a special version of alone in the makeout room recorded with eddi reader. the band recently started recording the follow up to the acclaimed balls. hopefully we ll all be enjoying the fruits of their labour sometimes in the summer

nice price deal !!! xglare (all caps), is jessee egan, a brooklyn-based producer, sound designer and multimedia artist. she has released music under multiple aliases since 2011, most notably on ay japan. her latest incarnation, xglare, balances warped sound design, unearthly atmospheres and experimental rhythms that reject genre boundaries. representing brooklyn in full force on the debut record, “morph ep,” xglare yields incredibly heavy atmospheres. this is a mature record showing patience, design and a thoughtfulness sorely lacking in much of the electronic music scene. beats and dance elements take center stage alongside impossibly powerful, almost elemental transitions. track 1, lymph sets the tone with an updated halcyon rave sound. imagine standing in a field in the countryside at an illegal rave at 6 in the morning as the sun is rising, wind blowing in the air. track 2 fossa feat ariadne, an opera trained singer, immediately submits you to whisper shouting, a highlight of the album. in between more dance floor-oriented tracks, spore and plexus, sit two sound design gems, title track morph with its pounding rhythmic charges and vast reverberated rooms, and ganglia, which reminds of early do you know-era squarepusher. a well-rounded ep showing off the many talents of xglare also comes housed in beautiful artwork designed by egan herself.

new yorker electronic producer dj spider is back on itay’s out-er with a muggy, abstract techno release “human erosion field ep”, similarly to its debut “v ep”, released in september 2017 and produced in featuring with his longtime friend phil moffa.
italian label out-er presents its twenty-sixth release continuing to explore the diverse musical path between house, techno and experimental electronic - which appears in most cases on out-er’s sub-label pregnant void. “human erosion field ep” otherworldly showcases both a radiant take on electronic as well as gloomy and wild-eyed pieces, an aesthetic approach for which dj spider has been most known in the scene. overlooking to the style of the tracks, the release does contain a sinister mood and a dense, solid sense of groove overall, a typical recurring feature of the producer’s previous outputs.

vox populi field works vol.ii is the second part of a broader project entitled ‘field works’, in which the label travels to different locations in the world in order to collect sounds, eventually creating an archive of some of the finest and humblest musical traditions. inspired by academic methods proper to ethnomusicology and ethnography, this project’s aim is to showcase the diversity of our human cultural heritage, which is threatened by accelerated globalization and homogenization of the worldwide musical spectrum.
this record is the result of a twenty-day trip to japan. led by anthropologist and label founder fred scharf and his vox populi records crew, this is the second instalment on the ‘field works’ series. this 12’’ vinyl release is a collection of field recordings, jam sessions, studio recordings, street soundscapes, religious rituals, fighting championships and wedding ceremonies, all of which were remixed and reinterpreted by japan blues, tim karbon, hiroaki oba & shizka (aka inoue shirabe), delivering tracks whose core represents a wide array of traditional japanese sounds.

dutch label field records is back with another special album project, this time from japanese producer ena aka yu asaeda. bridge is an introspective soundtrack for a documentary also called bridge - out this spring - which is about the dejima bridge, a reconstructed symbol of the dutch-japanese trading history in nagasaki, japan. the album finds the producer stepping outside of his usual remit of dark ambient and experimental music, and instead comprises ten shorter tracks that touch on abstract and rhythmic sounds that define the essence of japanese culture. although he has worked with the director before, this is ena s first original sound track and finds him freely inspired by the movie and heading in exciting and unknown directions. hugely atmospheric throughout, there is hypnotic repetition of sounds, strange audio design and a mixture of melancholic moods with more dreamy synths. sometimes gloopy rhythms gently ripple beneath soothing harmonies and at others times a micro-rhythm appears through the constantly shifting and evolving found sound loops. it s a compelling and unusual album that seamlessly mixes human emotions with a mechanical sense of industry.

field of dreams are field theorys chris kentish and dj al mackenzie. field theory have recently had tracks on respected labels such as futureboogie and secret life gaining rave reviews and even garnering plays on bbc radio 6 music. al has been a dj since the late 80s, now resident at birminghams great outdoors. he s made numerous records over the years but will probably be remembered primarily for his 90s band d:ream making number one all over the world and remixing for emf and duran duran amongst others. bumping into each other in the street one dayand realising they lived opposite each other, they seized upon the chance to combine their favourite passions, making music and drinking.

the latest release on francis harris scissor & thread label out of brooklyn is another exercise in deep and meditative atmospheres. the label, comprised of a tight knit collective of multi-faceted composers, vocalists and instrumentalists, always strives to develop new projects based on a shared aesthetic, and this five track ep is both boundary pushing and fully synchronized with the labels approach. with melquiades blue caves melbourne based composer and sound designer alexander albrecht presents his solo debut ep following on from the tidal river album he released as part of the albrecht la’brooy duo. the title track blue caves is a skittering, weightless exploration of space, seemingly built around lush field recordings and fragments of melody developing out of the ether. avlemonas flows from a similar source, but crystallizes around an off kilter rhythm and occasional subby bass, balanced against swooping pads and piano motifs. morning breeze seems to revel in the evocative nature of its title, with hand played percussion backing more wistful, emotive piano sketches and wandering bass notes, before the track settles into a hypnotic groove. label head francis harris provides another take on the track for his re-form version, a more dancefloor aimed excursion that draws deeply from the classic deep house of the new york and detroit masters. ending the relases is patio, which drifts back towards the ambient territories of the opening tracks, with exquisite, understated instrumentation and a melancholic yet elated vibe.

the mighty one-man-band with the most notoriously misspelled airport pick-up signs in music history returns to his beloved hometown imprint musique risquée with a scorching three-track can of shake-ass. guillaume & the coutu dumonts is never one to shy away from fresh contrasts in his works, and we have no exceptions here - all manner of dark-to-light, flacid-to-hard, and identifiable-to-wtf? moments, sounds, and vibes abound. lead-off piece histories vraies brilliantly soundtracks the inevitable future moment when a season-premiere costumed viewing party for game of thrones unknowingly gets their punch spiked with moon rocks and teleported right to the middle of panoramabar at peak time. a2 jam far is the field counterattacks with the next level fusion of sun ra arkestra-esque transmissions wrapped around a humpty dance-on-steroids bassline, twisting and shifting away from the hands on the clock with beautiful ease - i am music.. indeed. finally, b-side long-burner whatevers inside rocks a sultry belly dancers theme song at an fm and modular synth bazaar on uranus, with g & the cds patented sharp percussion fills ensuring that the resulting melted faces and hearts will still be set in motion by the all-important collective flexing of the gluteus maximus.

check track 3 .... field records looks to l estasi dell oro (christopher ernst, aka penalune) for a new three-track ep for sound systems that once again takes us down the rabbit hole. following on from his previous i look upon nature while i live in a steel city album in 2015, this is another masterfully drawn out and engaging affair. -either to please or to educate- is the intended purpose of this ep release, utilizing guitar, tabla, and other electronic and acoustic instruments. the incessant movement of the metronomic tremors felt underneath our plains lay the rhythm. the threadbare dialogue we use to communicate frays slightly further. these spirals are given an explicit voice through leader annabelle kuwe s dispassioned public address to the remaining world at the great meeting of 2166, as recounted by sadie lapierre on closer achieve ignition .

limited edition 12inch with printed deluxe sleeve, 140g vinyl, sticker included.
endless field has been supported by philip sherburne (aired last month in his set for pitchfork radio),sau poler in his monthly radioshow for bloop london and lapsus radioshow, among others.endless field (2016), the airabois debut ep is dedicated to the power of changes. changes always mean something better is going to happen, for sure. with a total of 3 tracks endless field is the result of a big change in his life, where the tireless struggle for many years culminates in a difficult but right decision. the excitement of a new era.

the excellent field label embarks on a new mini trilogy of eps that will -present a magical journey through modern-day trance.- first up in the series is artefakt with their three track effort the final theory. dutch producers robin koek and nick lapien make up artefakt, and between them they excel at moody voodoo music on labels like delsin. they open this latest ep with the title track, a deep, spacious house roller with subtle pads and gentle acid that perform slow motion acrobatics for nearly ten minutes. it is suspensory, dreamy music that works on the head as well as the heel. moving horizon is then less doleful and introspective but just as deep, with sweeping pads add a sense of scale, busy drums bring the dynamism and icy percussive sounds adding a sense of urgency. last but not least, solaris is a fatter, more physical groove with claps and gloopy bass, acid flashes and trancey pads all fleshing out a lush and deep electro workout. this is heavenly stuff that cannot fail to get inside your head and heart.

limited edition first pressing of 300 copies on white / multicolour marbled vinyl.
swayzak is a name that needs little introduction, with albums on studio !k7 and releases on force tracks, m¦nus, tresor and logistic since the late nineties. we’re proud to have david on curle with two brand new killer tracks. did we mention they sound amazing too?

known and admired for its rich and moody ambient and techno output, field records is proudly presenting a brand new lp from iori. his mesmerizing ambient excursions come under the title of cold radiance, and the album features eight tracks that suck you right into his world. each track here is a long and absorbing affair that slowly unfolds and pulls you right into its grainy core. there are dark, texturally rich tracks that are full of menace as well as more heavenly, suspensory and angelic ambient offerings.

the first release features two original tracks and one remix. back home in itself opens up with emotions and feelings of mysterious dark atmosphere that won t leave you indifferent as a listener or a dj. field of dreams is brimming with various textures that form strange feelings but at the same time delivering a clear message. the remix on side a sounds very precise and sophisticated. the minimalistic groove of the entire track forces your feet to move.

the first release of new label florklang is a split ep, created by a japanese and an european producers who are actively outstanding from last couples years. this ep contains two tracks. one is by japanese artist humandrone who creates acid sounds with rich in originality that has been released by european label such as snuff trax, burek and more. this time from florklang presents (rizing field) by humandrone recorded one and only sounds of analogue synthesizer that attached importance to raw sounds. literally it had been recorded only once. other one is by walrus who is founder of electric music project bepotel producer based in brussels. in florklangs first ep presents a another deep and smooth track called (silver gifts) by walrus which inspired by house sound like larry heard and krautrock. florklang thanks to announce this exquisite release and also this could not be realized without the friendship between japan and belgium.

field records continues to focus on its first run of solo artists eps with four tracks from uk pair szare. before now this frozen border and horizontal ground duo has excelled in crafting cavernous bass chambers and off beat rhythms with ease - just as they do here. riding up and down, skipping left and right and swelling with a sense of post apocalyptic optimism as it goes. this ep is full of fresh ideas, fulsome production and a dark energy that makes it fit perfectly on the most recent end of the hardcore continuum.

here comes the heavy remix package to lake peoples much praised debut album purposely uncertain field. with redshape, lawrence and map.ache three remixes were carefully chosen who would be able to bring their own distinctive sound to the table, but also treat the original tracks respectfully. redshape catapults -illuminated- into the orbit of the red planet, where it rotates in a trippy and hypnotic way. lawrence is drifting red but stays closer to the sun. the dial boss keeps things lighter and brings some bells and a steady bass drum to dinner and knows how to mesmerise. leipzig buddy and kann records co-founder map.ache shifts up a gear with his remix for cooping. twisted vocals and a bouncy bassline make his remix a darling on the club floor and rounds things consistently up.

the perpetually seductive mike parker delivers a remarkable performance with this solid four track addition to the dutch label balans records, continuously known for delivering modern classics.

he first instalment of the vox populi field works project, melancholic and minimalistic grooves hover over organic soundscapes and live instrumentation. a truly hypnotic and compelling four tracker providing premium, deep dance floor cuts.

now entering its seventh year, dutch label field records continues to focus on great album projects. after a triple 12- compilation in 2014, and ahead of a third album in the coming months, now comes a 12 track opus, in the wake of the dark earth, by d.a.r.f.d.h.s. aka swedish pair michel isorinne and jonas ronnberg.

after three years, ascion and d.carbone return with *substructures*, their most experimental release to date on their label 3th. the a-side of this record holds two droney offbeat tracks, *ram expedients* and *lo-fi fields*, combining a rare/abstract and genuine mix of middle-eastern electronics, cyberpunk and uk warehouse techno. the b-side contains the tracks that are responsible for the nomenclature of this release: *substructures one/two*. being more oriented to genres such as idm and rave techno, they are characterized by powerful beats and cutting edge ambients and vocals. both tracks have been recorded during one of their live performances in london 2013.

azrael and ghost form the two original tracks on hvobs sixth ep. not only do they offer an acoustic and conceptual taste of this springs hvob album, they are, moreover, accompanied by two remixes: pillow talk from san francisco (wolf + lamb, life & death) apply their sound to the pulsating and percussive arc of suspense that is album-opener azrael

after a stunning three part compilation released in the second half of 2014, dutch label field is back with another album project, this time from american producer christopher ernst, aka l estasi dell oro, who also records as penalune and is co-founder of the voodoo down label. before now, ernst has proved himself to be adept at crafting deep and atmospheric, excellently ambient techno on a range of labels. varying his tempos and textures, he does acid, raw stuff, tough beats and more industrial grooves. across this new 8-track album, all this and more is explored in captivating fashion. this is an expressive and expansive modern techno album from l estasi dell oro that is perfectly at home on the always interesting field label.

on -purposely uncertain field- lake people doesn t fall into the trap of repeating himself or recreating a successful formula. instead he puts all his musical knowledge and his experience into the eleven tracks of the album and expands his already rich sound universe. above his straighter dancefloor aspects martin elaborates his approaches to a certain mid 90 s electronica vibe and ambient-like soundscapes with a very cinematic feel to it. thus he brilliantly manages the difficult task of creating a transcendent and consistent album without losing any tension over the full length.

cassegrain & tin man are a deadly combination. old school acid lines programmed by one of the greatest masters in this field meet a super modern techno sound design by cassegrain, who have made themselves a name in the last years for producing some of the finest in dark and experimental techno. for the follow up to their debut release on killekill they have put together three tracks that are outstand- ing. high & low is a slowly swelling minimalistic acid epos of over 10 minutes length which proves the mas- tership of tin man in programming acid loops of eternal quality. 8 beats length only, but constantly evolving. no chance for boredom. the b-side starts with sex kit, a dark acid stomper with a chirping percussion which is well suitable for the peaktime dancefloor, followed by sand maze, a sublte minimalistic ambient acid piece, that winds its way into total dissolution. we are quite sure that this is the way acid should sound in 2013.

keeping up the detroit sound with high-class contributions from dutch artists, field strikes with another exciting collection of tracks. this seventh ep provides deep cuts by the likes of duplex, conforce, eshu and counterpart.

sofie hein ist bekannt als komponistin, bassistin, programmiererin und sängerin des berliner gitarrenpop-duos wagner & pohl. mit ihrem soloprojekt lucyhoneychurch hat sie den soundtrack für die dokumentation >berlinized - sexy an eis<, ein film über die neunziger jahre in berlin, produziert. zur festivalpremiere erscheint am 20. april 2012 das mini-album >berlinized - longing and belonging< auf vinyl mit sechs titeln aus den filmscores, darunter ein remix des schweizer musikers und radio-djs oliver peter. geräusche und stimmungen der soundtrack-titel wurden inspiriert von industriellen klängen und krachigen gitarren der 90er jahre. mit hilfe von field recordings, beispielsweise von schrottplätzen, generiert lucyhoneychurch verschiedenste elektronische samples, und diese reichen von kompromisslosen beats bis zu harmonischen klängen. die tracks sind clubbig, poppig, sphärisch und manchmal auch brachial.

abstract division returns with the second addition to their form and function series on dynamic reflection. similar to the first release, part ii also features two original tracks and two remixes, this time around by none other than delta funktionen and ben sims.

above machine is a new label from production duo the project club.field of dreams (reprise mix) incorporates their trademark dreamy guitars coupled with a gorgeous synth hook courtesy of the dave smith prophet. this mix is best served horizontal.
the lexx remix stays close to the original mix but moves gently into the world of disco by adding a smooth bassline by reto gaffuri, along with a tight drum track that together creates a beautiful beach bar groove.
d-pulse serve up a top-notch remix production using all the very best elements from the original mix whilst adding their own unique quality and musicianship to the proceedings.
beginnings started off life as a remix, but ended up as a project club beach epic. the track is irresistibly melancholy and a worthy inclusion on this stunning debut 12 inch.

coefficient is an english artist with so much experience now, thanks to releases on labrynth and beyond. in this record he shows 2 original tracks and a remix of his strong friend michaelangelo. he shows his skill in creating the techno cleanly, hypnotic and with no compromise.its a journey straight on his way. you can hear a lot of the influences of detroit (see robert hood and jeff mills), but his style is certainly unique. the remix of michaelangelo completes all the release with an even more dark and hypnotic style - but mostly clean. welcome to another trip high quality signed mrec ltd!

following the success of his debut ep, komisch is delighted to put out the next instalment from sp-x. like his first release, the three tracks on field lines never end capture the essence of contemporary techno - austere and functional, yet deeply resonating. field construction starts with crackle of a broken power cable accompanying brittle percussion and a juggernaut rhythm, before dank filters, distorted riffs and a combination of doubled up claps and hissing hats bring the track to an irresistibly dark climax. internalize follows a similar path, but straight away sp-x plots a more ominous course, with a muffled filter making way for jarring riffs, a grubby acid line and killer claps. last but certainly not least, flux is constructed using dense rhythms, deadweight, iron bar beats and a howling siren riff that sounds like it came from beyond. all the while, sp-xs rasping, firing percussion weaves in and out. these are deadly effective techno tracks, streamlined for use on big speakers - but dont take our word for it, try them out yourselves!

lukes anger back with a brand new 10 track lp !! killer tracks feat. full colour sleeve art !! keeping true to his techno sensibilities (or non-sensibilities?), live wrong and prosper is a full- length-album sized collection of lukes finest recent work along with some massive exclusive tracks, including an extra special 2010 vip re-mash of his 2 biggest tracks to date! (see: >working on the floor<). expect ultra-heavy bass juggernauts in >gross negligence> and >bruce wobbelaar<. sexy acid swing-time in >nice car< and >tombstone trax< and all out wonk-factor-10 with >worried sid< and >beebop drop< and many more percolating slammers to be discovered! fans of the trademark >lukes anger charm< will have a field day with this release, with every track dripping in fat, tasty analogue lushness! lukes previous releases have always been picked up by a plethora of across-the- board dj’s, receiving support from the likes of laurent garnier, detroit grand pubahs, kid606, jerome hill, dj warlock, dj zinc and michael forshaw to name but a few.

this is a debut release of kaoru inoue aka chari chari for mule. he is a one of the most popular japanese house music dj & producer since end of 90s. maybe people still remember that he has joined to the compilation of bossa tres jazz. recently, he is pushing & producing to his roots music like a progressive rock, balearic sound under his own name & aurora (the project with guitarist dsk). these his original two tracks of a side will be reminded the sound of can, holger czukay, klaus schulze, manuel gottsching etc and this releases highlight of todd terje remix is a dreamy long barealic tune!!

after the great debut album on bunker rec, electro legend luke eargoogle comes here with his second full length album on this new swedish label

dubby and very back in the days sounding 3 track techhouse ep by dj romain a must have

4 darker tracks with prog and psy-trance influences

active in italy since 2017 and always in search of new sounds and continuous evolution, underdogs releases the first in a series of vinyl records. the tracks for this first collection are by kirik, jeff sorkwitz, jamie fielding, and efferre, a mix of minimal/glitch sounds with dark atmospheres and powerful grooves that fully capture the label s style.

fresh jackin house and jazzy disco vibes from josh aaron, handpicked to rep jordan fields latest installment on the mighty trax research. real chicago ish on this 4 tracker. pressed on limited edition assorted multi color vinyl. paper sleeve

double cd contaning 20 tracks

please allow us the pleasure of introducing axel willner s loops of your heart. hailing from sweden, the man behind this record alone needs no introduction, as he is already well known in the electronic music scene for his project the field. loops of your heart reflects axel¼s experience in germany, where during his lengthy stays, his mantra-like arpeggiators contributed to the first manifestation of the sound of cologne tape, a group that formed while he was staying there. you can also hear this on the much sought after debut render, which came out on magazine last year. only a foreshadow for what was to about to come, willner has been living in berlin and letting his creativity go crazy. with an arsenal of special synthesizers and guitars he has put together and never ending nights . after touring worldwide with the field for the last 10 years, and never ending nights is like coming home again. you can hear german children speaking outside his studio in berlin (on the track neukšlln ) and it is not only the track titles which tell of things that have come to an end and or are about to happen. the old german musical tradition of letting yourself go (holger czukay, you, anima, cluster, you name it) is in the air, and willner breathes it. his highly personal approach to music and composition leads to nothing less then a matchless album that embodies beginning anew

noroi debuts on mechatronica with a uniquely futuristic collection of razor sharp, forward-thinking rave tracks across electro, left-field techno, bass music, broken beats and more. cut-throat club hybrids for the heart, mind and floor.

french label and promoter much more recordings is proud to present the second vinyl of its collection. this vinyl features 6 tracks ranging from breaks to techno and passing electronica, designed for soundsystem and anchored in their proper original and analogic techno sound. comes on yellow marbled vinyl.

the journey continues. this is the 3rd release of the ravepoint-community with 4 new fat tracks. the artists on this sampler are josh (who also appeared with a track on rvp001/002), latin soldier, frank mauer and vinicius honorio. we are very pleased to present this work to you. the idea behind the community concept is to give artists in the field of electronic music a platform for releases. the result is what we consider to be a very nice techno sampler. .....frvr

repress - unreleased early algerian synth electronic by ahmed malek, compiled and co-produced by flako. in the early 1980s, ahmed malek was already in his 50s, when he discovered synthesizers and electronic music for himself and started to experiment with sounds. the result was a mixture of ambient synth music, field recordings he made in cuba and a wide variation of different sound experiments that he also presented as different avanguarde music festivals in cuba and the us. none of it was ever released but we got a huge box of master tapes from his family and we re happy to present this different side of ahmed malek s music. it was compiled and co-produced by flako, a fan of early electronic and synth music. this is not a remix album though, flako s aim was to create an album out of 2 hours of material that sounds like it might have if mr. malek would have finished it himself before of his death. fully approved and licensed from the artists family. the album comes with an informative booklet with liner notes, an interview with flako regarding his approach towards the production and unseen photos. we will also release a third album by ahmed malek which will be more in the vein again of the music he is known for and this album will also be previously unreleased.

labelfounder insect o. is back with a 3 track vinyl release of his handcrafted dub techno sound. but there is always more to discover. sandstones starts with field recordings he took at the sandstone mountains of saxony switzerland national park while hiking during the pandemic. back in the studio he layered it on top of spicy chords, beautiful pads and a shuffling groove. but it is this melancholic organ that gives big emotions to the track. the second track is named after a famous little bass synthesizer. volca dub was recorded 10 years ago. it was sitting on the hard disc, waiting for the perfect moment to get finished and released. the chords of the korg volca bass are heavily modulated and tranched into swirling tape delays with a rumbling sub bass underneath. just like dub should sound. the final track everlasting he recorded live in one take on his modular synthesizer. it starts with the rolling bassline by a buchla inspired dual oscillator. a dreamy melody and melancholic chords are fading in. filter pings are providing clicky drums while white noise from the moog dfam is playing a polyrhythmic snare. pitch shifting echoes and a dreamy reverb are gluing the sounds together. it makes you remember the past and think about the future. just like memories do. and some memories last forever.

ltd repress , chaos in the cbd s ben & louis helliker-hales team up with long-time friend and collaborator jon sable to present their new imprint ‘in dust we trust.’ in dust we trust is an ode to a collection of friends who share a certain understanding, who live by a love and respect for the people around them. that friend who saves that last puff for you, that friend who will share their drink with you when you can t afford your own, that friend who will learn how to drive a car on the spot because you re too drunk to make it home. kicking things off with a release from chaos in the cbd, ‘accidental meetings’ is a record that celebrates this way of living. the four cuts effortlessly move you through a journey of delicate textures and atmospheres. it begins with the late night basement sounds of the title track, then sends you through the spacious and meditative ‘north pole cafe.’ the wild rhythms of ‘united identities’ hypnotise you, until you find yourself spat out by the energetic grooves of ‘distorted fields.’ play it in the club, play it in the hotbox, or play it for your mum, this record is filled with soulful, rhythmically complex, melancholic music that is unmistakably dusty.

j. mono twists our sense of time again, coming up with the third installment of his redate series: an elegant selection of uncut tracks, roaming in the fields of electro, acid, idm and ebm. the tape release includes a download code.

incl jordan fields and afrolectro

sunda arc are brothers nick smart and jordan smart, best known as two-thirds of jazz-influenced minimalists: mammal hands