female soul vocals

first self release by a germany based chinese producer ivu.

black loops back on shall not fade. 2022 repress.

dieses mini-album wurde im winter 2017 und 2018 geschrieben und aufgenommen, basierend auf den aufnahmen einiger improvisations-sessions im studio der heimband seit ihrem umzug nach berlin anfang 2016. die hauptinspiration konzentrierte sich auf die fortlaufenden fäden des zusammengebrochenen Ökosystems und die ungerechtigkeiten von mutter natur und tieren. -circulation- sollte ihre täglichen sorgen erfassen und das destruktive menschliche verhalten durch ihre klänge zeichnen.

2020 repress - the beautiful release from circulation released in 1996 on balance recordings is re-released by phil weeks & didier allyne (p&d) for your ears. after the massive success mood ii swing « move me » (pnd05) another underground story of the house music continue with joshua michaels (iz) and dwayne washington (diz) met in chicago almost thirteen years ago and have been friends ever since. they both had their nicknames before meeting each other, so it was a natural progression to start working together as iz and diz. when joshua moved to chicago in 1994, iz and diz began making music together, recording their first track at the legendary kms studios in detroit for the prescription records offshoot balance. now out of print, this was to be a first in a series of well received singles for a variety of respected labels including silver network, classic, seasons recordings, tweekin records..

“sincerely, s. love x” (the kiss is meant to be pronounced) is simon’s sophomore solo album (his 2015 debut “it seemed like a good idea at the time” was released on the brilliant, now sadly defunct fortuna pop label) and it features at least ten hits. proper pop hits, with elo harmonies, spectoresque production, strings and trumpets, the whole shebang. all recorded over the last two years in london, england. big city pop! the vinyl release includes a cd-copy of the album.

mint condition - a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in..

this is an album of deeply emotional music. it s not all heartfelt niceties and eye-welling moods though. rhythmic theory did after all come to light (or should that be dark) in the gloomy alleyways of uk soundsystem music begat from dubstep and all that other stuff. -creeper- is on hand to affirm that this is a record still steeped in true, stern moodiness, where a stalking sub line, some metallic percussion and an icy drone can still strike fear more than a thousand angry wobble basslines. it s worth noting how much attention has been given to shorter vignettes. as well as the aforementioned, cryptically titled -interlude-, -work of fiction- and -end (of forever)- both give insights into the places rhythmic theory cares to roam beyond the structure of a long form track. these are places where melancholic or downright ambiguous dispositions interplay with each other, from the synthetic to the earthly, the malevolent to the tender. in the end, even at its most monochromatic, nothing is black and white on rhythmic theory s debut album, and that s just fine with us.

for soweso no 12 we are proud to bring you beesmunts debut ep >circulations<. beesmunt consists of david van der leeuw and luigi vittorio jansen, two rising talents from the amsterdam house scene. they started working as a dj-duo in the summer of 2006 and have been busy djing and producing ever since. the five tracks on this ep have a typical beesmunt style that has been tried and tested on the dancefloor. make sure you try this one out!

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. for our first release we have gone back to 97 and a producer known and respected worldwide in the house music community with more than 200 production credits under his belt. joshua michaels aka joshua iz perhaps best known for his collabs with dwayne washington as iz & diz but has of course used many other pseudonyms over the years for releases on labels like prescription, balance, classic, junior boys own, om and guidance. the return was first released on heard, sub-label to tom middletons evolution / universal language productions ltd. using his moniker circulation. the track can easily be described as a mammoth house track, clocking in just over 12 minutes. its one of those pieces of music that’s stood the test of time and why iz has been a major force in electronic music for so many years. on the flip much hyped duo prommer & barck stripped it down from its original costume leaving not much left of the source material resulting in something that we best could describe as old school warehouse meets uk bass. its pretty raw and definitely a basement sureshot!

2003 limited one sided release!!

great electrofied big room mover incl. tom novy & ismae-ae remix. playlist steve angello, sebastian ingrosso, eric prydz

circulation deliver a deep and rolling remake of mr fingers original house anthem >can you feel it<

debut studio album

2xlp, widespine jacket,black dust sleeves, black& red stripe vinyl,marketing sticker

expanded reissue on turquoise coloured vinyl.

2xcd + dl continuous mix

wave, pop, rock, experimental, avantgarde

today we are proud to present you our new release - double vinyl, dedicated to the third anniversary of our label with house and breaks music, which we focus on from residents. this collection is a real gift for all connoisseurs of high-quality electronic music. comes on clear or white with blue dots 180 gram double vinyl.

standard weight, red vinyl

originally released in 1992, the now rare dred knought ep 12inch by bald headed dred is back in circulation via mps

back to the 90s

the fifth album from tsunami records owner christian wünsch.

hip hop

2023 re-issue, 140g vinyl, mastered for vinyl with audio from the original tapes

super deluxe edition - vinyl lp, cd album with 4 bonus tracks and download code in 30 page hardcover book.

neo classic

conforce back on bright sounds with 4 expertly crafted cuts of deep techno.

the soundtrack from “goodfellas” on translucent blue vinyl.

lp+mp3

limited edition of 300 copies.

incl. leo wood remixes

incl. dinky, tiger & woods, kink, bella boo and more... all profits will be donated..

2020 repress! the second release from cabaret recordings run by so inagawa and dj masda who organize a club party called cabaret based at unit/saloon tokyo. the first release so inagawas logo queen was supported by daniel bell, lawrence, jan krueger, le loup, chris carrier, eli verveine and so on. this coming ep is modern deep house by so inagawa. a simple but strong ep, indeed!

limited to 500, gatefold cover

supported by: helena hauff, ancient methods, terence fixmer, phase fatale, mick wills and extrawelt!

chris rivers (son of big pun) is back with his 2nd longplayer.

präsens editionen presents the debut album from swiss musician and producer samuel savenberg aka s s s s.

support from rene lavice, spectrasoul, dj marky, ltj bukem, nu:tone, doc scott and loads more.

luv jam presents crow castle cuts - ufo4 spaced out biz from prime time nippers rvds, tape hiss, no moon. last of the ufo series on ccc. super rare arthouse vibes, only 222 units in circulation worldwide, no rp. lush earthy grey vinyl with unique 40mm mustard microdot labels. complete with compelling art insert.

please find enclosed the first release from our vinyl only 12” series. two edits with our least favourite bits chopped out to create a more cohesive dance floor friendly record.
the less said about these sneaky edits, the better.
yours sincerely,
unknown artist.
x

attempting to pigeonhole 79.5 into something as narrow as a single genre would be an ill advised, if not impossible task. the new york city band sounds like someone spinning a radio dial with such passionate intensity that all the stations blend together into a single, transcendent, almost spiritual force. its disco to the beat of modern house, its a supremes cover of a cardi b banger, its roland kirk playing jazz through one saxophone, funk through another, and the most earwormy pop tune the 1970s could muster through a third. its an experience one so effecting that with only a self-released 12inch single in circulation, 79.5 had been written up twice in the new yorker on the merit of their live sets alone. their debut album predictions is produced by leon michels and was recorded at the diamond mine in queens the old school way, with the whole band playing the songs in one take and captured to analog tape.

joia records releases joia037, joia051 & joia060 all bundled up for one special price!

its coming out on best italy, so you know you re in for a rarified treat from the dusty archives of pan european music. on this occasion the unstoppable reissue label has its disco hat on, serving up the raw cosmic funk of oro, recorded in naples and originally released in 1977. back then, this crucial cut was confined to a short 7inch edit, but best have pulled the stops out to track down the master tapes and execute a thorough remastering job on the full-length versions, now pressed to 12inch for your long-playing, disc-spinning pleasure. its a good thing these tracks came back into circulation they capture the best of the late 70s era in a cool, downright funky style that never gets old.

the second release on werk is signed by j. manuel. the young producer has been polishing his sound ever since he first started experimenting with electronic music gear as a child. his commitment to following his own instincts rather than conforming to what was being played around him resulted in a very different aesthetic to the one commonly associated with berlin techno. drive fiction ep stands proof of that. all 3 tracks push boundaries in their own style, that being perhaps the strongest link between them. the title track -drive fiction- presents old-school leads over broken beats and electro inspired pads while the a2 -falling in sine circulation- is arguably the most dance floor oriented track, with a pounding 4×4 kick drum and an alarming 3/4 sine wave slaying the high frequencies. closing the ep is b-side -softer-, a melodic track with long, undulating pads that is nonetheless driven by a powerful rave-inspired beat. with its second release, werk comes to confirm the path it seeks to travel through both parties and releases: that of the sounds less rigid. gritty, wild and presenting a wide range of rhythmic patterns, drive fiction ep is a defying record. challenge accepted?