shinedoe presents her new >wake up< ep

bubbless & nesbit bring you punk acid techno.

electronic/ dance / leftfield

for house and techno enthusiasts alike - the new timewriter album on limited yellow & blue splattered 2x12 inch vinyl, housed in a gatefold sleeve.

long awaited debut album produced by liam watson (the white stripes) at toe rag studios

the override switch combines the talent of two detroit natives: jeff mills and rafael leafar. the latter is a multi-instrumentalist with a strong affiliation to jazz music. through mike banks, he was introduced to jeff mills, where the idea for the override switch began to manifest. the album is a homage to artists like john coltrane, j dilla, kraftwerk and those who inspire experimentation with what can be evoked through music.

pink coloured vinyl

reissue

first release from berlin based post hoc label with 3 originals from s.p.t. and a remix by regis.

ontario hospital live archives 2011-2019. limited edition of 99 copies on pink c74 cassettes with download code included.

the new album from ariana grande on limited coke bottle clear vinyl.

useful and nice face mask from bonzai, not designed for medical safety - 2 masks in this set!

useful and nice face mask from bonzai, not designed for medical safety / this set incl. 2 maskes

2 mind-boggling tracks from lag plus 2 remixes by uk’s joefarr and happa.

limited to 200 copies!

24 original extended 12” mixes of classic 80s pop on triple vinyl, housed in a gatefold sleeve.

split ep ! 180gr

melodious jazz

limited 10th anniversary reissue on coloured double vinyl.

antoine harispurus was raised by a robot called v.i.c.t.o.r. the robot took care of little antoine and early on he gave him music lessons and also the right equipment, for example a roland 808. robotic, mechanical precision became significant for antoines music and soon he left the safety of his mothers toy store for the huge european club scene under his new pseudonym golden bug.
this year he releases two songs as a 7 inch vinyl and in digital format on hoga nord rekords. the a-side, “viaje a tenderloin” sounds like the inside of an east german military liaison in 1975 where the tabulating machines haven’t had service since the raise of the berlin wall. on the b-side “hitodoma”, guest vocalist jessica ho plays with her voice in a bubbly way above golden bugs characteristic metallic, world music influenced sounds and beats. the music would fit perfectly in a vast alien mountain landscape.
in conclusion, the music on this 7 inch is the sound of human and robot in close symbiosis - golden bug is music by robot and human for robot and human.

on ultra satans second 7inch release on hoga nord rekords, the band is developing a new genre and concept: “freedom rock”, which is also the title on one of the tracks. “freedom rock” is a step beyond world music which would be the wrong label when ultra satan sounds too spaced out and out of this world.
on the second track “anti clock”, ultra satan hit strikes against the hysterical swedish mortgage market, how safety destroys creativity and also against the worthless tokens of appreciation you receive from our corrupt and ultra capitalistic society.
ultra satan is like a space being, living alone in an enormously big and empty space station, orbiting our planet. with mathematical precision this genius creates music that effects us earthlings on a transcendental plane and shakes the foundation we lead or lives upon.

remixes of the recent croatian amor album “love means taking action” as a one-off limited pressing. tracks by brynje, age coin, why be, yen towers, ctm, felicia atkinson, drew mcdowall, kyo featuring health & safety.

this is giles armstrong s debut ep, so we ll leave it to the man himself: -i’ve been dicking around the scene in some shape or form for the past twenty years or so. djing, promoting, dancing (you needed to have been there) eetc. but a couple of years ago i decided do the one thing that was missing from that list. to try make what the whole shebang is meant to be about, music. the thought of making tunes had crossed my mind down through the years but i was always too scared to start or never had the time. there was always a excuse handy, always.

memory disks. volume one. chevron. the blackpool born sorcerer is conjuring up spellbinding tracks that boil and bubble between supernatural rave, occult acid and inverted techno. dripping from speakers, a concoction of swirling chords simmer as a spiced shower of razor edged rhythms are poured into the pot. shadowy notes ghost like phantoms behind crunching beats, beastly bars growl as keys slide and slither between nine short, medium and long excursions into the glow-stick festooned musical mind of jonathan valentine. nestled amongst the bewitching synthesizer psychedelia, peering from behind the purple forests and white dwarf frogs, are less frenetic works, a soft balance to the frenzied chicanery and chrome plated magic. simply put, a weird and wonderful ep where the only stable point, the only spot of secured safety, is the needle on the record.

the 1st of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

the 2nd of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

the 3rd of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

we are extremely proud to announce the return of pye corner audio to lapsus records with the ep, -where things are hollow-, comprised of four breath-taking songs that transport the listener to a dystopian future throughout its twenty-four minute duration.

kris baha turns to pinkman with a standout 5 tracker blending influences ranging from ebm, darkwave and experimental electronics. what makes them work together is a shared industrial edge, spine-chilling atmospheres and minimalistic vocals. by finding excellence in diversity this record is equally suited for boiling dance floors and home listening purposes.

restive plaggona recently released a brand new studio effort - a full-length album featuring 10 original tracks and a remix from ancestral voices, with a dark and melancholic twist, as the title of the project might imply. connected by a commonality of despair, nostalgia and desolation, restive plaggona elevated these elements into its maturity. at its core, each track has a soul-stirring significance, and is embalmed by titles that fringes on a political dimension.

die 80s pop annual edition beinhaltet die wichtigsten titel der 80er jahre auf 180 gramm vinyl. bei 30 der besten songs des jahrzehnts sind künstler und hits wie wake me up before you go-go (wham!) / footloose (kenny loggins) / kids in america (kim wilde) / girls just want to have fun (cyndi lauper ) / heaven is a place on earth (belinda carlisle ) und viele weitere vertreten. diese zusammenstellung ist exklusiv nur als vinyl-edition erhältlich.

ntroducing mr. eff. part myth, part man. dragging by the arm to safety through digital swamps and haunted houses, the parallel stands as a singular vision of miltonian proportions. small vignettes and passing scenes give way to grandiose and beautiful moments, from the wave-sleaze of midnight predator to the pre-credits suicide-tribute of h e a r t t h r o b, the parallel works as much for drive time as it does for drifting off to a far off land that is both wonderful and strange. not to be ignored. art by eric. a lee.

15 years of pornographic is now limited available as 4 separate 12” vinyl.

fourth chapter of the italian label dancing like quagmire. dlq s ever growing family welcomes polish newcomer primo ultimo and italian duo calma (sorry for this records owners and harmonized residents) as remixers. fasten your seatbelts and you ll fly away into a cosmic journey through space and time riding primo ultimo s flight simulator. flight safety instructions: a1 is the title-track born to be an helpful party banger with its uzi-like snares and overwhelming synths. in a2 again the flight simulator but slow down time, thanks to calma s analog arsenal the sound gets deeper and warmer. on the flip side the b1 is azure vibes a clapping tropical house jam with breakbeat reminiscences. the final destination of this trip is the b2 bilbao where equilibrium and melody are king and queen remembering that joy is an electronic thing.

underground japanese artist makoto murakami comes correct with threee variations on one tracks, ranging from playful and skippy house vibes to downright mean and moody technoid pounders. comes strapped with a rework from luca lozano and sj tequilla, safety at the highest level!

hypnotic acid, bugged out techno tools, and scenic idm from la-based producer, dj, and co-resident of the city’s infamous black lodge party, force placement.

next up on aus music is the welcome return of a good friend and label regular - the ever ascendant marquis hawkes. having released 4 eps on aus thus far, he makes his return in the form of a blazing, floor-focused 2 track ep which sits neatly with previous outings on the label. ‘the basement is burning’ takes it’s name from a near-fateful experience stemming from an electrical fire in hawkes’ home which culminated in him and his family being evacuated from a 5th floor balcony. having ensured the safety of his family, he made a dash across berlin to make a 10am live show, a few days later with the power back on ‘the basement is burning’ was born. the title track kicks off with splashy, live drum samples that are armoured with electronic layers before a feel-good piano lick glides into the mix. bursting synths are introduced before ducking strings chords bring the track to an ecstatic conclusion. ‘tower block boogie’ then tumbles short funk samples through bold drums as a fervid sense of tension burns throughout.

i m a cliche provides the 3rd chapter of its edit service special delivery. this new 12- features 4 edits by moscovian dj and producer grisha nelyubin, also part of the odopt project, under his new moniker blind rape. using unexpected material, from percussive brazilian obscurities to lost french 80s tapes, ex-yugoslavian ebm or early 70s heavy krautrock, nelyubin delivers 4 powerful dancefloor friendly edits which already show a very personal touch.

die dänische indie-band mew verkündet die veröffentlichung ihres neuen, siebten albums visuals für den 28.04.2017 auf play it again sam. visuals ist der nachfolger von “+/-”, der 2015 erschienen ist. innerhalb eines jahres entstanden die aufnahmen in kopenhagen, wo die band das album ebenfalls selber produzierte. mew überzeugen auch auf visuals- mit einem emotional geprägten pop mit 80ies anleihen.
das 180 gramm vinyl erscheint im klappcover inklusive downloadcode.

trap techno hybrid dub. for your safety, please remove all ashtrays around before listening. it s not a game

madteo travels through hip-hop, disco, house, new york city, psychedelia, sound exploration & exploitation – an exeptional contemporary and his symbiotic collaboration with sensational has resulted in a milestone album – special offer. dj sotofett compiled and edited material from 2005-2011, all from the outgoing-but-idiosyncratic world in jackson hts (queens nyc) – a world blissed by sensationals chronic heavy weight rap & madteo s psyched out disco, free-jazzed sonic stompers, smirky hip-hop bangers & out-of-the-ordinary leftfield. a sparse edition of quality white labels of this lp has circulated since 2013 – with cut-up introductories by dj sotofett, additional guitar by tapes, emminent vocals by sensational and high-level sonic attitude by madteo this history has already been written – it’s just up to you to listen.

chord memory house and wobbly-jawed electro on masked man dj après ski’s classy debut run.

re.face limited inaugurates its first release on vinyl with a unique 4 tracker ep titled lost. authors of this work the italians re_named, creative and talented resident of one of the strongest national night-life realities, zu::club, based in pescara. if lost, eponymous ep track, condenses in itself the thrill of a hopeful search of quiet serenity, united seals the safety of a placid finding, conclusion of an introspective journey to the discovery of a significant identity of its own. on the other side, the remixes of sakro and jack wickham consistently run through the same vein, a current that leaves way of surrender, but never tragically lost.

andreas gehm is known for his fierce, unapologetic acid style. but the cologne man does have a more mellow side, a smoother side, and that s what this three tracker is. of course, smooth gehm still has some rough edges. -yellow flowers- combines thick pads, skittering beats, warming samples and frigid bars in an intoxicating brew. malice and menace rear their ashen faces for the evil machinations of -late at night-, muffled vocals and sharpened snares glinting in the streetlights. safety arrives in the form of the aptly titled -less violence.- rhythms are still rough edged, melodies still have an underhanded element. yet there is a subdued humanity in the sweetened strings, emotion coming to a head as the needle runs out.

5 x 12 inches each in picture sleeves all contained n a boxset case.
hand numbered 1-500
in recent years, adam beyer has been propelled into the limelight with his pristine productions, astounding dj sets and his fun, energetic drumcode events. now a figurehead in the techno world, beyer is constantly building the drumcode platform brick-by-brick to maintain quality and drive emerging new talent into the world of techno. the first drumcode bricks that were laid were done so on a solid foundation of raw techno tracks produced by beyer himself. a select few of these vintage tracks have now been remastered and repressed to create a unique vinyl boxset that highlights the talent that is adam beyer. comprising of 21 original tracks that helped put drumcode on the map, this special boxset of classic tracks includes compressed , tasty bits , nutcrusch and more. the tracks encompass a heavier techno sound of dirty, gritty analogue machines that let beyer express himself through music and have so forth, seen him become the king of swedish techno

a series of repetitive chunks of rhythmic information manufactured into a product that challenges the oppression of service and safety. it s unit moebius anonymous and you shouldn t need a bit of text to tell you what that means.

coup d etatais a collaborative project from kane ikin and harvey sutherland. working from their respective fringes of electronic music and produced in moments of respite between extensive touring and recording commitments, the project offers a glimpse into the pair s mutual influences and inspirations part maurizio, part moroder. kane ikin, a meticulous producer of abstract forms and polyrhythms, weaves percussive static and drone amongst sutherlands considered syntheziser work, a leftfield turn from harvey s brighter moments. ikin also traverses new rhythmic territory and signals a departure from earlier ambient works. the inaugural release for new imprint cdt, the 12inch was mastered by matt colton at alchemy and features full sleeve artwork from traianos pakioufakis.

4x12 inch vinyl box, celebrating 15 years of pornographic recordings.