part 6 of the gunsmoke series on limited 10 inch vinyl.

alabaster deplume is not doing things properly. hallelujah.

stay sick presents ten inches of mean sleaze and kookie far-out bongo blasters.

volume 2 in the stag-o-lees series with more blues & rhythm, popcorn, exotica & tittyshakers on limited clear 10 inch vinyl.

volume 1 in the stag-o-lees series with blues & rhythm, popcorn, exotica & tittyshakers on limited clear 10 inch vinyl.

volume 7 in the stag-o-lees series with more blues & rhythm, popcorn, exotica & tittyshakers on 10 inch vinyl.

der wahnsinn hat methode: neuinterpretation der dub-blaupause -super ape-.
nachdem er sich mit sir coxsone, dem legendären chef des kingstoner labels studio one, zerstritten hatte, gründete lee perry zuerst seine eigene band und dann, 1973, im hinterhof ein eigenes studio. was aus der not geboren wurde, entwickelte sich zu einer einzigartigen erfolgsgeschichte. sowohl mit den upsetters als auch dem black ark schrieb perry musikgeschichte, insbesondere durch das 1976 veröffentlichte -super ape--album, auf dem er gewissermaßen das genre dub auf unbekannte weise aus dem mischpult brodeln ließ. für perry ist das studio wie ein lebewesen. ob er es wirklich so empfindet, oder einfach nur zu viel ganja in rauch aufgehen lässt, aber bei perry ist das equipment organisch, empathisch und intelligent. der clou: so hören sich die resultate auch an! lange bevor man das sampling erfunden hatte, schichtete er tonspuren aus tiefen bässen, echos und hall mit diversen, selbst aufgenommenen, gerne rückwärts laufenden klangsequenzen auf-, in- und übereinander. heißt: perry war der erste produzent, der anstatt der band die musik machte. das brachte ihm unter anderem den titel salvador dalí des dub ein. dass der Über-80-jährige bis heute nichts von seiner experimentierfreude verloren hat, zeigt der mit dem new yorker subatomic sound system besorgte re-edit seines meilensteins.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. past due have taken the welcome liberty of repressing this monster slice of disco-soul from moores catalogue for us all to enjoy and spin on today s dance-floors. do you feel like party? is a rare early 80s jam from the man and features all the hallmarks of his unique sound and style.this dlp features every (incredibly rare) single and 12inch that lee produced under his name and different monikers. essential boogie business!

without knowing it, you’ve probably heard kelly lee owens work over the past few years: the 27-year-old london producer contributed vocals and writing&#8239,,,,to several tracks on fellow uk techno wizard daniel avery’s debut lp, 2014’s drone logic, and she’s made waves with a pair of limited-release 12” singles showcasing her gifts for spectral, hallucinatory pop. on&#8239,,,,the “oleic” ep,&#8239,,,,her debut release on smalltown supersound, owens flexes her considerable muscle as a dance producer with four luscious, deeply satisfying slices of big-room electronic music.

der titel ist programmatisch. 1976 im new yorker hunter college aufgenommen, steht der große blues-sänger und gitarrist john lee hooker alleine auf der bühne. nur auf sich selbst konzentriert, spielt er den blues in seiner reinsten form. dieses album wird nun erstmals auf vinyl veröffentlicht (downloadcode inklusive). dies ist teil 2 der aufnahme seines legendären konzertes in new york, was ursprünglich auf dem label tomato veröffentlicht wurde. wie ein jazz-musiker, liebt john lee hooker es zu improvisieren. so sind die hier vorliegenden versionen einiger seiner größten hits wie “boogie chillen” und “hobo blues” einmalig - im doppelten sinne dieses begriffes. der im jahr 2001 verstorbene john lee hooker gilt als legende seines fachs. er spielte in dem film “blues brothers” mit und ist unter anderem mit einem stern auf dem hollywood walk of fame, der aufnahme in die blues hall of fame und die aufnahme in die rock and roll hall of fame geehrt worden.

volume 8 in the stag-o-lees series with more blues & rhythm, popcorn, exotica & tittyshakers.

after an incredible whirlwind of a year lee foss returns to the culprit fore with >your turn girl<. foss is the labels most consistent and prolific artist with this ep being his fourth release, solo or as part of hot natured. it is safe to say, lee has become one of the pillars around which culprit is being built. the >your turn girl ep< carries foss signature hallmarks: melodic funk-infused basslines, vocal hooks that grab you from the off and a smooth electronic edge. lees incredibly emotive sound makes him stand out even in the current glut of soulful dance music washing over the global scene. your turn girl – the title track is an epitome of foss >ominous funk< style, playful yet with a distinctly sultry edge. yet another memorable r n b female vocal bit sits on top of some of lees own best synth work. and driven by a killer analogue bassline. >pyramid scheme< –bristles with the disco-inspired propulsive energy. an acid-flecked low end, that comes to the fore mid-way through, a swirling guitar sample, the crisply sharp drums add up to the releases, perhaps, most hands-in-the air moment. >cabin party< continues the themes lee explored with his mega successful hot creations ep. foss eschews the standard house beat yet again, opting for his most organic drums yet, stunningly conceived textures and melodies, with another pair of vocal hooks to die for. finally >warriors< has been a staple of many a culprit dj set for the best part of 2010. lees trademark combination of a terrific electronic bassline, and an unabashedly emotional sample work make for a deep house stand-out tinged with a sense of nostalgia.

part 2 of dave lee’s produced with love series on double cd.

6-page feature in the wire july 2014, featured on the hyperdub 10.3 compilation following up from the success of his emphatic pan releases dutch tvashar plumes and diversions 1994-1996 in 2012 (2 in facts albums of the year) pan is excited to announce koch (pronounced cotch), the new album from brummie/londoner lee gamble. sharing some stylistic affinity with his previous records, which excavated his deeply personal history with uk jungle and rave, and techno, this new work dives even deeper to reveal a singular and intimate musical vantage point, shifting to approaching music as projection, state,hallucination, an other place.

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rediscover the most sampled original blues tracks in music history on this double vinyl compilation.

huge christmas hits like last christmas, fekiz navidad etc !

white vinyl incl yello, velvet underground, billy idol, kool & the gang !

rock

emma-lee moss aka emmy the great presents her new album “april”. pressed on 180 gram vinyl with download code and lyrics poster included.

colin potter is a sound engineer and musician currently based in london. he has worked within the fields of electronic and experimental music for over 35 years, collaborating with the likes of current 93, the hafler trio, organum, andrew chalk, and most notably as a key part of nurse with wound alongside steven stapleton. he started the esteemed icr (integrated circuit recordings) label in 1981 releasing a clutch of wonderful home recordings of his own, over half a dozen small run cassette only releases. ‘the where house?’ was recorded in 1981 at ic studio, a converted wash house in sutton on the forest in north yorkshire. the album was self-released on cassette that same year via icr. this expanded double lp edition features all 13 tracks from the original tape on vinyl for the first time plus 4 bonus tracks. ‘the where house?’ is a prime example of early uk post-punk/industrial electronic music. “combining dub, electro, and krautrock rhythms with psychedelic, kosmische noise in multiple mutations ranging from almost pop-wise songcraft to horizon-scanning motorik flights,” says boomkat. most of the damage was done by colin using guitars, synths, sequencers, drum machines, percussion, and modified toy keyboards with fairly primitive 4-track recording equipment. he was assisted on some of the tracks by stephan jadd-parry (guitar, percussions), jon caffery (guitar, bass, e-bow, percussion) and nick jackson (synth). all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the record is sleeved in a replica of the original cassette artwork by jonathan coleclough. every copy includes a double sided postcard insert with notes from colin.

happa kicks off the year with the third 12 on his pt5 imprint and the first of several releases planned for the mercurial leeds producer in 2017. lead track “bum trance” pitches futurist drexciya synth optimism against frantic metallic drum programming adding another level to happas increasingly diverse production armoury. intense punk techno monster hallunciations first appeared in 2015 on various mix tapes and radio shows and now appears in its full release to complete the 12inch

holy grail of memphis boogie funk! subway featuring wave is an absolute gem of a mini lp and is reissued for the first time ever on past due records. original copies are known to fetch in the thousands... produced by lee moore with stax musicians, including guitarist michael toles, keyboard player lester snell, and drummer willie hall, all members of the isaac hayes movement. he also hired bassist ray griffin who recorded numerous sessions for both stax and malaco records.

jo waddington puts into herves two-part album, filled with more of his infectious open minding staples alongside a selection of down-tempo gems.

limited 2015 repress, marbled pink 180gr vinyl , just 200 copies , thats it.
part four in the series sees mosaic return to its signature sound of the late 90 s : deep techno-tinged house. first up is uk house legend nail , who was in hiding in london and suffolk for a while , but is now back in his bunker in nottingham making music once again. his offering, -pharoah,- was created on boxing day 2013 especially for mosaic and contains all the hallmarks of classic nail productions of the 90s whilst maintaining a foot firmly in the present. if you like your house deep and sample heavy this cut is definitely worth checking out...on the flip we have two tracks from newcomer annie errez. annie is a resident dj at the mint club in leeds and has been developing her production skills over the last few years with appearances on holic trax , saints & sonnets as well as a very fine release on strobewax which she co-runs with fellow mint club resident bobby o donnell. if deep techno- house is your cup of tea then put the kettle on and listen to the sublime -bell curve- and the dubbed out bass monster that is auguste.- we are sure that you will agree that there is no doubt that she will be a producer to keep an eye on in the future

the 2lp vinyl collector’s edition of soul city philadelphia sees soul music authority clive richardson select 28 of the most sought-after tracks from his 60-track 2cd compilation. these recordings served to establish the musical direction of the city in the late 1950s and early 1960s, at the dawn of the soul era. compiled and annotated by soul music authority clive richardson, soul city philadelphia is the latest in a series that has previously explored the nascent soul scenes in detroit, new york, chicago and los angeles.

nach seinem vielgelobten zweiten album *cold spring fault less youth*, das im mai diesen jahres auf warp erschien, veröffentlicht das spitzenduo mount kimbie nun die erstklassige remix-ep *csfly remixes*. niemand geringeres als dj koze verwandelt den clubhit des albums *made to stray* in einen nachhaltigen 8-minuten-traum, während der detroiter kyle hall und der brite lee gamble sich des tracks *you took your time* annehmen: ersterer mit einem soulful-house-touch, letzterer mit einer perkussiven-rohen breakdown-dekonstruktion.

nice price deal !!! foot & mouth kicks of the year with j. cubs slamming warning single, hot out of leeds (home of house) with a superb narcotic infused lil mark remix! warning evokes that heady summer of 89 as j. cub dubs and twists the garage beats and vocal into submission, a sure fire barnstormer, make no mistake! j. cub then gets deeper and more electronic with his great rendition of werds, hooky as hell.one the flip lil mark (classic, disco 45, baker st) works his hallucinatory jacking magic, striping warning down to its rudiments whilst funking its rawness to the bone.

mute & mako have already proved how good an outfit they are with releases on makos very own label utopia music & their excellent astral transmissions on ingredients, not to mention rorschach on the recipe book lp. well they are back again with another killer release. >essential forms< has all the hallmarks of mid 90s d&b with its long intro, tight drum workout and sublime arrangement. the flip is just as strong, taking you back to an artist called shogun on renegade recordings around 1996, this wicked roller is a joy to mix. keep an eye on this trio!
dj support: doc scott, dj lee, dramatic & dbaudio, bryan gee, ltj bukem

rockabilly was the name given by american trade papers between 1956 and 1959 to describe a new kind of music.

this is one of those timeless tracks that you still hear played out today. when it was released, orbit 1.3 was played by pretty much every representative of the tech-house sound - it featured on mixes by craig richards & lee burridge, doc martin, dj garth, sean cusick, dj three, and many more besides. not only that, but its appeal spread as far as the progressive fraternity and those of more traditional house sounds. its a deep throbbing epic with a haunting vocal sample and that indescribable >x factor< that makes a classic track.

one of the master teachers of the norwegian house and disco rune lindbaek - who put oslo on the house map as part of the those norwegians ( paper music ) - joins forces with younger disciple kare frisvold for a potent, accoustic hallucinogenic called >bozak brewed with the shared knowledge of mad sounds scientist like walter gibbons and lee scratch perry: a constantly building electrical storm of strange psychedelic synth noises pierced by flutters of rico rodriguez style trombone solo, liquid guitar scales and kraftwerk like melodic fragments all held together by a forcefull drum beat. the quirky >spok & spenning< on the flip is another beautifully strange mixture of cinematic melodies, like sweated out by a drunken ennio morricone, over an easy skanking beat and comes additionally in a stripped down bonus beat plus spacey sounds version by prins thomas. take a trip to your mind!

fantastic ep, with an incredible spine shivering deep hallucinogenic lee jones (my my) mix easily competetive to hendrik schwarz best mixes in this genre and a killer all night rocking glitchy jesse rose bumper ! absolutely must have!

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nice price

experimental sounds by lin/log

ben ufo betreibt mit david kennedy (pearson sound) und kevin mcauley (pangaea) das bassmusik-label hessle audio und liefert mit seinem fabric-set eine eklektische mixtur aus allen subgenres aktueller bassmusik & dubstep und klassischem house und techno, in der so unterschiedliche artists wie tim love lee, shackleton, k-hand, pearson sound, herbert und mr. fingers aufeinander folgen.