this circular item is the oaks 04 by prostitutes. musica techno para discoteca vol.1 its title. if you drop the needle on this side (a) mighty arms and a glancing kiss will play. if you flip it side (b) albion remains and churns up into stone will do the same. eleven times three revolutions per minute. recommended for dj use.
musica techno para discoteca is the new series from oaks. in it i’ll showcase the techno music that inspires me, the techno music that i love to play, the techno music that in my opinion should get a decent exposure due it’s originality and honesty. without paying attention to the market demand or industry standards.

mythologen, aka alexander palmestal follows last year’s debut album mythologen with the 12” ep “church music”. this ep is a love declaration to londons club scenes and some of the titles are named after parts of districts in south east london. the tracks on this record are free and loose in its melodies and you hear that palmestal has worked on pure intuition in the song making process, inspired by the surrounding smells, sounds and people. as explosively impressing as the album was, is also “church music” and the airy, uplifting sound that has become part of mythologens trademark, is developed with a sacral touch. alexander palmestal have since the days of pistol disco in the early 2000’s been one step ahead of most acts in leftfield and house music and have created an own musical space to exist in - something most artist never achieve! “church music” consolidates mythologen’s position as both a guardian and an innovator of modern dance music

modern obscure music welcomes sam haar to the imprint for the first album released by an artist other than label founder pedro vian. the album is entitled euso. sam haar is a new jersey born producer and sound artist. influenced by both experimentalism and traditional dance music, haar’s music is something uniquely his own. he is best known as being one half of musical hardware loving duo blondes with zach steinman (neither of them are actually blonde). they famously favour machines over computers and provide hypnotic live shows. blondes have released the majority of their discography for rvng intl., before jumping to r&s in 2017 for the more danceable warmth album.

appearing out of nowhere in particular in 2017, donald dust s debut ep for no bad days and subsequent fleeting cameos for bordello a parigi and paradise palms introduced the world to his musical sphere: wbmx radio mixes, ron hardy drum tracks, the golden era of italo synths and the rawer fledgling sounds of eurodisco-influenced house circling and overlapping in his productions and dj sets.

the new 7&#8243,, mars r-trax mines the depths of youtube modular synth demos, adam & fleisner sfx and disco drum 12&#8243,,s resulting in a two-part dj tool for cosmic punks.

grammy award winner louie vega is known worldwide as one of the finest creators and purveyors of house music, both as an individual artist / producer / dj and as partner with kenny dope in the renowned production team known as masters at work. his multiple musical talents have also brought him much acclaim in the genres of salsa, afro-beat, jazz, hip-hop and soul. last year he reached another career milestone when his album “louie vega starring...xxviii” was nominated at the 2017 grammys for best dance album, which further solidified his position as one of the industry’s premier artist / producers. but not everyone knows about louie’s deep respect, admiration and knowledge of the disco genre that laid the foundation for so much music that moves crowd on dancefloors and festivals today.

the return of the hagues black magician! it has been 13 years since the parallax corporation / conservatives projects together with i-f and now intergalactic gary is back. i-g hooked up with a new musical partner, the lovely and talented pasiphae from greece and together they deliver four very well-crafted tracks of contemporary machine-driven techno romance, with the ecstatic title track made of glass being the floor burner that will unite dancefloors worldwide. with the made of glass ep bio rhythm proudly presents the absolute creme de la creme of the current dutch west coast noir scene.

disco tools 1° moods is the first ep of sampling moods records label. in this first release eddie lays down the defining ingredients of his label: disco-funk samples, distinct rhythms and recordings on tape. assisted by his mentors, eddie sets out to make his mad passion for a particular music (…classics from the paradise garage, the loft sounds and the disco-funk hits) amalgamate with a galvanising rhythmic construction, which is raw and rough.
as a piece of art that touches our mood, sam try to make us rediscover the power and love of the original classics, through the continuous repetition of the samples. the label focus on a specific musical need and want to offer a contemporary garage house, raw and essential interpretation of some rare groove hits and other disco classics. the choice to add only rhythmical scores is due to enhance and exploit the sample itself.

nice price deal !!! flight to the moon is the result of a year-long journey by dutch producers dimi angelis and jeroen search. it is both their first album as a&s and their first full-length record together. like the explorers whose journey is musically documented by flight to the moon, angélis and search set out to discover where this record would lead them. throughout the course of twenty tracks flight to the moon tells the story of a group of spacetravelers. it chronicles their ascent into the vast unknown and their uncovering of things as of yet unrevealed. what will they find? and what will their findings tell them? the tracks on the album – which they will release on their own a&s imprint – are diverse yet homogenous. they meander, transferring a sense of dangerous and potentially deadly encounter at one moment and then capturing a feeling of exciting amazement at another. most crucially, flight to the moon is more than just a collection of techno tracks. in fact, to think of it in cut-out genres is to limit the scope of the album’s musical offerings. search and angélis aimed to shape a record that would defy their own notion of techno. that journey can now be heard by all.

sano ha vuelto! latino body music continua en 2019 – lbm volume tres, es un disco para damas y caballeros que están enamorados. si, eso es correcto! oi papito – hola mamacita latino body music vol. iii - musica sensual. toda la noche. public possession uti -011 - el disco es cultura

5 vinyle in einem pizzakarton!

ynks third ep for tenderpark sends us straight to dub house heaven with the lush and chord driven deepness of paradigms lost. just as dreamy as its thrilling, the track perfectly illustrates ynks highly musical approach to house which he further underlines with colorit on the flip side: this fresh and funky piece of music is overflowing with philly soul rhodes pianos and vocals. so philly lover no. 1 drei farben house obviously just had to contribute a remix in which he carves out the classic harmonies of the original and adds an ultra funky disco groove. also,with this release our third artwork series draws to a close

in late 2017, thomas gandey and danny mclewin - known from the popular disco-influenced electronic music collective psychemagik - emerged from their studio in bordeaux, france, claiming to have produced an extended musical arrangement, both entitled, and containing the sounds of, the shakuhachi. furthermore, they insisted, for the purposes of this production, and a further album of related arrangements to be released subsequently in conjunction with the successful german record label kompakt, they should be referred to henceforth as ghost vision. shortly thereafter, the audio recordings described by gandey and mclewin came into the possession of noted los angeles degenerate, dj and nymphomaniac citation needed dirty dave, who was quick to relay the hallucinatory qualities of the duo’s productions to fellow dj and trusted hallucinogenic expert paramida, of esteemed german musical imprint love on the rocks. paramida, recognising the innate quality of the sounds presented to her, decided that such recordings warranted immediate release through her audio distribution channel, and not without remixes. quite without thinking of the origins of the instrument which had given the recording its particular sonic distinguishment, and of course, its title, she enlisted the help of two musicians named alex - one from tokyo, and one from kyoto. both alex from tokyo - teaming up with his colleagues isao kumano & kenichi takagi as tokyo black star, known for their prior releases on popular german label innervisions - and his counterpart, alex from kyoto, better known as al kassian, rising tamagotchi on paramidas love on the rocks imprint, and his own label, planet sundae - turned in striking reinterpretations of gandey and mclewin’s composition.

a new year means new musical horizons here at the bordello. curses formed his sound in the distortion and sweat of back alley dive bar bars amidst the crash of guitars and the audible gulp of beer. hints of disco and wave balance this rougher edge, smoothing down those creased lines for a style that adheres to no boundaries. -pedal to the metal and don t look back- is a perfect introduction to curses multifaceted sound. beats orbit burbling bass and brash strings in a work of dreamy hypnotics. -knife in teeth- comes from a similarly shadowy lair. dark bars are further inked by industrial percussion in a track born on the factory floor to strict ebm parents. terr takes on -pedal to the metal and don t look back- and does the original proud. bass rumbles to the tune of a guttering engine before lighter notes take hold. murky currents are cleared by bright synth blasts in this uplifting remake. the bird of paradise closes the ep with his psychedelic take on -knife in teeth.- drums take on a more sinister tone as tribal rhythms give rise to jungle imagery and the immediate threat of what might lurk behind those supposedly innocent sounds.

to kick-start 2018, happy skull serve up a rare ep from italy s d arcangelo brothers. the sibling duo have been active since the early 1990s, when they played a pivotal role in shaping the sound of roman techno alongside contemporaries lory d, leo anibaldi and their automatic sound unlimited production partner, max durante. in the two decades that have passed since, fabrizio and marco have consistently delivered off-kilter, futurist electronic masterpieces for the likes of nature, analogical force and, most famously, rephlex. the four tracks contained on this happy skull outing are not re-discovered archive cuts, but rather fresh slabs of mind-altering musical intoxication. the alternating bliss and acid-fired psychedelia of -saba tree-and the creeping late night paranoia of -pull seven- set the tone. the effervescent fun continues on the flip, where saucer-eyed chords and idm electronics combine on the rush-inducing -13th cider-. to finish things off fabrizio and marco treat us to -korty-, a mesmerizing, deep space slow jam full of backwards electronics and rumbling flashes of sub-bass.

london based disco outfit faze action team up with celebrated anglo/brazilian artist, nina miranda for proto house crossover. faze action have always managed to take different musical traditions and blend them to create sounds that are somehow familiar whilst simultaneously containing the unexpected. last year s mangwana, featured long time faze action collaborator, zeke manyika, singing in his native zimbabwean shona over faze action s infectious disco production. this time, british/brazilian singer, artist and all round creative force de majeur, nina miranda, takes things further with her invitation to vamos pintar or let s paint, in portuguese. on the surface there is the familiar faze action restyled proto house but it soon becomes apparent that the brothers have appropriated more than just a brazilian vocal. punchy 808 drums and fizzy synths are infused with brazilian caixa and pandaro as if they had always been designed to co-exist. the remixes come from the illustrious max essa, whose british born/tokyo resident background chimes well with the international nature of this latest offering. his slo-mo bubble dub simmers with mediterranean sun that reclines into romantic piano flourishes and dubbed out vocals, whilst the extended dub manages to draw out the original elements at their original tempo. faze action s own paradise 90 dub closes the package by keeping close to the original arrangement with added economy and plenty of dub delay of course.

the 7-track compilation « party people » concentrates a range of musical influences that will take you from new-york garage house to groovy nu-disco and french house. the opening track, signed by a slovak artist discovered on soundcloud by the collective, is proof that house music knows no borders.

turkish mystery man ali kuru is fast becoming one of leng s go-to artists. since joining the label in early 2016, he s released two superb eps, with a debut album of evocative musical blends – think dub, disco, downtempo grooves, humid exotica, and authentic middle eastern instrumentation – due to drop later this spring.

eva geist s music is inspired by dreams, lost paradises, and new horizons of human belonging.” eva geist is an italian electronic musician and composer based in berlin. her early musical experiences in electronic music were largely self-directed, beginning with use of synthesizers and sequencers to different audiovisual computer and mobile technologies.geist s music builds up a cinematic musical journey around rarefied melodies, arpeggiators, soft beats and space disco. under the eva moniker hides the underground polyedric artist andrea noce, who previously released a mini-lp last year with david kristian on macadam mambo. this ep includes a wonderfull remix of «tanz im morgenmantel » by salon des amateurs head’s tolouse low trax, transposing it in a very subaquatic version, and a sublime artwork by talented artist maria torres

paradise garage anthem “let’s do it” by convertion with remixes by krystal klear to be released on original sam records label. 12” vinyl released on september 9, 2016 let’s do it by convertion was originally released in 1981 on sam records, and featured production by greg carmichael and vocals by leroy burgess. upon release this song immediately went into heavy rotation for larry levan at the paradise garage and for frankie crocker, then the number one rated disco jockey on new york city’s number 1 ranked radio station wbls. over the years it has become a staple of classic disco playlists worldwide. now remixed as a peak hour tune for today’s dancefloor, this 12” release includes two mixes produced by dec lennon p/k/a/ krystal klear. a dublin native and red bull music academy alumni, klear has made a steady rise to become one of the freshest new faces in music that both has the chops to destroy underground dance floors with his deep crate of records or spin out polished productions in the studio with legends like nile rodgers. klear’s musical accolades can be conveyed through his singles “tried for your love” that was championed by bbc r1 dj benji b for 13 weeks in a row, and “addiction” which has helped solidify main stage at top tier events such as sonar, fabric, space ibiza, and the famed panorama bar.

pete herbert drops the second release on paradise row - the imprint he and dicky trisco set up to release their own output. mango moon is a very herbertesque number pumped full of musical influences from house to italo to disco, but with an eagle eye at all times on driving the dance floor really wild. pedro demonstrates his years of experience as both a producer and a dj in a track that captures so much of the territory he has covered in both guises over the years. with its pumping live disco underbelly, its melodic italo-style keys riding on top and its rock solid drums, it really is a very classy production by a dj/ producer who knows where he wants to go and how to get us all there at the same time. meanwhile on the flip, his label and dj compadre dicky trisco flips the track in a live disco direction with an epic take of his own that throws more than a few surprises into the mix. dicky teases the dancefloor with a long build up but just wait until those wicked keys by faze action s robin lee drop in! quality stuff, & more great dance floor tackle courtesy of paradise row.

marc cerrone became the star of incredible live experiences in paris and elsewhere. as if, after having spent the first step of his musical career elaborating his repertoire, he’d chosen to devote the second one to make it live permanently. firstly on stage, then through younger generations: when bob sinclar samples his music or invites him to collaborate, it’s a new way for cerrone to keep his main ability alive: make crowds dance. a talent which most of his younger fans - todd terje, prins thomas, james murphy and a whole generation of cosmic disco lovers - agree to and get inspiration from. from 1976 to 2014, cerrone, whose discography makes so many others jealous, never stopped playing and keeping his beat which he considers vital. and if disco music had to be summarized to one artist, one creator, it would be him and nobody else. this exclusive double lp sounds like a tribute to his prolific discography, containing incredible remixes talented producers. a cd with all tracks is included.

somewhere in between de la soul, max graef and terrence parker lives georgi barrel. this mini album is a musical paradigm representing our definition of 2015 club music. infos about artist & record georgi barrel is a highly creative genius producer from kassel, germany. in 2014 we first time took notice of him – and were instantly excited. his highly distinctive, very relaxed and boogie-influenced style is pure joy. from wonky de-la-soul-grooves up to smashing ugly-drums like disco edits: on this album georgi is traveling through the undiscovered no mans land between house, hiphop and disco – the result is a masterpiece that definitely holds a candle to glenn astros throwback or max graef’s rivers of the red planet.

this album is another chapter in the ongoing there s-muchmore-to-brazil than-bossa-nova saga. it s filled with disco-eratracks produced for the brazilian domestic marketplace, some of which were hits, others which were quite obscure. what binds them all together - besides their common origins, time period and overall musical approach - is the fact that their reputation has been steadily transcending brazils borders. this has allowed these tunes to find their place on set lists, want lists and in the crates of the world s most discerning djs and tastemakers.

in the past couple of years c-edits has produced some very exquisite edits and covers including duke ellingtons so in love with you and maria carreys make it happen. this long player features eight songs with some very special covers paying tribute to more musical influences. for fans of chris isaak, arthur russell, larry levan, jocelyn brown, etienne de crecy, the staple singers, kfda, black devil disco club, paradise garage, david mancuso, the loft and nikos nomikos! the perfect tip for your summer trip

marvin & guy was born in 2011 from the children of two different musical generations with a shared knowledge of how to make people dance. influenced by legendary djs such as ron hardy, larry levan or tee scott, their sound is firmly rooted in disco but keeps evolving with each release. in their debut ep for hivern, they keep expanding their palette with three tracks that push the boundaries between the disco culture and a techno spirit

whomadewho, notoriously named after 1986s album by ac/dc, have always been hard to pin down, with their music sounding as effortless as it is stylistically and sonically adventurous. fusing pop and disco memes with punk paraphernalia, the genre-bending trio made up of jeppe kjellberg, tomas høffding and tomas barfod honed their skills on stage and in the studio, releasing a series of bestselling records topped off by their 2011 mini album >knee deep< on kompakt. now they return with the sublime full length >brighter<, due in early 2012 and shaping up to be one of next years highlights. its first single >inside world< is prime stuff as expected…jeppe kjellbergs characteristic vocal hit the pop-nerve in the verses while tomas høffdings soft falsetto holds the song together. second to none is the exclusive flipside, which features a grandiose acoustic version of >inside world< graced by the warm baritone from john grant, former lead vocalist with indie outfit >the czars< and critically acclaimed solo artist. clearly sharing his pivotal vision of pure craftsmanship and musical ingenuity, whomadewho never settled for streamlined mediocrity, thus churning out another instant classic that will rule our hearts and minds.

since decadence in june 2010 and seven eps released this year, dame music is a continuous story of success and has established itself in the underground music scene. the triumph of bloody marys >arabesque< ep on national radios was a turning point for the label which has defined its musical identity, a modern genre of electronic music blended with a touch of rock, disco, classic or new wave influences. last hits sierra sams >queen of spade< ep and komatons >dehunt< ep are an excellent representation of the dame-music signature. the artwork of the label has also seen a significant evolution by the quality of its covers and teasers which fully fits with the music. to celebrate its first anniversary and give a first overview of the label imprint, dame-music is proud to present potluck, a special compilation of unreleased tracks, produced by five duos (one of the dame-musics artists, plus one of their friend). bloody mary got this concept to gather the dame-music family (mostly consisted by marys berlin based artists and friends) to work hand in hand with the music and artwork. they shared talent, creativity, emotions and ideas.

marius takes a break from his recent studio lp work with prins thomas and delivers another killer release on maxi discs. continuing his journey into ny influenced dance music, he unleashes >glow of filter & dub< an epic 10 min ride into the musical world of legendary clubs like the paradise garage and body & soul that inspired him. it even has an old school drum break to drive your dance floor crazy. you can smell the sweat on this one - work it! on the flip, deep house heads 6th borough project work their subtle magic on >love gun< and create a house vibe that is deeper than deep. while disco deviant dicky trisco strips back >glow of filter & dub< to the bare essentials and works it to the max in a tribute to early tony humphries proto - house style cuts like ma foom bey.

whats the point of a concept album when no one hears the concept in it? maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. creativity by limitation and all thatÉ well spare you further theorizing. >fever<, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. all based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record Ð no additional synthesizers, drumcomputers or other samplesources involved. disco-edits, italo homages or filtered loops then? hardly. this is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest paradise garage connaisseurs wont recognize what just hit them. or in the words of musical allies martyn and pinch, who independently drew the same conclusion: >sorry, but i dont hear that whole disco story in there. this simply sounds like you.< completely failed as a concept album, then Ð and all the better for it.

dj ageishi is like the sensei of japanese djs: a true legend and active since 1973, he can scoop from an incredible musical wealth of experiences yet has his ear to whats happening in the now. this mixture of knowledge and curiosity for the new also characterizes his debut on internasjonal with colleague dj akin, who left his mark outside of japan with a remix for brennan greens >900lb man<. rattling drum breaks from the funk end of disco are the backbone for a soprano sax lick slightly remiscent of coltranes >a love supreme< that floats on top of noise distortet sheets of synth before the >rain parade< makes a total turn ending with a comforting lullaby like rhodes melody. prins thomas boils it all down to a simmering slow dub remake, while mark e lets all the single ingredients patiently lets every ingredient from the original develop its full-bodied flavour before kicking up the heat.

this is the first single from dops rollicking greatest hits album is your personal teleportation device into their unique musical universe located in a parallel dimension somewhere between the disco and the drunk tank.

volume 5 of the legendary series. the influential electronic label mille plateaux kickstarts its newest chapter with its flagship: a new edition of the legendary clicks & cuts compilation series, that in fact named its own genre. volume 5.0 (subtitled >paradigm shift<) features a totally new generation of young artists giving a 360 degree view on fresh glitch sounds: from minimal clicks to idm-/dub-ish tracks via ambient and sound art to the 2 >evac< tracks going to the artcore and organic extremes. each song has its own distinct character, and with a significantly higher amount in melodic and compository details than its predecessors, this is probably the most musically substantial clicks & cuts compilation ever.
comes with free cd copy of the release and discount voucher for other mille plateaux items.

the particular view on a musical future might have been considerably different when olaf hilgenfeld (berlin) met iftah gabbai (jerusalem) for first sessions in 2004. the piano player hilgenfeld used the accordion that time mainly, whilst gabbai was using all instruments available, a computer was among those more by chance. only one year later the duo skinnerbox played regularly on such uplifting, innovative off-partys that came up in the new techno generation again.
that was just the beginning. skinnerbox have developed a purely electronically composed and performed music (partly featuring vocals by elle_p) – that is not based on loops but improvised techno inspired house and minimal house. the roles in the duo are clearly settled: olaf hilgenfeld – moog synthesizer, iftah gabbai – hardware drum machines, max/msp und ableton live.
all these distinct impacts and effects can be heard on their various releases from the last two years, but far better in their live sets. skinnerbox are an experience, taking you on expedition with paralyzing minimal, breaking house, hard-edged techno-jazz, and ambient electronica futurism.
it was a desire to eternalize this play- & colorful diversity, often just caused by the moment, as entire homogeneity. thus, they needed to leave temporarily their environmental techno and minimal house scapes. >king of spades and marmalades< – the result – is a jazz opus wrapped into a disco suitcase. it is a reminiscence as well as going far ahead of daily musical habits, shown not at least by the order of tracks, do not starting with a stunning hit of the album, but with 20 minutes of challenge.

nice price deal !!! from the deep dark cold depths of melbourne down and out disco suburbia comes the long-long awaited debut release from serial hitmaker, synth wiz, coffee addict and all rounddudebabe, gloves. fresh, from the titanic sinking of his former musical yacht, damn arms, and off the back of remixes for the likes of cut copy, vanshe, sneaky sound system, the deathset, the scare and ted & francis, gloves sails bright into the dance horizon with his first 2-track original release on banggang12s.