music from the walt disney movie “peter pan” on picture vinyl.

ltd nice price action ...
funked up bigroom electrohouse action with a catchy vocal hook and this massive string riff. check out the brown sugar & niko de luka remix on the flip

dfa records presents >another heartbreak< — a three-song, two-sided single from love of life orchestra, the forthcoming retrospective album by legendary nyc composer peter gordon. >dont dont redux< is a reworking of >dont dont<, also from >extended niceties<. building on the sampled hook of the original >dont dont< featuring rebecca armstrong, iris hiskey and dora ohrenstein (singers of the steve reich and philip glass groups), this new version features a cast of ned sublette, larry saltzman, martha mooke, paul nowinski and the polyrhythmic powerhouse that is robby ameen.

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

everybody should know this catchy vocal hook!! mixes by tom novy, hi tack and original mix!!

peter introduces himself like this, >ive started making music with an oric-1 home computer in the middle of the 80ties, later the commodore amiga was the flagship and then....the casio fz1 and now i use the galaxy of software and the korg mx1, roland tr727, roland jx8p, korg ms20, yamaha tg33, yamaha dx7 so i guess that it makes things clear, peter is one of these producers that uses older analogue machines along more recent software gears. and you can sure hear it in its productions, it sounds huge, powerful while style wise keeping things on to the soul filled part of the dance floor. peter delights us here with two stunning tracks that contain modern beats structures echoing rather old school house patterns and hooks. as always with peters incredible music, originality, surprises and ingeniosity are 100% at the rendezvous

rene amesz & peter gelderbom need little introduction, following some of their monster releases over the last number of years. this one is no exception, garnering support from laurent garnier, carl cox, steve lawler, shlomi aber, funk d void, eric prydz, sebastien leger, mason, paul harris, roger sanchez, richard dinsdale, king unique and many many more. filthy beats, phat basslines and that infectious hook, this is pure adulterated dirty house music, featuring awesome mixes from chris lake & micky slim and rising dutch producer, darren mase. big for miami and ibiza this year!!!

der chilligste beitrag für deinen persönlichen lebenssoundtrack, voll mit sympathischen hooks & melodien. streng limitiert, mit sueßer, handgemachter verpackung

hot minimal electro and acid house remixes with tech house appeal , by mugwump, david parr, a jackin phreak!! played by sven väth

orebolo (or-ray-beh-low) is an acoustic trio featuring rick mitarotonda (vocals, guitar), peter anspach (vocals, guitar), and jeff arevalo (upright bass).

8 great track compilation!

the origins double vinyl collection focusses on one the greatest guitarist of all time - jimi hendrix.

the men collection is back with a new double vinyl dedicated to the greatest voices of the blues.

2x 140 g black vinyl, 5 mm sleeve, 2 x black inner sleeve, 4 page printed 30cmx30cm booklet, sticker

3x orange vinyl, gatefold sleeve with 2 wallets, 2 x black inner sleeve, 4 page printed 30cmx30cm booklet, sticker

2x cd, 6 page digisleeve with 3 wallets, poster booklet, 12 cm x 3 cm sticker

supported by dave lee, gilles peterson, dj harvey, francois k, glitterbox, skream, the blessed madonna, bill brewster, red greg

superb various artists ep. tip!

new gorillaz album with an all-star cast. limited orange vinyl release with download code included.

new gorillaz album with an all-star cast. black vinyl release with download code included.

new gorillaz album with an all-star cast. deluxe edition - double vinyl and cd in a hardcover art book.

3x12 inch lp incl. joey negro, jaques renault and more

dimensions recordings fifth release sees the label step into the world of the long player with istanbul native, kerem akdag s self-titled debut album. kerem has already been winning fans of the ilk of gilles peterson through his previous output of dusty house and tripped out beats in the last few years, and of course via his getdownsoclose offering on dimensions debut release. his debut album however, sees kerem deliver a mature piece of work, bright and timeless, equally effective in the club as it is at home and brimming with ideas, hooks and must have songs. across eight tracks kerem demonstrates a breadth of skills that most artists would work a lifetime to achieve. from the stepping beats of when i think of you to his subtle vocal layers on isolated and from the woozy beach vibes of sultan to the squelching, rasping synths of unite it s clear that there s very little that s outside of kerem s arsenal. the album rounds out fittingly with drums please, which perfectly displays kerem s jazz tendencies, a slow grooving track whose crescendo of stabs and drums create a song that s more powerful than its parts. kerem akdag s debut album clearly sets out the stall for a man who has a lot to say and has the capability to say it loud!listen up! pressed on clear vinyl with a metallic sticker insert.

what was old is new again. the old adage is so tired that nobody takes its proper measure: all people hear is the word old, when the important one is new. making new things out of old things is an act of alchemy. the proof is in this fifth album no rest for the wicked of perpignan which is blown right open here and there by a few very contemporary guests.

madrid. st petersburg. frigio is hooking up with russian electronic explorer volta cab for a four tracker of shadowy disco darkness. thick drum patterns are shot through with strobe as -johnny 320- enters the room. swaggering onto the floor, this greased thug means business. samples mutter intent as grooves grind and twist their way into the late hours. juanpablo lowers the lights for his remake. rhythms richochet and basslines loom in this lewd and dramatic track, a piece born in the grit and sweat of the floor under a haze smoke. the lights are kept low for the flip. -immortal fix- spikes and spins, laser beam synthlines cut through rumbling chords with snares that do more than just bear teeth. italy s hesperius draco closes johnny 320 with giallo horror grandeur. beats and words are shrouded in lilting strings for this sinister curtain fall.

marc durif alias nova nova rencontre malcolm maclaren en 2005 pour lequel il compose le titre love will (dernier titre de l album) mais aussi un remix de-love will tear us apart-au piano (sorti l annee derniere (7inch). titres qui restent dans les tiroirs suite au deces de maclaren. mais fort heureusement ce premier titre circule (grâce à maclaren) vers quelques destinataires de choix dont le celebre peter hook (bassiste et fondateur de joy division et de new order) qui le joue au debut de tous ses dj sets, tout en ne connaissant pas le nom des producteurs. il dit le jouer car il provoque chez lui a chaque fois une forte émotion. marc durif en compagnie de nombreux artistes sest attele par la suite a la composition du quatrième album neo-classic. la suite de composition de ce disque renvoie dos a dos la pop synthétique romantique de ten cc et l’impressionnisme de debussy pour s’assembler dans une vision neo-classique.

brian abelson aka see other is one of the brightest talents in this field to emerge from new york in some time. he’s been honing and refining his style of brooding, purring, oscillating house rollers for some time. the final brew is humble mixture of low-slung smallville-esque house warmth, fred p level deepness and playful, tinkering wooden melodies that recall some of the finest work from the drumpoet community collective.
across this debut ep is a masterful grasp of the deep house template, with an array of hook-based elements that turn respectable raw bangers into transcendental experiences both at home and in the dance.
waitin is the modern classic, fallin is the party hammer, pushin is the soul & the feeling & the vibe, peter’s lament is the loving tender cuddle in a west coast hammock, change is the moody, sleep-deprived closer.

saint petersburg summers are an open window for a never setting sun. -white nite- sees the untitled gear collective paying tribute to this season where they reside. the title track follows the sun s behaviour stubbornly locked in groove, while blinks of bright rhythms wax and wane. -just better- and -it s wonderful- bend between hooks and ambiguous tones, shining through as two reflective dance songs, yes, there is singing in both!

following the success of their 4th album malamore released in april this year, french duo the limiñanas have now trusted london star dj, producer and friend andrew weatherall to remix the flagship single garden of love (feat. peter hook). the collaboration has resulted in two unique remixes. when we released je ne suis pas tres drogue in 2009, andrew played it in his radio show in london. then bernie fabre contacted me because andrew wanted us to play in his festival de la city a la cité in carcassone. thats how we met. when we worked with peter hook, the idea of a maxi with one or two remixes made sense. so we did this record with the original edit of garden of love and two remix edits by andrew weatherall. - lionel liminana

hot on the heels of “the reason”, released earlier in april, mimi music continues to impress with the death no more ep from label head komplexx. he teams up with former booker of extrema and present-day photographer peter van hal. the original version of “death no more” defies genre boundaries with ease. fusing old school progressive stylings, well placed percussion, an epic choral vocal with a catchy main hook and a rubbery bass line, komplexx has unleashed a summer anthem for the discerning dance-floor worldwide. the remix comes from well respected german artist marcus sur. a producer in his own right, signed to noir music, trapez, highgrade, four:twenty records and many more, sur created a darker more hypnotic journey focusing on the percussive aspects of the original. and komplexx’s v.i.p. mixx heads off into housey techno waters from the start. deeper, more percussive and driving, the v.i.p. mixx keeps the central melody intact while creating a darker feel. this has mass crossover appeal written all over it.

limited vinyl lp in gatefold sleeve with album-cd included.
on the cover of their new album malamore, their first album for because music, lionel and marie limiñanas are back in black, and looking ineffably cool, standing next to a classic silver fifties trailer, shot at a beach festival in the french town of paulilles by the spanish border, just 30 minutes drive from the duo’s home town of perpignan. they’d been playing a dj set, “only with 45 rpm vinyl - sixties punk, italian pop, movie soundtracks and seventies rock tracks,” they recall. “the picture syncs well to the colour of malamore, like the artwork of a movie soundtrack. the lettering on the cover is significant too.

limited edition of 500 copies on 7 inch vinyl for rsd 2016, features an unreleased song and the new album 1st single.
the limiñanas will release their new album “malamore” on april 15th, including “garden of love”, recorded with peter hook (joy division, new order) on the bass. his presence is unmistakable and manages to blend beautifully with the sound of the limiñanas. lionel from the limiñanas: “as soon as we received peter hook’s tracks, he totally overtook the song and put his mark on it.”

in this ep he presents two faces from two different cultures: lazarusman is a south-african poet, and bjerk peterson is a mexican musician with latin influences. piek joins lazarusman on not afraid, a journey with fat synths and epic melodies. with the english man demarzo on the remix duties, his interpretation proves that he is really in shape right now. one more night is another winner track, which goes hypnotic thanks to the powerful bass and a magic voice as the hook. daniel kyo offers a different and a more personal techno reinterpretation, stunning and as emotive as the original. enjoy!

dj support so far: tensnake, deetron, huxley, joris voorn, ben westbeech, george fitzgerald...
having produced some stellar jams for labels like somethink sounds, and giles petersons brownswood, eliphino aka tom wrankmore, debuts for hypercolour this autumn, opening up the labels new term with this solid two track release. i dont care opens the account, all chopped up rnb vox and rolling beats, wrapped up in a super smooth melody. already road tested by the hypercolour firm over the last few months, this deep garage vibe hits the sweet spot for sure. on the flip, understand further plunders eliphinos love of rugged garage beats and an ear for a catchy hook. a feverish interplay of vocal chops, keys and organ stabs keeps up the ante, with some decidedly trancey synth parts ramping up the 90s house influences here, and once again a cut that most definitely brings the heat to the dancefloor.

a peter pipes and dj parrot hook up with a trevino collabo. sheffield via manchester on this tale of northern exposure.

is it balearic return with an absolutely superb ep from new signings saint petersburg disco spin spdsc are a collective of live musicians and djs from russia this is their debut release for iib, but a handful of tracks on labels like glenview & teardrop have made serious waves - skillfully combining live disco musicianship with the dj sensibilities which shape their sound. from club friendly and hooky dancefloor tracks to blissfully executed downtempo jams. all pulled off with a loose but pin sharp production style that really makes them stand out i never leave you leads on the a side, a steadily assembled sunset workout, with brass elements defining the groove. marwencol manages to deftly pull off a balearic wu-tang move, whil love spin is a beautifully lolloping beach bar jam, which comes complete with a very dubbed-out dub version too.

limited edition of 275 numbered copies.
when gilles peterson reacts to a house record, you know it is a very special house record. deep and soulfull, love it - was what the 6 music dj thought of these two. if that wasnt enough, trickski described best things in life are free as one hell of a bomb. add in support from jimmy edgar, mark e, severino and dusky and this is looking like one of glasgow undergrounds most successful records to date. love games is the a bit of a wolf in sheeps clothing. what starts off as hooky percussive groove slowly morphs into a full vocal classic with swirling chords and a killer synth hook. severino dropped it at fabric recently and took the roof off the place. best things in life are free is a darker affair – all wandering acid lines and moody, emotional strings - but as trickski proved when they played it at watergate, just as effective.

the two brothers known as kyodai strike back, showcasing their phenomenal musical education on local talk. what else to expect from a duo that gained respect from musical heavy weights like masters at work, jimpster, gilles peterson and releases on freerange & nitelife. on >breaking< the beats and bassline are in constant motion, building the track with suble hooks into an epic breakdown which tears the track apart and then rebuilds it even bigger. the 90s mix is a stripped down version of the original, with that organ hook we all love and refuse to stop dancing too, accompanied with strings and percussion that ties the whole track together and brings back memories of a hot and sweaty sunday afternoon at body & soul, in the 90s! local talk is talking to you!

city limits vol 1.6-1.8 completes a hat trick of releases from silkie on deep medi musik and last before his highly anticipated and long overdue new album city limits vol. 2. this heavyweight four track ep sees silkie deliver a diverse helping of his unique style. >its late< with its catchy vocal hook, driving drums and surging synth owes as much to silkies early garage influences as it does to the sound of detroit techno, >float< and >murky< are all about the weighty dub influenced bass lines and keys alongside the super deep melodies and groove, finally the bumpin >techfunk< with its piercing synth, frenetic drums and g-funk style bass rounds off the ep perfectly keeping you wanting more and hungry for the next installment. radio support: benji b (radio 1), dva scratcha (rinse), gilles peterson (radio 1), mistajam (1xtra & radio 1), sinden (kiss fm), j 5ive (antisocial) (rinse). dj support: mala (dmz), skream, benga, toddla t, joe nice (dub war).

al kent was once described as scotlands walter gibbons, and on >fantasy< he pays tribute to his hero with an alternative take on a track walter made his own. with beautiful rhodes piano, sweet strings and heavenly jazz guitar, file under >lush<. flip over for some disco madness… >check out the sounds of nyc< may once have been a loft classic, but in this incarnation may have proved too much for that particular musical journey. tough as old boots. wrapping up we have >gimme some loving< – built around a cool piano hook and an instantly recognisable voice and featuring some proper hands in the air string sections. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

and there’s more.. number six in million dollar disco’s latest release series, as you’ve probably come to expect, is more vintage dancefloor fodder from the reels (mac) of al kent.. “message to the people” started life as a classic, then went through the blender, coming out all wrong, but so right. stomping along on a killer clav groove, punctuated by horns and an evergreen vocal. ” feel the groove” is a heavy hitter, thumping drums and bass with a synth hook that grabs you and doesn’t let go. finally there’s “keep on doing” which is almost house music in it’s simple repetitive bass groove and gospel style vocal shots.. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more

annette sihler and peter clamat have worked for over 10 years as producer, dj, club-promoter and label-owner. in 2009 they herded to form the house-project >elektroherde<. >elektroherde (analogkäse)< do work with rather complex rythmic structures, piano phrases and appetizing basses, the unusual hooklines and shuffels in >guten morgen, andy!< drive away any remaining sleep and bring an early morning smile to your face

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

the debut 12inch from finnish duo hannulelauri! first up is glittering night, conjuring visions of 8 bit videogame soundtracks applied to the dancefloor, or an alternative theme to the movie robocop (which lauri seems to have a strong affinity for), with shimmering electric synth chords washing over a commodore 64 groove before a peter hook soundalike drops a lovely bassline, making new order comparisons inevitable (a good thing!). perfect late night machine funk. next is sally 2000, a more introspective piece with insistent digital strings providing the foundation for a childlike toy chime melody, pulsating bass and more as layer upon layer builds to a fuzzed out, pixelated yet beatless climax. finally, the late night vibe continues as sally 2000 gets a version from finlands techno/house master jori hulkkonen who works the tracks pleading strings into a more dancefloor friendly mix, adding perfectly tuned drums and a nice, fat kick but keeping the synth melodies intact and the tempo slower than your normal electrohouse jam. adventurous djs looking for alternative moods need look no further! another strong flexx release.

the messengers (kev beadle & darren moss) get busy re arranging and re jigging two classic tracks from back in the day. side 1 kicks off with creative love - a straight forward extended re arrangement of the excellent creative source version of ew&fs classic cant hide the love which really emphasises the brilliant chorus hook and creates a brilliant end of the night, hands in the air, sing a long vibe. on side 2 the boys get into jazz funk disco mode with an excellent re arranged and beefed up drum version of the 1978 classic six million steps by rahni harris re titled too many steps. both tracks have already been getting props and plays from the likes of gilles peterson, rainer truby, michael rutten, souled and nik weston.

played by laurent garnier, danny howells, tom wax, hernan cattaneo, pig & dan, darko esser, mauro picotto, mike monday… four years ago jacob trier (husley) and august jackobsen (gunz) hooked up in london through their love of music. jackobsen was coming to the end of his ba in jazz music at trinity college, whilst jacob was playing dnb at various parties in and around the city. teaming up and bringing together their talents, they initially formed the group >nocturnals<. exploring various musical boundaries from deep electronica and ambient to break beat with jazzy undertones, and live performances with brass sections and vocalists, nocturnals found support from gilles peterson who signed them up to perform as part of his glenfiddich tour. as nocturnals developed so did husley and gunzs interest for techno and house, and their live dj sets using laptop, sampler, keyboards and turntables really took off.

resource picking up the ball that peter presta dropped with a solid rendition of the old boston pop hit that takes the originals big hooks and brings them right up and over the kind of floor filling beats and peak hour club production that works overtime to drive the crowd crazy this is going to be huuuuuuuuuge

the best of italo- & euro-disco on double cd.