rock

find all the best songs of the iconic american jazzman on a nice vinyl in gatefold sleeve with liner notes in english.

reissue - miraculously rare and seriously obscure killer dubs. one of the very few hard core seventies dub albums mixed by errol brown. a selection of solid dubs originally recorded in 1978 by bb seaton at duke reid s legendary treasure isle studio and mixed in-house by the duke s nephew errol brown. a radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the new york rounds at the time. mojo by david katz - extremely rare 1978 dub album stands up against any from that era - -errol brown began engineering through family connections, producer duke reid was his uncle. trained by the highly-skilled byron smith, chief engineer at reid s treasure isle facility, brown cut his teeth mixing alton ellis, the paragons, peter tosh and marcia griffiths. -orthodox dub- dates from 1978 when bb seaton of the gaylads was working closely with brown at treasure isle, cutting tracks with ken boothe and mikey dread along with self-produced work, and although only ever issued in tiny numbers as pre-release lp in the bronx, these dubs pack a mighty punch, easily on par with any of the dub sets issued in the era by channel one or joe gibbs. outstanding tracks include -roots rockas-, a stripped down cut of boothe s -who really cares-, and -black forest rock-, a bass-heavy reading of seaton s -is life-.-

the berlin-based techno and house producer and dj oliver koletzki has fully committed himself to his roots for this album. they can be traced back to pop music of the 80ies and 90ies, while his productions still manage to transport the fresh energy of today’s electronic music productions. großstadtmärchen is a perfect example for a producers album: oliver koletzki has created a musically compact long player while working together with many different singers. both established artists like mieze katz from the german electro-pop outfit mia., the hot german pop-rock-singer axel bosse, critically acclaimed indie band kate mosh as well as newcomers such as fran, pyur and juli holz have contributed to the album. the result are ten songs that easily fluctuate between catchy pop tracks, modern house grooves and 80ies synthesizer pop yet still maintaining a very own koletzkieske sound dynamic. großstadtmärchen, which translates as the tale of the big city starts off with this is leisure. famous pop singer mieze katz has put down her sexy voice on a guitar-based song pattern that functions as an ideal introduction into the craziness of the big city tales. after hearing this, the listener is directly fully drawn into this world when hearing juli holzs softly whispering voice singing about the dilemmas of love in the big city on zuckerwatte (single release date: 7.9.09). this is a very fine electro-pop tune. coming up next oliver koletzki and axel bosse board an underground train that takes them around the berlin u-bahn system and back.

macro welcomes arthur clees

there are some records that manage to sound both of a time and utterly timeless and bon voyage organisation s jungle? quelle jungle? (a nod to supertramp s crisis? what crisis?) is one of those albums. its silken-smooth production, irresistible grooves, funk-tinged guitars, lush soundscapes and general glowing presence could easily lead one to believe that have dug up a lost disco gem from the 1970s. however, behind the disco-pop gleam lies eerie dystopian sci-fi ruminations of a futuristic bent and tones that can often feel as french as they do asian or african. this sort of cross-continental exploration is an expansion on bvo s previous two eps, the man behind the organisation, adrien durand, says. -i tried to continue the musical expedition between dystopian science-fiction haunted africa - plus haitian vaudou on -soleil dieu- - and futuristic asia. addressing, in a double entendre manner, some of the political issues that i am sensitive to.- in fact the jungle in question in the album s title is a metaphorical one and one that creates a vast series of environments for durand to explore such subjects as world trade, utopian ideals and themes of idols, as well as of time and communication. however, one will need to speak french to decipher such explorations, as well as shake off the natural impulse to move with every glorious beat on its 13 tracks, of which are moved along by maud nadal and agathe bonitzer s golden vocals.

a collection of great male jazz artists on double vinyl. 2023 edition.

grey coloured vinyl

modern jazz

jazz

80s synth pop style

ltd coloured , 80s synth pop style

special editon - coloured

jazz classics on picture vinyl.

reissue of the 1962 album from the bill evans trio.

limited 180 gram virgin vinyl in gatefold sleeve.

remastered reissue on 180 gram virgin vinyl.

limited pressing on yellow coloured 180 gram vinyl.

limited 180 gram vinyl in gatefold sleeve.

limited deluxe box set, includes the complete “chet baker sings” album on 180 gram vinyl in gatefold sleeve, the album on cd with 6 bonus tracks and an 80-page making-of-book.

cover not mint - vinyl unaffected! tommy four seven is back on clr with another challenging release, titled ox. featuring two original versions and a remix by oscar mulero, one of spain s most tireless and trendsetting techno ambassadors.as usual, tommy uses his profound skills as a sound designer and his do-it-yourself approach to sound in general to shape unique textures and haunting beats, which make his productions easily recognizable and compelling

cover not mint - vinyl unaffected. supported by: speedy j, richie hawtin, loco dice, karotte, joseph capriati, dj emerson , tommy four seven, technasia, laurent garnier, a.mochi, felix kröcher, mauro picotto, uto karem, mark henning, someone else ,gregor tresher, alex bau, paco osuna, xpansul, d. diggler, umek, pierce, florian meindl ... the fifth release on spinclub recordings is a remix package featuring five different versions of the successful and much appreciated >finger< track by kapuchon and benny rodrigues (scr 004). the original contains easily recognizable elements like the characteristic, dubbed out sequences and offers loads of room for the remixer s imagination. chris liebing and the scr team are especially happy to be able to present a truly massive remix by radio slave, one of the currently most busy and successful producers in the world of electronic music. with the release of this very special remix package, scr wants to pay respect to one of the milestone tracks in the brief history of this young label. furthermore the release contains mixes by up and coming artists like monoloc or masuki, next to those of experienced producers such as d-nox & beckers and dj emerson

the best of chet baker on blue coloured 180 gram vinyl.

the complete jazz classic on 180 gram picture vinyl.

reissue - k-hand, the undisputed -first lady- of detroit house and techno, continues her series of rereleases for some of acacia records most sought after catalog. acacia s reputation as music from a well known place to an unknown destination precedes it with a reach that is once again being expanded upon. originally making its mark in 1993, -not giving up- is a piano chord led number with eccentric disco era falsetto vocals interspersed between a house diva counterpart, all undercut by equally classic rough around the edges low end - touching on hand s influences from the new york golden days. the plastic dream mix is a more sinister springboard of sounds with an urgent energy sure to rip through speaker stacks and leave audiences in shreds. easily its dreamiest incarnation, the disco dream adaptation lends itself to bouncier, filtered grooves and vocal dubs. the ghetto growl of -beat that bitch wit a stick- was and still remains a huge track for k-hand and the label. pulling from a sound that originated in chicago, it became equally prominent in detroit through the work of hand and others. its accompanied here by an instrumental version for those that don t share in the street logic, but nonetheless love the gritty production style. finally, the legendary claude young s mix of - deep down 2- sees him implementing wavering chords and loopy vocals with a purposefully loose nyc stutter

repress 2021 - ricardo villalobos is back on raum musik with his third solo single for our label. the a side is a signature sounding track that can easily be described as a true masterpiece of him and it also has been sought after already for quite a while now by the ones that have heard it. the b side is unusually straight compared to most of his recent productions and builds a great tension if you let it play for a while. it also works very well as a perfect mixing tool. we hope you like these tracks as much as we do and as for the rest we just prefer to let the music do the talking…

the new bitflash dj-tote is a compact and stylish companion bag designed for everyday life and beyond. it includes a removable laptop and accessory panel which easily transforms the bitflash dj-tote from a casual shopping tote to a professional laptop and gig-bag. the pvc-reinforced accessory panel provides perfect protection for laptops up to 15-, dj-accessories or smaller production gear. additional accessories such as headphones, sound card, vinyl, cables etc. can be perfectly organized in each separate pocket of the accessory panel. smaller items and personal belongings can be stored safely inside the built-in internal zip-pockets of the dj-tote. outer dimensions: (h/b/t): 44 x 33 x 12 cm, inner dimensions: : 41 x 32 x 11 cm, weight: 0.85 k

a collection of great male jazz artists on double vinyl.

b-stock! cover with seam split. vinyl unaffected & mint. them records welcomes back hiroaki iizuka for the its fifth outing. having supplied the the run as the labels first record, here iizuka doubles its play time and track listing length in his stunning voodoo ep. the extra time offered allows iizuka to flex more of his versatile style. them as a label sets out to eschew a techno norm largely made up of a traditional 4 x 4 sound. having come from a london background, the curating of the label gives a nod to the rave sounds of the capital - especially d&b, garage, breakbeat hardcore and grime. that is to say of course along with its characteristic aesthetic of horror and the gothic.
in iizuka them found a common ground: based in hokkaido, japan, iizuka does not share the same london influences, yet shares their base values and thrust. common themes of his sound involve broken and syncopated beats, and a rave energy. this is what lead him to being the first and prime them stable artist. voodoo ep showcases this breadth of iizuka’s style, from tracks that could easily fit into any grime set, such as primitive acid, to the more melodic tones of floating point, in which hiroaki guides them into previously untrodden ground for the imprint.

double vinyl in gatefold sleeve.

qnqn spreading love through vinyl since 2016 with its distinct old school meets new school sound palette that can easily steal the spotlight in your record collection. vinyl only, 180g

limited 180 gram vinyl reissue of the 1954 chet baker album. housed in a gatefold sleeve with photographs by william claxton.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me.i collect all these inputs and ideas, all this energy, to define what concrete music dna is.because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre.to make the music more easy to apprehend, we are spliting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. slow or quick bpm, heavy kick or atmospheric this is what concrete music is all about...-

nice price deal !!! no frills, just thrills. sebastien san is back on his own ab initio imprint. time does fly when you are having fun, so this is already the sixth release of the series. and there is no hostages being taken here, because what you get is three straight bangers for darker and deeper dance floors, with that trademark sebastien san jack always keeping your feet and ears busy. >adrastea< kicks things off dark and dubby, churning away in devastating fashion for a full 12 minutes. one can easily imagine djs destroying berghain with this one. flipping over to the b-side we first find >120 bpm<, a track rooted in oldskool chicago jack with a healthy dose of claps and flangers that will be very hard to resist. closing the e.p. is >arp madness ii<, a very worthy follow-up of >arp madness<, which was a standout track on ab initio 02. intricate and devastatingly effective dance floor music.

vox populi!

special 20th anniversary edition on limited double picture vinyl.