written over 3 months during autumn 2020.

serious bass business from walton for ilian tape�s itx series.

east man and walton are back!

rude marching drum storms

tectonic welcomes walton with his >abyss ep<

fresh ilian tape...

hi tek sounds is the new label from east man (aka basic rhythm)

walton with a bangin bass journey - 4 tracks for your madness

�black lotus� follows walton�s inclusion on tectonic�s landmark 100th release � riko dan�s �hard food� ep, plus the �praying mantis�/ �koto riddim� 12� (also on tectonic) and the �taiko� ep on kaizen � the latter two of which hinted at the album�s sound, but didn�t fully prepare us for the brilliance to come. abstract electronics, grime, dubstep and new styles that don�t even have a name yet coalesce perfectly on this classic in the making. it finds walton at peak power, reaching just as far (if not more so) than anything on the pan, different circles, boxed or tectonic catalogues for pure futurism and new-terrain-traversing brilliance.

* walton drops his third instalment on tectonic in fine style, calling upon japanese influences to create a truly unique sonic across both tracks in the release. asian instrumentation meets directly head to head with the cutting edge sounds of a uk grime-techno axis to great effect. * �praying mantis� captures all the charm of a fine japanese watercolour painting by means of some spectacular midi-harp programming. hi-hats and detailed percussion set a shuffling pace, building the mood up before a beautiful harp section unfolds and takes over, expertly programmed by walton to sound as if a master harpist had stepped into the room! as drums and bass join the party we have all the makings of a low-slung grimey masterpiece, both soothing and energising in a perfect zen balance. * flip then for �koto riddim� which again brings japanese influences to the forefront of the track. walton programs classic sounding japanese percussion sounds along with grunting vocal cuts and a charming flutebased melody. as the track drops, it switches into a more familiar, grime-based palette of sounds, deftly arranged for most dangerous impac

sam walton is a 22 year old producer from manchester who came to hyperdub after feeding them demo tracks, and started off in 2011 with the *walton ep*, the first of three eps for the label. since then he has honed and developed his music into *beyond*, finding a really fresh and subtle intersection between music that doesnt seem to naturally fit together, old eski grime, funky and detroit house and techno but with smudged edges and a colourful industrial sound palette that gives a real richness to his productions.

walton returns with a strictly-limited ep to precede the release of his debut album beyond. this is a vinyl-only, once it is gone it is gone kind of release, just 300 copies available.

ts7, fresh from reworking singles for afrojack and tulisa, presents >grade a<, a colourful basssline number. in what will be his first vinyl outing since 2008, ts7 utilises his 4x4 roots, working a clever looping bass to perfection with some neat vocal sampling to give it bags of dancefloor swagger. complimented by a heavyweight remix package, >grade a< certainly packs a punch. remixes come from hyperdubs walton and mista mens mella dee. walton delivers an incredible grimy rework, culminating in a series of earshattering breakdowns and some fantastic synth work that draws comparisons with some of wileys early productions. mella dee, meanwhile, moves away from his 8-bar sound as heard in coyotes debut release >ctrl<, and looks to house for inspiration with >grade a< receiving a thorough rework in that vibe. full of the sounds more familiar with his mista men productions but packing more of a grimy punch, mellas remix is a surefire dancefloor favourite.

all nite ep is the young mancunian waltons second set on hyperdub, after his very well received walton ep debut for the label in 2011. title cut >all nite< kicks it off with warm plucked strings, diva moans and lazer-like synths stretched to the point of anticipation over cracking grime handclaps and bass drums, until the track drops into a blocky bass line playing hide and seek with low arpeggios that spiral in and out of the mix, over a giant pounding metallic kick drum before layering on the warmth again. the whole track plays with a fine balance between warm, disco-like lushness and exuberant roughness. >mallet< is driving and darker, building detuned, bell-like tones over a 4/4 beat accented by breaks and fills and gaps, dropping into a big bass line and syncopations that disrupt the beat and bring the drama. >kush< is different again, taking the pace down with low end, synth hip hop with glassy chords, running over woozy pitch shifting rhodes chords fed through a layer of crackly gauze.

lb003 arrives courtesy of bristol born, brighton based producer sam kidel, aka el kid. following up his well received debut on immerse sam drops 3 tracks of wildly varied bass music. beginning with the title track >hypnosis<, lush ambient pads and plucked guitar soon give way to fearsome bass swells and metronomic percussion, coming across like early autechre remixed by floating points. second track >mud< drops the pace for a noisy house workout, reminiscent of fellow bristolians kowton, and labelmate vessel. >kachinja< on the flip is the straightest - and darkest - of the lot, a lurching warehouse techno cut that wouldnt sound out of place on ostgut ton. finally hyperdub wunderkid walton contributes a rough & ready funky dub of >hypnosis< to round out the ep.

black in stock

lp, black vinyl

das ema-label woozy meldet sich mit der match my sway ep von sha ru zurück.

a rare groove compilation from jazz to soul & funk to blaxploitation on double vinyl, housed in a gatefold sleeve.

song craft, lush and muscular hardware, and dedicated genius inform this genre spanning yet accessible compilation of music made primarily by non-musicians. various artists is painters, poets, sculptors, social workers, dj�s and musicians - gabe rubins, felix bernstein, whitney claflin, park mcarthur, izzy occampo, paige lillian walton, james k, gobby, martina gordon, amanda harris williams, kayla guthrie, alex fleming, candice williams, clara lou, christina croll, speaker music, crawlspace, eve essex, cammisa b and june junior. for fans of gelbe music, crass records, decemberism. edition of 300.

celebrating the 100th release on tectonic, the label turns to riko dan for 6 cuts of uncompromising vocal mayhem featuring rhythm tracks from joker, mumdance, walton, ziro and label boss pinch. * riko dan takes centre stage for this ep, bringing his characteristic lyrical style, bringing his dancehall and grime styles together across a serious of hard-hitting tectonic rhythms. * the whole ep has been mixed-down by joker for added sonic power. the 12 inch is cut onto 180g heavyweight vinyl, packaged in a matt-finish, printed sleeve. * tough beats. tough vocals. hard food ep. tectonic 100

beat machine is ready to drop the last bomb of 2017: after launching a new 7� vinyl series (�swinging flavors�) and releasing sun yufka and kuthi jinani�s debut eps (with remixes from lechuga zafiro and ipman), the italian electronic label is ready to publish a new ep, this time signed from andrea bonalumi aka big hands. after recently releasing his latest ep �redline / greenline� (available in �name your price� mode on his bandcamp page) the italian producer now settled in london, sobborghi party series founder and member of drift kings and club cristallo url collectives debuts on bmrec with �arcane mosaics�, a 6-tracks journey through big hands aesthetic vision moving through glitches, weightless landscapes, uk rave reminiscences and post-grime sounds strictly connected to bristol sound.

the ken boothe masterpiece from 1978 gets the long overdue remastered re-issue. -got to get away- was produced by phil pratt, features additional deejay vocals by jah walton (aka joseph cotton) and has extensive sleeve notes. packaged in the original sleeve design by anthony nero it is now available for the first time on cd and the high collectable lp-vinyl is here in a great 180 gram edition with leaflet including credits and linernotes.

after heavy support on their rinse fm show over several years, keysound recordings are proud the announce an ep from lyeform.
with forthcoming releases on keysound and fulcrum, lyeform�s diverse and innovative music has received support on rinse, nts and radio 1 from dusk & blackdown, mumdance, karma, walton, riz la teef, benji b, beneath, hodge, tmsv, detboi and e.m.m.a.

a journey into deep soulful jazz & funk from the 1970s! praise poems vol.5 zeigt erneut, dass es bei musik immer auch um ein gef³hl geht. musik/ emotion/stimmung! jeder einzelne song auf diesem album ist ein meisterst³ck, das seinesgleichen sucht. diesmal mit dabei: gunn high school jazz reunion, keither florence, robert cote, plas johnson, charlie chisholm boss-tet, u.v.a.

the sheffield powerhouse that is denham audio have had an extremely busy few years crafting superb techno and �130 jungle� rollers. their productions have been turning a lot of heads, landing releases on circular jaw, tessier-ashpool, grndwrk, tumble audio, heretic and addison groove�s new groove imprint in the short space of time since they debuted songs online in mid-2015. they show no sign of their workrate slowing this year with the boys presenting their �leighton buzzin�� ep on artifice this month.

an all-instrumental journey through numerous genre-crossing worlds. features members of antibalas (daptone records) and beastie boys� synth master money mark. coke bottle clear vinyl, limited to 500 copies. les yper sound presents an all-instrumental journey through the many worlds of drums and saxophones. in early 2016, new york session musicians miles arntzen and jas walton�who both currently play in afrobeat ensemble antibalas�began experimenting with their respective instruments in miles�s greenwich village basement. they composed demos that were made up of miles�s percussion, jas�s woodwinds, and the sounds of everyday objects

ennio morricones soundtrack for quentin tarantinos new movie *the hateful eight* on double 12 inch vinyl, housed in gatefold sleeve. includes a fold-out poster.

hot on the heels of the dj mix of 2013 from john talabot and following luminaries such as maya jane coles, maceo plex and breach, next in line to mix it up for the esteemed !k7 dj-kicks series is aus music and simple records boss will saul.

kev beagle ist einer der grössten uk-jazz dance djs und präsentiert tolle jazz-schätzchen, independent underground jazz, fusion und latin tracks der 70er und 80er aus seiner sammlung.

full support by anderson noise, blindspot radio show, dj paulette, kaiserdisco, glocal, deep groove, hertz, joseph capriati, joy kitikonti, markantonio, oliver klein, paco osuna, cristian varela, paul hazendonk, q hey, renato cohen, ruslan mayes - kiss fm - ukraine, timo maas, tom hades, tomcraft, tomy declerque, treavor walton - ingrooves, wehbba, andriy hoshva - dj mag ukraine

unforgiven is an emotive and intense house track with an irresistible dancefloor flavour. straight 4/4 rhythms, beautiful layer of strings and cheerful keyboard stabs associated with the sublime voice of singer araba walton gives an impression of tranquillity to the track. on the flipside berlin dj star dixon is at the controls for an edit of roland appels dark soldier. dixons version is a pure dancefloor tear-jacker that will make your heart beat faster and that will fit perfectly in any house set.

zwei burning sounds kompilationsalben von 1978, zum ersten mal auf cd. mit tracks von: big youth, i-roy, jah stitch, big joe, lord creator und viele mehr. produziert von phil pratt

praise poems vol.5 zeigt erneut, dass es bei musik immer auch um ein gef�hl geht. musik = emotion = stimmung! jeder einzelne song auf diesem album ist ein meisterst�ck, das seinesgleichen sucht. diesmal mit dabei: gunn high school jazz reunion, keither florence, robert cote, plas johnson, charlie chisholm boss-tet, u.v.a.

jimi tenor has compiled a selection of afro jazz tracks that he has written and performed over the years with musicians icelandic drummer, helgi svavar helgason, helsinki based guitarist/bassist and journalist ilkka mattila, legendary drummer tony allen, cuban & berlin based trumpeter daniel allen oberto, ethiopian/finnish & helsinki based percussionist abdissa ÔmambaÕ assefa (itetune), nigerian/german & berlin based percussionist akinola famson, helsinki based percussionist mongo aaltonen, american & paris based spoken word artist/singer & painter allonymous, helsinki based fl�gelhornist tero lindberg, finnish & berlin based guitarist kalle kalima, polish & berlin based bassist patrick frankowski, british trombonist hilary jeffery and ghanaian/german & berlin based drummer ekow alabi savage. jimi tenor, born lassi osmo tapio lehto in lahti, finland, who has been releasing recorded music for 30 years, plays several instruments as is his usual practice. he is credited for playing on the upcoming release saxentric, acoustic guitar, acoustic piano, background vocals, bass kalimba, drums, drum programming, electric guitar, electric piano, flute, hammond organ, korg ms-20, korg polysix, log-o-phone, moog, organ, percussion, photophone, plastic bongos, programming, shaker, synthesizers, tambourine, tenor saxophone, vocals and walton organ.