dopeness galore is proud to work with another outburst of the warsawian gang

new ways, rooted in the techno-blueprint swings between playful, skittish bass lines, hazy distortion, chthonic voices and melancholic synths to create an atmosphere that is at times unnerving, uplifting and mindless. buoyed by a genuine sincerity, new ways expresses a narrative element of the maturation of an artist, of the transfusion of self, achieved through sound. limited to 300 black vinyl.

fifty fathoms deep follow up swiftly here from frederick s critically acclaimed debut album disruptive pattern material which gained major support from jimpster, osunlade, rainer trüby, the revenge & ajtazz amongst others. whilst craig smith & peter oakden celebrate their labels heavily supported first year, they bring you here release number five. an exquisite four track ep from the briskly emerging nyak. without question nyak keeps this ever delivering imprints momentum going with four superb cuts of low slung, underground jams. full of soul, rawness and summer fun

second output of new source

the new album from bob dylan on double vinyl, housed in a gatefold sleeve

incl. frantzvaag, nightseajourney, qnete and margaux

hailing from italy, different ways is the new label run by atimpuri. the first release is signed by one of the most influent duos of the italian dance scene, tengrams. “fractured textures” is a mini album composed of 6 tracks which are an excursion of tengrams talent when it comes to electronic music. once again, the duo managed to express their art combining tracks of different styles into a unique journey. a not to be missed record for your collection!

paris player le loup and pura launch their new label shadow play with a four-track collection of avant-garde house music delivered boxfresh from the studio. as a solo artist, and one half of hold youth, le loup has cultivated a nuanced sound that is steeped in soulful jazzy influences, with a nod to the future and plenty of soul. on this first ep we’re presented with a showcase of this sound, and a hint at what’s to come on the brand new label… to get things rolling we have the very first track ‘the ancient ways’, which is quite laid back and minimal in its composition. there’s breathing space for the beats and bass, with an eerie atmosphere pervading throughout. ‘ygam’ is next up with a wobbly bassline, cosmic death rays and sinister effects lurking in the background - it feels like the soundtrack to a deep space thriller. on the b-side things get ravey with ‘acid surface’. retro breakbeats and stuttered toms support a dangerously alluring symphony of effects and pads. at the heart of the track is a deep subby bassline, transmitting an ancient, yet cosmic vibe.

futureboogie open their 2017 account with a new release from lizards, the newcastle based duo otherwise known as lee forster and james hadfield. after appearances on labels like leng records, join our club and not an animal records, lizards strut their stuff across two original tracks, whilst man of the moment lord of the isles weighs in with a superb remix. the percussion driven house of “tzatziki” kicks of the release, wrapped in warm and inviting pads and piano riffs. shades of old school chicago house meet sun-kissed balearic vibes on this early morning riser, as the heavyweight bass sounds curl around the raw drum programming and illuminating keys sprinkle over the production. on “aloof”, the tempo is taken down somewhat, as a bass line wanders over a steady kick and otherworldly ambient sounds and hushed vocal clips lazily glide over the 4/4 arrangement. as the track unfurls, more melodic and percussive elements come into play, blossoming into a something quite epic and unique. with a slew of releases for quality imprints like permanent vacation, firecracker, mule musiq and esp institute, neil mcdonald, aka lord of the isles, serves up a deliciously chugging version of aloof. gurgling bass and marching handclaps are dowsed in dramatic synth sweeps and glacial tones, as the good lord takes us on a monumental ride.

londons vielversprechendste talente: momentaufnahme einer aufregenden neuen szene.
erscheint als weißes doppel-vinyl im klappcover.

with liam peete s techno project fac3off break new soil labelowner gregor tresher will again meet the taste of all lovers of banging bigroom techno monsters. while the basic vibe always remains dark the trapez artists always finds ways to stick in some additional harmonies and vocal snippets to make that extra difference

this record can easily be classified as library and will probably find a spot on the shelf with viberts nuggets, the strange world of bernard fevre and carpenters assault on precinct 13. listening to these tracks moves your senses back and forth through time, from 80s sci-fi back to raymond scotts early 50s experiments. the perfect soundtrack for bedrooms, late night dinners and greenhouses ed dmx contributes to a tradition in musical history, a richly vivid trail in which composers influence each others harmonies and ways of writing tunes, like an endless ping-pong game between minds and individuals but at the same time between continents and places throughout the world.

new beginning is aptly titled because its the first time for wordsworth and donel smokes to collaborate on an entire project. the outcome is bliss, from wordsworth’s graphic, storytelling style, accompanied by the scenic sounds of donel smokes, you get pure, no filter hip-hop music. with songs like f.u.(fingers up) featuring blu, or another day featuring masta ace, or do good featuring chali 2na, you get perspective of life, social issues, and ways to rejoice through it all. songs like hate and test of test will definitely spark discussion of reflection, while believe will give you a sense of optimism. this album is a great listen from new beginning to end.

amr prepares its 28th release, -our ways- by birmingham, uk producers laak (of austere recordings). the release features four deep, melodic house tracks for your listening pleasure.

soo wavey is back with a new 12 inch from vin sol. the raw side features the floor burning jam cookies along with spoiled exile with an appearance from matrixxman adding his patented techno feel. pyramids on the deep side has a classic moody chicago vibe & meltdown is a dreamy cut. fyi: swr006, 007 and 008 are all now out of print (these releases really are limitedť) so dont miss this one!

dont be mistaken by our newest family members modest ways, his well-manneredaloofness, his unagitated presence. max buschfelds inner calm not only makes him glowfrom the outside, it all the more makes him bring out some very individual and imaginativesounds and melodies.

despite the post-industrial label often affixed to factory floor, there is a greater complexity of sound within the bands music that defies such facile descriptions. yes, there are rigid, fixed beats, and other sounds from the manufacturing plant, as suggested by the trios moniker. but there is also an underlying danceability that belies the seeming austerity of the sound, a hint at warmth that cuts through the permafrozen exterior. that curious balance has paid endless dividends thus far: they have been remixed by producer gavin russom, liars angus andrew and no ages dean allen, remixed and released by optimo, remixed and collaborated live with throbbing gristle legend chris carter, and remixed and produced (!) by joy division and new orders stephen morris. its been a whirlwind few years in terms of musical accolades, and factory floors dfa debut is a glimpse into why.

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

villa nah makes pure electronic pop with plenty of emphasis on catchy melodies and meticulously crafted soundscapes reminiscent of the 1980s. stylewise, villa nah is related to 80s bands like heaven 17 or new order, but that is only the tip of the iceberg. once you ve heard their debut single, you ll know that villa nah is about nothing else but their own style and sound. the single opener ways to be is built around a synth bassline, handclaps and the kind of irresistible melody that you cant shake out of your head once you ve heard it. envelope is a tad more dark with an uplifting synth melody serving as a hook. daytime, in contrast to its title, evokes a strong sense of night time. villa nahs vocalist juho paalosmaa is a very charismatic performer, whose great sense of stage drama brings to mind a young glenn gregory or philip oakey. indeed, villa nah is not merely a production duo but an actual band with a live show that is not to be missed.

the cologne based grossprojekt arose in 2006 from the rather coincidental neigbourship and clubbing friendship between techno dj and live act bastian bue?r and breakbeat producer alex cwicek. the year 2008 marks the end of their deliberate reluctance: their debut release on debox combines the different roots of the two artists to a new creative entity, resulting in an amazingly effective piece of techno in querschlaeger. raumkruemmung on the flipside works a bit like its own, streamlined transmission onto a straight bassdrum monotonous, raw and uncompromising.

big with: dan curtin, gregor tresher, karotte, thomas schumacher, monika kruse.... fresh fried is a new project by chris wood, nedzad berovic and frank leicher. nedzad and frank have already made furore with their release on balkon records. the aside >50 ways< starts with an organic housegroove. during the song a minimal melody originates, which comes to its climax because of a clever arranged break and a pad that sounds like the old detroit tracks. hands up on every open air floor ! the b-side includes the titel >on my mind< in two different versions: chris b1 version shows us how deep beats and tricky vocals can work together, and comes after a short break with a warm baseline to a house appeal that stayes in your mind... the version from berovic & leicher is a little bit harder and more minimal. because of nice arranged beats and the drifting baseline this track has to be played at the clubs

rockin funky house > mojolatorsb are back!!

rock, black vinyl

reissue of the 3rd dr. dog album, originally released in 2007.

new album from swedish jazz trio fire!

a lot can be said about the stubborn and confrontational ways of prolific dutch producer drvg cvltvre and his new york haunted label, but one can never accuse him of taking the easy way out. musically, his output of experimental electronics has swayed between heavy industrial techno and noise, composed music and slow, doomy and experimental house. on this new, full lenght album nobody cares forever he blends all of the above. from the orchestral hit, rave fueled opener to the melancholic synths of closing track all of my heroes and everything in between is pure experimentation and decomposing of standard house, rave and techno elements. now, here, in this #trumpage, you can feel his resistance to authority and the readiness to confront in every inch and fiber of this album...

ein super album zwischen krachkapelle und indie-rock-kombo des trios aus columbus, ohio usa stellt eine kleine zŠsur in der bisherigen laufbahn von times new viking da. es ist das erste mal, dass die band ein studio fuer die aufnahmen vom neuen werk dancer equired aufgesucht haben. doch statt die źblichen wege ihres diy-geistes aufzugeben, besinnen sich jared phillips, beth murphy & adam elliot auf ihre staerken und treiben so den sound voran ohne dabei auf das times-new-viking sche scheppern und krachen zu verzichten.

in der achten ausgabe von my king is light präsentiert das label -the thomas stieler edits-, eine exquisite musikalische reise, die von niemand geringerem als melchior production ltd. kommt.

bigroom techno

!! new koze !! seeing aliens unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. but, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it. the exclusive b-side track, nein könig nein (no king no!), meanwhile, is slightly gentler on the face of it: it’s less about sonic pressure, more about hip-shaking syncopation. but it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you’ll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.

lp standard weights, black vinyl

marbled white colored vinyl with full colour jacket. volume number 2 of 8 vinyls, for the 16 years of illegal alien records

lp, tip on jacket, after a seance centre debut, a new label and album by shelter. 300 copies limited

for its 303rd release, tresor records is glad to present a commissioned work by donato dozzy. rome based production maestro and dj extraordinaire donato dozzy is unanimously considered as an illustrious leading light in all techno artforms. along his long career and extensive discography, dozzy has proven to use his instruments most interesting ways, always re-inventing his music, always presenting new approaches to both the deeper and the more rhythmic forms of electronic music. it was self-evident to tresor records to enroll donato dozzy’s talents for this assignment, a nod to the seminal roland tb-303 bass synthesizer. the result is a relentless collection of radical, propulsive and bleeding-heart acid tracks. donato dozzy wishes to dedicate this work to his lifelong friend filo.

cover is damaged on the back. record is new and unplayed.
4x electro in different ways! top

the new album from arrested development on double coloured vinyl lp.

limited white vinyl in gatefold sleeve.

eight jazzy and benevolent tracks

rock, coloured vinyl

the new halestorm album on vinyl lp, housed in a gatefold sleeve.

celestial being sending out frequencies of love.

kompakt welcomes orlando voorn with his new internal destination ep

(white coloured vinyl) double vinyl-pack accompanying the new planisphere cd on bonzai incl. 5 remastered originals + brand new material.

outstanding new release from brigade on laut & luise imprint. high recommend.

remastered reissue of the 1974 documentary soundtrack by piero piccioni. limited edition of 500 copies on double vinyl, housed in a gatefold sleeve.