derek carr is back!

quinrok1 is back on worq records with his 2nd release.

vinyl only! 2nd release on the mysterious label. henning baer with 4 stunning, psychotic and dark techno monsters.

this project was born of the american culture of consumption. field recordings were made in metropolitan shopping centers during the united states holiday season. conversations drifted into ambient sounds of money being spent, commerce being transacted. the results of these recordings were then sent to artists to be turned into music

storming harder and filtered schranztechno 4 track ep...incl tomash gee rmx & shame on you mr bushvocals

ltd splatter

limited edition of 300 copies. 180g vinyl

augustus muller aka one half of boy harsher.. lp pressed on 140 g vinyl

reissue, limited to 600 copies, pressed on grey vinyl.

coldgeists music on unknown bodies is an intimate reinterpretation of coldwave, techno and dark ambient codes, uttered with strength, guts, and an underlying romantic soul. inspired by nocturnal runs of bosozoku bikers clans, who stem from this japanese subculture of the late seventies , coldgeist has created a series of soundscapes and songs that evoke speeding through foggy nights and fluorescent lights. haunting repetitions and stiffness of the rhythms as a metaphor of mechanical gestures, of bodies turned into units of consumption, stranded from the life and passion they crave. the frustration of a youth that only finds relief in extreme experiences, danger, and the sexual tension of speed and crashes. with analog and digital instruments, field recordings but also his own voice and songs, coldgeist has bred a truly unique record.

wild oats proudly presents a new 7 inch from kyle hall entitled ‘eutrophia sevan’. this projwild oats proudly presents a new 7 inch from kyle hall entitled ‘eutrophia sevan’. this project is an ode to the earth and its plant based life forms that give us sustenance, nurturing, and knowledge through its cultivation, observation, and consumption.

idle hands continues its quest to support new talent coming out of bristol with a fresh 12inch from local beatsmith crump. up to this point, he s been quietly slipping out razor sharp reduced house cuts on various artist releases for extended play and banoffee pies, but it s high time he had a 12inch of his to truly showcase his sound. the two tracks on this single tap into a consistent thread on idle, fusing the minimal sensibilities of contemporary european house music with a swung, dub-weighted presence fit for soundsystem consumption in the fair city we call home. much like previous releases from leif, christian jay and matt karmil, this is a demonstration of stripped down music loaded with swagger. -ice & spheres- pivots around an ear-snagging 2-step shuffle that cuts through any mix, but there s scores of subtlety woven in between the drums to reward the attentive listener. snatches of vocal, distant field recordings, low-blowing synth licks and other unidentifiable sonic matter lurk quietly in the mix to cast a spell on the sleep-deprived twitcher and warm-up head-nodder alike. sporting a brighter disposition thanks to the sheen of its chords, -mechanisms- provides a different vibe on the flip. the beat throws down with a rugged nod to west london broken styles while still tapping into that aforementioned continental 4/4 sensibility, injecting a refreshing variation into the densely populated minimal house landscape while maintaining the meditative qualities that keep the genre close to our hearts

a burning desire to just fuckin rhyme. on my last couple of albums i challenged myself with regard to formats, trying to push the envelope as far as what exactly constitutes a rap record. talking (bleep) and problems were my last two lead singles, both markedly unconventional. i adore both of those songs and i adore both of those albums specifcally for the new creative fulfllment i enjoyed while making them. there’s much more of that to come, but after spending 3 years outside of the box i was left with a burning desire to just fuckin rhyme. thats veins. - homeboy sandman

still reeking from the filth of the tv studio, tabloid mongering and howls of blasphemy from the old guard, dj seinfeld is proving to be a hardened veteran of the circuit. a new anti-hero for a humourless and devoid internet age kicking against the hollywood reptiles. ‘ruff hysteria’ is the sounds from the cutting room floor deemed too unsavoury for public consumption. it’s the grind of acid in the hotel lobby and the incessant pulse of a walkman tucked into a tuxedo pocket oozing it’s way into the central nervous system. it’s four tracks abandoned by the mainstream studios picked up by the grotty b-movie generation. the losers, the freaks, gore heads. bare bones tackle for the floor and analogue anthems for the disenchanted.

rising young talent, elliot adamson, has been on the edible radar for a couple of years already, so it’s fitting that his debut for the eats everything curated imprint marks the label’s tenth release. the newcastle born producer has been gathering an arsenal of some of the freshest and inventive house music for some time now, and two of these cuts are ripe and ready for consumption on this tasty edible release. with its insatiable jackin’ vibe, “still workin” has already become a firm favourite in the dj sets of eats everything, the dj deeon sampling track keeps pumping pure energy and classic chi- town house troupes from start to finish, with a rasping bassline riff worming its way around the solid kicks and clattering hats. the fantastically named “where the fucks my flanger at?” clearly represents his love of raw and undiluted house music. coming from the cajual/relief school of trax, this is another crafty and playful club cut from the house of adamson. having built up a strong following already, and support for his music from djs like jackmaster, skream and patrick topping,

as for the second release, the versatile newbeat can be, the versatile this release is.
it kicks off with kfactor. a brazilian ebm-artist, bringing a strong sounding newbeat track. on the edge of military rhythms and cheezy acidlines, and an unmistakely ongoing beat.
vv303, also an ebm artist, give us more then just pure acid. 303’s snorring and humping the dancefloor on fire.
ascended man is the pseudonim for olivier abbeloos, know from t99, quadraphonia,... joins us on this release with a masterpiece. the track connects modern underground electro with the strong and dark newbeat. another floorfiller.
-washing the machince- is the closing track, and a reference to the classic house sound of the warehouse and other early traxx, and still fresh and very newbeat.
as the first release was a huge fresh improvement of todays dancemusic, this release makes the statement clear. fenixfirerecords is here to stay. newbeat is here to stay.

i-lp-o in dub is the solo project of pan sonic member ilpo väisänen. capital dub chapter 1 follows the 2015 debut communist dub - a year marked by further descent into economic crisis and instability. the usual business cycles of production / distribution / consumption running alongside macro cycles of boom and bust have been replaced by ossification, austerity, the machine seizing up.
ilpo’s “circular riddims” complement the ebb and flow of the circulation of money + commodities and are mirrored by his field recordings of barcelona rain – the final phase of the cyclical movement of water. but of course the smooth running of “paradise capital” is unsustainable. destroyed techno and open spaces contend with sinister swarming atmospheres. a cash machine flickers. zeros and ones displace another factory. dub as decay – the ghostly remains of tracks eroded by time and technology. the “invisible hand” of the market spasms with tremors.
ferocious textural feedback as music for stock exchange crashes. the soundtrack to heaps of money hoarded by the hidden class. capital is value in motion, but there is nowhere to go. after the collapse, picturesque ruins. capital dub chapter 1 simply asks the question: what next?
the vinyl release includes a download code.

college - old tapes celebrates ten years of composition from 2006 and 2016. most of these tracks are unreleased demo versions. to illustrate the music video of the track -auto pilot-, college team up with the director dan bell. this collaboration, born out of the same generational anchoring, reflects the strange dream of a paradise of the consumption which collapses silently.

we live a life in between exorcism and consumption stirring up a piece of sh-which might be the forgotten, the unexpected, the unusual, the left behind. dust as a metaphor for our repetitive culture, can t be better chosen to head the redust ep on formresonance. grainy and with a sixth sense of its pulse, the tracks do emerge into a wide soundstream. dust hereby transports a piece of wisdom: the sound signature. knowledge which is inherent in class-a circuits, vinyl, or tape and which can be barely re-produced. georg stuby is already a dj on stage, like burning man, club der visionäre… he resident in the zürich party scene, teaches at the school of sound and drops out some nice tips on his own blog: www.georgstuby.com the redust ep is his debut release. jonas & christopher lawrenz provide their experience with georgs music, even longer.
pressing on blue marbled vinyl.

there is more to the anteater than the mere consumption of formicidae (ants). inhabiting the forests and grasslands of central and south americas, the vermilingua literally wormed-tongued suborder is a strikingly intelligent mammal that lives most of its lifespan in solitude.

nice price deal !!! nice price deal !!! debuting on vosnos fifth release is edc with his cosmic explorations ep. alghough, edc is no debutant in its real meaning as he has been recording and dj:ing for some years now as endlec with his heavy industrial techno sound. as edc he wants to explore the deeper side of the techno realm and doing so, emerging with five prime techno cuts.

black rox is back with 2 more sneaky soft rocks specials that have somehow been liberated from locked cd wallets and released into the wild for general consumption. the a side sabu dance combines horns, flutes & percussion on this killer slice of midtempo funk from africa via berlin. this has been thoroughly road tested by soft rocks at their kinfolk night & never fails to get a great response from the dancefloor. side b. don t worry it s not the tantric one s ode to voyeurism but a rare as hens teeth slice of uk. reggae at is s finest. adjustments have been made sensitively and sounds have been chosen to carefully match those from the appropriate era. a perfect track for blissful summer evenings (yeah whatever!).

*mort à vegas* (death in vegas in french…) is the new 12 inch e.p. by adrien viot aka av, one of the finest protagonist on the new frenchy but chic electronic pop scene. &#8232,,,av sings the nightlife, paid sex, alcohol over-consumption, desire under the neon lights, dark side of the american dream, driving a black cadillac drunk to death. this ep contains a dreamlike remix of *mort à vegas* by death in vegas (as the track was probably written with him in mind!) but also a cover of french singer dominique a, known in france for being the one who launched the new french scene that drove the renewal of the french pop. av has still this elegant crooner voice that slowly caresses you before driving you on the dancefloor, so let his deep voice and those melodic synths & guitars seduce you.
limited to 500 copies black vinyl in black inner-sleeve with download coupon.

ron morelli returns to stare down the ‘floor with four pieces written during the stress-busting sessions for ‘spit’. the muggy, droning welt of ‘public consumption’ kicks off with the sound of new york techno shot from the hip, while ‘another hit’ vents a vintage era-regis style built on skull-chipping snares and effluent acid modulation. the album’s writhing batacuda banger, ‘crack microbes’ reappears here as an extra-ferric extended version, sustaining the hypnotic intensity for nine minutes of panic attack acid and febrile cowbells, while ‘’rushing again’ escorts us to a close with triplet techno shook down by railgun snares and a grotty synthline.

after years sound tracking the dancehalls of bristol via their considered selections as djs, brotherly pair the kelly twins add label bosses to their cvs with the establishment of happy skull. the label kick offs in illustrious fashion with a collaborative release between two of bristols most interesting producers, kowton and hyetal. adopting the name systems of desire, the pair worked on a track together, before going off to produce their own individual versions entitled *control* and *consumption*, the results are exactly the intriguing cross between kowtons raw, crunchy, grime influenced techno and hyetal’s glistening synth work you would imagine.

the first new studio recording by zz top in nine years, produced by rick rubin and billy f. gibbons. double 12 inch in gatefold sleeve, 45rpm pressing on heavyweight 180 gram vinyl, mp3 download code included.

instrumental tourist, by tim hecker and daniel lopatin (oneohtrix point never), is the first chapter of sstudios (software studio series), a new venture in the software recording co.s expanding catalog. sstudios invites artists in the field of electronic music to create collaborative works of quality and vision. with a deliberate focus on source material of a synthetic and mimetic nature, hecker and lopatin designed a sound palette from the acoustic resonance of digitally-sourced >instruments of the world<.
limited edition double 12 inch vinyl in gatefold sleeve, cd-copy of the full album included.

dont be afraid present spargel trax, a two part series of vinyl-only, coloured, hand-stamped 12 inches designed to celebrate the dual themes of great seasonal music and great seasonal spargel. contributing tracks across the two 12 inchess are some of our favourite artists currently making house music. from established artists like disco nihilist, andy blake, sound species and james duncan to up and coming artists like david joseph from cologne, hodge from bristol, untitled-w from st. petersburg, for whom this is the first outing on wax, and scott fraser from glasgow. no clues though as to which is which, you?ll have to just listen to the tracks and hear for yourself! proof that 2012 is a great time for music, a great time for wax and a great time for spargel. spargel is very popular in the netherlands, spain, france, belgium, germany, and switzerland, and almost exclusively white. else, it is specified by the local language term for green asparagus. compared to the latter, the locally cultivated so-called white gold or edible ivory, also referred to as the royal vegetable, is less bitter and much more tender. freshness is highly regarded, and it must be peeled before cooking or raw consumption.

your horoscope : dumb-unit merges with 2011 preparing a new outlook and attitude of strong singles for global consumption. the first: a winning combination from walker and agaric. your moods will be exaggerated as long time friends short time studio partners win hearts and minds. stay positive! previous sonic excursions were only a test. the duo now present their new works. listeners world-wide should expect strong hi hats, low rumbles mixed with smart moving percussion. although fantasy themes abound, the narrative is firmly rooted on the dance floor. check attitudes at the door: the uncertain age of irony will be fixed with the proven track record. ... happy lucky golden dragon double 8 good time!

act re act: daaaaark is the typical expression used to define act re act. uplfting synths, spastic latin percussion, and a pummeling 808 bring some light for the harder moments.
ms. minnie: kitty ms. minnie, age 39, was caught saturday evening sneaking a 909 into the club and having her way with the hi-hats. she ripped it up in honor of larry heard before being forcefully removed by security. the whereabouts of said 909 are unknown.
the origin: a minimal bit of italo kit shoved through the hatch of a nasa shuttle (it was recorded in houston, tx after-all) and sent around several moons of several planets. what was discovered is only now being made available for public consumption.

recorded at the bands own illegal combatant studios and the world renowned blasting room in ft. collins colorado, supporting caste is the fifth full length release from winnipegs political punks propagandhi. crafted in collaboration with bill stevenson (black flag, descendents, zeke, 7 seconds), this twelve song collection of boundless power and depth is a 50.000 watt forward thinking tip of the hat to giants such as voivod, rush, snfu, sacrifice, razor and guilt parade, that have gone before them. legendary and unrepentant residents of humankinds ideological peanut gallery, propagandhi does not disappoint with supporting caste, launching crude rockets into the heart of the prevailing order with meditations that range in focus from the humane slaughter and consumption of non vegans in an elaborate 18 course banquet (with wine pairings) to the apparent confusion of turning on the tv to watch a simple hockey game and having to wonder whether or not the nazis actually lost the war after all. supporting caste: 12 new laments, reveries and extrapolations from 4 visibly aging prairie skids who still cannot believe that of all the gin joints in all the galaxies in all the universes, they had to be born on.

on the flip, data takes us back ten years ago, with the techie curfew. a sly sample invoking the terror of a war torn citys attempt to enact a curfew sits perfectly before this one truly takes off. this is another cut that doesnt try to be too much, just establishes a serious vibe and works very well in the mix. sound artillery what a perfect name for this label. weapons for mass consumption, tools for the audio soundclash, tracks that hurt you. and make you come back for more!

tresor records is proud to finally set the wheels in motion for an exclusive cooperation with detroits 430 west records outfit octave one feat. random noise generation. the producers behind the legendary electronic outfit octave one have recorded their 31st release >off the grid< for both audio and visual consumption, redefining the context of the audio visual relationship. octave one producers lawrence burden and lenny burden have collaborated with independent videographers from around the globe, reworking classic material and conceptualizing fresh content drawn from performances in scotland (glasgow), germany (berlin & leipzig), north america (austin, tx), the netherlands (eindhoven), finland (helsinki), uk (liverpool) and austria (vienna) earlier this year

brill 'drexciya' deeper detroit tracks

augustus muller aka one half of boy harsher