schwarzes vinyl (180g) / cover auf dickem karton / download-code (mp3, 320kbit/s), incl. 4c einleger / lyricsheet / label-sticker)

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

the first vinyl version of the upcoming cd album with some magical works of unit moebius. this first 12inch contains some of their hottest tracks including the legendary >world goes around<, an evil cover of a classic chicagohouse track by cool mccool. the flip side contains the more deeper side from their first releases. for those who were there in those years 91/92/93, at the famous parties in the hague and rotterdam, this is a walk down memory lane, for those to young or living in other parts of the world... imagine these tracks in a dark, very dark sweaty basement with only strobe light and smoke machines, camouflage nets, and jacking acid and techno sounds for more then 10 ours. djs such as i-f, serge, schmerzlabor, peter ptau ptau and live acts such as unit moebius played the hottest and freshest music all night long until you lost your sense of time and place and ended in a total mind trip. the pure essence of house and techno! the golden years :-)

previously unreleased box fresh highlights from buzzin flys major summer compilation (which received 5* comp of the month in three of the four leading dance magazines). feat lovebirds, barbq and unity!!

80s cult on double vinyl incl blue monday, take on me, love will tear us apart, golden brown, chain reaction... !

banging 4lp box incl. tracks from timo maas & marc romboy, affkt, gusgus, oxia and and and

reissue of the classic 1973 trojan records compilation on yellow & black splatter coloured vinyl.

buddha-bar 25th anniversary collection as 4x12 inch vinyl box set, compiled by stéphane pompougnac, charles schillings and ravin.

buddha-bar 25th anniversary collection on triple cd, compiled by stŽphane pompougnac, charles schillings and ravin.

the wonderfully monikered golden flamingo was one of many labels operating alongside the now legendary p&p records imprint in late 70 s to early 80 s nyc. fans of deep disco, raw gritty soul and rare as hen s teeth electro and early rap know of the cult status of it s brief but influential output and in recent years the p&p label and it s associated entities have enjoyed further popularity through the exposure of it s music by some of the world s most respected dj s and selectors, and rightfully so. an amazingly lo-fi, endearing and overtly underground aesthetic runs through all of the labels, from the label artwork down to the music itself. this style is evident on margo williams epic god save and protect all the children , a colossally rare 12- from back in 1980.

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sail’s sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling that’s even more defiant and deeply personal.

like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

a true holy grail from the cloud one catalog, dont let my rainbow pass me by is the third of a string of titles on golden flamingo produced by the p&p duo of patrick adams and peter brown and featuring vocals from guardian angel singer margot williams. similar to previous cloud ones productions, this record had all the elements of a patrick adams classic, but with vocal arrangements that foreshadowed the work he would do with inner life and jocelyn brown at salsoul. perhaps not so much of a concidence then that margot williams would provide backing vocals on inner lifes second and final album. even though it was originally released in 1981, dont let my rainbow pass me by is still championed by high-profile deejays today. over the years, its been notably sampled in basement jaxxs romeo and covered by todd terje and prins thomas in reinbagan as a dub-disco cut. available for the first time since its original release, our only piece of advise is to don’t let this classic pass you by.

the patron saints of altered states known as john frum welcome in the golden age of musical enlightenment with a stirring in the noos. nearly 6 years in the making, john frum’s unorthodox debut maneuvers through 40 minutes of darkly psychedelic and meticulously crafted death metal, acting as a medium for malefic musings, the backdrop of a bad trip. john frum borrows its name from a relatively isolated group of natives in the south pacific islands, known as a cargo cult, whose encounter with the outside world led to an awakening of new beliefs and lifestyles. the mysterious john frum is the manifestation of four musical minds coalescing in a collective consciousness developed from time spent playing with the dillinger escape plan, the faceless, john zorn, cleric and many more elite projects. a stirring in the noos is a dismal distillation of oneric transmission and a totem to modern primitivism in heavy music.
the vinyl lp includes a download code.

dj koze introduces sophia kennedy - stunning debut album by 26 years old wonderwoman sophia kennedy
elegant, melancholic, sometimes menacing, with smoldering piano melodies, desolately whistling organs, and a jaunty jaw s harp loop, kissed by the golden californian sun, or shrouded in gloomy, dreary fog: sophia kennedy is currently the most versatile composer in german pop music – not to mention the greatest singer. her debut album -sophia kennedy- reveals her as a dramatic romanti-cist and distanced diseuse, as a deft lyricist and master of melody. in her eleven songs, she travels from doo-wop to dubstep, from classic crooning to breathless r n b, from frank sinatra to beyoncé. her talent for songwriting is deeply rooted in history, yet it seeks nothing but the present: both historically versed and timelessly beautiful at the same time. all tracks have been produced by sophia kennedy and mense reents (who is known as being a member of die vögel, egoexpress, die goldenen zitronen).

bereits im letzten jahr veröffentlichte parlophone records mit »five years (1969–1973)« und »who can i be now? (1974–1976)« zwei boxen, die david bowies studio- und livealben aus den besagten jahren versammeln. fünf dieser longplayer erscheinen nun auch einzeln, und zwar als cd und lp. mit dabei ist unter anderem die 2016 gemasterte version von »station to station«, gepresst auf 180 gramm vinyl.
»station to station« ist das zehnte studioalbum von david bowie. es erschien ursprünglich bereits 1976 und markiert einen von vielen musikalischen richtungswechseln bowies – von rock, funk und soul der vorangegangenen alben hin zu elektronischen einflüssen.
mit »station to station« erreichte der musiker platz fünf in den uk-charts. in den usa stieg das album bis auf platz drei.

musically and emotionally, superpitchers third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period on record label, hippie dance.

over the last decade, bantam lions (aka liverpool producer mike carney) has devoted much of his spare time to “playful experimentation,” channeling 30 years of musical inspirations and adventures to create electronic music that sits somewhere between hazy nostalgia and far-sighted futurism. now, he’s gathered together some of his favourite moments to create short stories, a debut album – and scenery’s first long-form release – simply overflowing with page-turning musical narratives.
these are short stories to savour, to get lost in, and to revisit time and time again. they’re bantam lions’ stories, but he’s happily shared them for others to enjoy.

harlem veteran vast aire of cannibal ox fame teams up with brooklyn producer raticus on -the heir vast,” which is packed with six boom bap golden era hip hop songs, for the diehard boom bap hip hop fans. raticus has composed the theme music for this lyrical demonstration, along with abstract interludes and scratching to add to the ambience. taking from his years of experience working with many independent labels (da shaüp productions, yosumi records) and several underground artists (kil ripkin of the coalescence, ruste juxxe, ft street smartz, haziq ali, sean p, lace da booms) raticus provides you another hip hop album staying true to his brooklyn roots

appropriate to the golden gate club s philosophy and attitude, -its never to late for gate-, ggcr is coming up with cat.002. it took nearly 2 years for this second release, we could also say, better now then never or good things take time, but hey, who cares anyway? to the content, -golden times- is a exclusive various artist collection, trying to reflect the wide spectrum of sound we find in the place. four very different producers with four different tracks but yet a unique vibe. techno, deep house, tech house and electronica goes here very smoothly hand in hand. while only three of them, saytek, midas 104 and elizar & dromme are placed on the vinyl, samuel fach s -technologie- has been added as digital bonus.

fifth album from ny brothers the lemon twigs. pressed on ice cream coloured vinyl.

vinyl lp in gatefold sleeve.

5x12inch vinyl, 10mm spine box sleeve. limited to 500

must have for harry potter fans

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 longer than usual tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the 11th edition of the golden ravedays album will be released on hippie dance in november 2017. side a brings brothers. with two decades of spinning experience in disco’s, nightclubs, festival arenas, shady after-party zones and intimate studio soirees there is no doubt that superpitcher is seasoned in throwing a damn good party. brothers is party personified and a celebration of the night and the wise owls that respect its magical rituals. its ultra-chic disco groove and dreamy female vocals transport one to a carnival of blessings. side b features sleepy head, a hypnotic lullaby carefully tucked away in a hammock that rocks to and fro like dozing mermaids in a wavy curtain of seaweed. sleepy head is a smart artistic statement and whimsical pause just before the release of the grand finale of the the golden ravedays saga.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period.
the eighth piece of the golden ravedays puzzle will be released on hippie dance in august 2017. number 8 of the series introduces two tracks that will take you to the far side of somewhere you’ve never been before. they are both reminiscent of outer space blues playing spooky games in a dust bowl.

side a features tuesday paris texas a tastefully arranged track with vintage sounds passing nonchalantly through a wild western aural landscape. the music is announced like a cowboy movie dual complete with bar doors swinging on rusty nails in slow motion. mournful guitar strings swirl over a steady horseback galloping beat, expanding into a full-on-fire dance track. halfway through a woman’s haunted voice appears and disappears like an eerie siren, a gunshot is fired (was that a gunshot?), a man whispers “what!?” tuesday paris texas is in no hurry to give an answer.

side b features mirage a desert sound collage glued to a steady pulse that rolls and rolls, circumventing any destination. mirage is a contour map of no surprising peaks just undulating valleys of wistful cathodic sound creeks, sometimes veering off to plains in full view of the moon, in earshot of solitary wolf cries. like tuesday paris texas, mirage is testament of superpitcher’s versatile prospecting beyond the elemental sound tools of the electronic music trade.

musically and emotionally, superpitcherÆs third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the seventh piece of the golden ravedays puzzle will be released on hippie dance in july 2017. number 7 of the series introduces two further tracks of the sound adventure that superpitcher is taking us on this year.

side a features andy, music made by superpitcher in memory and admiration of a pioneer artist and his works. andy warhol looks a scream, hang him on my wall, andy warhol, silver screen, can t tell them apart at all, andy walking, andy tired, andy take a little snooze, tie him up when he s fast asleep, send him on a pleasant cruise, when he wakes up on the sea, be sure to think of me and you, he ll think, about paint and he ll think about glue, what a jolly boring thing to do. david bowieÆs lyrics about andy warhol mirror the groovy yet deeply moving emotion of this track. the music superpitcher imagined here is a pleasant cruise in itself and once you wake up from it, you will for sure think of andy. side b features yves. the track starts with a long introduction of harp music and then gently evolves into one of the more fragile and poetic pieces superpitcher has created thus far for the golden ravedays record. similar to andy this track is dedicated to an artist, yves saint laurent. what is clear in this music is that there is an intense understanding of the suffering yves saint laurent lived throughout his life as an artist and fashion designer. as only superpitcher can, he translated that emotion into this beautiful and touching piece of music.

in the late 80s, 808 state was at the forefront of england’s still developing electronic music scene. don solaris, the group’s first widely available album in more than four years, is something of a return for the group.
first pressing of 750 limited numbered copies on 180 gram gold vinyl.

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 2 is an essential overview of this most iconic of labels, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! cuts from loose joints, taana gardner, barbara mason, stone, raw silk and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like arthur russell, kenton nix, walter gibbons and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg

vincenzo needs little introduction - the veteran producer and dj has been a fixture on the scene for years, releasing his distinctive brand of classy deep and techy house on a number of key labels. returning to poker flat, he teams up with the mega talented cari golden for this killer three track ep. cari hails from la, an accomplished singer & songwriter and a part of band narcotourist. she lends her skills to never go back a lush yet edgy deep bomb built around slinky groove shot through with vincenzos trademark drama and tension. cari brings the track to the next level with her vocals - both seductive and cautionary. smash tv (holger zilske and kai preussner) bring a sick remix to the table with their version - heading to deeper territory and seemingly primed for the after hours vibe. next up is thats the way an instrumental that sees vincenzo revel in some old school chord progressions and tension / release dynamics to make a sure-fire floor weapon.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays, is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

(sean johnston & oyvind morken rmxs) theres a new kid in town! well, the kid behind it aint all that new, but the label is, so we will stick to our claim. after having been super quiet on the output front for a good few years now, oslo dj andoccasional full pupp producer marius circus is back with boom and a boing and a tschak, having decided to launch his own label.

record kicks are extremely proud to present one of the hottest new names on the retro soul scene, the tibbs! proceeded by the smashing single next time , the tibbs debut album takin over will hit the streets on may 20. produced by paul willemsen (zuco 103 / lefties soul connection), recorded at the electric monkey studio in amsterdam using only vintage gear and mastered in nashville by soul veteran bob ohlsson (the guy who took care of mastering for many motown hits), takin over is indeed a breath of fresh air! from floor-shaking soul tunes like dog days , get back tuesday and next time , to the deep soul of wild way and funk stormer suffocated , singer elsa bekman - supported by a super tight big band - will impress everybody with her unique raw, gritty vocals that do not fear comparison with big names such as amy winehouse and duffy. based around amsterdam and founded by a bunch of northern-soul and funk disciples, the tibbs started in 2012 taking inspiration from the golden age of soul music. in 2014 they self-released a demo ep and they also released a 45 vinyl on german funk label tramp records. now, after a few exciting years turning heads and spreading soul tunes all around the country - including appearances at the legendary north sea jazz club and a live performances at national radio 6 - the tibbs are finally ready to make their official debut on record kicks. take notice, because the tibbs are the new name to watch!

the golden anniversary of the godfathers of dutch rock is something that should be celebrated in the best of ways, and music on vinyl has decided to join the party by releasing a brand new compilation of the golden earring on heavyweight 10 inch vinyl!
this is not a run-of-the-mill collection of best ofs, but a personal selection of favourites that in some cases were only released as singles in the early years of the wild boys, before their big international breakthrough. but be quick!
comes as 120 grams audiophile vinylin gold printed and numbered sleeve.

golden gate... yes we love! this is the first 12 inch out of two, representing the golden gate club compilation. after all this wonderful years of sweat, heat and highlight in this unique club, some producers and djs are contributing their tracks, showing gratitude and love for this special place.

the long overdue last vinyl part of the unit moebius golden years album! including the classic aquatic techno track dolfinarium (which goes for top prices on ebay and discogs), and the emotive ecology and duplovision tracks and the acidic monoman track. groundbreaking in 1992 and still fresh almost 20 years later! this is among the best techno ever released in the lowlands and a true classic that inspired many!

r&bs most enduring duo nickolas ashford & valerie simpson sure know how to make it right when it comes to soulful r&b gems and lush dance grooves from golden era of 70s soul and disco. they recorded for warner bros. from 73 through to the early 80s, and rhinos ashford & simpson - the warner bros. years: the 12 inch collection both rediscovers and re-imagines the best of those years.

back in the day, when i discovered the music from reggie dokes and the psychostasia label i felt something similar as when i listened for the first time the music from lil louis at the end of the 80s. i mean... is this music really house? it must be because all the good househeads play and respect his stuff... perhaps just for that different and unique way of make house...

second vinyl version of the cd album with more magical works of unit moebius. including the funking >beat that perculator< re-arranging >i beat that bitch with a bat<, >its time for the perculator< and >the pressure cooker< into a totally dirty twisted the hague jack track! the flip side contains the more deeper side from their first releases. for those who were there in those years 91/ 92/ 93, at the famous parties in the hague and rotterdam, this is a walk down memory lane, for those to young or living in other parts of the world... imagine these tracks in a dark, very dark sweaty basement with only strobe light and smoke machines, camouflage nets, and jacking acid and techno sounds for more then 10 ours. djs such as i-f, serge, schmerzlabor, peter ptau ptau and live acts such as unit moebius played the hottest and freshest music all night long until you lost your sense of time and place and ended in a total mind trip. the pure essence of house and techno! the golden years.

classic d.i.t.c. bangers without doubt the most highly rated crew of mcs and producers hailing from the bronx n.y.c. these cats have consistently put it down laying down the blueprint for underground hip hop. the birthplace, the creators the business.

ben watt s buzzin fly celebrate their 5th birthday with great techhouse masterpieces by gavin herlihy, here today and rodamaal ft. claudia franco