one per customer ... limited repress. slow life are a berlin collective with an insatiable diggers philosophy, with african percussion master s.moreira heading up the production/machining side. diverse deep sounding tracks with space-out atmospheres and kicking rhythms, plus an extra laid back journey. mastered by mark richardson. 180g vinyl-only!

next up on visionquest is the second single from wareikas righteous and raw wternal album. all little things, here in its club mix incarnation, is another example of the trios hefty musicianship and unbridled eccentric energy, where jazzy textures and pulsating grooves build up with a rising melody to the powerful vocal drop. on the first remix visionquest & nikko gibler develop expansive piano melodies alongside an elasticated bassline and vocal snippets. fred p reigns over the b-side with his raw, deep hypnotic reshape and warmed up spirit dub. this is a distinctly diverse remix package from a rich artistic source.

giovanni damico (white rabbit recordings/ragrange records - salerno) is maybe the most productive producer we ve ever come across. and were not just talking quantity, were talking quality! for geography records sixth release weve had so much fantastic material to choose from so we decided to put out two eps by giovanni. the first one is called >cuttin, samplin, housin part one<.ranging from the kind of beautiful house music geography has been known for since the release of julius steinhoffs epic out in the woods ep back in 2011 on the a-side to the more fun loving style of the b-side, reminding us of our two latest top 40 hit-records by real cool and shakarchi & straneus.

greatest hits re-press of the out-of-print first two voodoo down releases. both a-side works originally appeared on vdr001 and both b-sides originally appeared on vdr002

first up to bat is ralph with his awesome club dub of dops oh yeah, a deep house bomb with killer b-line and lets groove vocal sample, followed by oscars equally brilliant dope dub mix of rupauls going back to my roots. the flip side sees the murk boys back together with a phat remix of deee-lites pussycat meow and finally the superb floor-filling habana dub of deborah harrys i can see clearly with its great funky scat vocals. essential collection for true deep house fans!

first appearance of this small-scale vinyl imprint from the east of holland with a split-release by the well-respected aroy dee (m>o>s, delsin, rush hour, dolly) and perseus traxx (bunker, m>o>s). both of them are known for their deep analogue house music productions with raw and sharp edges, but most recognizable in their work is the presence of true emotions. this will also be the distinctive element for the labels future output: emotive electronic music with the soul deep within. honest and unpolished music that is inspired by everyday life, whether it comes from pain or joy. perseus traxx kicks off with an immersive, slow building and uplifting track, followed by a moody but hypnotic and slightly acid inspired piece. aroy dee takes care of the flip-side, with a dreamy and atmospheric track, and one raw, surprising and energetic cut. a versatile selection of tracks

humpin two track edit of pop licking goodness from an unknown source - limited stock ... get it before they dry up!

incredible double a sided reissue on tiny early eighties new york imprint small axe. side a features the awesome boogie funk of *throwdown* by larry harris, a phat floor-filling monster which always changes hands for big bucks in auctions. on the flip we get another in-demand bomb - the sparkles *trying to get over*, a superb soulful disco groover with great vocals and synth hooks. originally released way back in ‘81 and produced by the strikers darryl gibbs, this killer cut still remains a firm favourite of many in the know disco djs. top stuff!

moan is proud to present its new vinyl series called moanized. a selection of 4 bombs ready for the dancefloor! the first moanized is a split containing originals by the awesome italians macromism, with a huge remix by marco faraone on the same side! on the other side we have talented chad andrew, well known for his last works on dissonant, and a fantastic remix by the big cocoon artist martinez!

latest installment of the limited series from the home of ivan drago. this one sees another split with beau wanzer back at the helm controlling the a-side with more heavy handed beat tracks made for mixing, while the b-side is a very very very nasty warehouse techno beast by njb.

new york techno producer shawn o sullivan makes his return to l.i.e.s. under his vapauteen moniker. after an amazing release on avian as 400ppm and a collaborative effort on the corner with beau wanzer, here we get o sullivan turning down the bpms and slowly crushing everything in sight. the a-side provides three tracks of unforgiving modular slowcore beat electronics which trudge their way to the grave, while the b-side is strictly about power electronics and harsh tone work outs. sure to piss off someone on the internet or better yet, in real life.

the third release for tici taci is a double a side - peach / deep blue from label boss duncan gray. both tracks feature the trademark tici taci sound of live bass and guitar blended with synths and audio treatments

mentalic s new ipoly fun stuff with a more seroius techno b-side – firstcopies white 12inch incl. free mp3code

rora reappears with his sixth ep and nearly two years of unpredictable releases. a two tracks ep that will without a doubt reflect the two sides of the deep techno universe. light and melancholic on the a side, dark and imperative on the b side. subvisions ep reanimates your lasting memories, before projecting you on an adventurous path through techno club culture. rinaldo makaj is albanian, currently living in italy. his music has instantly captivated roras ears, with its binary and percutant sounds, half way between progressive dub techno and fascinating deep techno. a brilliant kick, the finest analog sounds and a genuine layout. first release of the promising producer, that we are more than happy to make you discover. 180g support, strong limited! first come - first served...! shrink wrap.

33-10-3402 is a code name for nenad markovic, an imaginative and limitless musician and producer from belgrade, serbia. this release is the first in a trilogy of opium den and whorehouse inspired singles entitled mecanica. the title track is an erratic and cacophonous 14 minute masterpiece, cycling you through disorderly drum programming until you have no choice but to surrender and just at that point, the ethereal pad melody offers you an escape. side bs byot is a blissed-out blur, drowned in reverb and subtly suggesting leads that may or may not actually exist-the perfect antidote to its impenetrable flipside.

since his 2011 debut lp *bible eyes*, psutka has been busy with various studio production projects as well as recording and touring with his side-project hiawatha. his return as egyptrixx takes the form of a multi-media collaboration with berlin-based visual artist a.n.f. (andreas fischer). together the pair focused on a process - a set of meaning-through-reduction principles applied to both sound and video - with atmosphere, repetition and texture given priority over traditional ideas of narrative and song structure.

laak return on austere with four cuts, only available on vinyl as usual. laak are on point with the opening track unbalanced, an intensely gritty track. there is also a remix of an archive laak track by dj spider who completely dismantles the original to create a dark menacing remix. the b side kicks off with mental & emotional which continues the theme along with the more laid back track, the rituals. overall an ep that will not disappoint fans of the label.

with etuiltd005 translucent tracks we are presenting 4 new tracks from the deeper side of techno. we also welcome 3 new and established artists to our vinyl series.

george fitzgerald is no stranger to experimenting and testing the limits of his own creative ability and this is increasingly more evident with the announcement of the his new double a side *magnetic / bad aura* on domino records sister label double six. a cavernous and firm-paced journey to the darkest corners of georges sound, one which sees him handling vocal duties for the first time, again - exemplifying his ability to push his own boundaries.
support from pete tong, zane lowe, annie mac, scuba, dusky, agoria and many more ...

vinyl only! handstamped! after the successful label launch >pure 001<, the follow-up release >pure 002 - tribute to gerberei< is now on the starting blocks.
the two former gerberei residents ron albrecht & stefan rein announce their a1 track >tatort< using their pseudonym >brothers in mind< while remaining true to their typical sound that goes back 20 years: pumping functional techno for the floor. thats it!
longtime friend and companion andre kronert was brought in for the a2 project. he contributes a fulminant remix of the song >tatort< as an absolute statement to techno - pure and direct, just like it was celebrated in the gerberei for almost 19 years. what a club-monster!
stefan rein as well as the mysterious s.e.p.e. are in charge of the b side of the record. >unwavering detroit<, created by stefan rein, is to be understood as a deep bow of honor for many great years and stunning sounds in the >holy halls< of the club... never forget!s.e.p.e. closes with the b2 title >we will find you<, without making a secret of his dedication to techno.
who the fuck is s.e.p.e.?

touching upon dance musiculatory milestones like detroit techno and electro, nsyde007 sees tyon, a well-known but besides this moniker for now anonymous traveller, summoning up atmospheres totally his own. this is space music. but not in the ra sense. take the a-side flaw 11, for instance. this is space music in the way it catapults you out, like the most terrible mistake made by man-machine, into the farthest reaches of an ever faster expanding universe, dark energy tearing at your nipples until they rip off, resemblances of melody orchestrating the drama/bliss of event horizon passage. its dark yet beautiful, like the smile on a dying persons face, and a heavily psychedelic trip at that – but fear not! you won’t be subjected to any despicable noodleage here, just to weird, intensely warped sounds you want to dance your ass off to. make it fat on the other side is the sci-fi equivalent to hänsel und gretel: a perpetuating feeding of the child-to-be-eaten. the finest in andromeda’s hyper-fattening molecular cuisine gets crammed into the gagging brat as doom is looming over its forehead. and with every spoon thats being recklessly punched into the poor little demon’s face it is getting closer to its, as well as the dancers ultimate goal: total nirvana. pressed on black vinyl.

arttu is back with two tight tracks in his trademark raw jacking house sound. chicago rooted house music drenched in a heavy dose of interstellar boogie. a-side is the shuffling bassline driven ufo funkin that goes all crazy. aa side is arttu featuring detroits jerry the cat. both tracks comes in vocal and instrumental version. instrumentals take things back to the bare essential and are total basement workouts. arttu di it again!

first release of the new label dance around 88, presenting a newcomer from rennes, ringard. a four track e.p developing 2 facets of the artist, obviously linked by the love for deep house. a side features two tracks designated for the dance floor, >amuse-la-bouche< and >you know that<. on b side, we have two melodic tracks with deep pads and heady baselines, >i saw you last night< and >empty streets< . all tracks recorded live machines. vinyl only. the >old fashioned guy<. ringard in french, find his inspiration in several styles : between acid house, old school raw house, deep house and deep techno. his productions, reflect of 10 years collecting vinyls, are made only with the spontaneity of a live act >one shot< on machines. owner of dance around 88, his aim is to propose a label where you can find different flavors on the same record. let there be house!!!

puss is a new label from hnny and kornél kovács, pushing club ready dance tracks to tenderhearted discjockeys around the world. the first release came this spring, with hnnys simple yet devastatingly effective rnb refix *boy* and kornél kovács eerie dub version *yob* sharing one side each – for the follow up, hnny transforms a late 90s jam by wexford, pennsylvanias finest into an acid-tinged house jam in two different arrangements. as always with puss, each record comes with a unique real human kiss mark. expect more to come.

for their sixth release, lets play house has headed down under to scoop up australias fantastic man, a second identity of dj/producer mic newman, with which the melbourne-based artist explores-and exposes-another side of his musical and stylistic skills. and the four original songs on the its essential ep most definitely mark a bit of a departure from newman’s trademark sounds: he has exchanged the thumping, peak-hour, hands-in-the-air chaos and messiness of hits like 2009s *sizzled sally* for a more refined and subtle breed of deep house.

the first spectral rebel release is signed by logotech, a neapolitan talented dj/producer almost became established form many years in the techno scene for its ability to create unions between the old school soul side of the genre and an ever renewed way to conceive each production.

finally a worthy follow-up to the devastating goldberg variations double pack on l/b. the mad russian brothers gancher & ruin bring the terror on the a-side and the goldberg variations strike back on the flip. hard!

for its fifth release, brstl continues on its mission to unearth fresh and exciting artists from bristols electronic music scene, this time showcasing the debut release from idle hands employee shanti celeste. regular clubgoers in the city will have almost certainly heard her display her penchant for heavily swung rhythms in her dj sets, and her 12-inch for brstl manages to distil this passion into two elegantly produced house music groovers. recently unveiled on outboxxs podcast for resident advisor, the soulful new jersey-esque skip of >need your lovin< (baby) takes up the a-side, its gliding rhodes chords and playful melodies being propelled by a tough and irresistably funky beat that kerri himself would be proud of. over on the flipside, >result!< offers up a more heads-down vibe, channelling those swung beats into an upbuilding, synth-smeared house jam.

this new mos ferry label family pack includes mfp57 by dapayk & padberg, fenou14 by sebastian russell and rry46 by kleinschmager audio. on top of this we offer a cd of patrick vanos >the other side of me<, as well as a few label sticker. a valuable package!

cassegrain & tin man are a deadly combination. old school acid lines programmed by one of the greatest masters in this field meet a super modern techno sound design by cassegrain, who have made themselves a name in the last years for producing some of the finest in dark and experimental techno. for the follow up to their debut release on killekill they have put together three tracks that are outstand- ing. high & low is a slowly swelling minimalistic acid epos of over 10 minutes length which proves the mas- tership of tin man in programming acid loops of eternal quality. 8 beats length only, but constantly evolving. no chance for boredom. the b-side starts with sex kit, a dark acid stomper with a chirping percussion which is well suitable for the peaktime dancefloor, followed by sand maze, a sublte minimalistic ambient acid piece, that winds its way into total dissolution. we are quite sure that this is the way acid should sound in 2013.

second part of this two episode series on subnet records. following the same flavour as before... dark textures and mental synth lines driven together by hard drum patterns and groovy percussion. these two ep reflect the creepy and insane behaviour caused by experiments in the field of invisibility applied in the human being. all the tracks were recorded live! just using analog sequencers, mpc, analog mixer and synths. directly to a recording device. in the same way as you could record a live set, to keep all the vibe as fresh as possible. 220 copies limited vinyl release.

mike shannon throws another volley of no way back and only forward techno. gravitron is the monster a side named after a cheap amusement park ride that spins its passengers inside a wheel faster and faster until its passengers are all floating off the ground.

master of after-dark electronic symphonies, martin buttrich is set to drop a pair of heavyweight tracks on guy gerbers supplement facts imprint this winter. a-side earth of foxes is a moody masterpiece with a complex tapestry of wonky chimes, ethereal voices and a galloping groove. b-side monkey troopers is another techy monster with brooding bassline and classic buttrich drums. with that innate quality of buttrich’s productions the earth of foxes ep is both hypnotic and loopy whilst encased within intricate textures and rhythms.

mathias kadens project with japanese vocalist debut release on mule musiq. mathias and tomomi have already collaborated on mathiass latest album and maybe you remember excellent dj koze remix of the song. main version on a side is atmospheric dub techno tune with mysterious japanese voice. on b side, lawrence made deeper and club friendly remix and beats version is simple dj tool.

baby ford and zip need little introduction and debut on trelik as > bfz< featuring co-conspiritor thomas melchior. the trio originally appeared on the 1999 >perlondon< 12 inch for perlon with ford and zip re-uniting for the >glidin along the riverbed< release then 2010s >clean hands< on pal sl. thomas melchior recently appearing on his own aspect music kicks off the 12 inch with a floor friendly up-beat 9 minute >melchior productions ltd< edit remix of >uff<. an >uffapella< closes the a-side featuring abstract sound design and textured vocals. side-bs >so they say< creates a feeling of space and unhurried rhythmatics whilst the title track >uff< combines deep instrumentals, chord and haunting vox with subtle bass and modulating kick. recorded in london and berlin. mastered at d & m

the 2nd release on tears of joy features 2 tracks cut live in a warehouse on skid row. rich acidic house music for the early morning hours. limited edition of 252 with hand stamped sleeves and insert. b-side is children burning.

3 track ep from ibiza, with an early 90s twist (not that naff oh this sounds well 90s m1 nonsense!) charles the bouncer has been a big one with jamie jones & co in ibiza, here it is with an exclusive vinyl only re-edit from jason bye. game of tones recently featured in the andy baxter radio one essential mix as the closing track. devoted redsoul takes over the b-side with his bumpin take on nomads 90s smash

his radio 1 supported friday (re-fri) featuring rising star takura, sensible haircut which was released as the double a side with 23 and the shadow child remix of kid kombats chinga out last year on televizion but all never before on vinyl.

akra, otherwise known as nick woolfson, is one half of mock & toof and has built a reputation for producing quality underground deep house and nu-disco, releasing with the likes of mule musiq, rvng intl, dfa and his own imprint tiny sticks / m&t inc, as well as remixing reputable artists such as scissor sisters, groove armada, zero 7, hot chip and ladyhawke. now woolfson moves into techno territory with his new side project as akra having already impressed the likes of kink, chicago damn, ame, sasse, dj deep and deep space orchestra

lost in confusion is a 161 bpm mental techno long bloody tune. based on a sample from this mortal coil filgrees and shadows ithink) superb mental dark techno ambiance. b side starts with a sounds like a side tune, even more industrial and creeping. a cinematic tune. second tune of b-side gives a mentalcore kicker track 180 bpm, very industrial as well, full of breaks and solid tribal beat.

after his epic split with black deer, torn hawk comes back with a proper four track 12 inch, opening with an almost balearic/tropical, someone put something in my drink and i am melting house cut. trapdoor returns to wyatts skewed after school special add cali-speed freak bastard child drum machine/guitar lush not lushness. we get more end-titles on the b-side, as both songs could be the soundtracks for a night hanging in a parking lot drinking boxed wine and snorting ajax while auxilary police circle, threatening to harsh your mellow ... good times to say the least.

hayat zor is a beautiful blend of rave-nostalgia, 80s electro-pop and italo, all shot through with a melancholic, wistful air. working with analog synths, vintage drum machines, live instrumentation, and the help of a few friends and collaborators along the way. encompassing four original productions, hayat zor is a collection on which emotional resonance and technical expertise sit side by side. the vinyl comes with download code for the full ep, including 2 remixes by gavin russom and petrels.

the voyager camp proudly presents their second release, this time packaged as a two part series with both editions crafted by the ever capable troy gunner. undoubtedly one of the most talented producers rising through the ranks, the two part ep is a testament to his versatility while showcasing a diverse range of influences. both tracks feature regular and well-known collaborators, rowl and synkro, and the record conveys an even deeper side to all parties involved, signifying a move away from the traditional arrangements seen today in favour of originality.

returning to the fray for the second instalment in its deep house venture, the people are looking at you imprint sees a confident expansion on the sultry tones laid out on the first slab of wax, featuring a sturdy pair of cuts from london production duo jonno & tommo. taking charge with the a side, >a month of rain< is a multi-faceted mover loaded with suspense and surprise. in its opening strains the sharp beat ticks out across a sparse, dub-informed soundscape that slowly fills out via a captivating chord refrain, haunting and seductive in equal measure. without giving too much away ahead of experiencing the track for yourself, be prepared for a dazzling break in the clouds that lifts the summit of the track into an entirely different headspace...

124black is the new sub label from 124 recordings with the aim of promoting a darker, harder sound firmly rooted in the underground. all releases are strictly limited and available only on 10 inch translucent vinyl. first up is jacob b, rapidly gaining a lot of recognition for his deep and chunky club cuts, aptly demonstrated on >basement crowd< with solid drums, suspense filled strings, a spoken word vocal and a bassline that shows you exactly where the title of this track comes from. next is another 124 family member, liam geddes late night jam, >somebody in the house<. with its haunting stabs, groovy baseline and snare rolls, this a simple, yet very effective track that works equally as well in a small club or large warehouse! on the b-side, cecil returns to 124 with >bv< a track very much aimed at the dancefloor and replete with the producers signature deep stabs and chords, that work alongside a sub bassline that you feel rather than hear. a peak time track...

limited 2013 repress !!
milton bradley prod. retro acid techno jams

gommas boss munks debut release on endless flight!! title track on a side,it sounds like house mix of tom tom club. funny&unique but playful. on b side,both tracks are sleeazy cosmic slow mo disco. probably its his first release from other label. enjoy!

pedram is the next young veteran to drop a limited edition 12 inch through born electric. already gaining early support from midland, tensnake & dusky, his nina b/w immaturity 12 inch will certainly sell out.
packaging: full colour side opening sleeve with cut outs.

warm and crispy as always, the third monday night - mixed, structured and recorded live on tape. the whole ep is a cutting-edge merger between old school and modern, carefully crafted sounds, to forge an outstanding collection of deep house tracks with a timeless fashion.the opening track on side a serves a gentle two-chord loop, locked with a groove beat progression, whilst track two builds up a dense swarm of rapid drums, with synthetic bursts twirling on an energetic bassline. on the b side, a bare, rampant one note bass leads a haunting, gloomy first track, whose main theme is surrounded by recurring confused, scatterbrained vocal samples, while the second one is characterized by the simplicity of an upright, stabbing rhythm directing an emotive one note chord. the ending track develops around a big, serious bassline, pleasantly contrasting with a succession of dreamy, floating melodies and noises