phreaky dj sprinkles remixes !!

vinyl only!

our next release soars over the atlantic in full color, splashing down an ep flowing with undercurrents of whimsical electricity. produced by new yorks coral oconnor, conversations fuses together bygone voices with vibrant synths and buoyant house rhythms to bring us four dance floor ready musings.

26 tracks ...

limited repress with new artwork!
it s 6:66am when chinaski elbows his way on to the floor. leather jacket. metal studs. bare arms. tattoos. with his hand freshly stamped this newcomer brazenly strides into the bordello. his style? try to pin it down. beats parry and pound with the intensity of an ebm hammer. yet, strolling through those meaty kick drums stride shimmering melodies that sport elements of new beat, italo and techno. the rakish grooves of -surfin dead- occupies the a-side. bold rhythms fly in the face of burbling bass and cascading chords as chinaski takes control. a body pumping work out follows. -unschuld der sinne- throws beat shaped fists from the needle drop as a brawl breaks out. born in the smoke machines of belgium, this bruiser balances its rough edged rhythms with beaming bars. there s to be no relenting as the closer screams like a nitro-fuelled missle. -ab in die ewigkeit- soars is a muscle-bound sky rocket set to keep any floor rumbling to the break of dawn.

remixes from alexi delano+fredy grogan! on the latest release from make mistakes, roy england and friends take us on a ride into the beautiful, soulful depths. from uplifting love jams, to the chunkiest house funk, as always, the gang has you covered. roy england’s original mix soars through the night skies. pitter-patters, emotive pads, and a driving groove bring us the softer side of our little boogie baron. perfect for the euphoric abandon of a sweat soaked dance floor. alexi delano, a man who needs no introduction, kicks things up a notch, taking the original and giving it a restructured, pumping groove. a dubby line runs through, with echoing pads, a pulsing bass, and fluttering keys and synths. a beautiful dance floor meditation, with plenty of junk in the trunk. fredy grogan takes a hard left, and steps confidently into a psychedelic, tribal funk. teasing new vibes out of the original material, grogan transforms beauty in rhythm into a classic house groove, before settling us in to a hypnotic groove. make mistakes keeps on keepin on. thats all we know.

fur coat join joseph capriatis redimension label with an ep of melodic, dancefloor power. the duo explore steely techno in five warehouse-ready tracks which unfold over extended run times. the eerie synth line, wall-shaking kick drums and vocal sample of repeat set the tone. mercury retrograd continues with a heavy, eyes-down pulse before cygnus soars into an epic crescendo. messenger of god provide tough dancefloor weapons to complete a slick ep that shows fur coat to be masters of their sound.

fuji is the heavily percussive and improvisational style of nigerian popular music, at once modern and yet deeply rooted in the traditional islamic yoruba culture of nigeria.
here on this album nigeria fuji machine’s striking and powerful lead vocalist taofik yemi fagbenro soars above a wild and energetic backdrop of polyrhythms played on traditional talking drums, trap drums, electronic and street percussion to create a powerful wall of intense sound.
this album is released as a limited-edition heavyweight vinyl edition with free download code included.

soul clap definitely knew what they were doing when they snapped up certifiable diva legend nona hendryx to sing on one of the cuts from their self-titled 2016 album. now ray mang has got his mitts on the parts to -shine (this is it)- and turned out three versions for his own mangled label - the classic combination of extended vocal, instrumental and radio edit versions. whichever cut suits you best, the vibe is the same, a bold and bright summer party track splashed with horns, keys and plenty more besides, although the smart money is on hendryx s legendary vocal, which soars as though no time has passed since her days working with material in 80s nyc.

following from deetrons accomplished entry in to the dj-kicks mix series, !k7 are now serving up one of the original singles from it. produced by the swiss artist and featuring soul futurist steve spacek, it comes with the original and three vital versions. entitled chose me, the single is six tender minutes of musical electronic soul. warm and supple bass, twinkling keys and smeared chords form the atmosphere as spacek delivers a dreamy and heartfelt vocal up top. its a track to get the spine tingling, while the instrumental allows the celestial keys to ring out into a night sky as the main focal point. on the jupiter version, the drums are more loose and broken up, lending a spaced out vibe that will be perfect on outdoor terraces as the weather warms up. jumbled percussion tumbles next to the chords as the vocal soars. a jupiter instrumental closes out this cosmic and cultured house ep

liam blackburn’s ancestral voices project has been consistently hard to pin down to any genre as he progresses through his new musical experiment. taking hunks of his formative style developed as indigo and stretching it into uncharted forms, most of his new work is underpinned by a skill at sound design that has endeared him to the sync community and recently saw his music soundtracking a trailer for paramount pictures 2018 thriller ‘a quiet place’ to launch his own label ‘the fifth kingdom’, liam has stripped away the rhythms and percussion entirely for a full 6 track ambient release that soars and glides on a bed of cloud like haze. a soundtrack for flotation, mycelia opens an exciting new outlet for conscious music from one of electronica’s more daring creators.

white cassette with foldout art,
liam blackburn’s ancestral voices project has been consistently hard to pin down to any genre as he progresses through his new musical experiment. taking hunks of his formative style developed as indigo and stretching it into uncharted forms, most of his new work is underpinned by a skill at sound design that has endeared him to the sync community and recently saw his music soundtracking a trailer for paramount pictures 2018 thriller ‘a quiet place’ - to launch his own label ‘the fifth kingdom’, liam has stripped away the rhythms and percussion entirely for a full 6 track ambient release that soars and glides on a bed of cloud like haze. a soundtrack for flotation, mycelia opens an exciting new outlet for conscious music from one of electronica’s more daring creators

if one looks at the output of los angeles based artist mat/matix, he’d find that this quite illusive figure from the la scene of contemporary electronic funk has quite some good tracks in his compact repertoire. this package (which contains a version from fellow west coast artist moon b) is dripping with heart wrenching synth soars and compact drum works that are built with the fierceness that is so significant for both the label and the artist.

“fly with me” glides effortlessly through west coast aor in a unique hybrid japanese-hawaii fashion, uplifting the listener with inspiring sound and lyrics. “time machine” is high-energy cosmic disco jam that lends itself to japanese enka, yet maintains its playability through simple yet strong songwriting. whenever we listen, it’s as if aiko has invited us to join her as she soars through the after-life, flying “higher and higher as a bird”, traversing a space “where anything is possible”.

nice price deal !!! first single of english synth-melodic pop band chew lips on kitsuné. with remixes of tepr and david sugar. there is nothing quite usual about chew lips. not their way of making music, or their live shows, or indeed, their inception. when the vocalist tigs and multi-instrumentalists james watkins and will mcdonald decided to start making music together they had only one edict: not to sound like just another guitar band. the result was the organic and purely accidental evolution of their current, electronically enhanced sound every song sounds like it could be a planet-bestriding, galaxy swallowing pop smash, with will and james gorgeously whirling and mutating casiotone/guitar/bass/drum machine attack providing the perfect backdrop when the amazing frontwoman tigs s voice soars, swoops and dips precipitously and smoulders beautifully. with their first single solo on kitsuné, chew lips alternately capture the yearning, impatience, beauty, confusion and impermanence of youth, with tigs summing up the hopes and dreams of a whole generation with the fist-pumping battlecry of >we dont want to wait, theres no time, no time<. this is pop music alright, but pop with a gloriously vivid, almost cinematic sweep, as well as a human heart, filled with a very real sense of longing and desire, in amidst the shiny, clattering electronica. french producer tepr, well known for his remix of yelle >a cause des garcons<, has made of the song a dancefloor anthem while david sugar smoothly delivers an uplifted version of the track.

were happy to welcome back harry wolfman for a full record after his fine collaborative square lane ep with loz goddard last year. here he delves into the leftfield side of house, this dreamy 5-tracker. torontos jesse futerman joins us for the remix fresh from his debut releases on church and omena.fermi brings the tropically tinged deep house heat, wavering pads and buoyant bass paint us a mirage of sweltering summer days ahead. ice thin starts as a melancholic mover, it steadily builds through dusty samples, shaken percussion and smokey moods elevating the energy into something euphoric. things get gritty as we flip to the b-side. downstream is a dark and grainy outing, edgy arps work in and out of tough drums and frenzied synths. jesses superb rework of ice thin features distant horns and vocals that ring out over a warbling rhodes and rumbling bass, then comes the lick of a slide guitar reminiscent of some kind of twisted western. wrapping up this beautiful and somewhat nostalgic journey we turn to outro version a funk laden work out. rich strings and woodwinds fill out the lush landscape that swells and soars across the steady, bottom heavy, dance inducing

a year after his last outing on the label, andrew red hand is back on mos deep with another fine four track offering. known as the romanian underground resistance, red hand also works with labels like detroit underground and has a timeless house and techno sound that is always uncompromising. . lonely heart opens things up in spritely fashion, with frazzled synths circling round a rooted rubbery groove. the lines grown more wild and untethered as things roll on an it is sure to carry floors away to another dimension. sleepless nights is another busy cut, with gurgling acid wrestling with more serene and soulful synth smears. bristling and brimming with energy, it s a fluid bit of techno that is as classic as it is fresh. dry tears is another fulsome arrangement, with light and shiny synths, gritty bas notes and airy hi hats all jostling for your attention and last of all, moms spirit soars off to the horizon on a smooth house tip, with rueful pads, sweeping strings and elastic bass really getting you on your toes. these are clean, crisp, accomplished tracks that cannot fail to make their mark

ltd coloured edition... a year after his last outing on the label, andrew red hand is back on mos deep with another fine four track offering. known as the romanian underground resistance, red hand also works with labels like detroit underground and has a timeless house and techno sound that is always uncompromising. . lonely heart opens things up in spritely fashion, with frazzled synths circling round a rooted rubbery groove. the lines grown more wild and untethered as things roll on an it is sure to carry floors away to another dimension. sleepless nights is another busy cut, with gurgling acid wrestling with more serene and soulful synth smears. bristling and brimming with energy, it s a fluid bit of techno that is as classic as it is fresh. dry tears is another fulsome arrangement, with light and shiny synths, gritty bas notes and airy hi hats all jostling for your attention and last of all, moms spirit soars off to the horizon on a smooth house tip, with rueful pads, sweeping strings and elastic bass really getting you on your toes. these are clean, crisp, accomplished tracks that cannot fail to make their mark

munich based pair jorkes are something of an enigma, having appeared on the scene recently with a fully formed sound and a desire to let their music do the speaking for them. musically the duo seem to be operating with few boundaries, looking to express their emotional states through their music with scant consideration for styles or genres. this latest release sees jorkes team up with fellow munich resident and vocalist karol schmejchel to deliver a slice of evocative, slo-mo nu-disco. the release kicks of with the original mix of thank you, marrying chugging drums and warm bass with stirring pads and the emotionally charged vocals of schmejchel. its a perfect track for dark backrooms and home lounging alike. the remix comes from manchester trio menage a trois who deliver a sonical beautiful reworking built around heartwrenching keys and heavily reverbed guitar parts. simple understated drums carrying the record along as their vocal treatment soars towards the heavens, this is sublime stuff. the vinyl release will also feature an exclusive instrumental of the menage a trois mix for those who like things a little more stripped back. in keeping with jorkes creative outlook, and following on from their previous release, there will be an exclusive music video of thank you forthcoming which is likely to set pulses racing once again! thanks for purchasing a real copy!

ltd pressing ...on the magic movement s 5th phenomena, sound wizards noema & dreems (of multi-culti records) invite you on a journey to the tropical depths of a world beyond. close your eyes, step outside your sphere of being and find yourself in the animal empire . this afro inspired jungle techno swings with a dubby melody and hypnotizing bells while the driving bassline enhances the macumba vibe. for those affected by swirling sonics beware the vertiginous breakdown, where all seems lost for a brief moment of madness. flip the record and hear the sound of aztec acid disco on the rise . with a lot of love for the detail, flute, percussive guitar and shamanic vocals get you into the groove. after a little hang out with the local jaguar warriors the 303 soars up for a flight over the pyramids, until an elevating melody takes this intense beast right into the glowing morning sun.

four floaty dubs & re-rubs from san francisco s ryan bishop aka the beat broker (bear funk, flexx, adult contemporary, etc). many heads probably best know ryan as the brains behind dream chimney, one of the longest-running and most consistently interesting online hangouts for like-minded music freaks. this 12- busts loose with -satin kimono,- a funky floor-filler with the most perfect aor song title in existence. -make it happen- cools the a-side down with a mellow yet uplifting soft rock groover, dubby voices beckon the listener to break free and never look back. -honey it s you- is a pumped up edit of an old chimney classic and was crafted specifically as a wedding gift for fellow dream chimney member hatchback - now available for the first time in a physical format! larceny dub soars to new heights of aor bliss, featuring an extensive re-working of a record that was passed along to ryan by an ex-deadhead neighbor.

uc005 is music for sideways times when down is up and up is down. golden round circus and i couldnt fool around no more are spiritual kin to michael wynn band s dark night and straight shooter s frame of mind.chugging, cosmic aor by heads for heads. golden round circus elevates the mind with hypnotic synth and i couldn t fool around no more soars on open drum breaks, guitar solos and multitracked harmonies. nobody knows what s really going down with the mysterious viking known as the keeper. here s what we know: the keeper is swedish, has some previous work in nemas problemas on fasaan recordings, and an upcoming release on passport to paradise. while we ve been sworn to reveal no more information, the keeper is more than welcome to the universal cave family.

out of rome, sofatalk soars high on this ep, feeling out the difference between a lifetime on earth or one really cool moment above it. the title track breathes and evolves via a series of flourishes on the playful side of things - this one is no beard stroker. cloudy soul keeps the optimism and front foot action rolling with an excursion slightly to the deeper end without ever fully taking the plunge. wrapping it up, on reflection is a tight little rhythm-box-driven number that takes you by surprise, transplanting you from the floor to the lower middle stratosphere without you realising. japanese producer 9dw then turns it into a hot stepper of its own, keeping the energy up there but differentiating the bounce.

magic wire label head lone picks another smasher, aptly titled delirium tremens, from the elusive neon jung with a suitably precise re-edit from nathan fake on the b.side, fresh after his last remix for radiohead. delirium tremens takes on flavours of garage, soul and psychedelia and glues it all together with an armour plated, mutant electro backbone designed to make the dancefloor lose it for 4 minutes but still keeps the soul firmly intact. its another demonstration of neon jungs ability to take influences from many genres and join the dots to create something fresh, but with all the right reference points to make this accessible to everyone from your backpacking beat head to the hardcore club frequenters. the bass in the first drop of this track is just berserk – theres no other word for it. the b side sees nathan fake up the tempo but draw it out, making this perfect for the more patient crowd. it has nathans signature beat all over it – it rotates, swings and soars gloriously until it finally ends in a warm afterglow, complementing the original perfectly in its grower not a shower approach.

nice price deal !!! heres something for you! pirahnahead revisits and finally releases this lost gem of a track from the detroit legend alton miller. this release entitled something 4 u (from alton millers stories from bohemia lp) is a remix which has been in the vault since 2003. in this package is the original 2003 mix and an updated touch on the cut for 2012. alton millers vocal is full of soul and feeling, and soars in the track as he delivers this powerful message. also featured is the wonderful cecilia c.sharpe (detroit symphony civic orchestra / urban stringz) on cellos, lending an extra warmth to the dancefloor vibe. live instruments, deep beats, hot vocal. not to be missed.

defined drums with a splash of awesomeness create this uptempo body mover with its belting beats and ravey soars. hold on tight as you race on this white-knuckle techno wave.

the more perceptive among you will no doubt twig the musical direction of an ep entitled >the deepness< by 2deepsoul before the needle even hits the groove. if you hoped it was going to be brimming with ocean deep grooves and burning chords - deep house in the truest sense - then youd be right. malcolm moores altered moods recordings brings us the debut release from 2deepsoul, aka rai scott and brad peterson, who set their stall out with a title track dripping with moody synths and hypnotic drums n hats. >escaping insanity< meanwhile is underpinned by a delicious acid line - perhaps the most outright floor-friendly track on this here 12inch. the metronomic pulse of >harmony< is augmented by a majestic one note synth loop that gently soars above - a rasping hat soon joins the fray along with the gentlest of string flourishes. >continuance (theory of lazy clap)< is equally bewitching, with a title and arrangement that wouldnt sound out of place in the dj sprinkles catalogue<

a relative newcomer, having released a couple of lovely records on the conya label, and another on hertlich, larse also hosts the friday night show on germanys biggest youthradio >1live klubbing< since more than 10 years. now we proudly present the talented dortmund based producer on we love this. >i got a feeling< is a beautifully balanced, expertly produced cut that soars through the post-disco-nuhouse skies like a flaming rocket bound for the dancefloor. low-slung, totally groovy and decidedly disco edged, a thick wall of classic drums, addictive vocals and top class studio finesse make this a superb new release for larse. hamburg based solomun adds his hand to the mix, with a wonderfully deep yet pumping remix of the original. calling on some classic chicago vibes, with his trademark dry and crisp sound, they diynamic boss doesnt dissapoint in this straight up late night roller. larse finishes off the mix with >off the ground< - a heavy funk laden jam that once again drips with class and a great love of the old salsoul days. euphoric vocals shine through in this summery, anthemic slice of modern electronic soul.

brand new intrusion! the first killer twelve of 2009 and the perfect way to soothe the post nye hangover. the title track >seduction< is an epic beauty as deep as the sea which does exactly as the title suggest, a sort of seduction of sound if you will, so immersive you could swim in it’s three dimensions. the bass line is so deep you can feel the vibrations in jamaica! the song soars along and in minutes reveals its magical analogue frequencies as shards of blissful chords sail around your speakers in a full spectrum panorama affair so easy to sink into. next up is “silence” leading us into ambient territory for a short but sweet three minute excursion which i could only imagine as a soundtrack while floating in deep space. the release comes to a close with cv313’s near 12 minute rendition, a beautiful dub house soundscape filled with tribal rhythms and gorgeous atmosphere recalling moments from echospace’s landmark album “the coldest season” on modern love. this is music which clearly focuses on every fine detail, filled with loads of space and bass and the analogue warmth we’ve come to love from the echospace signature. as with all things echospace this is severely limited and is pressed on to beautiful coloured vinyl.

marcus mumford built mumford and sons after his long standing position as laura marlings drummer / harmoniser began to earn him praise from all who saw them play live together. his battered and raspy voice soars with emotion over massive swells of country tinged orchestral pop. lovelorn lyrics filled with hope, anger, fear and every passionate extreme in between mean mumford and sons are sure to achieve a massive amount of praise for their debut album sigh no more, which demonstrates the strength in both song and sound. togetherness is fundamental to mumford and sons. its there in the tightness of the arrangements, and the four part harmonies - its pretty unusual to hear pitch perfect harmonies that are also meaty, masculine and downright loud. and its in the simple fact that mumford and sons get such a kick out of playing together.

ranking records 10th release sees russian producer/vocalist marina faib burst onto the scene with a 12inch that is frankly nothing short of astonishing. for a girl born in the 1990s, faib shows astounding maturity in her restrained approach to sound and rhythm, employing stuttering drum loops to underlay soundscapes that would put many a hollywood composer out of work. ticking clocks is a spine tingling example of this: the texture of the track comes from a euphoric choral sample which soars over a deep chasm of sub bass energy, climaxing in the perfect placement of a slithering arabic reed solo. whisper of trees shows the same mastery of atmosphere and musical arrangement - this time the tune is built from blissed out vocal lines, warm synth pads and a pulsating low end.

teil 2 geht ambienter zur sache, hat aber mit dem dj sprinkle remix einen deepen, chicagoesken strahler parat der auch ohne bassdrum funktioniert

since his first two personal album releases on kilk records, serafim tsotsonis has been developing into a talented musician. with the release of his brand new album. beautiful people, the greek artist takes a step further, presenting even more facets of his diverse talent with a work of exceptional polyphonic delights.in the albums opening track red, green, blue, a unique postmodern lullaby, the serene atmosphere of a childs room, is pierced with the sounds of an urban environment. an imposing performance by zach soars together with a chorus comprised by mikael delta, kid moxie, kiki, antoneta kotsi, fay depasta and serafim himself. at the same time, dimitri vassilakis, one of the foremost recognized greek wind musicians, adds further brushstrokes of sensitivity with his saxophone. with relaxed beats, unequivocal references to 80s melancholic electronica and the vocals of kiki and kid moxie, my own sea invites the listener to dive into the waters of his own dream world. in a way, it constitutes a continuation of serafims past creations, as heard in his earlier works, a fact that is sure to satisfy the most loyal of the artists fans. the dubstep references in the intro of so good, are intertwined with the modern electronic sound of berlin and the saxophone of dimitri vassilakis comes in at the end, marking a shift that leads to an exploration of new sound structures, in which european metronomy meets neo-jazz. the most radio-friendly track of the album comes with far away, a mutated balearic rhythm interpreted unpredictably by the rock-tinged voice of norwegian sverre olav r¿dseth. catch the cloud is where the album really takes off. a deep tech anthem for clubbers around the world, one can imagine it featured on the soundtracks of films such as berlin calling, had it been released sooner