2nd studio album (2004) on gold nugget vinyl !

debut lp

vol. 2 in otiss sweet echoes series. don t sleep on this. we ve also got a restock of last years lord tusk 7 inch

12 inch gatefold sleeve printed with uv spot gloss

fleetwood mac’s 1997 live album for the first time on vinyl.

2016 album by jedi mind tricks very own vinnie paz with guest spots by ag, oc, hust kingpin, agallah, ghostface killah, ras kass and more.

xxx006 is created by the upcoming duo younger than me. with stellar releases on bordello a parigi and tusk wax with diverse music that ranges from disco to new wave to what they call themselves 90s rave euphoria. xxx006 can best be described with one word rave. artwork by raymond teitsma. played by: marvin & guy, job jobse, jennifer cardini, roi perez, discodromo, vladimir ivkovic, franz scala, perel, pional musiq, sean johnston, prins thomas, curses, simple symmetry, jason kendig, severino

over the course of the last decade, black pepper label boss jose manuel has proved to be one of electronic music s finest contemporary alchemists, conjuring percussive, intoxicating and otherworldly musical treats for such labels as tusk wax, kinfolk, kill the dj, optimo trax and music for dreams. the genius of manuel s productions lies in the italian s ability to conjure cracking cosmic compositions out of a diverse range of global rhythms, instruments and influences. rarely has this been more evident than on his debut release for nunorthernsoul, a four-track serving of dancefloor mysticism that puts mind-altering rhythms and saucer-eyed instrumentation front and centre. track, for example, the light and dreamy wrapped sumptuous balearic synthesizer chords and melodies around gentle hand percussion and drifting zambian vocals on the sublime journey in lusaka followed by the feverish, trance-inducing african rhythms, delay-laden chants, psychedelic acid lines and jangling jew s harp motifs of intense opener journey in lusanda , a ritualistic afro-cosmic onslaught ripe for peak-time plays. if the ep opener is all about being flat on your back and staring skywards, the follow up is all about druggy, heads down sweatiness! manuel s deep love of indian music is explored on journey in mumbai , where exotic sitar lines, fluttering clarinets and echoing, densely layered female vocals rise above a thick, tabla-fired groove. it s naturally hugely evocative and atmospheric - a fine dose of emotion-rich spirituality capable of inducing hallucinations in the straightest of listeners. to complete the ep, our hero travels even further east for journey in osaka , a fittingly percussive exploration of japanese music s past and present that also includes audible nods towards the poly-rhythmic drums of west africa. it s a superb combination of traditional instrumentation, 21st century electronics, heavyweight rhythms and mood-enhancing melodic flourishes. like the rest of the journeys in...ep, it s both hugely alluring and impeccably produced

after his initial release on world unknown records way back in 2011 - a tunethat featured on andrew weatherall s ministry of sound masterpiece 2012 compilation - kalidasa has also released music via magic feet and tusk wax. this latest release sees him ploughing along a similar musical line. the mirage and sun aki are both tracks for those who like to chug-along to the more refined, no frills tunes that do exactly what they say on the tin. both are perfect spaced out and otherworldly grooves for strobe filled and lazer infused dark basements. soft rocks throw around some magical dust on the flip for their sun goes up, sun goes down remix which sees them turn the mirage into a 9 minute time lapse venturing from an early morning ambient start through to a pulsating electronic drive through the stars.

part of the current crop of artists spearheading the uk acid revival, posthuman s output has evolved over the years, encompassing many genres & styles from their early electronica releases, to their later acid & slow-mo techno. their debut release in 2000 was a series of hand made cds simply called -posthuman- (though better known by the colour of the card inserts grey, black, blue and brown). the duo then went on to host a number of parties in an abandoned underground train station in london between 2001 and 2004, and founded their own label seed records (2) with which they released 3 albums and several other releases of their own and other artists material. they also were the first act on manchester based imprint skam s smak sublabel. doherty left seed records to help relaunch uk techno imprint b12 records in 2006, and started a new label balkan vinyl in 2010. in 2007, doherty founded london-based acid house retrospective clubnight i love acid- where posthuman are monthly resident djs. in 2014 the clubnight launched a vinyl-only label of the same name. he also performs as agt rave cru and as one half of altern 8 live shows since 2015.

marionette is very proud and happy to announce kilchhofer s debut album the book room. benjamin kilchhofer is not new to the world of recorded music, yet he doesn’t seem to fit into a particular scene or group. as an outsider he is, however, fully immersed and melded into his own universe. he mentally escapes to a parallel world and weaves an alternate reality which would otherwise not exist in his daily life. kilchhofer avoids the spotlight and therefore isn’t really visible in today’s culture of ever changing content and social media. this is where marionette steps in to attempt to shed as much light as possible on this unique and incredibly talented artist. the book room is kilchhofer s musical diary, it s his library of emotions. it s a fairytale, an imaginary place shaped by exotic cultures, an escape from modern society, a collage of real and imagined experiences. you can hear influences abstracted from a wide number of musical approaches: the story-telling nature of folklore music, naive and conflicting rhythms of tribal drums, melodies and pads reminiscent of classical minimalism and microtonal experimental music, the freeform approach of early electronic music and krautrock, and buried deep within the tracks some hints of hedonistic dance and club music.

having cruised around labels such as la luna, tusk wax and most tellingly back to the balearics, maricopa has already left a trail of smooth-sailing breadcrumbs behind him, and now he drops anchor in a harbour which may yet prove to be his spiritual home. is it balearic? is a question that hardly needs to be asked when you re drifting out to sea on the blissful tones of benthos or reveling in the expressive ripples of deer, but it s safe to say these jams would go down smooth with a mediterranean sunset and an aperol spritz.

professor rhythm is the production moniker of south african music man thami mdluli. throughout the 1980’s, mdluli was member of chart-topping groups taboo and cjb, playing bubblegum pop to stadiums. mdluli became an in-demand producer for influential artists (like sox and sensations, among many others) and in-house producer for important record companies like eric frisch and tusk. during the early ’80s, mdluli projects usually featured an instrumental dance track. these hot instrumentals became rather popular. fans demanded to hear more of these backing tracks without vocals, he says, so mdluli began to make solo instrumental albums in 1985 as professor rhythm. he got the name before the recordings began, from fans, and positive momentum from audiences and other musicians drove him to invest himself in a full-on solo project. it was the era just before the end of apartheid and house music hadn’t taken over yet. there wasn’t instrumental electronic music yet in south africa. as the ’80s came to a close, that was about to change.

this is ponty mythons first appearance on the swedish brandy productions label. expect a wicked four tracker of dirty lo-fi sounding deep house grooves packed with samples and sturdy analogue bass lines. vilnius based dj and producer aleksandr pletnev aka ponty mython is known for his many outstanding releases on labels such as tusk wax, no more hits, dirt crew, quintessentials and many more. besides spittin out goodies on a regular basis ponty mython runs his own imprint beats delivery releasing the most interesting artists and producers from russia.
the title track * i wish* starts of the ep with its deep and fumy organ chords combined with filtered hats, clever vocal samples and harsh bass lines. next up on the a side you will find the pumping head nodder * holly fm*. swinging hats, guitar stabs, smooth pads with simple but very effective hook on top. the b side starts off with the slightly minimal track “keep on using me” (brother). this one with grim beats, organ pads, off beats punching in and out as the track steady builds with a rock solid perfectly tweaked bass. the last minutes on the b side is reserved for the dreamy yet hard hitting and raw gem * new toys*. pure basement love.

soul jazz records new sounds of the universe: art + sound 2012-15 is a new double album cd (and two separate volumes of double-vinyl) featuring a line-up of some of the most forward-thinking and progressive artists and producers working with electronic music around the world today. the limited edition double vinyl comes in gatefold sleeve with full artwork.

from the lands that time forgot birdie is proud to bring you an ep of the highest quality from the artist currently know as causa. hailing somewhere from up in the hills on the border between deepest darkest east lancashire and west yorkshire (thats up north to you lot) causa joe is a long time friend of trevino marcus. joe is underground and a lover of proper house music and has never been interested in music trends (he is a fisherman for christ sakes). he has been making music under various guises for 15 years with an apparent 6 year gap to go fishing. he has had releases with 202/20 vision tusk wax and paper recordings to name but a few. as marcus and joe still meet regularly for a pie and a pint its no real surprise then that this ep of some of marcuss favourite music of joes has come to pass. enjoy.

amsterdam based on and on are set to celebrate 6 years of parties with a huge birthday celebration on 11th april in the heart of the dutch city. the anniversary is also set to be marked by the release of a double vinyl package featuring eight new and exclusive tracks from some of the on records family, called on:6.
this veritable feast of techno, featuring not only the dutch label contingent of jeff rushin and nicole rosie , but also aiken, unbalance, yan cook, morbeck, milton bradley, terence fixmer is spread across a 2 x vinyl package.

*i cant even afford bed linen, let alone a 909*. the unpretentious of jay donaldson is disarming in many different ways. we consider donaldson aka palms trax to be one of the most promising new artists to date. his sound situates him firmly along the chicago-detroit axis, cooking up pad-driven jams, off kilter drums and hazy synths that shift like a gentle musical tide. in 2013 he inaugurated the lobster theremin label, the london-based imprint that quickly became one of the most talked about record labels around. when not travelling the world for prime-time gigs donaldson holds a residency at the widely respected berlin community radio. it is with great pleasure that we welcome golden boy palms trax to dekmantel records.

after his appearance with lord tusk on apron11, the bold brassfoot returns with a strictly solo outing. highly recommended

4 tracks of underground acid house from the uks steve cook whose previous release was for the esteemed tusk wax imprint.

fleetwood macs *greatest hits* (nicht zu verwechseln mit dem gleichnamigen sampler, der 1971 die peter green-phase von fleetwood mac behandelte) war 1988 der erste sampler, der ihre klassische, erste pop-Ära 1975-1988 in der besetzung mit lindsey buckingham, stevie nicks, christine mcvie, mick fleetwood und john mcvie abdeckte. drauf sind wirklich alle großen hits, von *rhiannon*, *go your own way* über *little lies* bis *gypsy*, eine zusammenstellung vollgepackt mit wirklich guten songs, jeder irgendwie immer noch absolut im ohr präsent. inzwischen hat dieses schmuckstück insgesamt 20 millionen stück weltweit seit erscheinen verkauft, und tauchte zum letzten mal im april diesen jahres in den englischen charts auf, bei erscheinen erreichte es in uk die nummer 3. ein klassiker unter den best of / greatest hits - kopplungen.

if movin on is witchs rumours then kuomboka is their tusk. a remarkable follow-up to a timeless album that shows the band taking greater risks in songwriting and playfully experimenting with production techniques.

end of level boss is a joint project from cyclonix and tusk wax celebrating the world of video game tech-nostalgia through electronic music. the label follows up its debut ganondorf ep, with the scorpion ep, named after the resurrected ninja from mortal kombat, who is the games greatest anti-hero, with the battle cry -vengeance will be mine-. the scorpion ep features tracks by si murray (of deep space orchestra) under his mogadishu young team persona, label boss cyclonix, and producers robert s and nant rouge.

italian producer domenico camarilla has hit a rich vein of form under the jose manuel guise of late, supplementing output on his own black pepper label with feted appearances for tusk wax, is it balearic?, lectric sands and citizen kanes disques sinthomme. given his profile, a union with the soft rocks affiliated kinfolk label makes utmost sense and jose manuel fans will find much to enjoy about ajna. both the title track and *the clear after the storm* are steeped in eastern mysticism and feature heavy percussion from the man manuel, whilst the accompanying soft rocks remix will appeal to fans of rabih beainis *tanki tanki* edit.

tusk off-shoot horn wax unite two kindred spirits that span house musics generations, emerging new yorker pixelife and legendary london pirate stalwart yusuf complement each others work with timeless grooves and serious respect to the source. as a result, both of these cuts are littered with analogue heaviness and acid funk. *filament in strata* wafts with big synth chords and mischievous 303 squiggles while *wardrum acid* lives up to its name in every way. proof there is still heaps of life in the old machines, these will resonate with all ages and tastes. limited hand-stamped hand-numbered 180 gram vinyl 12 inch.

system status (david rendal) caught our attention in 2012 with his self released pistachio ep. his production stood out to us instantly and his musicality shows through in his compositions. tusk wax, giles peterson & ashley beadle have all been paying attention to his work over the last few year and this ep was an opportunity for us to introduce another one of his tracks to the dance floor.

end of level boss records is a joint project from tusk and cyclonix celebrating the world of video game technostalgia through electronic music. end of level boss 1 ganondorf. ganondorf is the humanoid form of ganon, the ultimate embodiment of evil and hatred, the nemesis of link, and the final boss in many of the legend of zelda games. ganondorf is a formidable sorcerer and a shapeshifter. his hatred is so intense that he can survive even the total obliteration of his body and remain conscious. an ultimate bad ass.

after releases on eskimo, is it balearic?, tusk and disques synthomme, jose drops the debut 12 inch on its a lectric world (a white label spin-off from lectric sands). a slo-mo house track with heavy percussion, afro samples and an epic acid bassline. 4 mixes (includes instrumental & bonus beats). stamped white label in paper sleeves.

rsi is a new label affiliated to the tusk wax empire, and for their first release they look to the unexpected choice of the posthuman duo of rich bevan and josh doherty. hecatism sees the pair wander into deeper corners than their music is usually known for, trading electro breakbeats for a mid tempo production filled with resonant textures and vocal chunks that could nominally be described as house, while helioshock sees them break out the 303 for some heady acid grooves. the remixes of the title track come expertly chosen also, with disco bloodbath resident damon martin taking the track even deeper into something approaching balearic groove, and pork intl, who adds a distinctly more interstellar flavour to the original with its danny wolfers-style analogue house chords.

brand new label from zoo look aka sam & alex with releases for labels like morris audio / join the dots / remote / more music / kolour ltd / tusk wax / sccucci manucci / tenth circle / defected and forthcoming releases for tsuba & dirt crew the boys thought it was high time to start their own baby, pdd are proud to welcome show & tell.

the brainchild of russian dj/producer kirill sergeev (tusk wax, whiskey disco, seven) this 2 track 10 inch (glenviews first!) features: cant you see me, a seriously funky mid-tempo groove based around a vocal refrain, and tender melody a percussive, jazzy breaks killer. limited white 10 inch vinyl.

having marked himself out as a producer to keep an eye on with his previous releases on tusk wax, hot waves & glasgow underground we are proud to welcome lee webster to the local talk family.lee keeps it pretty much straight forward on all night vibes ep and delivers a neat package of four to the flour house tracks, bouncy with strong vocal hooks and memorable melodies all the way. punch a crocodiles wonky bassline, the airy chords in get lost, the vocal samples in wax your body and lean rhythm in all night vibes are all fine indicators of where lees real talent lies and makes him a great fit for local talk. sometimes simplicity is the key to make your tracks memorable and this young cat knows how to work it like that. local talk is talking to you!

third release in the already ludicrously collectable series! 10 inch marbled pink, single press, 400 only, hand stamped, hand numbered and no digital. tusk says: *i love the coyote guys, they have been fantastic to me since starting up tusk wax. so i am really happy to get these two mavericks to do a porn release with me, so to speak.*

garben eden aka peter uertz describes himself as a dancefloor inspired electronic musician. no surprise then that his debut on lampuka explores this environment but on both the lighter and darker sides of the 4:4 camp. tracks are brimming with what are often experimental sounds, yet with solid grooves and production techniques throughout. uertz has definitely honed his own recognisable quality and his live sets are keeping the toes tapping in his home city of düsseldorf, but with recent releases on anton zaps ethereal sound (russia) and us imprint ectasy records alongside vakula on …

a new label based on the collectable cigarette football cards. three original tracks and one remix by tusk from tusk wax. interesting variety in tempo and atmosphere but all firmly aimed at forward thinking dancefloors... btw mario kempes was the top goal getter on the fifa world cup 1978...

making all the right moves with previous form on aus, needwant and tusk wax, ejeca is well tapped into the revivalist house zeitgeist with these hale and hearty jams for waze & odyssey. solid inner city chords and crisp, bright drums abound on side a, with >night rays< sure to inflict some damage with its fulsome square wave bassline. on the flipside, >never forge< ups the tempo for a cut that dresses like tech house but moves like 2-step. waze & odyssey themselves bring a smoother, deeper vibe to bear on their remix of >riddim<, pulling the melodic content right back to subtle flecks for a greater dramatic impact.

beats delivery — new saint petersburg (russia) based house label, which will include only russian producers. parcel #1 consists four deep house tracks by new names already released their records on teardrop, nervous/nurvous, whats in the box, outernational, shanti, amplified, soul imago, snuff trax, whiskey disco, tusk wax and more.
this four newcomers already got huge european/us support, featuring feedbacks from move d, jimpster, lovebirds, jay shepheard, futureboogie djs, sleazy mcqueen and more. beats deliverys main aim to find and share the real russian sound in house music nowdays and to put saint petersburg on the world house map.

says mr saturday night about their first release … this is mister saturday night, a party thrown by justin carter and eamon harkin. with a love of great music and a passion for building community, the mister works to create an experience that is truly fun and engaging for everyone involved. we find just the right space, install our very own sound system, make it feel like home and present music that we love all night long.

slow groovin disco and funk edits!! fresh back in

dynamic four track ep from frankfurts holger flinsch (choke,tongut). minimal electro techhouse natures with a definite dancefloor attitude, the basslines roll under the steady flow of the analog rhythms.. hynotic hooks and voices flux throught the mix and all four cuts can worked into the same set. grooving like an alphahouse release..

tipp

next installment in !k7Õs dj-kicks series comes from the vibe king kamaal williams.

both known for giving the opportunity to french emerging talents to rise, inrocks lab and because music decided to work together in order to create a necessary take off platform highlighting those artists coming from the online and live scenes. this association aims to release every year a compilation of young artists who represent the future of the french indie-electro scene : the inrocks lab compilation.