after fter the much acclaimed first release on version by timeblind, version002 features 2 mesmerizing 808 workouts from label boss orson himself. >madness< opens on a atmospheric tip only to switch into eruptive wall shaking subs and syncopated percussions. >808 dub< on the flip is a swinging late night groove with swirling fragments of dub and jungle echoing in and out of the mix. he has been one of the pioneers to push the blossoming sound of dubstep outside of the uk from early on. hes been running his version events since 2005 with guests like digital mystikz, skream, loefah, kode 9, benny ill and many more. orson is known for his exclusive upfront dubplate selection and has played at such legendary events as the mighty >dmz< dance in brixton in early 2008 and 2009, the >big apple records< christmas party and at >dubwar< in new york. the future looks promising for orsons productions, he has been busy in his own studio aswell as working on beats with the likes of benny ill of horsepower productions (one collabo tune will be out on tempa very soon), mala from digital mystikz and sgt pokes. dj support by : appleblim, dj chef, clouds, bunzero, hops, dj skratch and many more. roundtable discussion in de:bug mag with mark ernestus, shackleton, kode 9, pinch and orson
ninechecker verliebte sich als teenager in liverpool in electro, als er dave clarke bei voodoo (und deren i-robot electro-nächten) und bei bugged out! nachdem er in berlin gelebt und sich in toronto, kanada, niedergelassen hatte, baute er sein studio wieder auf und begann, seine eigene interpretation von electro zu produzieren, wobei er sich von jungle der späten 90er, uk techno, 808 miami bass und trap, dunkler, düsterer elektronik und feldaufnahmen inspirieren ließ, um seinen eigenen gutter electro zu kreieren
diese 4 track ep liefert harte, aber melodische elektro-cuts im drexciyan-style, die auf den dancefloors rund um den globus für verwüstung sorgen werden.
alvin toffler war überwältigt. als er am morgen des 4. oktober 1988 – es war sein 60. geburtstag – mit noch etwas abwesendem blick in eine schale cornflakes starrte, glaubte er, in der oberflächenstruktur der gelblich schimmernden milch, die mit ahornsirup eine emulsion bildete und die knusperkristalle der maisflocken langsam, aber unumkehrbar immer weiter zersetzte, wie durch ein fenster in eine zeitlose dimension schauen zu können. toffler, zu jener zeit auf dem zenit seines ruhms als zukunftsforscher angelangt, war von dem blick ins extratemporäre guckloch nachhaltig verstört. in keinem seiner bücher – „future shock“ war soeben in einer weiteren auflage mit dem stolzen zusatz „more than 5 million copies in print“ auf dem buchtitel erschienen – sollte er das erlebnis jemals erwähnen. auch nach seinem tod ende juni 2016 konnten im nachlass bisher keine ausführungen zu dem vorfall gefunden werden. die von toffler in später geschredderten notizen so getaufte „flake dimension“ bleibt ein geheimnis von opaker, schwer zu fassender strahlkraft.
the incredible mesak returns to the label with more wonderful electronic delights. if you know your electronics then you ll know mesak and his out put, if you dont then you really should take the time and get to know his unique and very special sounds
ltd repress ** after a few excursions on 777 recordings, die orakel and bokhari records plus remixes for spectral sound and nuearth kitchen, orson wells returns to his own sound mirror imprint with another superb 3-tracker. a slightly electro tinged dreamy and melodic beauty called g.i.t.s. is followed by the distorted, heavy breakbeat enhanced pounding title track missin u on side a, while the futuristic deep journey red planet on the flip makes this ep another versatile and quality packed release you shouldnt miss.
the lifesaver 3 compilation, the yet most comprehensive package of the lifesaver history, sounds like electro, sharp-edged like the vault in a hague bunker (lauer), provides data pop with piano crescendo (fort romeau), brings the style characteristics of german schlager music to the breakdance mat (rolande garros), lets the bulky lily-of-the-valley bells clang and sends the reverb tails away with the wind (benedikt frey). there are several new names to discover: felix strahd, benjamin milz, vincent feit, and of course there a many old acquaintances: massimiliano pagliara, orson wells, tcb, chinaski. roman flügel brings us “good news”, however: “from another planet.” and fort romeau feels “lost, again”, but in such somnambulistically beautiful manner that you want to get lost with him instantly and jointly find the great joy.
der produktive produzent ben pest hat die letzten jahre damit verbracht, seine einzigartige interpretation von electro, techno, acid und experimenteller electronica zu perfektionieren. hier nun das ergebniss!
orson bramley has a long-standing legacy in uk electro history as part of the transparent sound production crew, and hes been recently aligned with robin balls memory box parties in london where he s been able to display his years of experience whipping machines into funky configurations in a live environment. this release speaks to that experience, with the various versions of then again punching out an irresistible sermon of crafty synth lines, swooping strings and crisp beats. ball steps up for two remixes on the flip that equally reside in the electro realm, but come at the component parts from a different rhythmic angle. one refined idea done five ways what more do you need to know?
lowercase life returns with more melancholia out of machines made in the past. detroit and 90s uk vibes brought to present time in three originals and a killer electro remix by orson wells (777 recordings). limited vinyl with hand made iris printed silkscreen covers.
repress 2017 , with standard cover (without artwork)- transcend into the next season and connect with orson wells! as always 777 s vinyl only releases come in silk-screen printed covers and lots of love.
next on version is a remix set by the legend that is benny ill of horsepower productions. on the a-side you will find a stunning techno steppers rendition of orson’s -rise 6-. check the b-side for orson & hops -dread drumz- getting benny’s unique jungle treatment. both sides are tried and tested in the dance and have been rinsed on radio by respected djs such as kode9 and n-type. version 006 - the benny ill remixes - is a true soundsystem weapon and will be a killer in any serious selector’s war box.
mastered by beau thomas at ten eight seven, london. artwork & photography by orson sieverding.
supported by kode 9, paleman, n-type, pearson sound
frankfurt s finest joins bokhari with a nod to 90 s ltj bukem coming at you with the kinda track that would ve taken the doors off your xr2 : remixes come from a pepe braddock-eque dorylus, and a steroid-induced banger from the one and only capracara. mastered by matt colton. artwork by spencer fenton, with each sleeve featuring a uniquely ordered combination of hand applied coloured stickers.
horsepower productions, and their ever present head honcho benny ill, revered in underground music circles as among the key early innovators of dubstep, return in 2016 with their much anticipated fourth album: ‘crooks, crime & corruption’.
hotmix return with the famous * underground dance* various artists. two tracks come from the italian duo nas1, already known for have released a track on the label of kyle hall, deep melancholy and dirty drum for an amazing atmosphere. another italian is in this ep, alessio carminati with * tokyo night*, for its first release, this great track that recalls to the early kms records. and lastly the great talent orson wells with a super deep melody-rich, evocative deep house style.
three stunning tracks by up-and-coming talent orson wells (live at robert johnson, hotmix, innervisions). two deep electro flavoured 808 rhythm pieces on side a, plus a mystic morphing journey exploring the borderline between house and techno on the flip. 300 stamped white labels. sound mirror is a new label from frankfurt, germany focusing on artists from the enviroment of orson wells.
remixes by fred p reshape, moomin, lauer, acid louis mix, orson wells!supported by, jacques renault, axel boman, roberto rodriguez, julietta, iron curtis, langenberg, ooft!, show b, san soda, tim sweeney, ian pooley, jimpster, permanent vacation, gerd, janson
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