amazing psb cover version

due rent is a collaborative double album by solo artists lojii & swarvy. written & recorded in the summer of 2016 in l.a. by the two philadelphian transplants, lojii says this tape is a score to being a broke nxgga in amerikkka (emphasis on the kkk) – full of dreams and hustlin to make em happen, but dealing with the everyday pressures of making ends meet. a.k.a trying to pay rent. the 22 tracks, many of which barely break the two-minute mark, make for a vast voyage through remarkable contemporary hip-hop. the grooves and beats that skip and flutter are smooth and mellow, with nods to the old-school but entirely void of nostalgia. this is a sophisticated, thoughtful, and inventive modern hip-hop record that understands anger doesnt have to be loud. daniel dylan wray, bandcamp (best 100 albums of 2017)

the third release offers more raw and stomping pieces of techno. this time two artists show there special definition of sound. the ep is splited like two faces. mason rent and joseph mcgeehan at its best!

nach veröffentlichungen auf third ear, 100% silk, mister saturday night (das wunderbare shower scene war teil der dj kicks von john talabot) präsentiert alex burkat aus brooklyn nun seine erste ep für permanent vacation. abgerundet wird das paket mit einem glänzenden remix vom man of the moment barnt, der ein magisch ruhiges rave-anthem erschaffen hat.

debut vinyl release from williams 99¢ dreams. the a1 (the rent) gained notoriety in brooklyn for its clever vocal sampling and one-of-a-kind content, which serves as a commentary on the increasingly tenuous economics endured by a growing cross section the boroughs artistic community. as a tribute to his home city, includes two inspired detroit-style cuts on the flip.

some disco classics by gwen guthrie!

funky little house number with a touch of disco and electro!! mixes by soulshaker, fonzerelli and wayne g & porl young!! not to be missed

limited pressing on sunny side yellow coloured vinyl.

deluxe reissue of the wolfhounds’ 1989 sophomore album pressed on pale blue colour vinyl.

80s disco and soul nuggets

2x12 inch, essential works 1956-1962

the ultimate pet shop boys fanbox incl 6 180gram vinyls ! all the hits like west end girls, heart, suburbia, always on my mind... !

rsd 2023 , 50years after original release

2 clear 12 inch vinyls featuring anderson.paak, dj khaled, usher !

rot schimmerndes vinyl (inkl. einer bonus 7 inch mit großartigen remixen zweier tracks vom album) auf weltweit 4.000 einheiten limitiert!

real quality 80s dance / house classics incl. 808 state, coldcut, ten city, inner city, yazz!

das 7. studioalbum von bilderbuch auf 180 gramm doppel-vinyl im klappcover.

urban/soul/blues/r&b/gospel

incl. tim reaper remix

saccharine sweet, energised uk club music.

gatefold lp

this album was created with the generous support of the ontario creates.

drone pop ballads, transmitted from the twilight zone.

fourth album from the toxic avenger. 1x red & 1x blue vinyl, housed in a gatefold sleeve.

all tracks written & produced by david behrman, paul demarinis, fern friedman, terri hanlon & anne klingensmith

incl. d.k. remix.. house tunes with acid vibes

previously unreleased wackies goodness carefully restored from original session tapes (w/ download code)

honey soundsystem met october (aka jules) while on a one-night affair in bristol in which he immediately dragged us from an artist dinner to the saddest bear bar in the uk. after a few pints, vetting his taste for drag, boys, and girls that make love to boys who make love to boys, jules confessed he has always wanted to release on hnytrx. and so the hazing began, a year of torturing yet another sexy-stranger into refreshing, reminding, and refining a flurry of demos into the army of skeleton soldiers you now have in possession. money drops, midnight withdrawals, 4 crisp singles: this is the pay day ep gonna make that dance-floor cha-ching bitch! a lot of people hate october so... that is why we are releasing this record in september. but seriously though, upon cracking open this 4 track ep you might wish you had saved the vacuum seal just a couple days longer, keeping these ghosts contained until the month where screaming winds strip trees nude

harlem s legendary disco label queen constance has long been a cult favourite among fans of underground dance music for decades. one of many labels operating under the equally legendary p&p family of imprints queen constance was operated by one peter brown, a truly colossal figure in nyc s music scene, it s catalogue still fascinates music lovers to this day. covering a wide range of styles including gospel, early rap and disco the label s output continually finds it way into the playlists of respected dj s and selectors across the globe. high fidelity will be the first in a series of queen constance rarities to be reissued, an extremely rare and coveted record that can change hands on the second hand market for big big money, avoid those low rent bootlegs that are out there and cop this fully licensed repress. the group s self-titled sole long-player is a fantastic 6 track set of gritty, soulful and uplifting funky disco with a diy edge. not too much is known about the artists themselves, or even when the record was performed, recorded or released but it certainly sounds like a group who knew their craft inside out. the energy is high across the record and the group sound like they re on fire, just check the outrageously funkified magic carpet and you ll see what we mean. amazing. the whole project has that enchanting lo-fi, back-street feel to it in terms of production and the mind boggles as to how such a record would have come off had it been recorded at a motown or any other big studio, but no matter as this release is perfect the way it is, an essential piece of street-level nyc disco straight from the underground.

come to canada you will like it is a record about slowing down while finding a balance between rural and city living. inspired by subjective memories and ideas about things and places: looking back and moving forward.

with many writers a theme develops in their works that, over time, reveals color and definition previously unseen, not just a new perspective, but a new understanding. “lofeye” is a concept album and personal testament that philadelphia rapper lojii (fka uhlife) has been piecing together over the last three years, giving only hints with 2015’s no ebola, 2016’s dutti, and 2017’s acclaimed collaborative album due rent with producer swarvy on portland-based imprint fresh selects. in lojii’s own words, “lofeye is about working with limited resources and making the highest quality life out of what the f**k you got. it’s when you’re ‘lo-fi’ by circumstance (not just for aesthetic) but your aim is always higher. in essence, this is an lp about being rooted in the dirt you come from but reaching for the sky above you.”

inside out is a brand new series that invites djs and producers to blur the boundaries between traditional artist albums and mix compilations. coming from aus music label head and dj-kicks curator will saul is at the helm for the first volume.

the second album from pet shop boys, originally released in 1987, now back as remastered reissue on 180 gram vinyl.

the fourth release on trevor jacksons pre- label is by skull. a visceral journey into experimental noise and no wave avant grade beatscapes the last skull release snapz appeared on jacksons own output recordings label in 1999. a seminal collection of tracks that had previously featured on the first two legendary mo wax headz compilations (also featuring autechre, beastie boys, air, and dj shadow) as well as tracks that had also appeared on kevin the bug martins notorious macro dub infection albums during the mid 90s. reactionary sonic statements aimed at the coffee table world of trip hop, fuelled by his dissatisfaction and dissillustionment with hip hop of the time, trevor pushed himself into uncomfortable and far more extreme areas than he had before, areas he felt unable to explore with his underdog productions, which were mainly being utilised for major label remixes at the time. influenced as much by the industrial pioneers, post punk and new wave of the past as the burgeoning post rock scene in the mid 90s, this new set of previously unreleased recordings originally produced between 1996-2000 are equally as intense and visceral as the early releases. dusty samples, raw beats, tape loops, and primitive effects combine to sound as relevant now as when they were initially created.

ekmantel happily presents esa williams’s debut ep aweh on the label. with his discography growing steadily over the past couple of years, the south african artist constantly breathes new energy into his music by magnificently incorporating global influences in his work. his dekmantel records debut and three-tracked aweh is no exception, and includes his promising hit track ‘blast’