commander, welcome back from your deep sleep. we are sure your dreams were lucid and that you are ready for the next instalment. mission ram-x-04 - chasm of chills delta craft xx84 is now approaching wasteland
dark, experimental, minimal, futuristic techno grooves from octave, french duo o & r, plus a super deep remix from audio injection supported by samuli kemppi, space djz, bcr boys, sasha carassi, submerge, xavier morel, virgil enzinger, brian burger, audio injection, alex flatner, re:axis, sam paganini, elektor, thanatos, zen paradox
flynn ryder announces himself to the world, launching into the chasm and resurfacing with two crucial cuts. drawing on both the pressure of the deep and distant memories of the sun, flynns expertly crafted debut 12inch is an essential addition to the challenger deep arsenal.
boston edit fiend kon returns with his gang in tow for some more stone cold funk to make you groove... needless to say - this one slaps in all the right ways! aided and abetted by his long time engineer caserta and featuring the dope musicianship of soul supreme on keys and xander vrienten on bass, kon brings us the boogie love, reimagining a jam from one of buffalo s most famous sons. this has summer jam written all over it, we re talking chasm deep bass, snapping drums and the illest rhodes you ve heard for a minute. oh yeah, there s a dub on the flip too.... essential. welcome back kon & the gang!
special edition gold pantone sleeves moon lovers is electronic journey through nuovo romantica much in the same vain as dreamtime 002 rev thorn airport west. 10 selected atists from all corners of the planet, swedens bobby bricks starts the lp off with the slow mo disco meloncolic love song no money, no vacation. venus express ii feel the wave is next delivaring a bouncy piano driven bop. song number 3 paul withey this is what we hold on to, is a funk guitar driven vocoded groover to likes of herbie hancock, daft punk later works. the lp concludes with peter pearsons spaced romantic piano interlude, come closer.
four tracks that capture the various emotional moments of the dance floor. produced by brian ring in berlin. remixed by honey soundssystem member jason kendig in new york. the photo on the cover comes from established amsterdam photographer sander meisner.
it also gave us a beguiling lp that keeps on giving, exciting and inspiring over a year later. proof can be found in these three superlative remixes. subversive berlin duo otto take the lead with a warm, arabic twist on the album opener bonnie says by lifting the groove with a little organ-squeezing spring while maintain its faraway haze and mystique. accurately hyped romanian-also-in-berlin borusiade follows with an overwhelming floor-ready update on have i told you. already a familiar face with the label, she weaves a chasm-like new-wave narrative that sucks you deep into the mix and galvanises the pundit attention shes getting right now. finally mannequin records founder alessandro adriani joins the party with a tunnelling twist on the somnambulant aesthetic of valium. flipping the dreams for a much darker 3am reality, it will leave your dancefloor pining for more. dont worry, theres plenty more to come. dischi autunno are only just warming up.
inga mauer loves trains. -it s a fantastic chance to be nowhere-, she says. from cologne to clone is, in many ways, a celebration of this nomadic sense of existence. -i don t need a home, only a studio-, she confirms. recorded in a period when inga lived between cologne and rotterdam, home to the famed clone records shop (hence the title), the music on this ep is inspired both by the emptiness you suffer in futile non-places such as airports and the chasm you experiment in majestic scenarios as a russian forest. both by solitary travels and first encounters with machines you always wanted to touch like an 808. six tracks constructed with razor-sharp drum-machines, penetrating synth sequences and estranged vocals. raw sounds that capture the type of clairvoyance that one can only feel when in transit, far from the chains of our comfort zones. from cologne to clone is much more than a train journey. it s an introspective voyage to a beautifully warped soul. a reminder that, in fact, sometimes you only need your self-expression to feel at home.
despite his artist name and his trademark sound, steve murphy does not come from chicago, but from mira, a little town on the suburban area of venice. steve has been djing since 2001, and in the past years has been rocking almost every club in his region. he is serious and professional behind the decks: playing only with vinyl, he blends electro and house, techno and new wave, acid madness and pop appeal. steve has produced together with die roh an album (-the chasm-) and one e.p (-windy city-) on chiwax, and a solo 10- (-planet earth-) on rawax, these records have quickly gone out of stock and that have been acclaimed by the lovers of the classic warehouse sounds. in 2012 he has started the riviera project and has founded the muscle records label, together with lucretio, dj octopus, caio, madì grein and chevel. the label is a facility to spread what has been called -the sound of brenta-: a raw, nasty, machines powered clash of house and techno. in 2012 he also released -the dove ultimatum- on vae victis records, under the moniker of durant: an unfriendly 12- of distorted electro and funky acid beats produced with die roh and lucretio.
support from truss, jerome hill, warlock, esther ofei, dexorcist, noyeahno and others
ugly funk return in style with blackmass plastics! features a double-sided 12 inch insert – very limited copies only
limited to 250 hand-numbered copies on transparent red coloured vinyl!
killekill welcomes a new duo on board. skew and satirist are not newcomers. nor are they a well-guarded techno secret. but for this initial outing they want the music to come first. both artists have a background in sonic and technological innovation and have started this project for their left-of-centre techno manoeuvres. berlin s killekill is the natural launching-pad. the ep visits idm-dipped dark techno, a track built around a malfunctioning feedback matrix and a wide-angle, subtly melodic adventure
killekill welcomes a new duo on board. skew and satirist are not newcomers. nor are they a well-guarded techno secret. but for this initial outing they want the music to come first. both artists have a background in sonic and technological innovation and have started this project for their left-of-centre techno manoeuvres. berlin s killekill is the natural launching-pad. the ep visits idm-dipped dark techno, a track built around a malfunctioning feedback matrix and a wide-angle, subtly melodic adventure
the second album by valanx called >ejecta< (18-diam.) gets the remix treatment. four artists, each with their own unqiue sound, have reworked their favourite track of the album and gave the music their own twist and sound. the exaltics turns >beyond doubt< into a dark brooding metallic industrial beast with a strong and dominant sub bass line that will damage your speakers.crc, one half of the finnish electro masters morphology creates a trippy psychedelic techno epic on his take of the track >chasm< and showcases a masterpiece of drum programming and creation of atmosphere. on the flip, >trail of conjuration< gets the remix treatment by admx-71 aka adam x. his version takes the tribal aspects of the original and turns it into a dark industrial techno drenched track that immediately lets you think of an old abandoned warehouse drowned in strobe light and fog and a massive rave taking place.last but not at all least it is louis haimans turn and he creates a wonderful deep dub techno track out of >legion v2<. the sub bass and deep chords are whirling and will hypnotize the listener with endless echoes and reverbs. 300 handnumbered limited vinyl copies only. no digital distribution
superb new spacial dub techno 6 tracker from sighas label
features full picture sleeve
selected dj support from sigha, shifted, worn, peter van hoessen, yves de may, cio d or & samuel kerridge
shit robot returns with his first new material since the release of his debut long-player, >from the cradle to the rave<. after spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with lcd soundsystem during their final shows in nyc - the rebooted robot is back with >the green machine<. the first result of his stuttgart/new york studio adventures is a double-header of dancefloor jams, >teenage bass b/w >space race<, which is released on vinyl and digital on dfa on may 21 2012. its the first in a series of releases called >the green machine<, which will culminate in an album early next year. lead cut >teenage bass< rides a rude ebm bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. the hypnotic >space race< is a distant relative of 2007s chasm – a meandering, melodic, star-gazing robo-techno workout
2010 has been a massive year for jozif, emerging as one of the most talked about artists in house music. the follow-on from the first sell-out edition, “beats in space”, “brick jane” goes further to cement his place as one of the vanguard of the london music scene, and propel fist or finger to the status of a buy-on-sight label. jozif’s title track – the dancefloor focused ‘fist’ of the package – goes in deep, the momentum continuously building as the track twists and turns through a landscape of deep slabs of bass assured deployment of subtle guitar plucks and piano chords, and dreamy xylophones. finally releasing into an epic crescendo, jozif only allows the moment to last just long enough, before all the elements are stripped right back as the journey starts all over again. brick jane draws out a journey, continuing to morph and subtly affix new elements throughout its 7 minutes. the arrangement is simple yet the progression is deft, subtle and effective, creating a vibe that can be employed at any given time of the night, offering a truly different context. craig’s ‘finger’ re-interpretation picks up the thread where his “beats in space” remix left off. crackling static laced with woozy atmospheres and paranoid utterings flip the vibe of the original completely on its head. richards displays a completely unique ability to stretch the original track far beyond its character into a completely different dimension, building a warped soundscape that feels as though it was recorded in a chasm deep deep underground. a mind-bending journey from a truly multi talented artist, in the truest sense of the word
ranking records 10th release sees russian producer/vocalist marina faib burst onto the scene with a 12inch that is frankly nothing short of astonishing. for a girl born in the 1990s, faib shows astounding maturity in her restrained approach to sound and rhythm, employing stuttering drum loops to underlay soundscapes that would put many a hollywood composer out of work. ticking clocks is a spine tingling example of this: the texture of the track comes from a euphoric choral sample which soars over a deep chasm of sub bass energy, climaxing in the perfect placement of a slithering arabic reed solo. whisper of trees shows the same mastery of atmosphere and musical arrangement - this time the tune is built from blissed out vocal lines, warm synth pads and a pulsating low end.
die ursprŸnglich aus sibirien stammende produzentin, sŠngerin und djane zŠhlt zu den umtriebigsten und interessantesten kŸnstlerinnen im elektronischen bereich. mit ihrem fesselnden mix aus house, techno und acid spielt nina kraviz mittlerweile in den angesagtesten clubs weltweit. nach ihrem mix fŸr die renommierte dj-kicks serie aus dem letzten jahr veršffentlicht sie nun einen exklusiven mix fŸr die fabric-serie. nina kravitz mixt sich gekonnt durch rare und unveršffentlichte tracks von u.a. bedouin ascent, frak, dj slip, woody mcbride, i-f, thomas p heckmann, aphex twin, air liquide und natŸrlich auch eigenem material.
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