cult tranc classix incl. trerry bones dreaming, crw - i feel love, markus schulz and more !

false witness provides sonic instructions to let it all go.

repress of the saught after first vinyl release on this label!

ministry of sound presents the origins of techno on double vinyl.

death to techno is a new, futuristic ep of >the white screen<, ever before into a world of ruff beats, dark electronics and analog effects. musical producer dori sadovnik, the sound genius from red axes, produced this ep at garzen studios, diving together with the whites into a new world of unknown pleasures and sins. a mind and body bender between techno rhythms and broken rock n roll tapes, between the dancefloor and a campfire, between darkness and light - the new recordings are asking big questions about past and future, vintage and electro, about the screen and about the white. death to techno, the main track that opens the record, is also treated in a wildly remix version of the red axes pair. the cover of the album hellenic plasticine party was created by multidisciplinary artist oren fisher, who has been accompanying the band since its inception. produced by: dori sadovnik musicians: stav ben shahar, drums noa ayali, chello liat raz, vocals nimrod goldfarb, contra bas shay landa organs

dino lenny returns with a new dark dancefloor drop, ready to cause a stir after a string of on-point release over the last year on the likes of innervisions, diynamic, ellum and sapiens. title track techno is dead lands on his own fine human imprint and takes a play from people sentencing the end of a style, but the truth is the floors are having it like no tomorrow. sonic wise, its a 8 minute slice of driving, shadowy, electronic sound, with rumbling 4/4 beats and warehouse ready builds working in tandem for a truly standout piece of finely balanced sound, that will no doubt light up the clubs. following up is go down to mexico, with an array of off kilter stabs and trippy vocal elements solidifying dino s dexterous production style. expect to hear these across the clubs in the coming months.

arthur forests name should be more widely known in the world of dance music, the man lent his expert to touch to more than one classic record emanating from detroit during his time and has quietly left an indelible fingerprint on house and techno history. here at mint condition and for our third release we are extremely proud to present one of art forest s (in our opinion) finest moments - the majestic, futuristic expectations ep. released in 1992, this 4 track ep has always been sought after by detroit lovers worldwide. often very difficult to track down and commanding high prices on the second hand market, this 12- is a real rarity. showcasing a style that stands out from a lot of records released around the same period -expectations- still sounds so killer today. listen to -flow with me- on the b-side, an insanely deep, melancholic piece of detroit house, steeped in motor city futurism (those synth pads!) and with an otherworldly vocal performance from dan carter it ticks all the boxes, absolutely sublime and worth the admission fee here alone. stunning. if you re up to your neck in the history of detroit dance music, or if you ve literally just stumbled upon this entire world of amazing music (welcome!) you ll want a piece of this. beautifully crafted deepness from a quiet master of the artform, what s not to dig? mc003 has been reissued with the permission and involvement of arthur forest and remastered by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

preceding the release of bad cop bad cops debut album >wings of techno<, 4 tracks of the long player get the remix treatment by a unique quartet of techno artists: tobias, group niob, brendon moeller and pomelos upcoming star kemetrix. >wings of techno< is a psychedelic tour-de force through various styles of electronic sounds. deep and unique, jacking at times while laid back and cosmic at others. all four remixers on duty here manage to keep the psychedelic and surreal feel of the originals intact while adding a great dose of dancefloor friendliness to the tracks. ostguts tobias. reworks hilton hihat into a deep and dreamy acid techno tune. he is followed by motor city talent kemetrix, who steps up the pace and edginess with a twisted, stomping electro-techno hybrid remake of beauty. group niob, the viennese duo formed by cheap records legend gerhard potuznik and martin dibek, contrast the goth-pop vocals of the original bodyless material with deep dubbed- out techno beats. and lastly, the unmistakeable brendon moeller turns cheeky into an undulating, deep bass driven dub techno stomper

spassmusik mit lustigen deutschen vocals

australian producer philip mcgarva aka microworld is well known for his releases on transmat and styrax, both of which instantly became sought-after techno classics. dutch label adepth audio is proud to present microworlds new >time before techno< ep, with the title track another classic in the making.
microworlds signature is clearly evident throughout - the slow smooth build-up, with every new sound revealing extra dimensions within the music. definitely an after hours track that will go straight to your soul. the second track >ism< is a minimal but effective rhythm, a driving bassline, a catchy synthesizer and vocal sample that will stick in your head. canadian producer arthur oskan chose to remix >ism< and rebuild it into a pulsating 9 minute club track overflowing with warm synthesizers.

played by: masomenos, laurent garnier, atjazz, charles webster, tigerstripes, shur-i-kan, , solomun, mihalis safras, martin eyerer, ivan smagghe, john acquaviva,?after releases on farbenfroh, con:takt and fullscale the youngster timo huehner makes his first contribution to the bcbtec department with an ep coming along so fresh and crisp that it should be no big deal for him to follow the success of label mates like sebastian lutz, mikel mckay and the molisans brothers. the 21 year old student is driven by an uncompromising and deep passion for electronic music which you can feel in every single beat of this fine three tracker: groove swatter >any one< takes the lead on the a-side with cool cut up vocals, followed by >attentione< stomping ahead with elegant functionality. on the b-side >triple hau< is another fine example of state of the art tech house: frisky stuff for adlib fetishists

founded in 1984 by andre manuel aka the unknown dj, techno hop records is back with a stunning big beat production between electro, hip hop and breaks

incl. rmxs by sebastian lutz, bee-low aka butch & groove rebels ! supported by: galuzzi, karotte, luca bacchetti, hernan cattaneo, dj fex, butch, pan-pot, amir ad fontes, mason after much speculation within the scene what their next move might be, the bigcitybeats techno camp has decided it is now time to release a various artists eps, which introduces some new names and sticks with some old acquaintances. the a-side features broombeck, whose remix for sebastian lutzs clubhit >la danza< already knew how to impress, this time with an own production entitled >mono turn< and as to be expected, broombeck doesnt mess about. a straight song with oodles of energy you cannot stop yourself or the crowd going mental! and not to forget those dirty vocals and sexy bassline. this time sebastian lutz decided to reinterpret mono turn and keeps alive the wake-up call, with a slightly more naturalistic touch about the song. great adlibs and exciting effects

loved by: robert owens, laurent garnier, dj t., tiger stripes, monika kruse, remute, butch, piemont, turntablerocker, matt star, marko nastic, martin eyerer, ralph lawson, dj fex, judge jules, pascal feos, david keno, djinxx, chris wood

next detroitish techno madness !! ft. vocals from black tony

cybotron aka juan atkins !!! just a musthave detroit / electro classic... kraftwerk flavoured ... nuff said - no more words necessary

classic electro traxx originally released in 1988 a must have

detroit classic for nice price...

harde house tracks als fits on the techno floor!

felix da housecat’s esteemed label founders of filth are back with their second release. the label has received an accolade of praise from the industry since their launch was announced on resident advisor back in may. returning with the aphrohead alias, founders of filth volume two is bursting with enlightening verses and impeccable instrumentation. the divine opens the ep with a haunting synthesis and enthralling lyrics. aphrohead leads you down a path of eclectic percussion and that all important kick throughout. an almost space-age xylophone forms the melody of moonrooms hold/release, building up to a frisky array of drums and shakers, propelled by hypnotic, slowed-down vocals. in-house band the foftreal quintet end the labels second ep on a high with i wonfof002t try. an energetic beat structures the groundwork for the label boss and his enthralling backing singers, taking you on a journey with thought-provoking internal monologue. felix stallings has been making his mark on the industry for over thirty years. the detroit-born music veteran has worked with an impressive array of artists over the years and his productions span a wide range of genres from house and techno to trance and nu disco. felix has gone back to basics with his label founders of filth, claiming that no rules apply in the community he has created, it’s about your love for the craft not for the money.

90s influenced techno and breaks

heavy support by radio slave, sam divine, acid pauli, green velvet and maceo plex to name a few, while also being played on radio stations world wide. the album <axen> marks the beginning of a new chapter for the glitz as they embark on a journey beyond the world of electronic music. after a wide range of beautiful, inspiring, provoking and uplifting the glitz-singles, we are now approaching the full album in all its might. the singles have shown us the diverse soundscapes you can find in andreas and daniels musical multiverse, with the genres ranging from the classic house and techno genres, to also introducing their take on trip hop, neo rnb, hip hop, ballad and electronica. this journey into their musical realm has resonated with fans and colleagues alike the last months, putting the first single on position 1 in the german club charts for four weeks straight (it is still in the beatport top100 after 7 months). born out of a desire to create a space to explore and expand their unique sound, their new album <axen> is a bold extension of the glitz vision and purpose. it has been a long time coming and is the result of four intense years in the studio together with the unique and talented singer and songwriter mulay. and now it is time to present the full album to the world. <axen> is the mesmerising product of one of their many jam sessions in the studio. it carries the unique the glitz fingerprints all over it while also letting them shine in a new context. the slow flowing hip hop beat paired with mulays raw vocals and incredibly poetical and personal lyrics is a must hear for old and new the glitz-fans alike.

this vinyl goes beyond conventional music creating a profound exploration of electronic artistry. introducing -real good- by trik, the fourth vinyl release from this seasoned artist. it s a rhythmic blend of house and techno, with each track crafted for the dance floor. the sounds are simple yet impactful, and expressive vocals create a unique atmosphere. -real good- also features a remix by dragomir, offering a fresh perspective on trik s tracks with pulsating beats and mesmerizing melodies, elevating the ep to new sonic heights.

black vinyl. this vinyl goes beyond conventional music creating a profound exploration of electronic artistry. introducing -real good- by trik, the fourth vinyl release from this seasoned artist. it s a rhythmic blend of house and techno, with each track crafted for the dance floor. the sounds are simple yet impactful, and expressive vocals create a unique atmosphere. -real good- also features a remix by dragomir, offering a fresh perspective on trik s tracks with pulsating beats and mesmerizing melodies, elevating the ep to new sonic heights.

best of 26 years technoclub 4cds!

reorder kommt aus prag und ist einer der erfolgreichsten neuen tranceproducer. seine tracks auf fsoe und armada sind ganz gro§e hymnen und zusammen mit talla 2xlc ist die vol. 52 enthŠlt 160 minuten trancetracks + booklet und beliebte 2 for- ticket fŸr den techno club in frankfurt, als dankeschšn

blue channel is a brand-new dub-roots collaboration between bluetrain aka steve o sullivan, and another channel — two titans in the dub techno scene. they are accompanied by prince morella, who adds his smooth vocals on top of the scapes of chords and delays. if you are into legendary labels like maurizio, burial mix, and rhythm & sound, then this one is for you. limited coloured vinyl.

black vinyl version. blue channel is a brand-new dub-roots collaboration between bluetrain aka steve o sullivan, and another channel — two titans in the dub techno scene. they are accompanied by prince morella, who adds his smooth vocals on top of the scapes of chords and delays. if you are into legendary labels like maurizio, burial mix, and rhythm & sound, then this one is for you.

passive articulation präsentiert abstrakte techno-, house- und electro-visionen und verschmilzt all die elemente von vintage intelligent dance music, die wir so sehr schätzen: warme basslines, schöne akkordfolgen, vielfältige und überraschende arrangements, die mit eindringlichen melodien, hypnotischen cyber-sounds, losgelösten vocal cuts und synchronisierter percussion durchdrungen sind....alles in allem frische und zeitlose klasse für gegenwart, vergangenheit und zukunft.

originally released in 1991, ex:el was the third studio album by 808 state, and the last to feature founding member martin price. the album contains guest vocals from bernard sumner of new order in the single spanish heart , and björk with qmart and ooops , paving the way for early concepts of modern electronic music. the release comes as a limited-edition 140-gram blue vinyl.

colombia’s 76b label returns for its second release with head-honcho lior absolutely smashing it with the insanely catchy, bouncy reggae/acid techno crossover track dancehall vibes with vocals from tab k.

releases between 89 and 93

dub at its best! strong limited! vade mecum is excited to present the debut release from soft traffic s, a new project by -samon k.- the tracks were carefully crafted using only analog equipment and mixed with live techniques, showcasing a deep appreciation for the classic dub sound. the first track of the release features the captivating prince morella, a new artist who has already collaborated on vocals with some of the most accomplished producers in the scene. this release perfectly captures the classic, 90s-inspired sound of dub techno and is a nostalgic nod to the early days of the genre. it is sure to be a standout addition to the vade mecum catalogue.

lap records is proud to present a new split ep, available on 12inch vinyl, featuring two very promising combos. the a-side kicks off with >art boi sin< by click click & najeh, a hard-hitting club gem that pays tribute to the new york gay scene. with its catchy vocal samples and driving acid bassline, this track will make you feel like you are in the middle of a wild night out. the b-side starts with >tabu subject< by aitch & brut, a groovy techno tool that samples alluring phrases. this track is a playful and seductive affair that mixes crisp drums, bouncy bass, and cheeky vocals. this ep is a showcase of a timeless sound and a testament to the talent and passion of lap records. lap records is a division of pal hamburg.

sein einzigartiger sound oszilliert zwischen verdrehtem, verzerrtem techno mit hypnotischen vocals und breakigem electro.

minimal man does exactly what it says on the label and this release from baby ford and eon is no exception! this is the track that you will be singing round your house for weeks on end. >make a move pt1< is a classic floorfiller that we have all been waiting for, with its roots firmly in techno and still offering a house approach with added vocals. the vocal builds slowly until suddenly you find yourself singing along

copenhagens echocord colour returns this mid november with brendom moellers magic city ep, featuring four originals from the new york based artist. brendon moeller has long been a purveyor of authentic dub-infused techno since stepping onto the scene via his 2006 sweetspot / humpback ep via echocord and has since gone on to release on reputable imprints such as third ear, kimochi sound, delsin’s ann aimee, mule musiq and of course his very own steadfast. here though moeller makes a welcome return to where it all began with some fresh material for echocords colour sub- label. caravan takes the lead on the release and in typical brendon moeller fashion were treated to densely layered dub chords, throbbing subs and expansive atmospherics whilst robust drums drive the composition along. magic city’ follows and ups the energy levels even further with pounding industrial drums layered underneath billowing dub stabs and eerie drones. ‘magic city in dub’ follows and as the name suggests offers up a reduced take on the composition, dropping the tempo and shining light on the billowing echoes of the original whilst stirring in some off-kilter rhythsm and additional processing for good measure. lastly,departure closes the package, with haunting synth drones, bumpy rhythms and murky vocals wandering throughout the seven-minute composition

190g vinyl. primary colours brings you the much anticipated mike schommer - city sleeps remixes, part 2. following remixes on part one from steve o sullivan, rhauder and cv313 we come back just as strong with remixes from deepchord, deadbeat and freunde der familie. first off the cut is mike s friend, rod model, deepchord. bringing his signature sound, this remix is hypnotic, deep and encapsulating. driven by dark percussive rhythms, ghostly vocals invite you to take the journey with deepchord as he creates a timeless dub techno classic. in contrast to deepchord, scott monteith, aka deadbeat, brings us a jacking club dub techno cut. swirling, sweeping soundscapes play with the strong bass drum and snappy snare. the blood & bones remix is sure to be one for the dancefloors from melbourne to berlin. last on the remix duties are our good friends, fdf, with the downunder dub. dark, dub, dystopian sounds conjure up feelings of deep emotions, looking inwards for answers to questions put to the dancefloor by fdf. another timeless classic ensues. we present you the city sleeps remixes part 2 from mike schommer.

house masterpiece by peter raou

cover not mint - vinyl unaffected. here comes the big news.pioneering techno duo motor is about to release their fourth album on clr. after completing three massively successful and critically acclaimed techno albums, bryan black and oly grasset, who together form the act motor,have shifted gears and recorded a song-based vocal album by the name of >man made machine<.

25 years of electro classics

4-track-ep mit den beiden ersten singles des aufstrebenden acts lufthaus samt remixes von dense & pika und fideles. die beiden melodic house & techno-tunes sind voller underground-allüren, mit auffälligen vocals, ansteckenden beats und ausdrucksstarken melodien und eignen sich hervorragend für die tanzfläche und jede on-demand-hörsession. white label.

bazaar mutant disco from the french collective -spaced out krew-. timeless productions created for ppu during 2020, featuring spleen3000 and marius ccyrilou from ceeofunk this ep features, -doudou bourbon-, the afterhours disco-jam. it s time to dance, basement bar anthem.. -extasz-, pronounced x-tasy as the name suggests, total bliss italo luxury lifestyle. b side -spleen boy- dedicated to the casio sk-1.. -dance or die- straight-up techno bounce with basic vocal instructions and -spread love- de-tuned downtown funk rider for the ppu freaks.

bestial mouth’s creations in the last two years, the inshroudss ep and the resurrectedinblack lp, are the phoenix cries of the project’s rebirth under the guiding hand of vocalist lynette cerezo, melding noise and darkwave pop into a theatre of skin-shredding catharsis that brings the project’s post-punk roots to new levels of club-ready destruction—equal parts intensity and accessibility. thousandneedles pierces that veil with warped reimaginings of both releases, from a diverse selection of artists in the dark underground. each brings their own unique twist, whether it’s to a dance ritual of pounding ebm and industrialized techno, fog-shrouded darkwave dives, cosmic washes of synthpop bliss, or soul-smashing noise dredged from a sewer cathedral. dance through the pain, and make new paths of your scars.

coloured vinyl - already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated israeli duo red axes make a surprise left-turn onto phantasy with a three-track 12inch, sipoor. unsurprisingly, the results are as pleasingly out-there as the occasion requires. following on from last year’s self-released lp, the beach goths, sipoor immediately announces the axes’ uncompromising return to the front and centre of the dancefloor with the raw, provocative bad time story. brazen, brash acid triggers this particular tale, as red axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s. sipoor takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. his wish (and we hope, yours) is the axes command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks. concluding the 12inch, teroof takes each of red axes signature ingredients - deeply rhythmic ebm-inspired drums, spiralling electronics, unapologetically odd vocal distortions and reconstructs them amid what sounds like the monaco grand prix, as high-velocity motors speed past the soundscape, kicking up some serious dust.

limited repress due to high demand on requests on white vinyl. one of the most soulful eps of these last months, especially when you get to know why it is called >h57< jaffa surfas tracks for the 3rd release of the belgian underground label eating records are more than personal for the artist. he impresses us all in every single quality way he takes in notable releases on different labels from his first feel it ep on off recordings to the last all inn records (including a bright tool from the italian duo bassa clan). we can talk also about how he holds a strong appreciation from the soul, funk, disco, through all the shades of house music and all the way up to techno. it does not seem a surprise to see him producing a track as okota. we can notice some vinyl scratches and effects with some small vocal snippets from the legendary hungarian comedian, the stand-up artist hofi geza.

reissue - k-hand, the undisputed -first lady- of detroit house and techno, continues her series of rereleases for some of acacia records most sought after catalog. acacia s reputation as music from a well known place to an unknown destination precedes it with a reach that is once again being expanded upon. originally making its mark in 1993, -not giving up- is a piano chord led number with eccentric disco era falsetto vocals interspersed between a house diva counterpart, all undercut by equally classic rough around the edges low end - touching on hand s influences from the new york golden days. the plastic dream mix is a more sinister springboard of sounds with an urgent energy sure to rip through speaker stacks and leave audiences in shreds. easily its dreamiest incarnation, the disco dream adaptation lends itself to bouncier, filtered grooves and vocal dubs. the ghetto growl of -beat that bitch wit a stick- was and still remains a huge track for k-hand and the label. pulling from a sound that originated in chicago, it became equally prominent in detroit through the work of hand and others. its accompanied here by an instrumental version for those that don t share in the street logic, but nonetheless love the gritty production style. finally, the legendary claude young s mix of - deep down 2- sees him implementing wavering chords and loopy vocals with a purposefully loose nyc stutter