dsc welcomes back boris bunnik, this time under his conforce moniker. two contrasting tracks are the offering. heavy thump introduces kernal of truth. angular melodies are painted on glass as a complex composition unfurls under the strain of galvanized percussion. the aquatic -oasis- occupies the flip. notes gentle lap a shoreline of burbling bass and distant percussion. echoes are submerged, folded in on themselves, as absorbing ambience envelops. two wonderfully different sides to the conforce sound.

the always trustworthy sound carrier label steps back into the limelight to hit us with another fix of quality techno from monsieur chris carrier. the parisian producer never stops making music, and he presents three new extra terrestrial cuts here on this latest instalment from his excellent label. the story here is about two powerful intergalactic beings who discover that they have been lied to by their leaders - there are no magic mushrooms, just a forest of poisoned ones. they have laid down their arms to discuss this despicable turn of events… track one is a rolling slice of analogue techno with acid licks and squelches bubbling away at its core. named ‘cat’s eye nebula’ it sucks us in to an interplanetary vortex, with cosmic fx transporting to the interior of a spaceship, while the beats give the feeling of a bumpy ride into the cosmos. this is followed by the more composed solemnity of ‘galactus’. shuffling beats slide over a funky bassline, the outer space theme continues with carrier implementing a series of manipulated sounds which convey the feeling of futuristic machinery, blinking dashboards or robots communicating with one another. finally, we have ‘dark poison’, the inspiration behind the whole ep. more deep 303 vibes on this with a simmering analogue riff, percussion which increases in intensity alongside several layers of melodramatic effects, high-pitched twinkles and chimes which really add to the tension

ein spannender blick auf das vermächtnis der rocklegende david bowie – von seinen anfängen bis zu seinen letzten aufnahmen: hier ist »legacy (the very best of david bowie)«.
limitiertes 180 gramm doppel-vinyl im klappcover

special backstock !

“shark wolf rabbit snake” is the 2012 album from veteran producer and sound designer eliot lipp, originally released on pretty lights music. this seminal project in lipp’s catalog effortlessly moves between hip-hop, drum & bass, funk, techno and jazz. the 12” lp is reissued for a limited time by detroit label young heavy souls and comes with download code included.

limited edition of 1000 copies on translucent, multi-color splattered vinyl.
experienced crate diggers are no doubt familiar with new birth, the 17-piece funk ensemble sampled on classic hip-hop records by wu-tang clan, de la soul, junior m.a.f.i.a., black sheep, lil wayne, ice cube, and many more. the genesis of new birth can be traced back to the nite-liters, a louisville-based instrumental outfit. founded in 1963 by motown songwriter/producer harvey fuqua and saxophonist tony churchill, the nite-liters released a handful of albums in the early 70s, scoring a few minor hits and perfecting the sound that would power new birth to further success as the decade progressed. while much of the the nite liters’ early material has been overlooked, their self-titled debut album is worth revisiting. originally released on rca records in 1970, the nite liters is a raw, soulful masterpiece that has been sampled by kmd, ghostface killah and others.

seminal mood ii swing production remixed by uk cutting edge producer pearson sound for nervous records. one of the most memorable house music anthems from nycs golden era of house has been given the 2016 treatment by pearson sound. learn 2 luv features lead vocals by one of house music’s greatest voices, kim english. originally produced by mood ii swing in 1997, it quickly became a favourite of legendary producer francois k, who subsequently added his atmospheric mood mix to the package.

pacific city sound visions take a walk into re-issue territory - a beautiful uncovering that fits neatly into this truly mind flixing catalogue... top tip!

levon double-strike!

32 mayday-klassiker auf limitiertem 4-fach vinyl im klappcover.

a great remix package from billy nasty’s electrix label very limited vinyl pressing one of the uk’s longest running electro acts, transparent sound feature on the next ep from billy nasty’s electrix label, with three other mainstays of the scene, larry mccormick, mr velcro fastener and sync 24 all offering their remix skills.

burnski and jon woodall s constant sound label continues to reach skywards following the formers essential dna album, welcoming the ever-reliable laura jones and stephen brown into the mix with a collaborative effort that matches club precision with machine soul in equal measure. -crystalline- works around detroit motifs to great effect, while -concave- ramps up the swing factor for a spacey number that gets fancy with the fx. -pv- too does a fine job of making the synths ping around the mix with a jammed-out feel, while endian delivers a remix of -nothing lost- that leans on berlin techno dynamics while injecting some colour into the situation.

why why why by the woodentops is a turntable hit in the birth of the balearic club scene. arriving first in 1985 as a mix by adrian sherwood, a regular amnesia track and again in 1987, as a live and far more up-tempo version from a number one live album.

fit sound welcomes moscows ol to the label with his debut 12inch, lada passenger. three late night dance floor stompers that pay special attention to textures of percussion, woven with expert touches of melody and bass. essential tracks for the working dj from an artist that is clearly coming into his own!

pressed in detroit. another monstrous metroplex essential gets reissued! late 80s electro funk from juan atkins as model 500. off to battle seriously laying down the foundations to what was to come next from exeperimental detroit. tip! haveing recently re-issued indispensable tracks like the chase and night drive, metroplex continue to re-release their early classics. dont miss.

yes its the amsterdam rockstar, who over the last fifteen years rocked major clubs and festivals to smaller bars and dodgy underground locations all around the world. tip!

chicago has always been a place that had talented musicians. it has been a hub for soul, funk, blues, and jazz for generations. the significance of the real sound of chicago release in disco compilation terms is that many chicago private disco labels never made it out of the city. just like chicago house music...

shadow child returns with his connected collaborations album. album sampler 2 of 2 features his official rework of the future sound of london’s seminal ‘papua new guinea’, ‘err’ offering it s bouncing bassline and skippy 909 hats with huxley and finally ‘gacid’, which is possibly the friendliest acid tune you’ll hear with the elusive supertanker.

u is a producer and dj currently living in london. previous records for man make music have proven suitable for the club as well as home listening, while a collaboration with babe, terror as btu for erol alkan’s phantasy label was varyingly described as “pleasure with a sense of dread” (the line of best fit) and “akin to having five songs playing simultaneously on your computer” (the guardian). 2014 saw u’s debut ‘haven in a heartfelt world’ ep described as -giddy electronic fuzz that packs the subtlest of punches descends into dense glitch noise then returns triumphant gritty and melodic” (crack magazine) and “distorted dreamstates” (ransom note). after the deranged chamber­edits of vienna for where to now?, u returns to the well­trodden path between flattery and irreverence in dance music with a special edition 2-­track 12- for phantasy sound. friendly ghost enters with a splay of combat­bongos, a thin synthetic aura draws over the fluctuating rhythms before a strangely negative bassline sets the pace in nu­wave perpetual motion, inevitably spiraling back on itself into a clattering reversal. on the flip ascension hymn rushes headlong into a mechanical shunter, abruptly dragged back by a frail and singular voice reciting an uncertain mantra of self­fulfilment over this blunted hardcore epic spanning 13 minutes. pressed to heavyweight vinyl, designed and printed by the artist in an edition of 300ish.

das album -100%- war längere zeit nicht zu haben. weder auf cd noch digital. die songs sind neu gemastert. die songs sind dieselben, es gibt keine neuen songs oder sonstiges bonusmaterial, einzig beim sound wird man ein paar unterschiede feststellen. den remastering-prozess hat eike freese gemacht. eike freese hat in den letzten 15 jahren an mehr als 170 veröffentlichungen mitgewirkt, darunter auch an alben und dvds von deep purple, saga, apocalyptica, gamma ray, eisbrecher, oomph!, heaven shall burn, callejon, uvm. für seine arbeiten an deep purples -now what?!- the live tapes- und eisbrechers -die hölle muss warten- wurde eike freese mit jeweils einer goldenen schallplatte ausgezeichnet. außerdem wird er mitverantwortlich für das kommende album sein. aber dazu mehr zu seiner zeit. das gesamte artwork wurde überarbeitet. die band ist immer wieder ergriffen über das, was die fans zurückgeben. Über feedback, enthusiasmus und der liebe zu dieser musik. das zeigt sich an so vielen stellen. am offensichtlichsten und wohl auch am unumstößlichsten an den fan-tattoos, die der band gewidmet sind. und genau diesen tattoos, diesen bildern für die ewigkeit, dieser leidenschaft, möchte die band mit diesem release tribut zollen. so wie auf der haut, sollen die tattoos auch in der discographie dieser band auf ewig das sichtbare zeichen einer innigen verbundenheit sein. viele fans werden ihr tattoo also im artwork dieses albums wiederfinden. bunt auf weiß. für immer. zu 100 prozent - und jetzt als vinyl - in grün!

theo parrish teams up with amp fiddler on -ghetto proposal- - a deep grimy chugger of a track featuring vocals from kitten koroi and john douglas on trumpet. instrumental version on the flip.

simo cell returns to livity sound for the label’s final release of 2016. following up his debut 12” for the label in 2015, the parisian brings his varied tastes to this diverse four tracker. from the hazy bumping rhythms of ‘gliding’ to the pulsating strobed snare assault of ‘away from keyboard’, these razor edge productions demonstrate exactly why he’s been tipped by so many as one to watch.

die “environment”-serie der kult-elektroniker future sound of london basiert auf den gleichnamigen ‘lost’ alben aus 1993, die erst 2008 komplettiert und veröffentlicht wurden. in der folge entstanden weitere arbeiten in anlehnung an die früh-1990’er electronica der fsol, die jetzt nach und nach erscheinen. der sechste teil erstreckt sich über zwei separate alben und umfasst 46 unveröffentlichte tracks auf 2 cds. die lps enthalten 17 bzw. 18 tracks, wobei der track “silent around them” auf lp vol. 6.5 vinyl-exklusiv erscheint.

brainbox shows the open-minded and versatile character of the belgian de:tuned label and explores the more cerebral output within the full spectrum of electronic music.
the album compilation features 25 tracks of both new and previously unreleased material, offering a widely eclectic mix of ambient, techno, idm, broken beat and drum & bass from a range of well-respected and established artists who ve pushed the musical envelope and have inspired a whole generation of music enthusiasts. the tracks have been mastered by matt colton at alchemy mastering to ensure the highest playback quality.
in addition to the music, de:tuned has worked with designer kevin foakes from openmind (aka strictly kev, dj food from ninja tune) who has translated the diverse musical theme of the album into stunning graphic artwork.
brainbox will be available as a limited edition (300 copies worldwide) numbered box set consisting of 6 heavy weight 180 gr records housed in individually printed inner sleeves. the vinyl box includes a download card and sticker.
de:tuned would like to thank all the artists for their contributions and support. stay tuned!

brill dbl header, deep jazzy house ... a classic in the making

‘sound of palladio’ is the first in a four part series of limited 12- pressed to 180g coloured vinyl, with a single piece of cover artwork commissioned from italian artist nerog spanning throughout the series. never ready records’ inaugural release sees venetian techno & bass house experimentalist munstac veer between the echoing sub bass chambers and angular staccato momentum of “the cathedral” to the more drawn out drum rolls and flutter of “the theatre”. along the way, east london’s spatial helms a mighty 132 bpm jungle break refix of “the cathedral” whipping up that trademark hectic fervor the infrasonics label boss has previously delivered on the likes of “wncl & stillcold”

with jealous god, eerie and l.i.e.s on his c.v. they don t come much more approved that domenico crisci, but few would be prepared for the onslaught that leaps out of this first release on summa cum laude. the violinist champions distortion as a weapon, running everything through a fuzz pedal in a most unrelenting of fashions. its certainly not for the feint-hearted, and all the more powerful with it. meanwhile return would sound brutal in any other context were it not for what came before, all slamming, grubby drums and the noises that splay off them. blacklord them manages to push the vibe further back into the red with a searing throwdown to finish the ep off in a masterful display of intensity.

future sound of antwerp are the post-digital children of the citys techno scene, all forgotten mixtapes, and nighttime drives to ghent. these three tracks, all different, were all produced and mixed at deewee, at night, with a purpose.

final 12- transmission from a made up sound s self-titled label, featuring two deep cuts unfolding across eight minutes each. highly recommended!

since its launch at the bpm festival at the beginning of the year, hector s vl recordings imprint has be making its mark as a fresh breeding ground for some of the finest talent the underground has to offer. to finish off the year as strong as they started, hector called upon one of london s finest selectors seb zito to host the fourth release of 2016, with his four-track my sound ep

an all-instrumental journey through numerous genre-crossing worlds. features members of antibalas (daptone records) and beastie boys’ synth master money mark. coke bottle clear vinyl, limited to 500 copies. les yper sound presents an all-instrumental journey through the many worlds of drums and saxophones. in early 2016, new york session musicians miles arntzen and jas walton—who both currently play in afrobeat ensemble antibalas—began experimenting with their respective instruments in miles’s greenwich village basement. they composed demos that were made up of miles’s percussion, jas’s woodwinds, and the sounds of everyday objects

cbrb s latest triptych for phantasy takes their sound into a more dystopian direction, a world of concrete shopping centres, the occult and physically irresistible repetition. the title track “mecanique sauvage” is a muscular industrial / outsider house track, a stop start rollercoaster that constantly intensifies. one part a brutal exercise in poise and restraint, and one part undiluted disco excess. a contradictory beast of a track. something of a epic (at over 8 mins long) “children of the monolith” drops the tempo to 100 bpm and takes the listener on a very different kind of trip. a widescreen composite of tribal drums, sinister synths and the beguiling mantras of an arcane cult. don t touch the brown acid... “soda jerk” is the everything but the kitchen sink moment on the ep, a hymn to over indulgence. unhinged electronic body music, a gloriously relentless assault on the senses. resistance is futile!

limited first pressing of 150 copies on black vinyl.
elisabeth dixon is a producer/live performer (melbourne, australia) specializing in experimental techno/edm. layering meditative drones beneath dark industrial beats, her approach to sound design is rooted in both hypnotic, trance inducing experience and the aggressive frenzy of industrial techno. having performed steadily since her emergence in 2015, dixon has played dance floors from the mercat to revolver, abandoned warehouses to lounge, alongside respected artists like daze, chiara kickdrum, sleep d & oake (berlin). elisabeth dixon’s debut lp, entitled “lp1&#8243,,,,,,,, is slated for release on october 5th 2016 on vinyl/digital through trait records (melbourne) and instruments of discipline (berlin).

limited first pressing of 100 copies on orange vinyl.
elisabeth dixon is a producer/live performer (melbourne, australia) specializing in experimental techno/edm. layering meditative drones beneath dark industrial beats, her approach to sound design is rooted in both hypnotic, trance inducing experience and the aggressive frenzy of industrial techno. having performed steadily since her emergence in 2015, dixon has played dance floors from the mercat to revolver, abandoned warehouses to lounge, alongside respected artists like daze, chiara kickdrum, sleep d & oake (berlin). elisabeth dixon’s debut lp, entitled “lp1&#8243,,,,,,,, is slated for release on october 5th 2016 on vinyl/digital through trait records (melbourne) and instruments of discipline (berlin).

ltd repress ** after a few excursions on 777 recordings, die orakel and bokhari records plus remixes for spectral sound and nuearth kitchen, orson wells returns to his own sound mirror imprint with another superb 3-tracker. a slightly electro tinged dreamy and melodic beauty called g.i.t.s. is followed by the distorted, heavy breakbeat enhanced pounding title track missin u on side a, while the futuristic deep journey red planet on the flip makes this ep another versatile and quality packed release you shouldnt miss.

label founder and owner of how to kill detroit, the friend gives his fresh release from tokyo s underground label doddadsee. this vinyl includes tracks with his very own unique style sludge

bbc records & tapes volume 13 features over 80 chilling death & horror sound effects on 180 gram blood splattered vinyl.

more smart edits: cans vitamin c blends eerie pop hooks w/some psych vox + epic drum breaks. silver apples lovefingers f/ their famous homemade synth + stripped down drums & psych-era vox.

male productions comes back after the first release -secret doctrine-, with the second lp : -clouds- ! this release comes as collector s album edition of 475 copies only and it contains the songs -clouds- and -interface- released in 1991 plus four unreleased songs recorded in the same year but performed only live during house parties back in the days. this lp still features stefano di carlo, leo young and mauro tannino.

ltd edition! michele pinna presents a new lp under a fresh moniker and alter ego, time traveler, representing a direct confrontation of the artist s own fear of time as an unrelenting force. the lp, titled ‘i m made of stars / journal’, takes inspiration from conversations between pinna and his father on the topics of galaxies, space and of course, time. these converstions were the starting point for the abstract, futuristic and dark work presented on the new lp. the release also draws on pinna s artistic interests outside of music, presenting a work not just of sound, but one with a coherent visual aesthetic spanning the physical releases of the lp. this visual aesthetic has taken shape through multiple collaborations with the photograpers, stylists and designers nicolas mazzei, danila tkachenko, khourianbeer and cinzia ara

black crow is the third single to be taken from the album ‘the soft bounce’. part american gothic, part future movie soundtrack, it’s a song of haunting beauty. holly miranda s vocal glides across reflective strings and delicate crystalline snippets of sound, resulting in an epic torch song lament. it’s backed with white crow, erol alkan s mighty extended reworking of the song, placing it in spacious widescreen, where you can hear for miles.

burnski makes a return home to his own constant sound imprint for the first time since his changes ep back in september of 2015. 007 in the release catalogue sees a monumental step for both label and producer as it brings with it his first full-length offering. dna opens out across 9 neatly reduced dance tracks that demonstrate the unremitting talents of a producer with over 11 years experience in releasing records.

picking up from where their critically acclaimed ‘only you ep’ left off, spectrasoul keep the ish chat music coming with the bruising ‘stock sound ep’. pushing further afield into darker territories, jack and dave offer up a stunning array designed for drum & bass aficionados across the globe.

continuing its remarkable run of releases, banana stand sound delivers another large dose of potassium with a highly anticipated heavyweight plate by bristol’s ollie 303. featuring two longtime dubs that have gotten plays from the likes of n-type, skream & benga, beezy and more, this is a must have for any serious head.

limitierte wiederveröffentlichung von turntablerockers 2001er album classic. erscheint auf doppel-vinyl inklusive cd.

three origami sound releases bundled up for one special price!

ruff stuff music ltd returns with the third installment of the untitled series. the new chapter features four house weapons from the label s founders which, as always, pay attention to the different needs of different dancefloors. untitled03 is a mixture of the main influences that shaped the ruff stuff sound through the years: groovy main room house filled with raw samples, a touch of deep and breakbeats, and some acid melodies in the closing track. just put the needle on, push play and dance! vinyl only, limited copies.