french harmonica player j.j. milteau plays hits and blues covers.

jazz

reissue - with all due respect to new york, los angeles, atlanta, and miami, the epicenter of the rap universe in 2016 just may be chicago. with young stars ranging from chief keef to chance the rapper to lil bibby to vic mensa, the windy city continues to push the boundaries of hip-hop music and culture. the latest artist to emerge from this hotbed of talent is mick jenkins, a gifted lyricist who has built a strong buzz online with a series of acclaimed mixtapes. now, one of those collections will be available in physical format for the first time ever, with a limited-edition vinyl pressing of the waters set to hit stores soon. originally released online in late 2014, the waters features appearances from fellow rising stars joey bada$$ and noname gypsy, plus production from statik selektah, kirk knight, j.u.s.t.i.c.e. league, dj dahi, and many more. xxl called the project an indisputable success, declaring jenkins a formidable opponent to some of hip-hops most highly regarded mcs

hal singer – tenor sax
alain jean-marie – piano
august -gus- nemeth – bass
oliver johnson – drums

white vinyl pressing.

compositions of jean-jacques birge

repress - incl. tracks by jean carn, the futures, the jones girls, the o jays, tom moulton

techno legend jeff mills and keyboard wizard jean-phi dary embark on an exciting, ground-breaking musical trip that takes techno and electronic dance music to a new level.

reissue of proto detroit techno and jazz dance anthem - favourite of floating points

the livestream concert-event on limited 180 gram vinyl, housed in a gatefold sleeve with 60x90cm poster

double vinyl set (single slip /color jacket)

part 2 of a new concept album by electronic music legend jean-michel jarre. contains collaborations with edward snowden, hans zimmer, the orb, pet shop boys and many more. the double 12 inch release comes in gatefold sleeve.

lovers rock classics back on 12 inch vinyl.

the 2008 album by blue sky black death and jean grae available on vinyl for the 2st time.

file under : electronica, indie dance

rarely does an artist pay homage to the classics like dimitri from paris

the nyc and berlin based group were invited to aurally explore the archive of the seminal french director jean-luc godard and release their interpretations in an innovative new album what we leave behind. drawing on godards personal collection of shot film, reel- to-reels and historical ephemera, the recordings reveal the moments before and after the camera rolls, from stage directions and on-set asides to rehearsals, false stars and outtakes.

audio-visual artists soundwalk collective were granted exclusive access to the personal archive of the groundbreaking filmmaker and present their ambitious new album and remix ep: what we leave behind. the nyc and berlin based group were invited to aurally explore the archive of the seminal french director jean-luc godard and release their interpretations in an innovative new album what we leave behind. drawing on godards personal collection of shot film, reel- to-reels and historical ephemera, the recordings reveal the moments before and after the camera rolls, from stage directions and on-set asides to rehearsals, false stars and outtakes.

celebrating the immortal legacy of the late director finders keepers records compile a detailed and comprehensive music cabinet of some of the finest musical moments from his initial directorial decade between 1968-1979, which provided a m much needed platform for the freak rock and free jazz that mirrored the distorted erotic visions in his own mind’s eye. imagine gong-gone-wrong meeting the art ensembles of châteauroux

wyclef jeans neues album ist sein mittlerweile zehntes studioalbum und das dritte album der »carnival«-reihe – »carnival iii: the fall and rise of a refugee«. »carnival iii« kommt im rahmen des 20-jährigen jubiläums von wyclefs debütalbum »the carnival«, welches 1997 erschien sowie 10 jahre nach der fortsetzung »carnival vol. ii: memoirs of an immigrant«, veröffentlicht im dezember 2007. jeans erste erfolge feierte er als ein drittel des legendären hip-hop-trios the fugees neben pras michael und lauryn hill. als mittlerweile selbst gestandene musikalische legende hat wyclef mit weltweiten superstars kollaboriert: mary j. blige, carlos santana, akon, missy elliott, alexandre pires, shakira und viele mehr haben mit ihm recordet. zu seinen größten hits hierzulande gehören die fugees-songs »ready or not«, »killing me softly« und »fu-gee-la« sowie seine solo-hits »gone till november«, »perfect gentleman«, »911«, »hips don t lie« mit shakira oder »party to damascus«.

released in 1997, wyclef jean’s debut “the carnival” was a critical and commercial success, receiving two grammy award nominations. “the carnival” spawned the singles “gone till november”, “we trying to stay alive”, “guantanamera” and “to all the girls”. the album features guest appearances from celia cruz, the neville brothers and jean’s bandmates from the fugees, lauryn hill and pras.
pressing on 180 gram audiophile vinyl.

part 2 of a new concept album by electronic music legend jean-michel jarre. contains collaborations with edward snowden, hans zimmer, the orb, pet shop boys and many more. the double 12 inch release comes in gatefold sleeve and includes a download code (valid thru 31.12.2017).

jean nipon most recently known for his standout productions on parisien label clekclek boom joins the l.i.e.s. stable with a new three track ep. the a-side sees nipon go straight for the throat with a chicago-esce muted-synth beating drum track, not unlike early poindexter or ricky smith productions- it is effective, dj ready, and geared for the club. the two track b-side takes a more mellow and dusty approach- without losing his sense of rhythm engaging drum programming push along tape warbled melodies as the tracks expand and release, balancing out and letting this ep breathe perfectly.

part 1 of a new concept album by electronic music legend jean-michel jarre. contains collaborations with moby, tangerine dream, air, vince clarke and many more. the double 12 inch release comes in gatefold sleeve).

with djs dimitri from paris, francois k, doc martin, greg wilson, danny krivit and others playing his stuff regularly - combined with seven #1 releases on the junodownload disco/nu disco charts in the past year, you know dj, producer, remixer and keyboardist jean claude gavri is someone to listen to. this is confirmed with the first vinyl release on his coco bin imprint featuring in his own words *a disco monster* entitled *the get down*. with an excellent dub mix on the flip this record will be in all the right boxes for a long time to come.

to bring you the 8th release, clekclekboom searched far and wide for the elusive jean nipon. their journey took them to the shadowy depths of mystic swamps from where this modern-day druid had to be carefully coaxed into the studio. but trust-us, it was well worth the effort! on his first release for clekclekboom, the institubes original showcases 3 tracks of hard-hitting, deftly-produced, dance-floor menace.

4 track vinyl sampler with latesd club anthems coming from eric prydz / chromeo / drop the lime / jean claude ades

one of the biggest trance tracks ever gets his house remix treatment !! limited edition package with an excellent cover workout and remixes by olaf basoski, johnny crockett, the brothers, steff da campo

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

excellent tribal infected phunky house club bomb