electronic/dance

a song dedicated to his wife and their marriage. the song contains so much captured emotions. from shimmering synths and old school orchestra hits to a solid walking bass line that solidifies the love for the dance floor. on the dub mix, santiago stripped the track down for a big sound system leaving a heavy bass line and strings throughout the track. esteban adame presents guaguanco. i wrote this track while playing with g2g and mike banks was always pushing us to electrify your roots. though my family is not cuban, cuban music has been a huge part of my musical development as a musician. the track uses traditional cuban rumba rhythms (guaguanco) to trigger synths and percussion samples alike to create a dense polyrhythmic cushion for the track to sit on.

t-coy s carino - an all-time uk acid house classic from 1987. fusing the industrial clicking and whirring of the uk s post-industrial landscape with the lush, melodic, balearic inspired piano lines of the white isle and sucking us all in in the process. a true masterpiece courtesy of mancunians mike pickering, simon topping and the late ritchie close who s combined projects included quando quango, m-people, annette, a certain ratio and more. it s truly hard to believe this record is 30 years old. it can easily stand shoulder to shoulder with anything being released today. the b-side regret is also an amazing, minimal slice of punk-funky 808 driven niceness. super stripped back and with an innocent charm and poppy vibe it is the perfect foil to the latino house chaos of carino on the other side. one could argue that the a-side will take you up, and the b-side will bring you down (in the best possible way!). this classic has been legally reissued by above board distribution in conjunction with the legal rights holders sony music entertainment. this high quality repress features original 1987 deconstruction records label artwork and has been remastered from sony s original sources by optimum mastering, bristol uk.

nice price deal !!! 2nd part of the package mixes from motor city drum ensemble & steve mac

after the huge succes of its tenth release (davide squillace & guti), hideout is back with with the third slice of the deconstruction revisited series. this time, crocodile tears, which appeared on davide squillaces tutti frutti ep (ho003) got offered three amazing relectures. it all starts with mr robert dietz (cadenza, cecille ...), who delivers a super modern and energetic relecture, where intelligent synthetic percussions mess around with weird noises and processed effects. after two minutes a monophonic synths starts its battle with vocals from squillaces original to end up on a more minimal groove. gflame aka portugese techno start cisco ferreiras (the advent) relecture directly sets the tone: a nasty bassline with a crazy synth stab flies over a soft but very heavy techno beat, to evolve to an elegant tech house track (no bongos involved). finally sis, the man behind cocolino imprint, reinterpretation starts with a long intro with the kick dropping after more than 3 minutes. the melancholic feeling of the track builds into a very subtile beat with reverbered elements all over. the percussion layers and delicate melodic synths add some organic flavour to the music so the 14 minutes remix is never boring and takes you to a nice journey thru sounds. you can tell somebody was in love when making such a beautiful song. another must have from hideout!

the voice of gossip! after the success of smd >cruel intentions< deconstruction have signed miss ditto and got smd to produce 4 tracks the outcome is pure electro pop magic.

the voice of gossip! after the success of smd >cruel intentions< decon have signed ms ditto and got smd to produce 4 tracks the outcome is pure electro pop magic.

the classic t coy returns with new mixes from the legendary greg wilson & brazils dj marky on the remixes.

slamming remix package with hot mixes coming from riva starr , jeff mills and freeform five

akin to deconstruction itself, >the gift< symbolised the credible mid 90s dance hit. surrounded by a fog of cheap commercial fodder, way out wests roberta flack-sampling crossover anthem shone like a beacon, reaching the top 15 of the uk singles chart in 1996.
kicking off the new package is way out wests own 2010 remix. toughening up the original break based drums and adding a few new synth lines is all wow needed to do to breath a second life in their ubiquitous track.
gui borattos remix takes the track into deep tech house territory. gui flips the track to a straight 4/4 beat, adding some organic percussion, side chained chords and his trademark warm distorted synths to create a truly euphoric groove.

the classic justin robertson aka lionrock back with some killer remixes part 1 features chemical brothers / spektre & deadstock.

repress classic!! phantastic booty styled techno, flip with an amazing detroit electro breaker !!

classic re-release * incl sneak remix / surgeon dub (to the storm) * blue coloured vinyl!

ltd nice price

nice price deal ** limited summer deal ** !!! four track cd pressing of this 2011 solo ep from gossips large-voiced singer. with production work by simian mobile disco, beth heads deep into dance territory with this release.

the full zooloft discograpy in one box set. remastered audio on black 180 gram 10x12 inch vinyl, limited to 100 signed and numbered copies.

masterpiece

excellent, atmospheric, half-stepping drum & bass / grey (dub) techno ep

three releases from the flatlife camp for one special price! (factory001rp / dmva01 / flat019rp) more stock incoming!

b-stock! cover with seam split. vinyl unaffected & mint. limited edition reissue of the controversial prince album on crystal clear double vinyl. housed in a gatefold sleeve with download code and rainbow slipmat included.

early support by ben klock, dvs1, dj nobu & ben sims

fourth unitas multiplex release comes from linn elisabet, with a remix from amotik.

first de missie vinyl compilation with tracks from delano legito, paul laurens, cynthia spiering and dissolver.

next herdersmat compilation from mord on 4x12 inch vinyl.

experimental

experimental

limited edition reissue of the controversial prince album on crystal clear double vinyl. housed in a gatefold sleeve with download code and rainbow slipmat included.

5 strong electro tracks

early june 2019 frankfurt am main based label mmodemm unleashes drums the first of a series of vinyl compilations in the spirit of signature sounds, stating a tribute to sound-libraries a deconstruction of your favorite preset sound-groups. drums will be followed by sound-themed releases flutes, voices and slapbass within the next months.&#8232,, drums features a proggy composition by eva geist (macadam mambo), a raving clave inferno with odd, pitched chants by cienfuegos (l.i.e.s.), a dance-floor drum-solo straight from ireland by lumigraph (opal tapes, mr. saturday night) and last but not least a drunk masterclass drum-lesson by peder mannerfelt (avian, berlin atonal rec), taking house apart with his dumb drums

electric and vintage synths to create deep layers of analog goodness.

moritz simon geist lets the robots play on his first full-length. the vinyl lp comes in a gatefold sleeve.

on the 4-track ep “the material turn” moritz simon geist turns materials into sounds

unum records first release is a proper techno ep produced by the label owner klara. the ep includes two powerful remixes produced by gigi galli and anetha.

„spectral decay” is a collection of musical reflections about the paradoxical contemporary state of humankind, whereas its own technological, social, cultural and economical development seems to entrench the possible points of a structura downfall. the narrative of „spectral decay” starts with heavy, mesmerizing industrial vibes. due to the notable sound design techniques of japanese artist tetsumasa, his hefty piece „nex” evolves into a harsh but still amazingly cinematical music sculpture. subsequent mid-tempo composition „onzour shayatini” by meer dynamically follows the dark, experimental path of drone and noisy structures. violent accents smoothly lead to the deconstruction of drum & bass patterns and turn into strident 90s metal riffs. the track progressively penetrates obscure subterranean abysses and becomes a perfect introduction to the next theme by yuji kondo – „hades”. in greek mythology hades was the ancient god of the underground kingdoms, darkness, death and metals. therefore, kondo’s music piece turns into an infernal portrayal of the underworld where tenebrous layers of bass frequencies, raw textures and drexciyan sounds build up an enormous and lasting tension. side b begins with the track „anthropocene” produced by arboretum co-founder – mogano. the whole composition refers to the present geological epoch we live in, characterized by environmental pollutions, depletion of fossil fuels and accelerated urbaniza- tion of the world. it is a deeply conceptual soundscape of a powerful system, that incorporates both – the destructive forces of technology and the infinite energy of the whole universe, that interweave in a devilish dance of post-techno, breakbeat and dub tones. thereafter, ~raw in his piece „poly bios” pictures the interference of human structures in the nature. creating a mosaic from indus- trial and tribal, organic sounds, he tells a mystical story of fear, hope, escape and primeval instincts. the narration concludes with an atmospheric composition of nwrmntc – solo project of ana quiroga from experimental ambient duet lcc. „beyond” is a boundless, spectral reflection on collective human consciousness, where haunting vocals evoke a recon- dite, ineffable pain, leaving the listeners in a profoundly meditative state. laura polan&#769,ska

turmalinturm remixes is a scrupulous compilation of tracks inspired by the second fogh depot album released in october 2016 via denovali records. the idea was to compile pieces both from artists of the denovali roster and of the booming russian electronic scene.

as with all ultradyne works there is meaning in everything. ocular animus delves into the mindset of humanity and breaks away from the usual ep format - three tracks - five songs. this release explores the terraforming of humanitity as seen through the eyes of the machinists as they look into the mirror at its underbelly. solid rhythms, shifting beats, eerie synth lines splatter across the canvass of this new release feeding the beat hungry and philosopher alike. fear. uncertainty. hate. a glimpse of the possible future or the deconstruction of a paradigm. you decide if you like what you see

the label s 50th release brings back ninjahead s 1994 classic -pulseman vs. sineman- by two contemporary versions out of emmanuel top s as well as alex bau s studio.

clocking in at 11 minutes, this is a radical deconstruction of the track bint el khandaq that appears on the mashrou leila album ibn el leil. lost souls of saturn tease out the underlying emotion and yearning present in the original and take the listener on a beguiling, symphonic ambient journey that calls to mind wolfgang voigts much loved gas project, or the shimmering imaginary landscapes of brian eno. renowned for their rousing, sensual electro-pop mashrou leilas songs touch on political freedom, lgbt rights, race, religion and modern arabic identity. lost souls of saturn were approached by the band to reinterpret the original track and the stunning results fit perfectly as their debut release on r&s. this is the next step in the evolution of seth troxler and phil moffas lost souls of saturn project. look out for an album on r&s in 2018.

dj haus ever-expanding deviant house music empire continues to impress with another installment of house crime, this time committed by szch. the 12inch kicks off with the fast and freaky girl i neva which borders on juke levels of nagging sample chops, before the script gets crumpled up and tossed at the bin with the wonderfully scruffy rave deconstruction of peugeot 106 at sunrise (pingers mix). unconditional (edit) brings something a little smoother to the mix, although that underlying weirdness that comes with house crime releases is still lurking in the wings. ukljucen ti je blutut finishes the ep off in a rowdy yet reflective style long may the strange tale of house crime continue.

merc return with the latest instalment in their celebrated e-versions series. no. 8 is classic mark e business, proven king, as he is, of the slow-burner train tunnel is a beautifully unhurried deconstruction of a jazz classic, upright bass, piano flourishes and horns picked fresh from the speakeasy and popped in the slow-cooker for a deeper, mesmerising flavour on the flip give it time is a glorious celestial and atmospheric workout, which - as the title would suggest - implores you to ignore the demands of accelerated culture and pace your journey to dancefloor nirvana accordingly. merc to the future !

history freely dilates and collapses on valgeir sigurðsson’s dissonance, his first solo release since 2012. its three large-scale works are haunted by the old western tradition, infused with the ethereal workings of electronics and sound manipulation.
dissonance treads elegantly along a fine line between traditional symphonic organicism and the fissures of the faltering structures of reality. it takes forward sigurðsson’s typically expansive, panoramic writing, and elevates it to a perpetual construction and deconstruction of time and space.
these are hardly his first experiments with the archaic technology of classical instruments, but here the distance between past and present is precisely what the music itself is designed to explore, and to distort.

inaugurating 2016 with lee holman’s debut ‘one man army’ on raw waxes, the italian imprint welcomes the new year with a series of remixes of the irish producer’s release of last may, which feature four benchmarks of contemporary techno: cassegrain, distant echoes, haiku and kimyon. the record is out on 12” vinyl format. it comes on black vinyl with an additional hand numbered paper insert realized by german illustrator benedikt rugar, who also designed the illustrations of lee holman’s ‘one man army’, the drawing is a continuation of that release’ visual abstract porn concept.

nice price deal !!! part 3 of the detroit underground compilation, released in

guy tavares answer/sequel to unit moebius kuiken part 1 en 2! pure industrial pain, dark fear, shady paranoia and swingin noise destruction/deconstruction for maximized intensity to cut you up to pieces, to burn you alive in the nuclear holocaust ovens! poi mi nascose nel foco que mi affina? the almighty juggernaut keeps on rollin and rollin warning: extreme production! please attenuate pre-amp input levels for better/wider sound and to maintain your speakers doing their proper job!

affi is a glasgow based producer, dj and resident at the cult sunday circus, a collective infamous for throwing their long-lasting, day-after-the-night-before affairs. he regularly makes his presence felt at the most credible club nights and parties in and around the labels home town. as with the imprint he breaks ground for, koman has been making music for the last ten years with two previous releases already to his name. drawing inspiration from hawtins de9 - closer to the edit work with regard to the deconstruction of previous productions, the reassembling of intriguing new forms dominates his modus operandi and leads to this latest offering. the champagne breakfast ep puts forward the titular track on the a-side, ably abetted by in love and its dub remix love dub on the flip. an uplifting track which keeps on giving, the new release has already been subjected to test runs in the critical environs of a packed sub club and has proved worthy of the plaudits so far received.

after the first komplex kommunications release by dolphin featuring the great revived soul cannibal vip and the monster hit: >requiem for a samurai<, which was a massive success, dolphin returns to komplex kommunications. dolphins 2nd release is all about polishing turds. 3 unreleased tracks from the past brought back to life, redone, recut, reconstructed in the best way brings you another can t miss release. dolphin is back!

haunting, post-house deconstruction from russian outsider neotnas. >that day< is vocal dance music for lost souls, disparaging practical compromise and sunny chord progressions for a bones-bare, ruthlessly sincere interrogation of hopelessness, apathy and ultimate transcendence. suppressed waves of orchestral melancholia pass through entrancing heroin-paced percussive mechanics, unveiling the cavernous sprawl of neotnas masterful production. casting an icy shadow of depth and despair that is not easily shaken, four by fog lends his unexpectedly beautiful vocals to the project, proving the axiom >if you dont have the key, just break the lock<.