the second release from the snips of eddie scissors give you two absolute iconic re edits. marvin gaye whats going on and marvin gaye & tammi terrell aint no mountain high enough. once again these are strictly dj only very limited editions.

slam release the second single on their new imprint paragraph. the new single hot knives is a beast of a track and is being touted by many as their biggest dance floor destroyer since positive education!!! >hot knives< will be one of the biggest techno tracks of the year and is already a massive record for the lucky few djs who have it. balanced by the deep and twisted >whats on your mind< which slam previewed on their recent sci-fi hi-fi mix cd dubfire - yo track is sick. going to make my new year. this is huge. / paul ritch - what a massiv crazy tune!!!!!!!!! / laurent garnier - the new track from slam is fucking massive. you can be sure that i will hammer this. anja schneider : yes yes yes... / len faki - this is a crazy big one - love it! / adam beyer - thx a million for this. big tune, will definitely play

180g royal blue vinyl only

ltd.2x12 inch lp incl booklet and download code

soundtrack

reissue on audiophile 180 gram black vinyl. (wrong sticker on protective sleeve - this is the regular black version, not the limited flaming coloured vinyl.)

limited edition of 2500 numbered copies on flaming (orange marbled) 180 gram vinyl.

introducing t-flex london based artist and visual designer. discovered when datassette dropped one of his wips at the null+void recordings launch party, there was an instant hook on his playful and intelligent sound. we’re super honoured to be able to give his productions their first official home and cut to vinyl. its a bold and exciting debut - showing of a flair for pairing deep sub-bass with quirky off kilter rhythms and grooves. this from someone whos embedded himself in londons musical world - avidly following whats going on and interpreting it with a fresh new take.

pets boot down the doors of 2018 with this generous five track version excursion. five of the label bosss most distinctive and decorated tracks from recent years get the treatment from five fittingly big names, this is how its going to go down… the one and only roman flügel takes the lead with a wonked-out trip down ‘basic colour theory lane. with a sly switch on the kicks and full emphasis on the alien encounter feels, his trippy take on ‘dont sets the perfect creative benchmark for whats to follow. dig deeper for a bumping, stripped back warm and jacking twist of ‘its happening by the currently unavoidable rutilance founder dj steaw while counter records pional breaks down their recent jolt of euphoria ‘rave history and rebuilds it into a slinkier, house affair, repurposing every spine-tingle and skin-ripple greg and voitek coded into the original. deeper again were treated to an exceptional twist of their green velvet collaboration ‘keep on as lawler injects a springy, molten momentum to the elements with a salubriously loopy machine funk feel. finally, for good measure, jonathan kasper wraps up their 2016 spiritual trip ‘elixir with a new sense of conga-riddled, bass-licked momentum. still reaching the highs when you least expect it to, the pay-off keeps giving and giving. a little like this whole ep

to know whats up right now, we must understand what went down in history rave history: easily one of catz n dogz most evocative, classically-informed and ferociously euphoric pieces of work to date, this is a celebration of every black wax brick laid in the foundations of dance music culture. every hand that was ever raised in sweaty exultation. every stranger whoever got hugged on the dancefloor for no reason but pure love for the moment. every whistle. every horn. every damn time. from its quintessential break to its iconic vocal via its sizzling bass-heavy groove, ‘rave history is the ultimate finale piece, a show-stopping opener or a wild mid-set excursion. it resonates with everything thats relevant now and everything thats ever been relevant. loaded with pure positivity, this will complement any style of dj set, any crowd, any age, any country. this is our dna. for added euphoric stimuli, the szczecin boys have also thrown in a kickless hype tool in the form of the feel-heavy life mix. choral pads, cascading fx, dramatic one-strike piano notes, splashing cymbals and that almighty vocal sample that comes with one essential message every single one of us can raise our sweaty hands and hug strangers to: no matter how weird things feel in the world right now, when were together with like-minded dancing neighbours, everything is going to be all right.

the pop world lost one of the most important soul singers ever to grace the world on 1st april 1984. marvin gaye has left behind a series of fantastic hits plus a big handful of tracks which deserve the title of masterpiece, all collected on this album.
pressing on black 180 gram vinyl, housed in a gatefold sleeve including 4 page booklet with liner notes and photos.

already a som classic -10 million light years- from the exaltics inkl. kan3da remix was original released via usb stick and cd in 2007. now 10 years later its going to be re-released and remastered on amazingly looking 10- split color vinyl. strictly limited to 300 units. no repress, be fast!!!

a fantastic and rare soul-jazz album recorded in adelaide (australia) in 1976. originally pressed and released on crest records and fully licensed by the hot casa team to reissue it on a deluxe 180g vinyl. . sue barker is a jazz singer from the 70s – and one who isn t afraid of picking up a bit of soul. most of the album features covers from duke ellington to marvin gaye, curtis mayfield or even james brown!

greg belson s divine disco is a snapshot in time encapsulating the raw power of a spiritual performance, set to the pulsating 4/4 rhythms that were in vogue with the dance floors of the day. tip! labels like savoy played a key part in identifying artists that fit nicely into this brand new style with performers like shirley finney and the gospelaires, both of whom were established within the scene, but carried the disco torch brightly with their tunes featured here. divine disco also paints a picture of the lesser known acts that privately released their message to the hopeful masses, such as the gospel ambassadors and the inspirational souls, whose recording budgets would have been significantly less than any major label.

unequal is a label founded by anselm from frankfurt am main in 2015. ranging from deep, spaced out analog techno to more droning, industrial rough sounds, the aim is to give an impression of whats going on in the ffm underground these days. sophisticated broken beats and modular synths are essential for this project. unequal means not to be just one specified style but an open-minded platform to express a diverse view of music within the techno genre. with his first ep called -gral-, anselm delivers some cold, moody techno tracks with spherical soundscapes as an connecting element. the title track on the a side is a journey through wide open extramundane synth layers and bubbling acid drops covered by a voluminous bass. b1 is a bit more conventional one with driving hi-hats and slightly jacking beat whereas b2 is four-to-the-floor trippy stripped-down minimalism for the heads.

strange happenings are going on down at scrutton street, ec1. with release after release cementing the names of those based or working out of the studio bunker, a desire for pushing the boundaries of electronic music is primary with little concern for whats hip. so if anyone can tim can and here with his newly birthed pseudonym comes junior fairplay. with a one-sided release and remix to his name on crimes of the future a glimpse has been offered of whats in store, but how do you like me now? gives it straight.

ok, we know what youre problem thinking…not another marvin edit! but hold your thoughts, this is something extraordinary and one of the best arranged and produced (not edited) tracks weve ever put out on gamm (no joke). with extra added keys and various production elements this is a 10 min and 52 seconds long boogie monster that will take you on an emotional ride youll never forget. yes, its that hot! but the flip isnt bad either with the revivra crew going uptempo with a super rework or remix (your choice) of crown heights affairs all-time ballroom classic. just like with the marvin track theyve turned the track inside out to an almost 10 min long disco cavalcade. the weekend starts and ends with this fantastic ep

the two monkey guys are very happy to present their first longplayer. after a successful year 2011 and a massive output they want to show the world whats also going on in their mind. happy body music is not only for the dancefloor. of course youll find some techy, housy floorkillers on the lp but also tracks from the deeper techno side and a little sorted stuff from the monkey roots... hip hop and big beat! so please come in, lean back, take a coffee and have a listen to the colourful monkeyworld

julia porter, best known as miss jools, is the native londoner who cut her teeth and carved her niche in the uk capital, before making mobilee her musical home. her previous collaborative production outfit with audiofly sleeper thief brought her to wider attention in 2006 and then in 2008 she struck out on her own, undertaking solo work and discovering a penchant for slinky, late-night dancefloor sounds with releases such as >la luna< and >que me levante<, proving herself a diverse talent both in the dj booth and in the studio. after a short break, her new release on mobilee >walk away< brings her special musical flavour back to the floor. title track >walk away< it as much minimal and trippy, as it is dreamy and melodic. the same can be said for >whats going on< but this time a powerful vocal is layered over the freaky back drop. meanwhile on the b side >feel you< will keep you spinning. youll definitely find yourself dancing to one of these tracks in the early hours of the morning soon, if you are not playing them yourself…..enjoy!

collaborating in art, music and science since 1999, recently founding the label magazine and the collective cologne tape, this is nevertheless the first time barnt, crato and jens- uwe beyer appear together as one formation, simply called magazine. if you combine their recent releases - barnts stunning debut ep >what is a number, that a man may know it?<, cratos acclaimed and mysterious >30.6.1881<, j-u beyers incredible sound work on his highly respected last album (with jaki liebezeits drums off chaos) and add the cologne tape recordings you can get an idea of the formations cosmos — but you are not quite there ...

big with julien chaptal, luciano, gel abril, mihai popoviciu, keinemusik crew, nekes, affkt, meat, anthony collins, luca doobie, mirco violi, varoslav,.. dj sneak-fans, check this one out! the connection between off and italy has always been strong, now another promising act from the italian capital rome will be added to the off roster. >mad & son< is a massive floorburner, possibly one of the most danceable tracks ever released on off. a huge classic italo-disco-sample cut up, looped and accompanied by self-played keys, a massive groove and killer bassline. off-regular dj w!ld delivers one of his classical linear and toolish mixes, taking back the use of the discoloop and focusing more on the groove. >phased< works quite similar to >mad & son<, also working with a discoloop but adding raw spoken-wordvocs. dancefloor-destruction guaranteed. >whats going on< is probably the most sneak-ish tracks of the bunch, an intense filtered loop, jacking beat, techhousy groove and driving vocals.

in fact, its not even supposed to have a release sheet like this one. but sometimes, you-re even too modest to stay away. so, whats it all about? well, the music, of course. and only the music. organic stuff, so to speak. tracks made by pure immersion. no plans, no blueprints. just going with the flow, unleashing the inner krautrock while staying true to the basics of techno. here is gabriels new 4-tracker. inhale.

summer is on the horizon, peeps. its time to pump up those sounds. so open your box as sexonwax returns to the source. staying true to our name, our essence. presenting special vinyl ep for your aural excitement only. first up is the massive toon of four-track goodness, paralexia. feel our groove. really, what could be sexier? despite the name there can be no misapprehension of whats going on here. the patterns of omids paralexia see fractal flurries of melody sprinkled with insane piano tinkles. these ivories are driven upwards by solid synth gold and old skool drum builds. with a whirling breakdown that feels like a waterfall crashing over your head. it all adds up to a proper prolonged derangement of the senses. so much so that the party people of miami went ballistic when it was promod by sos during their set at dj mags pool party. check the link. show us yer shimmy! cos bites without teeth is more of a builder, folks. and if the beats dont grab n shake you in their grimy grip, then the wonky bass will. claps like a funker. phases like a wrong ‘un. builds like a bastardo. its food for thought… a bonus here from sexonwaxs popular april release in the form of lilly and poppy. except this time mr o brings a vinyl dub to the table: a reliable beauty with a dramatic and yet delicate bouquet >du jour<. in fact, its almost as epic as >the epic<! so there you go, guys. paralexia is a real package. boasting more beef than argentina, more heat than technotonics and more eruptions than iceland. all of em sure-fire floor shakers with an ultra-modern/vintage sound, best served with sunshine and a smile. feeeel the difference.

after their first >woof ep< the question on everyones mind was: are they going to disappear in the mumbai masses or are they more then just one in a billion...? with the new >ancova ep< comes the answer to that question: mumbai science is here to stay. while working in dr. lektroluvs underground lab for a few months now, they improved their sound to a whole new level. with dancefloorbangers like >ancova< and >hoot<, its hard not to get cured... you say party, we say techno. whats next for mumbai science? the nobel prize?

now techno has its own fair trade. basmati, the new label by gabriel ananda (artist direction) and marcel janovsky (management), does not indulge in pretentious bragging. in fact, its not even supposed to have a release sheet like this one. but sometimes, youre even too modest to stay away. so, whats it all about? well, the music, of course. and only the music. organic stuff, so to speak. tracks made by pure immersion. no plans, no blueprints. just going with the flow, unleashing the inner krautrock while staying true to the basics of techno. gabriel and friends at their best. inhale

supported by fred everything, c-rock, funk d void, laurent garnier, jt donaldson, milton jackson, spirit catcher, shane johnson and many many more. shur-i-kan is one of the best house music producers on the planet right now. his releases on freerange and physical graffiti have all been relentless dancefloor smashers made with thoughtful and funky musical ingredients. he now returns to winding road records to serve up another ace with the glideoscope ep. each of the 3 tracks on this ep are smoking bombs of dancefloor dynamite.

in the beginning the was a dream, a dream to become part of the living womb of good music. a dream of being real, true to myself and i set this dream to fly high. days and years passed by and i didn t seem to find response but one day in the arkest hour came the light and then i knew i had to hustle it s a song about my determination to express myself widely whitin the realm of good music, won t be selling my soul, won t be taking the easy path, its all about what is real, training harder and harding until i get what i want: the pure sound of goodness for the dancefloor, for my life and the whole world. that s how i hustle. abicah soul confuzed well this track started as another track but i took the sounds from anohter track put with this that how i came up with the idea confused .i started listening sounded good i stuck with it.onw word deep stephen rigmaiden jeepin basically jeepin was done and i was listening to acapella s for like 2 weeks trying to find the right vocal snippets. my thoughts were how was i going to get franck s interest? i knew the track was done but for him to pick it up it needed a vocal. then i came across the perfect vox. i used a montage of a few different vocals, some hip hop elements, some jazz elements, some gospel elements, ill leave up to you to decipher. i knew i wanted a raw, kinda hip hop type of feelingas well, something you can get on the dance floor and go uggh!, that s my shit!! or damn i gotta get in that circle and show em whats up! i made it for the dancers out there, b- boys, house dancers , or jus ya regular club kids. trying to get the crowd hype is always my intentions , i feel this track does jus that. now get on the dance floor and recognize the sound!

classic alert!! groovy jazzy detroit techhouse !!! / co produced by abe duque !!

this compilation acts as an introduction to this electric, cool and uplifting music that was affecting so many enthusiastic dancers and dj / collectors. all the tracks on here are taken from one of the most prolific and emerging labels for this genre muse records that offered the complete spectrum of styles to fit in with this emerging scene crossing over with jazz fusion, be bop, vocals, electric keyboards, and percussion.

john lord fonda is somehow a signore of electronic music in france, a free bpm hero. a simple and classy producer who only communicates through music.2012 is a new beginning for our antisocial nerd, with an ep and overall his album supersonique coming out now in france and may worldwide. he started re-producing track in 2005 delivering debaser, his previous album that sold more than 10 000 copies, having some really great feedbacks from so many medias worldwide.between june 2009 and october 2010, he got back in studio improving his production skills, getting the right way of producing for the current market, tracking all his weak point to get better, bigger. from the last years he only kept 2 tracks, brunette tattoo and orchidŽe, concentrating on brand new tracks and influences for all the rest of the album. he came back on stages in 2009 with composite, a live-set project which enabled him to discover upcoming artists and to assimilate all the new techniques.changing several time of tempo, supersonique is containing quite a few pearls, some efficient like brunette tattoo, you originate and orchidŽ. but the album also include some fine and melodic tracks like ÒemilianaÓ or toyboxes (which goes aphex twin electronica style). some ghosts from the classical music also haunt the album such as mozart, getting out (under acid) in whats going on, verdi facing some syncopated drums on sound of a melody or vivaldi on brunette tattoo. a full orchestra seems to drop a tear on orchidŽe.john lord fonda is a dance music warrior, an electro-tech seigneur, a future leader of free french techno. this second album has a huge class, a kind of urgency, full of simplicity, and goes straight to the point.

2011 collection featuring cuts from shuggie otis, sly & the family stone and aretha franklin.. the old grey whistle test has now been synonymous with quality music for 40 years. although possibly best know as a show for rock music, the show maintained an amazing variety when it came to choosing its artists, it really only had two criteria, 1, that the artists had released an album and 2 that they produced great music. this collection mostly features artists that appeared on the show but also include artists who for whatever reason didnt or couldnt appear on the show.