fresh off the back of his debut ep 2nd nature , which received support from seth troxler, laurent garnier, ame, maya jane coles, archie hamilton, mano le tough & damian lazarus, dokta returns to 20/20 vision alongside the dance music and audio obsessive leonidas who s been topping the juno vinyl charts recently with his releases kay suzuki and hobbes . the uncompromising 15-minute composition merges dokta s unique electronic arrangement style with a transcending live saxophone melody and an original vocal recording of nycs paradise garage and loft regular david vickers, with a spoken word tribute to dave mancuso and his legendry loft residency, recorded before the great mans passing last year. structured with a driving kick, off set drums and rhythmic keys baby powder proves once again dokta refuses to work within formalities, offering up a release that is both truly unique and impossible to ignore. baby powder sees dokta continue to push the boundaries of electronic production, effortlessly compounding live elements that explore exciting new musical territories

hipster-dream-pop vom new yorker künstler porches! -the house- ist das dritte album von porches a.k.a. aaron maine bei domino. auf dem 14 tracks umfassenden album sind features von (sandy) alex g, dev hynes, okay kaya, maya laner (true blue), bryndon cook (starchild & the new romantic), cameron wisch (cende) und maines vater peter maine vertreten. -the house- wurde über einen zeitraum von 18 monaten aufgenommen, direkt nach der fertigstellung von porches vielbeachtetem vorgängeralbum -pool-. schwarze heavyweight lp in spot gloss print sleeve, inklusive poster und mp3-downloadkarte.

rudder & kresy join the roots for bloom camp with a cocktail of deep house cuts. the title track stateless is emotional and grooving, with the likes of maya jane coles picking up on it immediately.

first official reissue of nigerian boogie disco grail lp produced by grotto for emi nigeria and originally released in 1978. contains dance classic bad city girl. liner notes by nigerian music expert uchenna ikkone, include previously unpublished photos and extensive interviews by temitope kogbe

uk house & techno heavyweights dusky return to their 17 steps label with the classic house indebted ‘square miso’, picking up swiftly where this summer’s hugely successful ‘cold heart’ ep left off - the lead track an ever present in gerd janson’s summer dj sets.
already recognisable to many from dusky’s festival sets as well as jackmaster’s recent circo loco terrace recording, ‘square miso’ draws on the swing of classic nyc house with soulful, cut-up vocal samples and tightly programmed beats, whilst paying tribute to the ‘90s italian house classics with its distinctive piano melodies - with a dash of shades of rhythm-era uk rave for good measure. as well as the club-ready original, a beat less piano and strings ‘reprise’ is also included.
a darker, detroit-nodding club tool, ‘lf10’ blends heavy-hitting stabs, atmospheric melodic textures and house grooves. an immersive roller, like ‘square miso’ it serves as another example of the duo’s ability to blend different influences into unique hybrids.
with 2017 releases from b.k.r & jamie jones, christian piers, bwana and kiwi, dusky’s 17 steps has become an increasingly prolific outlet of forward thinking house and techno - with support from gerd janson, midland, len faki, maya jane coles, tiga and george fitzgerald among others.

as one of the labels core artists, iain howie has confidently crafted rhombus 22nd catalog release and debut 12-. with vivid atmospheres, spacious vocal textures, and mountainous grooves, iain continues to hone the vision he created in his first outing on rhombus. we re happy to have him back in action and making his mark on wax.
dj support from:
maya jane coles , estroe (rush hour), acid pauli (circus company)

as spring casts its glow over the barren and fissured valley, the whiskered sciurine known as rvs can be seen emerging cautiously from its burrow opening, out into the crisp hillside breeze. revitalised from her slumber, she lets out an abrupt and shrill chirp that seems to declare all at once, -it s party time and boy do i have a corker for you-, one that reverberates across the landscape permeating every bush, branch, pasture and crag, where lifeforms large and small may otherwise be spotted scuttling in their daily forage. the other beasts awaken, and realise that it is time . with some dexterity and slight of paw, the rvs rodent produces a shiny black disc from the folds of her fur and flings it high into the heights of valley, exploding into a rainbow bursting with every emoticon known to the internet, thereupon thundering the sounds of asadinho s when we come to it across the streams and tree-lines. commencing with the silverlining remix, then the original, then the track titled koppaitch, each member of the wildlife community remains hypnotised with this incomparable detonation of sparkle, rhythm, and the poetics of the mighty maya angelou. as the display descends into the foliage and dissolves away, the rvs scriurine pauses to compose herself then retreats to her work cave to get working on the next of these black discs and the wildlife convention she calls the rvs weekender.

das zweite album des von den ostafrikanischen reunion-inseln stammenden pariser produzenten labelle, univers-ile, ist laut wdr cosmo ein werk zwischen maloya-tradition, experimenteller elektronik und field recordings, aufgenommen mit traditionellen afrikanischen und indischen instrumenten, sowie slide-gitarre und sampler, und eingesungen in kreolischer sprache.

when octo octa sent us the demos for her first full-length record since 2013, we were floored by how many tracks were single worthy. but, there was one that stood out as something entirely on its own, a song that in many ways sounded like nothing maya had ever released. since the beginning, we always knew we wanted to do something special with adrift, the 8+ minute space-age synth-dub techno tune. when we asked maya about doing a 12inch with remixes we were blindsided to learn she has never had any of her music remixed before. with some remixers in mind, she asked two of her favorites and they said yes. so, here we are to present hny-016 octo octa adrift, remixed by avalon emerson and dorisburg.

dj support: ben ufo, the black madonna, maya jane coles, stenny, luke handsfree, gene farris, jackie house (honey soundsystem), denham audio, dan curtin, j.phlip, the revenge, justin robertson, doc scott, pressa, kamera, edmondson, jon more (coldcut), moxie, rroxymore, konx om pax, truss, 2 bad mice, soulphiction, bruce, marco zenker, benjamin damage, norman nodge, dixon avenue basement jams, michael serafini, mark archer, zinc, serge (clone), rob smith/ rsd, dj guy, dismantle, xxxy, etch, joe, kornel kovacs, mark broom, john heckle, red rack em + many more

as part of madhouse records milestone twenty five years in the business the label will be offering up a selection of projects over the next year, ranging from vinyl reissues, events, new releases on madhouse and its madtech sub-label, merchandise and more. here we see the imprint revisit some of its biggest hitters since its inception, delivering a selection of recent output from the like of t williams and james jacob, opolopo and roog and dennis quinn while revisiting one of label-founder kerri chandlers most loved records on the label. up first is roog & dennis quinn feat. berget lewis igohart which saw support from the likes of sante & sidney charles, shadow child and maya jane coles with its raw swing, gritty stab sequences and soaring vocals. the dub mix of opolopos lowlife follows and add a playful bounce to things via wandering organ hooks, spiralling vocals and an infectious musicality with its warm string and bright piano chords. t.williams and james jacob then head back to more direct dance floor vibes with the piano-laden together fuelled by weighty 909’s, string samples and smooth chords before kerris kaoz 6:23 mix of lafayettes better late than never gets a 2017 remaster, bringing even more shine to the soul infused new jersey house classic.

after the huge success of ym001 supported by maya jane coles, arnaud rebotini, james teej and kasper bjørke (just to name a few), ylotana music is right here with a new sex of insects single. this time it is electronic anthem i am full completed with remixes by hiroshi watanabe aka kaito (transmat, ibadan, moodmusic), sergey sanchez (teamed up with mag day chuk) and sex of insects mastermind anatoly ylotana.

unclear welcomes uk duo jordan bruce and larry jones aka yard one, who make their debut following support from the likes of gunnar haslam, anthony parasole and bambounou, and a series of releases and remixes on diffuse reality and their own tact recordings imprint. the ep also features a remix from italian dj/producer simoncino, who’s catalogue includes releases on esteemed labels l.i.e.s, crème organization and mathematics recordings.

bastion of the parisian underground scene and circoloco resident at dc10, dijon-born dj w!ld is a longstanding figure who has remained true to his roots since the outset. having been responsible for an array of over 300 records on some of the most respected labels around, w!ld founded his own imprint w in 2010.support by ricardo villalobos, jamie jones, dj sneak, djulz, truncate, hector couto, maya jane cole, dj steaw , enzo siragusa, chloe, david keno, thomas koch, sante, iiario alicante, rework

bastion of the parisian underground scene and circoloco resident at dc10, dijon-born dj w!ld is a longstanding figure who has remained true to his roots since the outset. having been responsible for an array of over 300 records on some of the most respected labels around, w!ld founded his own imprint w in 2010.dj support: ricardo villalobos, jamie jones, dj sneak, d julz, truncate , hector couto, maya jane cole, dj steaw, enzo siragusa,chloe,david keno, thomas koch,sante, iiario alicante, rework

a mainstay in the underground house music scene for almost twenty years, joeski makes his next move on the mighty crosstown rebels with a sublime ‘tribute ep’ to the great divinity obatalá. the ep journeys through three tracks, where ethereal layers are used to infiltrate the dancefloor and varying tribal percussions, native chants and vocal haunts flow effortlessly throughout. from yoruba religion, obatalá is an orisha, sky father and creator of human bodies. joeski explains -i’ve been wanting to do this tribute for a while now. it’s a creative musical offering to obatalá. i feel like crosstown is the perfect home for it too.- joeski’s roots are in the underground house scene of nyc in the 90s, where he played regularly at historical clubs such as the limelight, tunnel, palladium and roxy. later establishing himself as a producer he began releasing music on nrk, siesta, shaboom, tango, junior boys own and many more. he also runs his successful label, maya records.

ahead of the release of a full length album by the same title, honey soundsystem records presents 3 breakout tracks on 12- vinyl from octo octa s -where are we going?-. side a features the -new school- breaks pumper -move on (let go) (de-stress mix) and the peak-time synth heavy tear jerker -on your lips.- on the flip we share the 9 and a half minute aquatic house opus -where are we going? pt. 2- “do you feel better?” — is the line maya bouldry-morrison aka octo octa repeats like a mantra on the final track of “where are we going?” her newest and second studio lp. “it was the question every single person asked me after coming out as transgender,” she told us “overall i do, but no, i don’t feel better at every moment, which is why the track slips out with a dour bass drone in addition to a beautiful pad. these days, both emotions are ever-present for me.” it is precisely this candor and intensity that immediately drew us in when maya sent over the lp to consider for the honey soundsystem label. as djs we are always looking for music that can speak in our sets, not just the highest caliber productions, but songs that represent the changing landscape of the queer dance-floor. “where are we going?” reads like a diary. with track titles like “no more pain (promises to a younger self)” and “move on (let go) (de-stress mix)” you can’t avoid the autobiographical messages of these songs, but maya leaves no booty un-shaken - this is still 9 four-to-the-floor house and techno beauties to rock your body. her willingness to even model for the cover art of this lp, proved this is a side to octo octa we ve never seen or heard before, an artist ready to let her fans experience an intimacy as deep as the synths and lead lines she has gained notoriety for. applying her years of international dj’ing, this album flows with intention and has effortlessly found its way back into our headphones and home stereo systems repeatedly - pro-tip: you can even have sex to it. needless to say this is the first time in a decade honey soundsystem has thrown itself at a contemporary lp and we know once you hear it, you will know where we are goin

this 200 copy, vinyl only release is the first on 10years, a brand new and celebratory project between two long time friends, per hammar & maya lourenço aka parallax deep. channeling their trippier and more hypnotic works, the label will start with a split, limited run 12inch that marks ten years of friendship and then promises to develop into a great outlet for floor facing house and techno. per hammar goes first with the irresistible the expedition for mrs. gustavsson, a deep and fluid house cut with lots of little imperfections, crackles and bubbles adding character to a slick and stripped back groove. atmospheric and warm, soul infused and heady, it cannot fail to get connoisseurs on their toes. ‘parallax deep’ then offers a similarly rubbery and deep roller in periscope. this one is more electronic and minimal and finds the artist orchestrating myriad synthetic sounds into a bubbling track that is subtly curious and full of late night freakiness. support by traumer, nima gorji, bella sarris, brett jacobs, io mulen, truncate, raresh etc

dj soch delivers two banging house cuts. jam-packed with old school and funk band rolling beats. killer pumpin house remix by the great italian duo bassa clan. dancefloor alert!
support from josh wink, ryan elliott, adam beyer, norman nodge, maya jane coles, laurent garnier, joris voorn, andreas baumecker (barker & baumecker), kornel kovacs, rob smith (rsd/ smith & mighty), lovefingers (esp), kirk degiorgio, john osborn, fold, tiger stripes, iron curtis, woz, dop, nachtbraker, friend within, paul rhodes (2 bad mice), tensnake, jacques renault, alland byallo, kristian (ame), dave aju, michael serafini (gramaphone records, chicago), tom findlay (groove armada), gnork, jimpster + many more

nach releases auf petit records, psyth und im eigenvertrieb mit props von maya jane coles, groove armada und soul clap, präsentiert der britische produzent rob shields auf seinem debütalbum auf dem needwant-schwesterlabel yen eine warmherzige mixtur aus deep house, balearic und dubbigen sounds.

future sessions is proud to bring you a release from the owner and operator of finale sessions and one half member of the legendary balance recordings imprint with the legendary chez damier . so we will start you with the first track which is a remix of the classic track chez damier – never knew love with michael zuckers take on the track which gives it a real dancefloor driven sound with its funky guitar streams filled with filtered synth’s and perfect drum programming and then we get to the second track “wisdom and knowledge feat. maya angelou filled with her masterful poetry and michael zuckers pads and deeeeep bass and perfect drums gives it what it needs to flow streamingly then last but not least we have “jacobs ladder” with is smooths pads and it’s mesmorizing and hypnotic keys but the drums are the key to this track ..we want to thank you at future sessions for giving us the oppurtunity to do what we do and we thank you for the support.

-broken knowz- signals a departure from jay’s previous output. disillusioned with the constraints of drum programming and the associated deficiencies translating human feeling or emotion, he retreated to his mother’s basement, picked up his drumsticks and

next up to close out a hefty year of dj-kicks releases is one daniel avery, bringing with him two exclusive new tracks and a host of techno heavy goods. the double vinyl release includes the mix-cd.

gold is a carefully compiled 12inch vinyl sampler featuring some of the best club music tracks ever. feat. fidel astro aka glenn castro, hodini, georgi barrel, peter clamat, blunted monks, roman rauch and torpedo fred.

es gibt den frühen acid house-holmes. sein letztes soloalbum the holy pictures (2008) atmete la düsseldorf, the jesus & mary chain und brian eno. er produzierte primal scream und jon spencer blues explosion. und er schrieb (und schreibt) unzählige hollywood-soundtracks, allen voran für steven soderberghs oceans trilogie (mit george clooney, matt damon, brad pitt). nun legt david holmes seine late night tales version vor, bestehend aus vielen, kleinen kopfkinofilmchen, in denen wir auf david crosby, buddy holly und die children of sunshine treffen. dazu gibt es reichlich exklusives holmes-eigenmaterial, kollabos mit bp fallon und jon hopkins, sowie das von ihm produzierte 10cc cover i m not in love von song sung. insgesamt sind es 9 exclusives, wozu auch die spoken word-perfomance von stephen rea zählt, der aus seamus heaneys aeneid book vi elsewhere anchises vorliest.

the return of the returner. 6 track mini lp. produced by william burnett, new york. sleeve design by art crime. mixed & mastered by gordon pohl, dusseldorf. tip!

yoruba records is proud to present this new album by label veterans nomumbah. hailing from sao paulo, this three piece consists of andré torquato, ale reis and rafael moraes. with this release, nomumbah show a great deal of maturity, a mark often only surpassed with the release of a sophomore album. the track ‘words’ will strike a familiar chord with listeners, its clever use of maya angelou’s reading of her timeless ‘still i rise’ fits perfectly over the top of a deep bass and bongo driven groove. ‘meinhaus’ is another beautifully crafted track, one that seemingly pays tribute to chicago’s earliest fathers of deep house while still keeping a certain swing that will set it apart on dance floors today. ‘precious’, a definite future favourite, features a cutting lead synth that adds warmth to the track and is accompanied by crystal clear hi-hat bursts and a simple, yet captivating, vocal. this album’s title track, ‘amanha’, edges on tech house with stripped down percussion, a simple rolling bass line and a pulsing lead synth, perfect for setting a more chilled-out vibe. a deep and at times techy release, djs will find all 10 tracks well suited for the late night into early morning hours. featuring rhythmic, chunky bass lines, ambient keys and radiant backing vocals this soon-to-be yoruba classic is a must have for your kit bag in 2016

nice price deal !!! second release in 13 years for inquisitive judgement aka dj maya from france on his inquisition records imprint. nobody expects the spanish inquisition!

original, warm, pure house jackers and true dj weapons

dating from the days of sade and smooth jazz, you might expect maya s moment in the sun to wear the fragrance of fromage, but the milk’s far from turning and the tropical groove is a sunny delight.

this special release revisits classic brothers vibe tunes, edits and a never before released on vinyl track. kicking off proceedings is the 1989 gem i ain t gonna wait. an early brothers vibe piece and massive underground anthem! brothers vibe distinctive gritty style of groovy house takes us on a hypnotic journey into uncharted territory. melody and percussion interchange amongst a framework of zippy synths and sinuous kicks. released under the moniker silent rodgerz, the second track infractions saw the light of day back in 2008 solely in digital format on a mixxrecords compilation. low slung with an acid influence, the cut reveals a distinctly natural groove lead by the classic bassline. the final track is the definition of a house classic! featuring echoing words of the great maya angelou, words to a nation exudes a timeless quality, unveiling a masterpiece which stays firmly in your head

bio artist: english native peter o, is a producer and a dj that has been producing music for the last 15 years. already supported by big names in the scenes like groove armada (who included his sugardaddy remix in their last late night tales compilation), or even maya jane coles, peter likes to keep it quiet and let his music speak for himself. on this fourth release some smooth and atmospheric deep-house meets some more techy influences. heres your fourth ticket to egoplanet

gold is a carefully compiled 12inch vinyl sampler featuring some of the best club music tracks ever. feat. fidel astro aka glenn castro, hodini, georgi barrel, peter clamat, blunted monks, roman rauch and torpedo fred.

close to the days of the days, when the maya calendar will come to an end and somthing special is waiting for human beeing, two smart fellas from berlin are contrebuting this happening with the so called popocatepetl ep. popocatepetl is a yet sleeping massive vulcano in mexico, who just recently rumbled to life. it looks like this ep will come up with the same energy and power. four tracks with many statements and diversity and still homogeneous in their substance. to find an own style and esspecialy an own sound is what the two try to push to the fore. if we compare this release to their last successful released track on tonkind schmalwild, we hear this major line, where a transperent empathy is to find. kotelett & zadak, showing on this ep their ability to creat dance music with a certain flow and groove which makes you feel aloof and hot but still laid-back and relaxed. it just shows their own temper and shows us why, this two guys are one of the most beloved djs in berlins underground scene. its their personal spirit what comes up in the music, that makes this release sound so authentic. hopefully people will notice, yet even without any dramatic fireworks, popo has the power to wreak havoc.

finest little bit svek like techno 3 tracker ! big with raresh, matteo, marco carola, maya jane coles... repress 2015

deep droning warehouse techno... just as we like it.

ltd warehouse found! after the hot first release of markus fix on cécille records were proud to release the next bomb. sis is one of the upcoming producers in germany many people like loco dice are big supporters for his great sound. la garùa contains three expressive tracks. orgsa is a catchy tune…lesh is a floor bomb for the peaktime…and can bando means soul music, so relax or start your culinary music experience. hope you enjoy…

zweites album der kanadischen künstlerin maya postepski, die als mitglied der electroband austra (domino) und eine hälfte des electroduos trust (arts & crafts) eine integrale figur der indie-electro-szene torontos ist. -progress- ist ein genre sprengender trip in die welt der cosmic-disco-psychedelia, in der sich warme synthesizer über dunkel verklebte, eisige, polyrhythmische klanglandschaften legen, die uns eine neue galaxie aus liebe, lust und leidenschaft eröffnen. lp auf transparent-blauem vinyl mit downloadcode.

neue ep der kanadischen künstlerin maya postepski aus der indie/electro-szene torontos, die mitglied der famosen electroband austra (domino) und eine hälfte des electroduos trust (arts & crafts) ist. nach ihrem debütalbum lossless in 2013 ist lossy ein erster teaser zu ihrem anstehenden zweiten werk progress, das im laufe des jahres erscheinen wird. keytrack auf lossy ist das 22-minütige stück discoset. das vinyl erscheint in elfenbeinweisser farbe. at times it sounds like kraftwerk playing with trip-hop! electricity club

evan reiner aka gossamer macht elektronische musik, die von hip hop, hardcore und jazz guitar beeinflusst ist. reiner studierte an der berklee school of music film-sound und foley artistry (frei übersetzt: geräuschemachen). dabei streute er dann beispielsweise sand über schlagzeug-becken, oder nutzte gebrauchte patronenhülsen für percussion, was ihm eine ganz neue perspektive eröffnete. inspiration fand er bei künstlern wie ai weiwei oder maya duren. für sein debütalbum begann er während eines trips nach japan field recordings in tunneln oder unter einer brücke in l.a aufzunehmen. zu hause setzte er sich dann hin und *made accidents happen*. mit aufnahmegeräten, samplern, gitarren und analogen synthesizern. *automaton* ist eine präzise und sanftmütige traumlandschaft, die sich mal solcher musiker wie gas, boards of canada oder auch vangelis besinnt, wie auch brian enos und jon hassels album *fourth world*. die vinyl-lp erscheint inklusive downloadcode.

lones second album from 2008 for the first time on vinyl! standard black vinyl pressing, download code included.

nice price deal !!! lones second album from 2008 for the first time on vinyl! limited pink vinyl pressing, download code included.

an imagined soundtrack album to a film that doesnt exist. you will be hard pushed to hear anything as original of this calibre all year.

warp präsentiert mit der cargaa ep-trilogie die underground-grime-szene von lissabon, wo junge produzenten polyrhythmische inspiration aus der afro-diaspora zu einer elektronischen clubmusikmutation verarbeiten. die erste ep stellt fünf junge künstler vor, darunter die szenestars dj marfox und dj nigga fox. der begriff -cargaa- kommt aus dem straßenslang lissabons und bedeutet heiß, geil. 12 inch mit bedruckten innentaschen plus downloadcode.

(mark e remix) strictly limited to 300 copies. iron blu displays shades of chicago house, machine funk, krautrock, and detroit techno in equal measure.

when your debut set on pete tongs essential mix starts with masters at work remixing saint etienne and ends with kraftwerk, the tunes in the middle better hold their own. that was the challenge mobilee head anja schneider set for herself on her recent addition to the legendary bbc radio program, and she delivered with the help of a debut from maya jane coles, a classics from underground resistance, and an airing of her own latest, jimmy, which, with its propelling conga loop and haunting organ climax, made for one of the most memorable moments of the two hour session.

lorca is up next on naked naked with his new ep calcutec/ndlamu. developing on the momentum of *forgive me love* and *naoko*, which gained support from the likes of bonobo, maya jane coles, pete tong and other prominent figures, lorca returns to naked naked with three new cuts that have their eyes set firmly on the dance floor.

following on from the sublime debut ep from all is well, luca bacchetti is proud to present eduardo de la calles >sanskrit veda< ep as the madrid-born artists drops a scintillating four-track ep of hypnotic techno on the endless imprint. the artist who has issued music on cadenza, mule and his own label analog solutions, created the >sanskrit veda< ep while producing from his ashram home set among the mountainous area of malaga. little surprise the tracks should take on a particular transcendental vibe, as eduardo spins gloriously otherworldly techno across four timeless creations.

alland byallo returns to his own bad animal imprint with two dark, hypnotic, broken techno gems. the title cut features the gifted aquarius heaven on vocals, while byallo himself blesses the mic on good hurt. uks finest, mosca, flips dead ringer into a psychedelic dance floor burner. this unique, timeless record marks a triumphant return by a true underground stalwart. art work by byallo himself. good hurt was featured by medlar on his 22 tracks ade special selection. support and/or positive feedback from four tet, josh wink, john tejada, efdemin, maya jane coles, axel boman, dave aju, andrew grant, basic soul unit, dan curtin, re.you, robert owens, cevin fisher, joris voorn, davide squillace, coyu, brothers vibe. and many more.