legendary series. the influential electronic label mille plateaux kickstarts its newest chapter with its flagship: a new edition of the legendary clicks & cuts compilation series, that in fact named its own genre. volume 5.0 (subtitled >paradigm shift<) features a totally new generation of young artists giving a 360 degree view on fresh glitch sounds: from minimal clicks to idm-/dub-ish tracks via ambient and sound art to the 2 >evac< tracks going to the artcore and organic extremes. each song has its own distinct character, and with a significantly higher amount in melodic and compository details than its predecessors, this is probably the most musically substantial clicks & cuts compilation ever.
comes with free cd copy of the release and discount voucher for other mille plateaux items.
das debuetalbum der londoner band i.r.o.k. um den englisch-marokkanischen leadsaenger mike title ist ein futuristisch-psychotropisches amalgam aus afro, techno und punk, angesiedelt irgendwo zwischen funkadelic, the prodigy und den spten pil, wo techno/electro-sounds auf entfesselte fussballfanchoere im oi!-stil treffen.
after what seems like a thousand years of blood, sweat, tears, and a lot more blood, your zombified disc disciples at finders kreepers unveil one of their most essential collections yet. this musical mausoleum of malformed freak funk and dreadful discothque pop has been resurrected from the maligned cinematic subculture of bombays bloodthirsty horror film industry and witnesses the cognoscenti of the bollywood pop scene at their most creative, destructive and experimentally effective. tip!