ltd summer sales - nice price
a retrospective tone of synthesizers reminiscent of ymo, a bouncy rhythm with the structureof click house, a familiar vocoder vocal, a nostalgic melody sense of 80s disco pop, the title track, >you are always on my mind< is just like giving you the answer of the idea if ymo covered daft punk >one more time<. it was the tune heavily played for several music scenes in japan when the album was released, and immediately became a favorite track for djs but has never been released

three years ago, baths dropped his startlingly beautiful debut, cerulean. released on anticon, the record blurred the line between post-modern pop and the la beat scene with devastating emotional clarity. its tone was as celestial as its album title, taken from a shade of blue typically used to describe the sky.
cerulean earned year-end best-of recognition from pitchfork and the onions a.v. club and established chatsworth-raised will wiesenfeld as one of the finest young composers (and falsettos) in los angeles. his sophomore album, obsidian, finds him emerging as one of the most complete artists of his generation. as you might expect, the name hints at darker overtones. the mood is shimmering and pitch-black, the lovely blood flow has turned into lava.

villem & mcleod return to samurai red seal for another outing to follow their successful pairing on hush for the label in 2012 which was part of one of the labels biggest 12&#8243,,,s ever. this time both sides of the record are collaborative pieces and both tunes are overflowing with glistening summer vibrations. another star has been heavily supported by the likes of marcus intalex (who debuted it on his soul:ution radio show), london elektricity, and of course friction who has been hammering the tune on his bbc radio 1 show, as well as picking it up for inclusion on his forthcoming fabriclive cd. keeper of the sun continues the theme with every element honed to perfection, a tune that transports you smiling into the sunset. further dj support already in from hype, spectrasoul, nu tone, die, bryan g, kasra, tokyo prose, hybrid minds & more to come..

the world bringing 3 new emerging acts to the label, the summer sampler sets the tone of the future sound of colourful. hot and keen yet musical, the selection captivates different moments of the club night as imagined in the head of tobias linden. from the gorgeous builder that is flipside to the thick rolling anima onto the peak time percussive arcadia, closing with the piano laden tell the world - this is a ride well worth catching.

special nice price deal !!
-rolling out with the amazing debut of 807 recordings by labelhead shamus coghlan. the a-side track is cerebral, complex and innovative, showcasing true artisan skill and passion. >5000 miles< delivers a thick, raw and pulsating drive that demands attention from the first laid beat. this no-nonsense, classic techno track is already gaining industry acclaim and, as an explosive introduction, sets the tone of (807) recordings. >further<, as the name suggests, aimed for perfection

special edition pressing from the mighty drumcode. label boss adam beyer teams up with ida engberg for an epic workout in the shape of unanswered question, remix comes from the in demand dense and pika. pressed on limited edition ink blot style 2 tone coloured vinyl this is not to be missed!!

paul woolford fusioniert mit seinem projekt special request uk-house mit piratensender-bassmusik und erschafft infiziöse rave-tunes, die sowohl in einem 120bpm techno-, wie auch in einem 170bpm drum & bass-set funktionieren. neuer 4-tracker auf dem fabric-label houndstooth. mit remixes des gefeierten new yorker house-produzenten anthony naples (mister saturday night) und lee gamble, der im vergangenen jahr mit releases auf pan für furore sorgte.

doppel-vinyl im klappcover, inklusive cd-version des albums.

dont be afraid present the latest ep from americas disco nihilist, and the first in their special editions series. disco nihilists releases for gerd jansons running back imprint and for local grassroots us labels like construction paper are mainstays in the record boxes of house djs worldwide, and his live sets have rocked the panorama bar, robert johnson, the cult take 5 café in bristol and dont be afraids own london shindigs. this release from disco nihilist sets the tone for a series of classic dancefloor cuts from the most sought after producers on the underground house circuit.

coming correct from deep within the london scene, jonno & tommo consummate their production partnership with a return to ornate to delve further into the hypnotic, soulful end of the house spectrum. close the door stretches across the a-side of their new release, the tough demeanour of the drum-heavy intro giving way to a serene pad arrangement, setting the tone for a starlit workout bolstered by an infectious hook of dusty vocal and subtle sonic decoration that accentuates the groove. small stone represents a more reflective mood on the flip, steadily feeding in reams of rhythm and melody before fully blossoming into an equally seductive, bumping jam laced with a perfectly pitched acid line that nestles into the cosy confines of the track.secret weapon of the capitals underground house fraternity, miles sagnia steps up with a simmering remix of small stone that keeps the tension high and the textures roaming through a decidedly futuristic soundscape, while still retaining the ethereal tone of the original.

cardiff massive giovanni branciamore and bradley albertides heard nicoles amazing sultry folky tones on the flowers of flesh & blood album and just had to work up some nip and bop to sit with her voice. nicole loved it and this is it! we are not too sure what to label this music under but tags of future nip hop ambient folk bop seem to be close. sarah burgess is a secret forest folky vocalist from york with a super soft ambient tone to her voice which was crying out for a touch of flyypost nip. luv*jams ambient alter ego flyypost slides out some wobbled out bass lines, floaty synths and a 68bpm raw kick drum all gliding on a bed of waves with sarahs stunning memories vocal. what style of music do we label this as? neo italo nip folk acid whop?

terrence parker is a detroit legend and to celebrate this first edition of finally (terrence parker late night dub), in the pure house tradition with shaking bass, glamourous vocals, strings and piano, we decided to asked a remix to the one in france that keeps the houses flag high and strong: manoo. maya jane coles remixer, mixed on panorama bar 04 by nick höppner, signed on such labels as deeply rooted house, real tone record, ... with manoos remix, the vocal has been changed in an hypnotic mantra, synths are like rolling waves and the drum section is like a heartbeat. also two others remixers from the d!fus team lead the track in real different directions: laurent caligaris choosed the love and deep side: nostalgic and beautifull. maxco found the dark side of the deepness, miles away from the original reconstructed on rythmics, ambiance and deep synths.
already support from norm talley, ata, laurent garnier, fabrice lig, enola, claude monnet, grego g, patrick vidal, arno gonzalez, anton x, krispaglia ...

graded is a new label run by midland. it arrives after multiple releases on will sauls aus imprint and collaborations with pariah & breach. the focus of the label will be on vinyl, with full artwork sleeves, 180 gram pressings and locked grooves, it will however also be released digitally. initially the label will be used as an outlet for his own productions and collaborations, with a view to later releasing music from his peers. the first release contains two tracks which set the tone for the label, left of centre electronic club music.

metro detroit frisky/risky dreamer dj coyote clean up serves up a heart n hardbody emotional saga with 2 hot 2 wait, his deep-debut freaky full-length on 100% silk. hot-under-the-collar horniness (a woman simply counts to three on zebra go seek and you start to undress), headphone-house grain (the fuzzy gut-bump on the least u could feel is like warm breath whispering in your ear), skrewed rnb freestyle strip-hop (stuttery layers give hopeful, life-affirming energy to the lover-lost awesome luv) and out-of-time mash-ups (double dip is a memory overlapping, with a classic 95 dial-tone under and over contempo edm knob-twists) blend blissfully, fashioning a sentimental journey through a sex-love-loss odyssey. 2 hot 2 wait is a sensua-stellar standout, beckoning, daring, colorful and celebratory in its exhibitionism and lust.

ltd repress - after mark ernestus mix of moyege in this series, now his basic channel / rhythm and sound partner comes to the control tower. moritz s deep berlin steppers discloses dubwise traces of our original lagos recording — the percussion of yinka ogunye, the singing of fifties palmwine legend rolling dollar, oscar olimbi s guitar lick — in with his own oberheim voicings, additional drumming, and cool-and-deadly rhythm track. its a tough, masterly dance record in fine rhythm and sound style — which during its ten-and-a-half minutes seems to ponder time elapsed and journeys undertaken. like a stepping razor, but t-u-m-p-i-n. this reggae land version is the take-no-prisoners, pared-down dub of wareika hill sounds rootical rework of ise nla. magnificent trombone and percussion. expert, classical ja mixing. brings to mind those great dubs of glen brown s black man stand up pan foot

m1 sessions presents chips n chittlins vol. 1, featuring the talents of paul randolph and his timeless world view of musical influence. the full album previously released in limited numbers on cd will be released in two volumes on 12 inch. this project offers a 2 step garage sound blended with house and r&b. randolph has only begun to leave a magical legacy of sound behind him as his trail blazes light years in all directions of the universe.

der vorabtrack made to stray aus dem neuen album cold spring fault less youth schlug in der weltweiten trendszene ein wie der blitz: von pitchfork bis nme, von fact bis resident advisor überschlugen sich die aufgeregten lobeshymnen zum ersten neuen mount kimbie material seit zwei jahren. das visionäre duo, seit seinem debüt als neue vordenker in sachen elektronischer musik anerkannt, hat die schwammige schublade des post-dubstep endgültig verlassen und entflieht mit live-instrumentierung, warmen keyboardsounds und geerdeten schlagzeugbeats der enge des dance/electro-kontextes. auch die verpflichtung des enigmatischen vokalisten king krule dürfte ihren anteil daran haben. die elf neuen mount kimbie tracks wirken reifer, selbstbewusster und noch mutiger, und ihr wechsel zu warp wird ihre entwicklung hin zu noch ganz anderen klanggefilden, kontexten und konstellationen weiter beflügeln.
doppel-vinyl im klappcover, inklusive mp3 download-code.

next drumcode ltd masterpiece!

emotional rescue certainly laid a claim for the most esoteric of reissue endeavours last year, and they are looking to maintain this approach in 2013. their first release sees the label dig further into the cassette archives of kevin harrison, focusing specifically on the neo project the coventry musician did in cahoots with fellow electronic explorer, peter every from neophyte records. as you can tell from the primitive drum heavy tone of the music, neo surfaced in 1985 with the 8 track cassette release global network. this twelve presents five of those tracks, all of which echo the pulsing electronic rhythms of the fly ep, emotional rescues previous harrison reissue, and will find as much favour with those who sleep on the left side of disco as fans of cold wave.

you know you are ready for something special when lord umek comes up with a one-tracker, and even the title on this one lets you know you are in for a manic ride. sly bass sets the tone, under the tightly-wound rhythm section and flashy stabs make way for a cheeky vocal that takes the lead role. the busy drum edits keep the adrenaline levels high at all times and yet another page is written in production history, with umeks trademarked sound.

a miles davis classic from 1960, remastered and pressed on high quality 180 gram virgin vinyl.

after a 12 inch for the souterrain transmissions label and a split lp with ducktails on no fun productions, dracula lewis delivers his long-awaited debut full length u$e your illu$ion$, a title which evokes an imaginary deviant glamour which is synonymous with the teasing nature and sense of mystery which is a part of dracula lewis world. working with an abundance of pop based ideas with an abstract mentality, the record brings to mind, in manner and tone, hallucinatory avant strategies that were typical of the second wave of industrial.

keith tuckers optic nerve persona returns with the timelapse ep. side a1 minimal detroit mix is a dark minimal mood beat pumped excursion into techno floor stumper. a2 time displacement mix is a completely different take with alternative beats creating a sort of shift in time. the tracks show tuckers growth and influence on electro and techno with his work in aux 88. side two one moment in time is a detroit sort of metroplex gem. tucker once again shows his melodic melodies and baselines that shows his love for detroit music and grooves. a highly thought out sequence of great sounds and string chords as only optic nerve does it. tucker has hinted many times that he has a lot of unreleased music from his metroplex days! b2. transient force records label owner as1 gives us a true electro mix which keeps alot of the original mix of one moment in time. the tone is a more electro clash techno mesh of urban beat programming for the electro heads.

riding high on the wings of their previous release pulling strings on their red series, eclectic avenue records bring us rear002 deep in it by small giants. small giants is the wonderfully ingenious marriage between leeds based label manager jacob kelly (j.cub) and the chicago house legend joshua iz. combining their skills, they have taken a heady guitar lick, underpinned it with a smoothly infectious bassline and sewn it all together with a warm soothing vocal sample. call it house, call it disco. either way, it is a surefire dancefloor killer and will take pride of place in any dj or collectors record box. flip her over for a remix by leeds darlings pbr streetgang. currently the hottest thing to come out of dance musics unofficial capital, the cheeky duo have put their own twist on the original by filling the track out with some chuggier deeper vibes whilst highlighting the instrumental solos. a hugely successful foray into a funkier tone for what promises to be another trophy in the e.a.r cabinets.

limited 200 black vinyl pressing in custom brown record jacket with black inner sleeve.
the deeply layered rhythms and atmospheric elements that refracted shows across the four tracks on along a ghostly trail make a perfect match for silent season, as the berlin based newcomer joining some illustrious company in the shape of stl, djorvin clain and edanticonf in contributing to the canadian labels rise. clouds of sub bass meld rhythmically with the stripped back percussive lilts of enlightenment as they traverse a scenic back drop of textural atmospherics, whilst the title track is similar in tone if imbued with a spectral feeling that justifies the name. contrasting this, both oo-koo-he and hyperdimension are gloopy bassline lead arrangements that slowly swell around the senses.

2013 marks autoreply musics 5th year of quality vinyl releases and welcomes the labels 14 release which sees label boss och welcome two of tokyos most influential players to the family. as co-founder of the pan records label and collaborator with mathias kaden as mathimidori, dj pi-ge has been integral to the capitals current wave of house and techno, whilst his high standing as a dj has seen bookings at respected european haunts panorama bar, womb and robert johnson.

currently two of the busiest men in contemporary deep house, alex agore and james johnston have still found the time to establish their joint no matter what recordings as a potent outlet. this sixth release sees johnston at the buttons for sole control after a couple of split releases and the consumer ep demonstrates a further refinement of his own distinct brand of house music. arriving on transparent vinyl, lead track give him prozac sets the tone with a thick four note synth lead that accrues all manner of dreamlike analogue qualities as it progresses backed by those crisp rolling rhythms johnston is known for. columbo likes the nightlife takes things on a notably deeper path, all dubby chords and intricate skipping percussive touches augmented by epic sweeping textures, whilst face down and they had cocktails maintains the same feel if upping the pace somewhat. johnston ends strongly with the sublime analogue build of the sleepwalker.

attacke? schon beim vorgaenger psycho haben lexy & k-paul bewiesen, wie leichtfueßig ihnen der spagat zwischen clubbigen hammerbuden, smartem electro-pop und hochanspruchsvoller 4/4-elektronik gelingt. mit dem neuen album >attacke< veredeln sie diese rezeptur nachhaltig

*bastard child of house* is a tribute to chicagos most famous record store. inspired by a video about some native chicago guys working at the store, peter schumann and kareem decided to set words to a tune and create their own version of the story. they asked their buddy dcnt if he could add his interpretation too. and so it happened that words became sound and sound inspired more sound and as we speak everything turns into words again. with both versions the tooliness is very obvious, while the original is organic and warm in terms of tone and sound design, the dcnt version has a more technoish feel and relies heavily on its edgy and straightforward character.

maxim lany has been with the label since the very beginning back in november 2011. with two tracks on the first two compilations he helped setting the labels tone. and now, maxim is back. and he brought his friends

our first offering from survival and silent witness sets off the tone of what to expect from the full *in from the wild* package itself and album which seems to morph and twist from all out dance floor brutality to musical genius and back like these 2 artists seem to do so often and so effortlessly. *the feeding* is a powerful space age drum-shuffled crowd killer whilst *lights* presents a more musical journey from start to finish, in our eyes it is a very complete 12 inch pick from a very well pieced album. trust us, this talented duo are taking no prisoners in 2013.
support for the album so far from: friction (on bbc radio 1), laurent garnier (on his pbb worldwide radio show), london elektricity (on his hospital records xmas podcast). select tracks have also received wide support and praise from the likes of calyx & teebee, break, ant tc1, nymfo (as featured on his fabric mix), xtrah, youngsta, octane, dlr, skeptical, artificial intelligence, dbr uk, basher, mindscape, lynx, cern, hybris, ruckspin, june miller and gerra & stone.

exclusive to this release is an excellent remix of wanderlust by old apparatus sullen tone.

heavily supported by pan-pot, wehbba, umek, stephan bodzin, locodice, michel de hey, karotte, oliver schories, maxime dangles, laurent garnier, martin eyerer, ante perry, tom novy

the first installment of alex agores mizz honey ep ensured the prolific german producer debuted fully on the say ahh! label. this second edition of the mizz honey series maintains those high standards and hopefully ensures the door remains open for subsequent agore output on the label run by the brotherly duo of mk and scottie deep. *x* sets the tone, looking to a salsoul gem for vocal inspiration and swamping the sample in a thick, bumping house groove spread across the a side that must have instantly grabbed the brothers kinchen. the flip pairs the finger snapping, soulful slam of *ice crystals* with the immediately infectious piano house business of *everyday (u lift me up)*.

the founders of lets play house records—new yorkers jacques renault and nik mercer—have started a new imprint in an effort to continue pushing the envelope and expanding their stylistic reach. g.m. is a vinyl-only label that will exist for eight installments, each one signifying a different phase of the moon. the releases will vary in tone and aesthetic, but, suffice it to say, each will be harder and heavier than what lph proper puts forth. the series commences with four bombastic, techno-leaning barn-burners by a man who goes simply by almost. g.m. guarantees that they will tear up any club floor.

k hand returns on third ear with 4 killer cuts. by selecting k hands starz for his fabric 66 mix, ben klock is the latest in a long line of djs who always have k hand records in their boxes. vibe, tone and groove is why. this release is no different.

incl. matthew styles remixes! its with great pleasure that we welcome franck roger with his debut tsuba release dont u know. franck is one of house musics most revered names with a production career that amoungst others spans releases on desolat, circus company and his own real tone imprint. dont u know centers around a vibey chicago bassline & tripped out distorted vocal. for the remix matthew styles, one of our favourite producers, gives two versions, a jackin club mix and a deeper dub.

dark blue transparent, smokey marbled vinyl.
a blinding melodic techno ep. after the overwhelming reactions on the duo tone and hex eps for music man, it wont come as a surprise that petar dundov and gregor tresher got back in the studio together for more.

more neroli pressure: for the last release of the year skymark shows all his skills on his second ep for the label. the spiritual jazz piece >open our eyes to the world< sets the tone for a very diverse ep, wich touches so many directions with class and intensity. jazz, samba, house, boogie, latin in a unique mixture that needs to be heard!

after last years hyperdub debut with the popular >set the tone< ep, ossie has been busy building a name for himself, as a dj and a producer with both ossie and black orange juice releases. he comes back to hyperdub here with the >ignore ep<, sporting two catchy, housey, broken beat bombs.

continuing their quest to unearth deep house gems new and old, vibes & pepper introduce the world to manuel keyz with a killer four-track workout that makes all the classic moves. the strings and keys come in seductive, nocturnal arrangements, while the snippets of vocal come from true soul divas, all atop of bumping garage house funk. the tune that stands out to our ears is >orange love<, replete with sexy saxophone fit for lil louis and dreamy key flourishes that give a considered and wistful tone to the track, but really there is plenty to work with on all four corners of this ep.

the son of a prominent nicaraguan politician, alfonso noel lovo was a choice target for the sandinista rebels who hijacked his homeward flight from miami in december of 1971, ultimately putting several rounds through the talented musicians torso and hand. after several years, and as many surgeries, he would break new ground on this psychedelic swirl of latin jazz and pan-american funk with his musical partner, percussionist jose chepito areas of santana fame. long unavailable, la gigantona has lived its forty years lost in the grooves of a single acetate. imagine a nicaraguan take on herbie hancocks afro-jazz masterpiece mwandishi with some of the most penetrating, left-field guitar youve never heard.

a towering talent in the future house scene and one of bristols most adored exports, eats everything is about to deliver his first full ep for the kindred spirits at futureboogie recordings. displaying his softer sound palate, the mid-tempo grooves of the aptly named >slow for me ep< are more slinky than slamming but every bit as cheeky.

vinyl only release!
for our fourth release we proudly welcome amsterdam based tommy kornuijt and robin kampschoer with their debut ep on moving vibrations. tommy kornuijt and robin kampschoer teamed up about a year ago and were inspired to set the tone with their vision of definite, timeless electronic music, of which >cosmic laws< ep gives substance to a solid joint effort.

londons dogmatik label goes from strength to strength and after the success of the dusky – flojam ep, they deliver yet again with peace divisions mighty blacklight sleeze. opening with the dirty and sexy remix by dyed soundorom this one show to be for the true house playas who want their tracks bassline driven, sexy and full of tension high. on the flip we got man of the moment gerd spicing things up and preparing his acid sleaze mix ready for the sleaziest darkrooms. his tough sleaze mix is going straight for the main floor with a heavy pulsating bass setting the tone with hypnotic vocals on top in a classic and timeless chicago house way. a solid 12 inch release.

as we head into fall ovum recordings keep the hits coming!

>black beauty< is the second album from metope for his co-founded areal records label. much like its precursor, >kobol<, the album swoons between techno, minimal and house timbres and poignantly coloured melodies. nestled amidst eerie dance moments such as >no self-control<, >deep sheep< and >alive<, however, are these woozy, country-kissed ballads like >so cutoff< and the riff-lead >rough romance< that ply >black beauty< with blues and soul. married with metopes warped and wonky electronic vision – epitomised by the albums serene slo-mo conclusion, >blood river< – >black beauty< is a blissfully tender listen, whilst providing left-field djs with plenty of weird and wonderful floor fodder to play with. the album features guest appearances from areal artists sid lerock (aka pan/tone), undo and stiggsen as well as electro-blues guitarist and singer k_chico.
double 12 inch vinyl release, includes cd-copy of the album.

already on the decks for a couple of years and a established regular dj at schwarzes schaf (the black sheep) in augsburg (along with daniel bortz), dominik marz now also shows his talent as a sensitive and highly talented producer. after his resent debut on leipzigs infamous o*rs label the >shmoozen ep< is his first release on pastamusik. leon holstein provided production support during the studio sessions. the tracks stand out with relaxed and at the same evermore deeply moving tone. while it sounds so effortless and easy, each of these three pieces contains a great deal of high tension that gets its audience inevitably into the mood to swing. dominik is on his way to provide lessons in creating lascivious beats and enchanting atmospheres which make us wait for his next emotional strikes

four fresh mashups/edits/remixes on white/ivory marbled vinyl.