2lp incl liner notes

previously unreleased material from steve’s private recordings, remastered from the original masters, 140g vinyl, 4 page photography insert with liner notes

new album

searchlight moonbeam is the new narrative compilation from time is away (jack rollo and elaine tierney)

collection of new recordings of belver yin

12inch with picture sleeve

7inch with picture sleeve

7inch with picture sleeve

2lp with printed inner sleeves. repress

reissue

ltd to 300

originally released in 1983.

lp plus download code

lp with download code

lp with download code

lp with download code

12inch with picture sleeve

lp incl. mp3 download code

10 inch

first re-issue since its original release in japan in 1983, remastered from the original masters, 140g vinyl, gatefold sleeve, 16 page photography book with liner notes.

new ep by fsom / andy rantzen with pantone sleeve print

8 track lp with download code

5 track 12inch ep with full colour sleeve

3am spares is a new collection of australian electronic dance music compiled andras and instant peterson that encompasses the darker sounds and later nights of the 1990s and beyond. following on from forerunner compilation midnite spares, this double lp draws from local 12? releases, cdrs and the archives of community radio station 3rrr fm to make a diverse and pumping scene audible once more.

lp with digital download card. selected by sky girl co-conspirer julien dechery, le raccourci culls 15 tracks from ganderas extensive cassette discography, discarded dat recordings, and split cd with lyon toy music project klimperei. while ganderas nostalgic melodies incidentally parallel with the piano key manoeuvres of pascal comelade, robert haigh and dominique lawalrée, le raccourci could only stem from the escapist desires of one eric morin.

efficient space is honoured to share the little-heard recordings of three yolngu songmen from northeast arnhem land - bobby bunnungurr, jimmy djamunba and peter milaynga (d. 2007) - working in collaboration with victorian musician peter mumme. yolngu are the indigenous peoples of arnhem land in northern territory, australia, their clans are the marangu and malabirr, the languages djinang and gannalbingu. their songs are of instruction, story and ceremony.

home recorded above a lawyers office and next door to a brothel, the retrospective is lead by the earth shattering digi stepper rock steady. originally intended for an abandoned dub album, rock steady and fantasy dub were saved from the cutting room floor by australian cd-only compilations on creative vibes and vital collective clan analogue, while green river was never released. now demanding wider appreciation, the dubs finally find union with green man’s new york hip hop/dancehall style, lifted from his second solo album the blue hour vol. 3: deep blue. humbly excelling in all electronic forms, rantzen helped guide techno-rave duo itch-e & scratch-e through the 90s with paul mac. winning the inaugural best dance release category at the 1995 aria awards, mac thanked all of sydneys ecstasy dealers, without whom this award would not be possible, while rantzen stayed at home. the two would also operate incognito as boo boo & mace and screensaver, often collaborating on looney dubs with sheriff lindo - the master of seismic shocks down under. rantzens earliest work stretches back to pelican daughters, an ensemble who proliferated industrial-leaning ambient and tape loop experiments

efficient space continues to expose australias esoteric musical history with oz waves - a collection of 80s diy recordings, compiled by odd wave anthropologist steele bonus. definitive proof that inhabitants of the down underground were links in a global network of creative kooks, oz waves connects those who utilised mobile recording rigs and small press releases to create and disseminate misfit synth-punk, tape loop experiments and inner city pop. through overseas mail order exchanges, anonymous groups like zerox dreamflesh could find place on belgian compilations, while chris and cosey lullabied their son to sleep with irena xero and her interdisciplinary art collective zip. bonus selects 10 survivors from the fertile period (1982-1989), most of which were only issued on cassette in tiny editions of 5 to 100 copies. m squared affiliates prod join the extraterrestrial software seduction, he dark ages minimal wave neglect and the irreverent cut ups of the horse hes sick and mk ultra & the assassins of light. the remaining tracks have been sourced from musicians private archives and are being officially released on oz waves for the first time - andy rantzens industrial dub itch-e & scratch-e precursor, the buoyant vocal-drone of ironing music and moral fibro, sydneys short lived answer to weekend and marine girls. with detailed track by track notes, lines are drawn to severed heads, scattered order and other

midnite spares, australian music devotees andrás and instant peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. through co-presenting weekly radio show strange holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. the 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3rrr and more often than not, the artists themselves. renowned mixed media artist maria kozic enters with the mysterious downbeat of trust me, her partner philip brophy responsible for digital and analogue sonic construction. a recurring character in andrás and instant peterson’s investigations, brophy reappears with a score piece from his divisive feature film salt, saliva, sperm and sweat, recorded as ??? (pronounced “tch tch tch-). other links are thread under the surface. melbourne inner north experimentalist david chesworth explores his australiana songcraft leading whadya want?. the short lived project also featured philip jackson, whose duo the couch is restored from fast forward’s dance issue - a pioneering cassette fanzine published by early-80s 3rrr

2lp, full colour artwork , 2022 repress, released by popular nts show noise in my head - liner notes from ivan smagghe and artwork from misha hollenbach (perks and mini)

special remarks : 12 inch with full colour printed sleeve vital sales points: - first release for new label run by popular nts show noise in my head - mini documentary currently in production with thump - dj support from andras fox, lexx, zaltan antinote, alexis le-tan, redlightrecords crew, suzanne kraft

searchlight moonbeam is the new narrative compilation from time is away (jack rollo and elaine tierney)

cd digipak with booklet

first re-issue since its original release in japan in 1983, remastered from the original masters.

previously unreleased material from steves private recordings, remastered from the original masters

dark union of siegmar fricke / pharmakustik and spanish miguel angel ruiz

efficient space is honoured to share the little-heard recordings of three yolngu songmen from northeast arnhem land - bobby bunnungurr, jimmy djamunba and peter milaynga (d. 2007) - working in collaboration with victorian musician peter mumme. yolngu are the indigenous peoples of arnhem land in northern territory, australia, their clans are the marangu and malabirr, the languages djinang and gannalbingu. their songs are of instruction, story and ceremony.

released by popular nts show noise in my head - liner notes from ivan smagghe and artwork from misha hollenbach (perks and mini) - features many rarities reissued for the first time ever

22 essentials trance and melodic techno tracks on 5 12 inch

r.i.o. begrüßt kxb, alias sam gill und wes holland, ein duo, das, wie sie selbst sagen, auf dem balkon des robert johnson im jahr 2019 geboren und getauft wurde.

2023 repress in stickered sleeve.

the ep features two brand-new rod tracks, entitled hgb and dtc. hgb is stripped down, energetic and hypnotic techno with a thrifty and efficient use of synths. its driving, elegant beat programming, together with its crafty, subtle effects, vividly illustrate the special handwriting of rod. dtc is even more minimalistic and reduced to the absolute indispensable, which makes it equally effective in its own way. with those productions rod is really on to something, and we are very happy to present you his first and surely not last clr release

cover not mint - vinyl unaffected. the ep features two brand-new rod tracks, entitled hgb and dtc. hgb is stripped down, energetic and hypnotic techno with a thrifty and efficient use of synths. its driving, elegant beat programming, together with its crafty, subtle effects, vividly illustrate the special handwriting of rod. dtc is even more minimalistic and reduced to the absolute indispensable, which makes it equally effective in its own way. with those productions rod is really on to something, and we are very happy to present you his first and surely not last clr release

(lawrence, amyn, dewalta remixes) efficient club tune for the early hours including remixes by gieglings lawrence, moodfamilys amyn & a terrific intricate minimal techno trip by dewalta.

ed dmx joins the casa voyaser posse ussing his legendary computor rockers moniker, bringing back the old-school electro flavors on csv. efficient, machanic and computerized!

coming next from adult only: the repress of one of the most sought-after 12s from the label back catalogue. ao19: “formula express – main course” was originally released in 2002 and featured guillaume la tortue, jef k and chris carrier.
this is actually some of the last records ever produced by the mysterious guillaume la tortue, one of the pioneer of electronic music in france, who’s quoted by laurent garnier in his infamous “electrochoc” book as one of his main influence back in the days.

the record opens on the “main course”: a classic tech-house number with a beautiful 909 beat and a tasteful use of various samples and fx all through the track. the funky vocals still sound fresh today but the secret here (as often with chris carrier’s related work) is the groove – the kind of groove that reminds you summer days in the park while the strong bass-line announces already the next track.
on the flip, “starter” stands out as the perfect dancefloor killer with an infernal groove and a real fat analog bass-line that will keep you moving whether you want it or not. add just a few crispy tribal percussions on a classic raw 909 beat and you got the simplest and dubbiest song of the record but also the most efficient dancefloorwise.
the last cut, “apple pie”, might be the deepest of them all. spacy melodies and trippy vocals in the background make you first feel like you’re chillin on some extraterrestrial beach far away from earth. it starts as a nice breakbeat building the atmosphere before slowly evolving into a more 4-4esque tech-house with the bass coming in only after a couple of minutes. even if the sound was resolutely analogic, the whole ep is extremely well produced with a special care for details. at many levels this three-track ep is a landmark in the label history.
time for repress.

since efficient space excavated andy rantzens mind-bending will i dream? the rest of the world has become better acquainted with the darker & dubbier side of one of australias rave superstars. were excited to present a selection of tracks from andys incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future. lifting the veil speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. cosmic vibrations harks back to the development of fully computerised rhythms emanating from jammy and tubbys waterhouse studios, by way of erskineville. in the same vein, bedtime for boo boo sees andy joined on the boards by sydney dub technician sheriff lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of australia’s finest reggae talents. flip the disc to find move it, the most concentrated dose of the jungle vibes that permeate the ep. rantzen channels the headrush sonics, breakneck drums and euphoria of d n bs heydey, nailing the red-eyed early am atmosphere of a sydney warehouse ca. 95 - and its just as likely to cap off the night of many a secret inner west location to come. magic lantern marries a dreamy synthesizer melody with a wicked, subby bassline. if there was a dancehall scene in ferngully, this wouldve been the soundtrack, with enough low end to really rattle the treetops. on closer dub generator, a slightly-creepy mechanized voice urges you to “leave your worries at the door come and join your friends upon the floor - an introduction to the dancefloor or an induction into some sinister cult? whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold. all songs recorded at masking tapes, liquid blue and 1/66 enmore rd, 1997-2000.

whether or not techno music is destructive and to what degree is fair concern to have, but there s no denying that it can call upon our primal instinct of surrendering to rhythms together with everyone around the proverbial camp fire. sure, the camps of today are the clubs, and the fires are strobes, but that doesn t change the essence of rituals that we continue practicing. the release stays close to 130 bpm and offers efficient tools for the dancefloor: airy, for one, represents a syncopated narrative of wonder and magical realism, whereas in the hands of gotshell it becomes less contemplative, shifting to a more direct perspective. backed by cascading kicks xi takes a dive into atonal realm, and kujin —the most brutal number of ep—offers a densely packed treble range running above the hammering 3/3 kicks. with hydra, it s a trip laden with wondrous soundscapes, shamanic percussion and sensations of unexplored grounds emanating from the bassline, after which the closer trioptic provides a rebellious theme fitting for times of unrest and resistance.

david delgado and maik yells making a perfect example of efficient collaborations with this strong, dancefloor oriented minimal-house ep.