neuauflage der 2017er remastered vinyl-premiere, diesmal auf 180g eco-doppel-vinyl: der original-soundtrack des legendären playstation-horror-videospiels silent hill 2 von 2001, der stark von david lynchs twin peaks-serie inspiriert wurde.

ltd ed , no repress

reissue of the 2017 tricky album on red coloured vinyl.

gatefold, marbled &-transparent coloured vinyl

hypno disco vol 2!

chateau: o you singer, solitary, singing by yourself projecting me, o solitary me, listening nevermore shall i cease perpetuating you,never more shall i escape, never more the reverberations,&#8232,,,never more the cries of unsatisfied love be absent from me,&#8232,,,never again leave me to be the peaceful child i was before what there, in the night,&#8232,,,by the sea, under the yellow and sagging moon,&#8232,,,the messenger there arousd the fire, the sweet hell within,&#8232,,, the unknown want, the destiny of me. o give me the clew! (it lurks in the night here somewhere,) o if i am to have so much, let me have more!

ghost in the machine return to perc trax to follow up their break out one louder ep that came out on the label last summer. since then they ve been focusing on their own genosha basic label, touring to great acclaim around europe and remixing perc & truss’ “leather & lace”, turning an already large track into a peak-time festival munching bomb. across the four tracks on their king dead they widen their sound, floating synth arpeggios over their trademark rock solid kicks and adding a deeper level of ambience that lurks with intent underneath their driving percussive sound.

for years nathan church has been cutting up floors in his native bilbao. recently the basque man s attention has turned from the dj booth to the studio. under his wldv (we love dolce vita) this iberian electronic inspiration has cast long shadows and brightened rooms with his blend of horror score intensity and disco exuberance. wldv arrives at the bordello with a four tracker of serious intent. sepulchral and sinister synthlines characterise a dying feast, nowhere more than in the haunting samples and clean drums of -a bucket of blood-. cold chords gleam with icy menace while crisp claps punctuate the entrancing funk of -danza macabra-. ecclesia toys with set parameters, exploring what lurks in the twilight between terror and titillation. this flirtation with the divine and the profane is plain to hear in the uneasy elegance and uplifting elation of -far, far away-, a work of steady kicks, unsettling extracts and soaring strings. this -feast- ends on a delectable note. keys dance and spiral in the intoxicating -laying down on cosmic dust-, an enthralling end to and enthralling ep.

reverie is the first single from flying horseman’s upcoming new studio album rooms / ruins, due for release january 26. coming from such a multifaceted album – featuring several surprising twists and turns – this is a decidedly minimalist track. but don’t be fooled: beneath reverie’s calm surface lurks a vibrating darkness that might just haunt you in the near future.

nice price deal !!! runaway wraps up the year with a soulful chugger in the vein of lil louis or carl craig….a fully realized sound and atmosphere of where their direction is going. the fire below is house music built for big sound systems! on the flip we get a very impressive remix of their poltergeist track done by im a cliches label head cosmo vitelli. cosmo pushes the envelope a bit further to show the darkness that lurks between sounds, evoking memories of isolee and other fine playhouse moments

fresh from the success of their ‘past / present / future’ release, we march on, with berlin-based italian christopher ledger the man responsible for their label’s 41st release. the ‘percezione and retrospettiva’ ep sees ledger in flying form, as he props up with two dexterous, thoughtfully executed records that speak volume of his ability to craft atmospheric sounds. opening up the release is the sounds of ‘retrospettiva 2’, a future leaning techno jam that again wonderfully fits the brouqade aesthetic. clearly indebted to sci-fi spheres, this one is very much cut from a detroit cloth, with a steely finesse that lurks from the get go. a track that brings the listener on an endless journey, it comes some deep harmonic vibes. all things told, this is an ep of various contrasting sounds, ledger’s debut for brouqade is a stunning example of what can happen when producers think outside the box. the b side consists of ‘percezione attiva’. harmonic, blissful tones abound throughout, made all the more meaningful by a slew of gentle, melancholic piano chords that really pull on the heartstrings. a light and hazy experimental piece, the track forces parallels with other masters of suspense. culminating with a more traditional 4/4 vibe, this unusual turn only enhances the producer’s standing as a man willing to take risks.

uncertainty. no set route. destination unknown. younger than me know it s the journey that counts, and they premiere with quite the musical journeyman. the dulcet tones of none other than the don, fred ventura, accompany the title piece, a grooving melody ticks over against clean beats. san proper kick up some dust, adding some grit and soul to the original. the flip takes on a darker aspect. the giallo flavoured -not for all- looms and lurks before the dream woven depths of -don demorder-.

finally we can announce that the hacker is onboard at the stilleben ship with some amazing electro that lurks in the shades of kraftwerk and other fine electronic acts, but with his own significant style and signature. 3 electro songs and one more italo/electro disco that was hidden on a old hard disk. we are very happy to continue the electro journey on eargoggles stilleben with this strong and beautiful release... let the hacker guide you on a path..

scotland s premier electro alchemist is back on shipwrec and this time flying solo with five shards of sharpened machine music. beats rain down in solid sheets, a hail of drum patterns pelt and pound. acid scorn, speeding snares and scorched sound roar and rumble in the menacing -days of rage.- the 12- hisses and howls, sending forth a searing line of percussion as gears crank and grown. -glasgow to detroit- is just as fiery, scorn and sparks leaping off burning bars. aggression is always at the surface, and behind the razor rhythms lurks a palpable paranoia, as in -daisy cutter- or -uprising.- the only respite comes with the complex and textured -stones and sticks.- harsh mechanics from an industrial heartland.

bolder is martin maischein who used to record as henrich at hart on position chrome and peter votava also known as pure who has recorded previously for mego and was half of ilsa gold. with their combined background in electronic music of all angles bolder introduces a significant proposition to the current experimental electronic boom. blurring the lines between industrial, techno, dub, ambient and narrative forms, the work on bolders debut presents a dance amongst the abyss, a world where organic rhythms provide the path amongst a swarm of foreboding electronics. herein lurks an atmosphere where hostile electronics weigh the hope and paranoia of todays climate. one humans listen is another humans challenge.

the cultured minimood extra label introduces london based newcomer tcherneyan with remixes from the mighty och and minimoods own volt.mar on green colour vinyl. the a1 is provided by och, producer of the legendary whalesong, and consists of icy hi-hat ringlets and rippling dub techno chords, which merge into a slice of prime time excellence. next a2 mauvais présage is a deep techno track built around a dumpy kick drum that gets slowly embellished with skating and skirting percussion and distant groaning chords that sound like sad monsters. the b side opens with tcherneyans second original b1 vision, an eerie, vast and empty open space of chilly synths and echoing voices. finally, volt.mar on b2 then reworks mauvais présage into something that lurks with menace in some desolate industrial park where intriguing synth lines weave their own path and white noise blasts occasionally jolt you from your trance. much like the previous release, minimmood have struck stripped back, deep and dubby techno gold with this latest ep. vinyl only / no repress!

primitive world music lurks in the shadows of the weirder, experimental side of the dance floor - juddering bass, knocking kick drums, dropouts and pops and scuzzy, fizzing synth lines alongside the jacking percussion. think morton subotnick meets marshall jefferson - this is house musique concrete.

this latest release from hizatron and bashley galvanises the usual wigflexian- gloop with a more industrial edge and a superb implementation of found sounds. a darker pallet underpins the record but this is inverted then lifted with inserts of scattered euphoria. whilst all that is synonymous with the current face of techno lurks consistently in the background throughout, in an almost redemptive fashion, we are hoisted upward from a chromatic descent and set forth onto a crisp, bouncy path peppered with light. the depth of stereo field is utilised perfectly here and the use of dimension is something of a staple for all of those who call wigflex home. hizatron is known for his seamless arrangements, catchy melodies and punchy percussion and this record has that unquestionable tron swagger but the familiar sound is accelerated by new influences from bashley who although a relatively unknown member of the family brings a fresh range of timbres that compliment hizas signature grooves.

psychemagik presents the second installment of four limited edition 12s in a series of edits from their forthcoming re-edits album healin feelins. first up on this new 12inch ass nation a slo-mo disco monster with dirty drums, nasty synths, super sweet female vox and an infectious guitar hook that begs for dancefloor control!the flip upskirt drops a filthy guitar and bassline hook, funky drums, dirty moog laserbeams and the kinda groove that takes you to places you know you shouldnt go, reminiscent of a reckless late night drive thru sleazy backstreets where insanity lurks just behind the curtains, come in and take a peek!

this summer heidi brings her jackathon concept to a new physical format! the vinyl release features four exclusive tracks from soul clap, deetron, mathias kaden feat. gjaezon and lauhaus & kabale und liebe feat. wkd and is an irresistible mixture full of raw funk, shaking out those grooves until you can’t stop moving. heidi’s jackathon parties started october 2010 as a concept to bring some new life into the dancefloor. she invited some of her favourite artists and friends to play alongside her and to make the crowds bounce in berlin and then london. now the jackathon holds residencies in both cities, as well as paris, manchester and amsterdam, and it has brought the jack to many cities around the world. the jackathon is about energy and feeling and expressing something that lurks deep in the soul.

>theres a rat in the kitchen what am i gonna do? theres a rat in the kitchen what am i gonna do?…im gonna teach that rat thats what im gonna do, im gonna teach that rat, thats what im gonna do<… sang ub40 back in the day but these days the best way to teach a rat to dance is to hit it with the latest made to play release from jan driver. the shadowy figure that is jan driver lurks in the depths of the berlin dance scene and only exposes himself to strangers in the park and via the medium of unleashing massive sonically charged dance floor bombs like >rat alert<. for more than twelve years he has been producing on labels as diverse as polydor, am:pm, virgin, southern fried and klang elecronik as well as his own imprint, grandpetrol. this release is causing a massive stir with the heads that matter including roland rat, ratty out of wind in the willows, stuart little, splinter and most importantly dean gaffney aka rat robby out of eastenders who uses it to ease the pain of being an unemployed actor. whether youre a cat, rat or straight up t*at you need to buy this, love it, play it and scare the sh*t out of the local vermin in a club near you.

dj support: stephan bodzin, laurent garnier, mijk van dijk, misstress barbara, break 3000, silicone soul... if you havent realised yet, its 2008! and flash recordings are back with a bang. this time around the label owners oliver koletzki and florian meindl joined forces again with their tough breed of minimal and electro creating their unique signature sound that has been hailed as the new german techno. after singles by daso, pawas and lützenkirchen, the two masterminds behind the imprint have decided to throw their skills together in a big pot, stir it around a couple of times and spice it up with some dance floor mania. and their brew is lethal! cyclone is one of those tracks that will completely reorganise any dance floor. koletzkis charming melodies are mixed with some tough minimal meindleske beats that break down in a crescendo of effects and synthie patterns. this is a magic potion! on the flip there is tiger. with its strong bassline the track lurks around the corner eagerly waiting to bite the crowd with an enchanting arpeggio and some great stabby chords

well, well, well… d.classics returns again to spread the funky good news… whatever you want to call funky: sometime pure funk, sometime heavy soul, sometime discofied, sometime electro-ish, even sometime 80s… but sure its funky ! so here we are, on a journey proposed by non-else than parisian sensation dj almost. after years (and we mean yearsss) of heavy activism behind the wheels of steel, almost agreed to share with the world some of his own heaviest re-edits. a side, get straight to the core of two of his 80s fave, stripping them down to the clubiest, most mixable parts. boy! how deep are those bass & beats? perfect peak hour, decerning crowd s dancefloors! b side lurks more into the p-funk direction, with a huge classic winner, full of moog-ish bassline, female choir background voices, and deep dark male gimmicks. well, 3 more classics brought back to you by the dclassics posse