the boys are back ... back with another banger too. definitely the best little label doing the rounds around these parts of late. viennas luv shack records continue with the good groove venturing once again into suspenseful house and disco.
this time the turn of lesale to pull out the big thick juicy drums and chunky basslines for which luv shack is making a very respectful name for itself. guaranteed heavyweight thump when you flop the needle to the left side every time with the luv shack.

nice price deal !!! being in the same gene pool as pat sharpes hair is enough of a stigma to steer any young djs career off course - deep in the discos of pop trash. fortunately for metaphi / metske, although still benefitting from the same glossy 90s locks as the radio-jock/distant uncle, musical inspiration came from more complex climates. wigflex006 acts as a fine electronic switchboard to metaphis archive of talents, a complicated circuit board of the experimental ranging from hip hop, idm, and garage to blues harmonicas and classical rifts, seamlessly melted into one gloop of green circuitry where each musical discipline must co-exist with another. as metske the bpms hover around 95, the framework is hip-hop, the sound often skwee but the influences thereafter are endless, slow train blues clicks its way through a steam train intro before marring the lines between electronic music and the blues with a self-composed harmonica rift worthy of howlin wolf. at the same tempo spin states delves into the cosmic with pipey neon chords and bit-crunched bass: sega mega drive boss level business. metaphis taste for big room techno is blatant and genetically wigflex over sharpflex, and in terms of nationality its mongrel, half notts, half eastern europe. with concious mentis hes keeping things minimal but charged from lower frequencies and messmode progresses with some serious dancefloor swagger.

galaktika and apersonal chef maurice aymard delivers 2 original productions with singer yetta in his distinct slow disco meets tech style we know from his productions and remixes for the likes of gorge and compuphonic. deep vocals from yetta are layered on top of a solid groover with suprising guitar parts giving an almost balearic feel, though firmly keeping the groove tightly locked. remixes comes courtesy of fellow south american and exploited records shooting star joyce muniz as well as the dynamic uk duo craig torrance & finn casey. while joyce muniz delivers a version for the deeper floors with her ilegard remix, her dejando remix is perfect tracky peak hour fun. the torrance & casey remix concentrates on a modern touch, giving the original a slightly more electronic feel.

limited to 200 copys only!
the excellent album >ground bias< was very successful amongst this genres fans. now with >ground bias: the remixes< we dont want to lower the level so we have gathered the best artists to create an ep full of feeling and quality: iron curtis, nhar, mikkel metal, dactilar and pablo bolivar.
they all have shared mutual respect and support for each other over the years, and their releases in kompakt, echocord, mobilee, desolat, mule, morris:audio or regular endorse their work. 5 tracks that will make your mouth water from the first moment. another great contributionto high quality electronic music.

as ajello say:the idea for a cover version of n.o.i.a.s looking for love was born a couple of years ago - an idea of alessandro piatto, younger brother of davide piatto, original member of n.o.i.a. as soon as alessandro proposed it,we asked whether we could have the original tracks but, unfortunately,they have been lost over the years.immediately his brother davide brought together the original lineup of n.o.i.a.and locked them up in the studio to record the voice from scratch and some of the synth parts. our intervention was first on the drums, replacing the original for a more uptempo beat, and then the bassline, shaping it to a more modern sound. the vocals were treated with filters and echoes,and we also added some new guitar parts and synth lines. it was an honour to us, ajello, to bring to light an italo-disco classic that has really influenced us and we have put all our efforts to create a version that is timeless, as much as the original.

prplxs entitled fabric of space explores the deeper side of the breakbeat spectre. clever drum programming as well as going in a bass shakin direction, it reminds us of early bluenote & speed days but definitely with a modern touch. these tracks are another testament to prplxs love for the breakbeat. also included here is the roadtested taiga track which starts of deep and hypnotic but surprises you with the harsh amen drop, raw synth and dark male reggae vocal, do we hear a r.e.w.i.n.d.? the album will be released in two parts, the first one is a 250 handnumbered edition on 180 gram crystal clear vinyl (with special 75mm labelcopies and innersleeves) including free mp3 download codes and wrapped in a sealbag. all tracks have been mastered by stuart hawkes from metropolis london. support comes from all the usual suspects. on a first come, first served basis only

with daughter & son on the b-side of the vinyl, the freiburg native presents a groovy, playful and impulsive sound that is guaranteed to let a summer feeling arise. set between classical techno and modern tech-house the title track daughter & son points consistently towards summer. patrick kunkel & dirk redmer refine their remix with a hypnotic bass line, but then let the track, with its dub elements and the choir parts, drift so incredibly beautiful into the sunrise, that one would wish for an infinite loop. the beach with its more playful harmony feeling and percussive gantry gives a first taste of the open-air season 2012.

highly recommended!unity is the first single taken from third sides forthcoming album unified fields, that will be released on restoration records in september 2012. third side is the project of the analogue cops and panorama bar resident steffi, their collaborations, which have been released exclusively on restoration, have been of the most interesting jams of the last years. the original unity, a fat overshadowing deep techno track, written and produced only with machines and recorded on tape, comes with 3 massive analogue remixes. the rework made by blawan (sheworks/hessle audio) smashes the parts of the composition with overbearing oldschool british manners and the result is a broken shuffled industrial hammering. on side b, steffis remix is relentless, rushing and carefully build:her attention for the processing of every detail transforms the original tune into an hypnotic breathtaking excursion. the last treatment is performed by the nightjars, an unidentified project that has brought down a particular attention for its debut ep on vae victis records. with a bossy employ of the most advanced analogue equipment, the nightjars slash an incendiary attack of warehouse garage.

this third outing expands further the mosso musical range, presenting alejandro mosso in some of his most rhythmic and yet, dreamiest atmospheres. unlike mosso002, which got the producer to hunt in his forgotten documents, both airs present on this record have been impetuously developed over the last few months. on the a-side, pleamar is a driving number which boots with a hypnotic metallophone pattern, slowly giving way into a electro (rga)nic piano fest, which in turn twists itself into bent, crushed and perverted synth whistles. this a-side has been designed keeping the lower half of the body in mind, offering full waves of joy and jubilation! now that you are grounded enough, how about flipping that record and meeting us on bajamar - low tide, litterally. on the shores of this b-side is where a wonderful landscape of shimmering spray and glistening stars await you. here again alejandros ability to bring together biotic and mechanic in a homogeneous unity is best revealed. in a magical tour de force, bajamar sends tingles from the base of your heels, up and all along your spine, into your crown, triggering instant wonder, reveries and realisations.

belgian producer, tim van de meutter, aka locked groove, returns to hotflush for a second ep following the success of januarys pivotal rooted release. keep it simple comprises three weighty examples of why the young producers unique fusion of big-room techno and moodier, deep-house elements has been resonating so loudly of late. central to the ep is simplicity itself, how simple structures create something larger than the sum of their parts as >keep running<, with its rattling percussion, acidic bass stabs and euphoric builds, flaunts to the full. >aller simple< adds swing to a similar palette that is as stripped-back as it is heavy-duty. force is replaced by introspection on vinyl-closer, >even< – an inebriated voice reverberates over whispered organs and an understated groove.

after whalesongs huge run on trelik, och represents his new four tracker: roadmaster on all inn. aside comes with roadmaster, an almost nine minutes long flash on the time-travelling train, and before the road ends a voice tells us gently that we are close to the borders. on flipside the brotherhood of spacey tribalism and twisiting house-rollers is visualized by the parts of fever dubs. stunning package by the hands of the english wizard,och.

early support by adam x, kyle geiger, jonas kopp, and, arnaud le texier, freddy k. resiliens recordings is not only a simply independent record label but it presents itself as a project much more detailed and complex. it wants to be an idea, an impulse: the paradigm of artistic, visual and sound contemporaneity. the purpose of the group is to reinvent, assimilate and re rework the contemporaneity according to an independent and multifaceted artistic sensibility. according to its intrinsic meaning, resiliens was created with the intention of creating a new way of thinking and making art, able to react to external influences of modernity, transforming it without getting stunned. the genesis of a movement that embraces every artistic aspect, in a profound synergic interaction and collaboration between heterogeneous parts whose point of arrival is a complete artistic experience, in its deepest sense. the final goal of resiliens is therefore change the existing schemes, through clear and obvious messages around the entire artistic path: from production to exposure.

full pupp helps another new outfit into the saddle. even though esteemed norwegian dj ole martin vilberg aka omar v and robin craaford, one half of dance disorder with baby g (bpitch, eskimo) are hardly young guns, they gang up together for the first time on complete: a blinding cut that harks back to the time with good ol jack was still the young buck and closely associated with uncle electro funk: tough beats, hyperactive claps, a jittering bass and a catchy, squeaking melody are still rattling bones if masterfully pieced together as it is done here. the guy most closely related to the italo sound out of the whole norwegian disco bunch chucks the more intricate original rhythm but goes hypertechnicolor and widescreen on the synth parts boosting up the originals melody, throwing in a nod to happy station and a hi-energy bassline.

when the house music phenomenon was beginning, chicago djs like ron hardy and new yorkers such as frankie knuckles and larry levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. warehouse classics vol.1 holds 4 killer tracks going from obscure disco to new wave, first popularised at the music box and rarely heard anywhere else. sir leon greg (another incarnation of perseus traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. these are basic, raw ideas thrown down quickly and capturing the energy on 1/4 inch tape before moving on to the next set of sounds. musically, its as delightfully funky and uncomplicated as youd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. essential item!!

surplus ships is sort of an odd - beat based - vinyl version of pomassls spare parts album (raster noton 2009). with hints from his excellent skeleton material released by sabotage/laton/sex tags mania (1996-2007) his new mini-lp takes fragments of dubstep, techno, skwee, even oriental atonal melodies and merges it with pomassls signature industrial attitude and avant sense of compositions. enter the quality sonic world of pomassl.

a couple of months after the release of sweet nothings, dapayk & padberg are once again treating the vinyl-heads amongst us to a 12? consisting of a sunny selection of the albums core material, just in time for spring. kicking off the a-side, berlin summer nights is nothing short of an anthem: classic rave sounds of epic proportions glide through an arrangement of bouncy beats, crisp percussive work and hopeful vocals until a powerful breakdown delivers the hands-in-the-air moment. this year, summer has come early. next up, the sun came up bedazzles with a pumping beat and robotic vocals, while a progressive synth lead helps along the track’s love lyrics, turning this into a truly stunning musical moment, which already proved its power at sweet nothings’ heart. on the flip, dapayk & padberg present the albums opener, the trippy too lazy. here, were dealing with a rather brooding afterhours number that is equal parts paranoid and mesmerising as a wonky bass vibrates under dubbed out pads, eerie synths and vocal whispers. the perfect antidote to the cheery a-side!

excellent todd terje & i-robots remixes !
todd terje s superb reworking of the units classic high pressure days , todd terje twists the original parts into a high intensity, floorfilling anthem driven on by live drums and warm analogue synths and bass. this is a mix that retains all the character of the original whilst bringing it bang up to date with an inspired take on this great record. available for the first time on a limited press since 2012. get on this fast or miss your chance of owning this todd terje masterpiece on vinyl.

record store day is synonymous with exclusive and limited releases and this year is no different. featuring a collaboration ep with adrianyounge from venice dawn and black dynamite fame and adrian quesada from the echocentrics, ocote soul sounds, brownout and grammy-winning grupo fantasma. a first name is not all adrian younge and adrian quesada share, they also both have an equal love of the psychedelic, the cinematic and at the root of it all, soul music. so it was inevitable that a collaboration would eventually come to fruition. mutual admirers of each others work, they first met at the sxsw music festival while on the same bill. both began their production careers on mpc and taught themselves various instruments to further capture the symphonies heard in their heads. fresh off his current solo project something about april under the moniker venice dawn, adrian younge found time to create all new tracks with adrian quesada who just released his echoland tribute to timbaland with the echocentrics. although both are distinct artists in their own right, they are cut from the same cloth with a signature sound thats equal parts morricone, early portishead, wu-tang and 60s psychedelic cinema soundtracks. their combined efforts on this ep guarantees a double dose of the sound we have come to expect from these talented individuals.

the collectable artifact imprint is taking a detour from incendiary and obscure disco re-issues into releasing even more obscure material. mysterious italian electro-wave band cristalli liquidi are featured here with a killer rare italo gem produced by tinto b. (also known for robots are un-american, re-released on italians do it better last year). inspired by a lcd soundsystem song tinto b. comes with this great record! we cant find the connection to the lcd soundsystem track that supposed to have been his source of inspiration, and actually we dont care... its some of the best recent italo disco we ve heard in a while! if you are big on italo vocals the a side is for you, if instead you dig deep electro disco but without the chanting, the dub version on the flip side will more than certainly send you into italo space. another hot artifact release from mr. bottin. tip! (limited supplies!)

part 1/3! the treibgut sonder kompilation consists of tracks by artists which played at the treibgut parties over the last five years. the opening track is the perfect warm up for listening to this compilation. chris established an ideal symbiosis of a smooth bass and a warm vocal line quickening your appetite for more. a groovy funky filtertypen track as we love it. you can spot their hip-hop roots in the vocal parts. the tight kickdrum contributes the uplifting punch making this track defintely a dancefloor tune rather than a warm up. a groovy piece of house music with a spherical break and a deep bassline for our brothers and sisters. this is a slip- proof track with a catchy vocal – definetely causing fun. deep, warm and drifty – this track is putting you in the perfect mood for enjoying sunset in the meadows or warming up at the club. if you cant let go and relax with this track you are probably a hopeless case.

moon harbour artist chris lattner joins up with karina junker for his perhaps last original track. >so he finally called?< rolls with a deep flow and melodic sound bites to the floor, while karina speaks with an incredibly sexy timbre. fabian reichelt & raycoux jr. & stefan barth - whether as driving, clubbing tech house, atmospheric deephouse dub or fabians slow down elektronika remix - by piano and voice all obsirnth variations get obtained in their own distinctive touch. latest news of raycoux&barth, the guys did it again with their new release >swing it like<. combined with / coupled with short vocal parts the catchy maintheme whips to the front. suitable for the dance floor from first kick until last hi-hat. with >deep flower<, pascal augner aka beatamines supplies a friendly tech house track that already divines the open air spirit. after his album on damm records, the erfurt guy is back on polar-rec to live out his deeper side. completly new is max nippert a young talent from gera. last year he earned a lot of respect at berlins club kater holzig with his energetic dj-sets. his first release is a bulky but atmospheric techno track.

following her flowerhead single which was backed with a hugely successful spencer parker remix, swedens la fleur returns to her own fledgling power plant imprint for it s third release, eavesdropper. strong, melodic and timeless house music paired with stunning artwork, power plants remit is a simple but attractive one. the beautiful images of olaf hajek, wilfried pordiech sätty and now hans arnold provide a striking outer to a core that, in just two releases, is already essential for many a house fan. former dancer sanna la fleur, label boss and the artist in question for the label s third 12 inch, employs a variety of sunny major key chords and whispering female vocals on title cut >eavesdropper< to great ends. spacious and gentle yet undeniably propulsive >eavesdropper< is an infectious skipping groove with a strikingly beautiful feel underpinned with nagging bass. the flipside cut tjuvlyssnerskan takes its name from the swedish feminine noun for eavesdropper yet reverses the gender of the vocals of its counterpart. added dusty loops, poignant pianos and another weighty bass create a piece of house that much more than the sum of its parts. the > eavesdropper< is another triumph for the power plant label and la fleur while also being a shining example of how to release records with love and care.

prime numbers returns with a series of remixes of trus me favourites, including treatments from a host of current cherished producers. the 12 inch features the mdr records duo marcel dettmann & norman nodge. dettmann takes a diversion from his more familiar techno blueprint, working sweetmother into a tight house groove. intensifying all parts of the original he creates an insistent and deeply pressured production. on the flip good god gets dubbed & smudged into a beguiling ghostly haze. nodge completely reworks the mix stripping back & filtering the elements to fantastic effect. watch out for remixes from terrence dixon & dvs1 on part 2 in this series

whats this tune? is a question djs are asked frequently, though very rarely by each other. >amame< has been floating around a very select dj circle on limited vinyl pressing for some four months, and the question has evolved to >how can i get hold of this tune?<. amame is a murk production from oscar g and ralph falcon under the guise of intruder. any murk production is a rare thing, and a record of this quality and breadth of appeal is perhaps even rarer. effortlessly straddling the often tricky to navigate border between house and techno, it features one of the most hypnotically memorable vocals of the year courtesy of jei. already being championed by the likes of kerri chandler, dennis ferrer, seth troxler and even ricardo villalobos has ensured that all those loitering around the booths of dc10s closing party and fabrics birthday were enquiring of its story. now the story can begin to be told… for part two radio slave gets both sides of the record to render his unmistakable style and production qualities to the original parts. these versions are super heavy and intoxicating even by his standards. hand stamped white label pressing

the ava. family gets bigger! splitted into 2 parts, the concept -köln- combines the most versatile house acts of cologne. damiano von erckert, murat tepeli, head of yore andy vaz, funkycan, ugly drums, martin beume and harry swinger aka superswinger of rush hour. each of them combine one thing: cologne and from now on -ava.-. here we are with another piece of good fresh house & techno productions from one of the most promising labels from germany! as always plugged in handmade cover!

christian comes back in perfect shape for our polegroup number 12, with his trademark techno sound, punchy and full of soul.this three tracker ep shows new progression on christians skills, improving his studio weapons on behalf of a redefined sound approach.planetary alignment opens the a side with dark reverberated beats, fixed sequences and fm bass. subtle spoken vocals appear in the middle of the arrangement till more synth sequences are added to create a pulsating and spacey feeling.seismic waves continues on the b side on a more relaxed vein, where the drones are the starring element, drums are more mental, and also the tempo is lower.pole shifting has another point of view, going deeper into the sound, with detroit style stabs, strings and percussion workout. a track that is for the mind as well as for the body.a complete release with a wide sound palette, showing one more time the studio skills of this veteran who is constantly reshaping himself, but keeping pureness in essence.

its a great honour for us to be able to present conrad schnitzlers last work. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. its like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young artists like emeralds and oneohtrix point never. wihtout his solo works and his projects kluster, tangerine dream and eruption electronic music wouldnt be the same. the tracks on the vinyl edition are in the order sides a,c,b,d. this allows you to make your own mix of this big work.

title track -dust- launches the ep into an immediately throbbing groove, rung through with the dissonant clangs of the genre s cold, machine-obsessed heritage. this hydraulic homage is succeeded by -overshadow- —a closer inspection of techno s cogs and wheels that sees volkov tinkering with its parts over 9 minutes of cumulative atmospherics. endless—the new collaboration between alistair wells aka perc and giorgio gili, based on speedy j s electric deluxe label—offers a hypnotic remix from their pooled influences of brian eno, byetone, robert henke, irdial and ifach. here volkov s dark and growling slow-burner is stepped up into an octane workout, dressed with gili s minimalistic traits and seasoned with a spot of perc-style abrasiveness. -corner- is dust ep s provocative closer. driven by anxious, incessant hats and syncopated hisses it uses suspended melodic morsels to work itself into a beguiling anti-climax that leaves you begging for more.

bristol hub soul motive scored a massive coup in enlisting punch drunk boss peverelist to remix >stableface<, one of the standout tracks from clouds of moments, the 2010 debut set from lithuanian experimental dubstepper eleven tigers. that they choose to complement it with two further remixes is tantamount to treating us, with both dark sky and macc on board to further re-contextualise the cracked atmospherics. in the hands of dark sky, >stableface< is twisted into a brooding dark side steppah with subtle hints of jungle pressure pervading the lower reaches, the 50 weapons trio playfully teasing with the vocal before dropping in a bassline that can only be described as rude. on the flip, macc showcases his enviable drumming skills with a heavily cinematic roller of a remix dominated by those rumbling, live rhythms

einmusika015 comes with three new tracks from einmusik itself. the opener qazaqustan is already club checked, this dancefloor-track with a foreign guitar next to a peak time bass and distinctive melodic finesse in every second, will not go out of your head for sure. die oni and bambataa are poppy numbers taken from the new album oceans bottom summer-openers with dizzying atmospheric parts and a lot of power. the einmusika15 is the third part of the ocenas bottom vinyl serial.

bill youngman has become one of the most important parts of the killekill family. his new record displays his wide range of interests: from dark techno in shadent he crosses over to drone monster alert in wespe to his very own style of melodic electro in centrumcircuit. about bill youngman: scandinavia, tresor, null etc., bill has from day one been producing a lot of excellent other stuff. for exam- ple, he released one album of the finest electronica on depth charge’s dc recordings under the alias audible, several great eps of electro on serotonin and recently remixed jamie lidell in a rather techy dubstep style for warp. bill doesnt follow trends and dislikes being categorized into one stale genre and so perfectly fits into the killekill master plan. expect several eps from him on killekill in the future. bill will furthermore attempt to push the threshold of modern electronic music production.

a symbiosis of two perfectionists who would like to surprise with something new and got lost in the deep widenesses of techno. now, zdenko grbavac and morgenklang let it come true and release their first record in common. the two tracks are technoid, impulsive and surprising at the same time. >epos< comes out on top at the middle distinctivly. the tracks baseline is remindful of the early 80s synth-pop and sounds in combination with the remaining parts like an unstoppable train. the track >novum< is a monster of chord and pushes relentlessly. however the athmosphere creates a certain easiness and moves the audience in a dreamy state.

limited clear vinyl edition... phat detroit like

we are delighted to present roland klinkenbergs now what ep. dieb audio boss john dalagelis strips down the parts of now what and delivers an absolute old school tech version of it, this ones not to be missed!

vboth parts of huge hephners >nymphotech< (siteholder 008 + 009) as one limited double-vinyl-pack!

played and supported by luke slater,and, cedrik, marcel dettmann,inigo kennedy, norman nodge, dadub,conrad van orton, audio injection and more.timber-seeking and testing are the key for ang,a label engaged in a large range of electronic music.this label wants to transmit the direct action of sound on the soul.composition comes into contact with the soul and establishes the resonance.a label that cant be described simply by being ambient,but surely it is a label with music suspended between astraction and representation,a synthesis of external vision and internal contemplation.a long journey called ang this was the presentation of the concept when gianluca angelini began his digital label. the time is past and the love for electronic music, his background, and feedback from many great artists made sure that ang born vinyl. and here we are.the first vinyl ang is completely electronic music (as always has been)! the labels owner shows three tracks.in the a side,sound p.q.r. is a reminder to all that influenced the musical life of the artist.rhythmic breaks. hypnotic sounds like a battle game.tb - 303. classic vocal samples of the first series simon harris.edge of kaos is as confusing as the title describes it.fast rhythmic breaks alternate with moments of reflection, then again kaos,frenetic and abstract rhythm.the nonsense that so influenced generations of electronic music lovers.the b side is luke sinewalker.a journey through the hypnotic parts of a pure electro!this is just the beginning.we confirm for the new vinyl label a long journey called ang.

more vinyl remixes from psychemagik with the long awaited official > dancehall days< remix sanctioned by jack hues from wang chung himself. jack liked psychemagiks re-edit of dance hall days so much he contacted the duo and offered them the parts for an official remix. the result is a monster dancefloor friendly beast that is true to the original edit but with some extra magik! limited edition white vinyl release limited to only 500 copies, dont sleep! psychemagik stand out from the crowd with high production values and innate musicality. i usually find remixes tedious, but this takes you on some off-world journey – very cool. jack hues (wang chung)

after the excellent debut album >parts unknown< on endless flight, canadian disco master is back with brand new 4 tracks. >tunnel mountain< on a1 and >iceline< are kraut rock oriented barealic house. if you are following the music of eddie c or mark e, you will definetly love these tracks

saved welcomes hector for the 2nd release of 2012. the mexican artist presents his debut release for the label called l.a kr3w. possessing a disco infused groove, the track advances with drops layered with rocketing white noise and oscillating effects.
over on the b side detroit legend stacey pullen serves up and amazing remix. containing a grooving bass line and some of the original parts the record progresses with intelligent chords and trippy atmospheric layers.

the newbies s100 had a strong year in 2011 with their self-titled debut ep on stockholm ltd. an ep that generated a great deal of buzz before its release with support and plays coming from artists like dvs1, marcel dettmann, ben klock, james ruskin, inigo kennedy, shifted and peter van hoesen. s100s kalibrator and murphy tracks sit on the a-side, with a classic techno formula that includes both an intro and a main track. once again s100 leaves us with nothing else to wish for. staffan linzatti is a stockholm ltd veteran and has been one of the label owner par grindviks favourite artists for years. in 2011 staffan started his own imprint, searchlights, with the first release assembler heading straight to the hearts of the techno purists. searchlights is a label to keep an eye on and will be staffans primary focus for the future. staffans contribution to sthlm ltd 023 prophet of regret comes in three parts, one main track and two interludes which all are wrapped with emotions and strength.

what can we say about this ep ? not much. this is a very well known house artist who wants to keep his identity secret. he sent us some parts of his old 90s house tracks and luckily they were remixed by our good friends coat of arms and breach from uk. this is a very special release for us. enjoy!

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

for our 77th release we are happy to welcome back bart skils. on the remix nicole moudaber retains the intensity but strips it down to accentuate the swollen beat pulses, creating a harsher dance reality with lower pitched moody bass thuds and gritty echoes. groovy main room mastery!

dan deacons first albums from 2003 available for the first time on vinyl. first record comes green marbled, second is orange marbled. includes code for free digital download.

welcome back to the underground is a limited pressing dj swiss knife essential for every field with : the ultimate >disco night< edit, filtered by hundred processors from ssls to digital t-racks and focusing on the house music roots parts of the song, pure feeling.a totally unknown house track remix. cleaned and converted with the latest technology, this is an extended straight 124 bpm real 4x4 tool here, completely exclusive, never been released before. high demand on this.on the b side a dj tool cut of >stebenis theme< that is circulating in detroit and paris since quite a while and inspired a well known existing white label. ranging from sound sculpture morphed to proto afro dub house, 125 bpm, resync edit at 1/32 bar, harmonized fx & drumkit to the original beat. on b2 a very special slow house/nu disco version of >adventures in paradise< melted to samp les including the same theme with a backside 80s funk clap especial : a diggers heaven. the vinyl cover is hand stamped with the a logo designed by a famous street art painter.

the >spectrum riff< ep comes from moscow based beat maker and full time firefighter alexander goryachev, otherwise known as 813. five original tracks bursting with juicy synth lines, retro drum machines and waves of thick sub bass, culminating in a sound that is one part boogie, one part hip hop, one part electro and three parts forward thinking bass music. slugabed (ninja tune) appears on remix duty with a drum heavy workout full of shuffling percussion, deep basslines and strong melodies. 813 has been operating in the much talked about russian beat scene for a couple of years, appearing on error broadcasts >fly russia< compilation and kicking off the rad collective label with the >back in space jungle< ep. he has another ep on rad dropping this year along with other projects and collaborations in the pipeline. as a live act he has supported moby, doom and hudson mohawke. the spectrum riff ep has been a long time in the making, its been worth the wait.

this is the first part (of four) of the much anticipated reissue series of drexciya s early catalogue, marking 20 years since the release of their first ep deep sea dweller , and 10 years since their final album grava 4 . one of the most influential techno acts ever, and part of the heritage of detroits underground resistance, drexciya explored techno like no-one else before: raw and uncompromising music that reflected the harsh environment of the city where drexciya was conceived, with a mythical approach that only added to their cult appeal. drexciya arguably stands for the darker side of techno and electro, made not only for the club scene, but a further development of the music as an expression and extension of the mind. journey of the deep sea dweller is a near-complete collection of their early works, released in four parts, with all audio remastered from the original master tapes. since the original releases have such a strong character and stand on their own, these reissue can never recreate the magic of those originals. instead, clone have stirred up the catalogue, taking tracks out of their original context, giving the committed fan a fresh experience and the new listener a document that is the best possible introduction to the aquatic world of drexciya.

a phonographic delicatesse!john tejada, souki, scsi-9, polar lights and other international heroes from the pro-tez crew unite as the knights of the sad pattern and invite you to a deep journey through 8 swirling house grooves. spiced with vocal parts by dasha pushkina, stylish murphn, uhanoff and timothy leary they bewitch you with a touchy and soulful probe of groovy yet still deep house sound.

both parts of the >universe< ep by denis a as limited double-pack. including remix by king unique.