the second 12- single from echospace in 2014, engineered and mixed down from 1/4- analog tape and mastered by the talented fellas at alchemy mastering in london, focusing and enriching every finite detail. -fading lights,-, a vortex of analog warmth provides a provocative synergy pushing the boundaries between synthetic and organic movement, a sonic illusion. these enthralling hypnotic moments lead us into the seduction of groove with, -magenta- a lesson in space and bass. the art of restraint is clearly on display as one feels as they are floating in zero gravity for an extended 14 minute journey which leaves you feeling as though only a moment has gone by, sonic submersion of the highest order. this is music to drift out, to float in, to dream thru, to love to, the magic is in the mystics. essential! only 1 per customer

bm/cc/cws spectrum debuts the collaborative works of three new york gs: brendon moeller, clay wilson and oliver chapoy aka certain creatures. inspired by each others live performances at an industry of the machines party in may 14, brendon, clay and oliver re-convened for an impromptu recording session a week later. spectrum culls three serpentine heavy-weights from that session. each track warps modular meltdowns into aerobic feats of primed dj mayhem, mixing the visceral with the psychedelic for a twisted take on techno. *spectrum 1* peels queasy melodies off charburned, disintegrating toms that disappear into the howling vortex of *spectrum 2*. the third and final (for now) *spectrum* emission channels the most harrowing moments of the trios live performances - a deliberate, free-form exploration of technos widest fringes and wildest possibilities.

the seventh modal analysis release comes from athenian producer and dj, anfs. following his remix for kondaktors signal 1, anfs returns to the label with his debut release, ground, a four track ep which consists of original material. borrowing sounds from early twentieth century folk greek culture, the ep is dominated by a rhythmic canibalistic spirit and a noisy distorted cue. ground 1 functions as an introduction, or rather ones initiation to the mystic rituals that prevail. the artist uses drones and distorted textures which increase in ground 2 and are backed up by drums that beat in a hard-and-slow ethnic tonality. ground 3 reveals a paroxysm of emotions which comes as a result from the combination of basslines and vocals that create a complex and twisted vortex. the trip ends with ground 4, a more stripped down monotonic ensemble that serves as an epilogue and a catharsis.

masaaki takes his musical cue from natural phenomenon and laws of nature by trying to reconstruct them.

the first full length original project from the insane black man since his 2005 massive hits. the sounds on this project are not for the weak or the normal minds just the sick & sonically perverted. a demented sonic painting of rhythmic cubism & synth impressionism. performed live in chicago.

the new dream team collaboration of survival and script stride into the horizons music camp with a smattering of low end driven drum & bass.
dj support: hype, doc scott, system, nymfo, naibu, ant tc1, randall, subfocus, mind vortex and many more.

limited coloured vinyl edition of tokabeatz best of tracks 2013 !!

parker delivers 3 tracks that are not only powerful, but also designed to deepen and strengthen almost meditative nature of techno s outer-end, endlessly evolving with fluidity.early support from adam beyer, ben klock, psyk

more extra-terrestrial, technoid vibrations from the iii river nucleus. this latest transmission delivered by the one and only hakim murphy, and received through biosynthesized artefacts planted on earth by the higher civilizations during the great experiment. reports of strange noises in the sky have been circulating since 2010, posing many questions as to their origin. secretly, iii rivers have been communicating with the space beings, securing their place in the interstellar shangri-la when at last we finally transcend the cosmos.

a beautiful, hand-drawn, 140-gram 4xlp, heavyweight package in a cross-shape including cd. one time pressing of 500 copies worldwide. the follow-up to highly acclaimed ideas from the pond album.

1st release by hoxx incl solid remix by vortex !!

for the next release on audio culture we are happy to present severn beach, a new moniker for the already well established bristolian, james fox. on the stitches ep severn beach displays an impressive level of constraint and confidence while exploring the more stripped back yet detailed, rugged and tougher territories of house and techno

the 3 latest releases on micropunto packed together as an album. including great music by the likes of nx1, tacito, giorgio gigli, tadeo & damien schneider

here we find a couple of heavyweights facing off with one of the centre pieces of orgue electroniques acclaimed >strange paradise< album. on the one hand we have kink & neville watson (an unlikely pair blabla but you know all that) with a swooning but rather pressing epic that unexpectedly turns into a harmonious vortex. and once you have crossed its event horizon it proceeds to quite exquisitely tear you to shreads. marvel as you turn into jelly and watch your legs grow longer and longer in what not only seems like an eternity, but actually is cause umm technically, like, there aint no time in a black hole dude! code! speaking of which, if you ever do make it to the other side, you will find up n cummer willie burns (who is known to many as the brooklyn budgie smuggler) oldschool jacking the faders with two of the sikkest organic beat tracks north of the corpse of ron (who is in a dead heat with jimi, jim and james in the race for most desecrated musician in like 4evah). anyhow, these jamz come courtesy of the sp12. feel it feel it feel it feel it... boom knock out!

supported across the board on major stations such as bbc 1 xtra and radio one. plus dj support from: foreign beggars, june miller, skism, trolley snatcha, pascal, bailey, crissy criss, mind vortex, culprate, basher, vapour, random movement, mindscape, grooverider, slum dogz, laos, ravager, rv, stanza, ruffstuff, danny wheeler, ashatak, phantasy, erb n dub, sappo.

aubrey is one of uks early 90s techno pioneers that made music still relevant today. on this contact funk 2012 ep lifeworld introduces you to 4 of his classic and rare tracks remastered. vortex two is a straight forward techno trip with minimalistic 909 programming and deep mesmerizing sounds. with reflection aubrey brings things in more playful territory. the deep driving bassline, jumpy melody line and dito percusion provide for an insane dance floor bomb. on the flip we have a melodic club banger in contact funk and a deep techno tune called ultra de ja vu. beautiful dark blue marbled vinyl. highly recommended!

bop & diagram touch down on auxiliary under their abstract elements guise. super bass heavy minimal science is the name of the game here. delivered on beautiful purple marbled vinyl.

spanish hot shot producer tadeo delivers an excellent ep on micropunto. top of the bill techno with enough dept and staggering riffs. this also includes and outstanding nx1 rework and the well orchestrated the gate on the b side. another mps essential for real techno heads worldwide

m_rec ltd is proud to welcome on board cassegarin, greek-british producer tsiridis and berlin/vienna based composer and producer evirgen. in this new vinyl m_rec ltd, they show two original tracks and a remix by ed davenport. the a side opens with a painter of modern life, a track where they paint their perfect rhythm of modern life. a sequence of hypnotic techno where the rhythms are never heavy, clean sound. a brilliant and apparent melody seems to revolve around. a touch of class that only few can maintain.complete the a side, a remix of an artist who has a lot of quality: ed davenport (figure spc, liebe detail, nrk music, etc.) he drags the original track into a vortex of syncopated rhythms and deep atmospheres, the groove that comes out is amazing. on the b side cassegrain show one track. palette is very techno, the rhythm is direct and straight without stopping. light and soft sounds rise up slowly. everything is transformed into a pleasant trip, exciting and alive.

next up is the highly anticipated second release on graphene.. enter into a future prophecy world, where the stark realization of armageddon is foretold in all its hell-fire glory. solenoid is the narrator and observer of a planet controlled and afflicted. the future of the humanoids is about to concede to a terrifying conclusion. prepare to be sucked into a repressive nightmare. first up colony is a carved slice of visionary purgatory. distorted pads swirl in whirlwinds of vortex like cylinders. its a piece of perfectly crafted technoid mayhem. on the flip feathermen begs the questions who are they what will they do what is their mission all remains unanswered, except to acknowledge that a vile plan is at work. it s an hypnotic trip that eerily changes with every play. the main riff attacks your cranium with subtle but deadly force, eating its way into your soul. shuffling rhythmic drum patterns are juxtaposed with curious bells and creeping washes. the feathermen are in control. last on the flip pandemic is the absolute realization of a contaminated world. the pathogen continues to take down more and more of the planet. steeped in urgency and despair, the spaceage break gives insight to how the world might be after the annihilation....a new beginning or a end of all ends you must decide. one thing to conclude is that however much they unleash their destruction, they can never defeat nature itself. solenoid delivers a distinctive, badass ep that additionally works sweet as a dj tool. to be continued... words livia terri played by dimi angelis (figure, smallville), obtane (synewave), ben sims (drumcode, hardgroove), perc (perc trax, clr), bcr boys (nachtstrom)..

next detroit influenced techno - techhouse bomb on thoughtless music incl. huge someone else remix. don not call it a comeback: philadelphia techno legend and 611 records founder nigel richards drops three tracks of abstract late night warehouse music with his debut release on thoughtless. the title track works a chugging low-end and insistent percussion which combine to propel it through a vortex of intergalactic analog textures. taking time out from his busy release schedule for foundsound and little helpers, fellow philadelphian someone else turns in a deeply hypnotic rework that brings reverberant chimes to the foreground atop a bass line that refuses to quit. >deeeep< sees mr. richards exploring further regions of uncharted space by crafting a sleek techno vessel out of thick bass slabs and quicksilver high-hats, pushing forward as all manner of nebula and supernova stream past at light speed. one of the most influential names of east coast techno is back with a vengeance - fasten your space suit for zero-gravity fun...

g.h. is gary howell, longtime associate of modern love as one half of pendle coven and sometime contributor to the hate project. the ground ep features howells first material produced outside of pendle coven and takes on a much darker, more stripped down aesthetic - making use of location recordings amassed over the last decade. the title track extends over 7 minutes from a solitary bass pulse into a slow, three dimensional industrial reduction heaving with uncomfortable bass weight and a sense of nervous expectation. its like the bare, skeletal noise framework for darkest junglist hardcore stripped of its percussion - all bar a bass drum and intense shards of noise. albedo has more of a swing to it, dominated by a growling bassline and the metallic clunk of disjointed percussion at odds with the squashed funk lurking somewhere at its core. the template is extended on earth, a brilliantly discordant club variant that sounds like an r&b mastertrack exploded into 100 constituent parts and put together not entirely in the right order. it builds and collapses into itself, a stylistic oddity that at one and the same time brings to mind boards of canadas re- working of colonel abrams - trapped and the extreme frequency vortex of the raster noton lab

this time mr raoul k not only wants you to dance - he wants you to go crazy on the dancefloor. in his well known way he crafts a relentless groover that sends everyone on the floor into the higher state of concsciousness called trance. he layers track upon track and builds a solid grooving base…. for the balafon. a handmade percussion instrument not unlike a marimba that gives guinean music its characteristic flavor. the vocal loop on top draws you deep into the vortex of nested percussion, african melodies und thick baselines. thistrack will never let you go - like moebius band. its main theme will stay in your head for a very long time. it will shake your hips after you left the dancefloor. and it will escort you on your way home after youve left the club. maybe it even serves as a lullaby after a long night out. already tested by Âme with stunning results.

in january 2011 mark was invited by erik wiegand (aka errorsmith) to make some presets for his new software synthesizer which he was building for native instruments. after developing about 40 sounds*, mark decided to rework his ul8 project by extending the pattern generating systems used in its construction, which he then connected to the sounds produced in erik s synthesizer. the result is this double 12 single, featuring 9 tracks and a remix from mark s friend and colleague mat steel.

limited run of 300 copies with din-a3 artwork included clear your throat. understand. sometimes. only sometimes. there is this feeling that there are people out there, illuminated people with a plan. where the music, the approach, the images, the design, the artwork, everything is flowing together and leading into a common transcendent theme. meet ctf 2 by bruno gauthier. a (can we say this, bruno?) veteran updating the epic gospel which was started by the mysterious one with a boom - the boom which broke the nothingness. the spark of inspiration has arrived in this universe. >existing reality< is a teslaesque algorithm for the universal prescription of all antidotes. it is basic and complex. it offers a minimal lushness, a universe within a universe. flip this galaxy. >music takes control< is a maelstrom that sucks all gravity away into the anti matter zone. its razor sharp vortex cutting away the peels of space and time, a radical march of nouveau deepness. or is it steepness? ctf is on base 2, the next beachhead for world domination.

dance disorder (aka baby g and robin crafoord) have lived up to their reputation with an extremely successful bpitch debut. the disco smash >zusammen<, with its epic breadth and italo dance roots, has already had the chance to set many an after party in motion.

nice price deal !!! hammer boy and the gladiator kickstart burned records with this double a-side!

originally released in 2001!

new album by one half of zombie zombie!! produced by none other than mastermind carl craig!!

slamming mixes by gia / vortex!!

the minimal side of canada, represented by 4 artists with 4 different points of view.

2002 classic 3 tracker!!

already the fourth release on the label bazz implant records. this time its an one sided killah! divato & troubleboy strike hard with this track, filled with pounding kicks, bass and a raw uplifting melodie and the vocals are done by no one less than da mouth of madness! the cool vocal edits combined with the phat kicks and bass will make ya rock! prepare for this massive floorfiller! already major support by: deepack, dana, noisecontrollers, vortex, dozer, b-front, the pitcher, dallucia, coyote...

phat banging pure techno trax by the advent, industrialyzer and a. paul

brand new album from alec empire on his new label, eat your heart out. the golden foretaste of heaven finds the unmistakable energy, political savvy and aggression still intact - together with the industrial sounds, the barrage of electronic distortion and the throbbing beats a.e is known for. firmly more electronic than on previous albums the sounds are rounded out with a sublime melodic quality. the golden foretaste of heaven presents original electronic sounds of new berlin in 2008.

in the last year freestyle man aka sasse has been busy remixing, producing (under his numerous aliases) and running moodmusic among other things. so its with some surprise and happiness we present a new freestyle man release on sunday music. the a-side >this side< chugs along with a monster deep bassline, quirky keys and some low key effects, keeping the tension on hi-alert on this 10 minute journey of afro-funk. the b-side >vortex< builds up with effected percussion and live bass, its growing with neat synth stabs and atmospheric strings til the break drops and lifts the track to another dimension.

great compilation ep with some beautiful techno tracks. including as one, ian pooley, sean deason and arne weinberg. deep driving percussive techno tracks with nice warm and emotional strings. amazing tracks for the mind and soul... but without forgetting your ass and feet! check...

françois k. finally unleashes the official 11:00 min long version of moov originally recorded and mixed in 1995. moov offers a deep hypnotic ride and combines unique electronic sounds with warm, lush live keys and driving percussion. its complimented & backed with two mind bending tracks that jocks will drool for, looking at the stars may truly have been inspired by kubricks 2001 a space odyssey. vortex will undoubtedly work for those who work with tools and effects.

>> vortex on the flipside ist produced end edited by richie hawtin

underground darling mathew jonson with another extra-large three track stunner: right from the start swirling synth over a pinching beat suck you into a vortex before a rubbery bassline takes the lead and an electrical storm of dark, haunting sounds wrap you in. well, words dont do this truly symphonic oeuvre no justice - this has to be experienced in the dark and in earsplitting volume. on the flip mj gives free reign to his unlimited creativity with an impressive soundtrack-style tableau of electronic jazz, sounding like late bass-revolutionary jaco pastorius descending form the outerworld to interveave some of his crazy warbled, bend notes into a messianic david axelrod arrangement, mixed at lee scratch perrys echo chamber. miles above your typical pain-by-numbers club fare - simply huge!

its the jackin acid loop simulator..

aussergewöhnlicher elektro von der insel. sehr vertrackt & immer eine spur drüber

phreakin indy stuff with electro / neopop flavour / mixes

early support form, michael mayer, gregor tresher and more

japanese left-field pop from the cd age (1989-1996) is a 2xcd that includes liner notes by chee shimizu and artwork by hagihara takuya