how the other half lives is a new label run by london-based portuguese dj and producer zntn. the label launches with on rushmore by the deadstock 33s and stopmakingme. the deadstock 33s - uk club legend justin robertson of lionrock and revtone fame, former hacienda resident and prolific producer over the years - combines forces with stopmakingme - the fabric/kill em all resident and bugged out! regular with recent productions on bang gang, codek and moshi moshi - for on rushmore and as you are. this marks their third collaboratory release, after an ep on tigersushi and single on gomma.

the black void of space ep 00/2 is the second 12 inch from resoes debut album. it consists of two tracks from the album and a remix by no other than don williams of mojuba / wandering & a.r.t.less records. nachhall is a atmospheric track, but still aimed for the floor. the metallic chords and lushfull strings builds up slowly through the track and ends in a pure techno monster like the old school sound of detroit. dubcuttin is resoes expression of a dubstep track, with a more techno kind of edge to it, which goes perfect with early releases of a made up sound / 2562 and martyn. don williams remix is a straight detroit inspired track, with hard stabby chords and filtered fxs that for sure will kill your ears on a proper pa system. if you like deep dub with a twist of detroit, you must check this out.....!

back for his third release on hometown label thirtyonetwenty comes captain funktastic himself, william kouam djoko! if you have see him perform you know that this guy has the funk oozing through through his veins like a predatory viper going for the kill.
>cant lose my rhythm< takes you on a jazzy dreamscape, with of course all vocals are done by william himself which has become one of his signature trademarks.
>dazzling urbanite< takes thing a bit more down tempo, a perfect track to play when the first rays of light come shining throught the windows of the panorama bar.
last but not least we included remixes of the acclaimed classic >hard loving<, this time its kabale und liebe who does the honour, a name who doesnt need any further introduction!

what it happened again? but we still dont know! all we know is that once in a while every successful couple - and even passionate lovers - needs a break from each other. so this time, you get david woods on the green alone. no tiger around. just another man and his caddy. nevertheless, he has the >license to drill<, a >slazenger 1< in his pocket and >1:00:00< to kill. track after track after track by a true crack. funky peak time!

beginnend als psychedelic-rock-band, deren durch einen formlosen gitarrensound begleitete musik instinkthaft und ursprünglich wirken sollte, kombinierten sie bald rock mit dance music. ihr album screamadelica aus dem jahr 1991 bescherte der band den weltweiten durchbruch. der dj und produzent andrew weatherall bildete mit seinen sounds zu dieser zeit einen maßgeblichen einfluss auf die band

tdrmc: 2011 has started off with a bang and these guys are going from strength to strength with releases on sleazy beats, paper, throne of blood and needwant pencilled in to the schedule. after djing all around the world and dropping these beats to crowds at glastonbury, 021, low slung and finishing off the year with a tour of australia tdrmc show no signs of slowing up. // tomas malo: as one half of the weirdo police, malo goes it alone and delivers some slick french fried funk. currently residing in mexico, malo is working with some of the latin music scenes hottest artists and can be seen sashaying around the latin music awards in miami. // se62: ukrainian wunderkind yura has already enjoyed releases on sleazy beats and is working his magic on home taping. the distinctive style of his loose beats and relentless grooves have been destroying dance floors all over the world. //lex wolf: mambo & circus resident alex has been making beats for the last 10 years which have been the staple diet of any dj worth his salt!! with exceptional musical taste, djing talents to rival any selector and skills in the studio that any producer would kill to have, we are over the moon to be able to present one of his tracks.

kapitel 2, and once everything is new! the collaboration of talented young producers and skilled heroes of the scene provides a colorful picture of the current sound development of the label in 2011. between tempo throttled, acid infected dancefloorkillers of l kubic and old school groove monsters of tokra thaan in a remix of james flavour up to grinding minimal beats with hypnotic-flashing sounds of trockensaft, to chameleon tracks from swen weber, which welcomes you with a dancehall impregnated beat in a 4/4 beat corset, which is ironed in the course of its construction and stay suddenly like a stomping and snorting steam train in the ear canal. and if then hardy hard mates early nineties rave influences with house vocals and flat-fuzz comes with a ghostly- kicking sampletrack around the corner which is just as hip hop as electro, it is clear, that these pieces are absolute killers of their guild, from the first to the last track, and each of them is conspicuous by its own distinctive aesthetic. originality is all

when primal scream s exterminator – or xtrmntr – came out in 2000 as the last album on alan mcgee s legendary creation records it made quite a stir. mcgee must have told the scream to let the label go out with a bang , and boy did they deliver.

das debütalbum der gruppe von januar 1967 enthält den welthit light my fire und den song the end, der unter anderem durch den film apocalypse now wieder bekannt wurde und dessen originalaufnahme teilweise auf plattenaufnahmen wegen seines textes zensiert wurde. dabei handelt es sich um die griechische sagengestalt Ödipus, ein königssohn, der unwissentlich seinen vater tötet, seine mutter heiratet und mit ihr schläft. die textzeilen: „father i want to kill you, mother i want to fuck you“ erschienen der Öffentlichkeit als zu vulgär, wenngleich schon seit jahrtausenden selbige szene in den theatern aufgeführt wurde. weiterhin enthält das album das brecht/weill-lied alabama song.

new cat on the astro lab camp, timothy j fairplay from the battant band, after good releases on kill the dj, andrew weatheralls rotters golf club, live at robert johnson tim gave us couple of great tracks with his best carpenter mood, it was so hard to choose, we took 3 of them and asked our favourite producer mr andrew weatherall to remix one, he turn the sleigh ride/blizzard into this slow techno atmosphere. on the b side astro lab zntn remixed >general arrived< and turned the original into an amazing dancefloor tune, something close to the optimos works.

new series focusing on some of skints back cat some serious names here

3rd in a series of 12s featuring some seriously hot remxes from radioslave on the skint back cat. v limited so get in quick

the 6th release on narkotik rekordz serves up 5 insane speedcore tracks from some amazing artists. deterrent man, earfist vs svartalfheim, bonehead, paranoizer, & finally noizefucker vs vague entity. extremely limited edition. grab it while you can!

dj roc, known to his mother as clarence johnson, was born and raised on the southside of chicago better known as the low end. the crack in >crack capone< refers to his style of production. like an underground chemist, dj roc produces variant strains of chicago juke music, the crack referring to the synapse snapping, potentially ankle cracking manipulation of rhythms and the sampling, hijacking and ultra-rhythmic micro-editing of black american pops dominant forms into a style thats been developed and tested on the streets of chicago.

from the creators of cannibal society comes this imprint aimed at underground, stonecold hardtechno! the new domestic violence finally hits the streets. greg notill vs. alex tb on this wicked piece of vinyl.

once again the disorder kaiser with a mindblowing, overwhelming and extraterristical ep on stock5. the italian boy in exile, nowadays in berlin, doesnt stop to drop beats for the special moments and it seems that he gets better day by day!

auf den 7 tracks auf >pattern & grid world< begegnen wir synth- & vocoder-sounds, schizophrenem ping-pong-electro & nintendo-melodien, klassischem grime, bass- und drum-experimenten und schamanischen zeremonien. die maschinen / roboter / aliens sprechen, singen und erzeugen geräusche, teilweise aber auch eine eigenartige klangwärme irgendwo zwischen vintage dj premier und lee hazelwood (time vampires). entsprechend subtil-psychedelisch fällt auch das von dem bekannten designer theo ellsworth erstellte coverartwork aus

supported by: moodymann, benji b (radio 1), danny krivit, dj sneak, daz-i-kue, unabombers, crazy p, makossa (g-stone), simon harrison (basic soul radio), chris coco, jose padilla!!! finally, leeds born dj/ producer dan ward aka negghead presents the long awaited 2nd single from his blissfully souled out debut album >scrambled negg<. >shifting sands<, vocalized by former nightmares on wax chanteuse chyna b., is surely the key track on >scrambled negg<, oozing sheer class & bringing you xtra smooth r&b vibes of a special kind, nicely layed out over a wicked (and at the same time ultra slick) beat that many other producers of decent >now music< on a club tip would definitely kill for. and as if that wasnt nice enough, wax on records proudly presents their very own >flying dutchmen<: ridiculously talented the planty herbs from tilburg/the netherlands, on the remix!! special backstock !!!

ctf is like a ufo which landed in the middle of disney land, annihilating all the phony shit around it with lasers switched on kill. a totally unprecedented surprise of a vinyl date rape without a date or a warning. these two tracks are genre defining and genre defying. this is the real future perpetual funk - out of nowhere. just a big smelly chubby chunk of energy made right on your plate before your nose.

a storytelling debut album by oscar-winning actor and director tim robbins, produced by hal willner.

yes people, like dillinja once said, its time to get grimey! at the end of september, the man, the myth, the legend, mr terror danjah blesses rwina with the reinforced ep. a storming 3 tracker of top class grime for the connoisseurs, the ep is fully equipped with lazershifting bass-terrorism and high-end sonic manipulation.the lead track,reinforced,switches from sweet but dark r&b vibes to classic acid-esque rave touches, guaranteeing a proper reaction on the floor. peanut punch, a collaboration with regular sparring-partner d.o.k., sprinkles neon highlights over a minimal, bass-led beat, while the ep finishes up with stomp test - 4 to the floor club music designed to kill any dance. rwina & terror danjah - a perfect fit.

tipp forever (get feeling) ... mako is very proud to introduce 5***** music from another russian dnb killer who did first cool steps in house music. kill! kill! kill!

the symp.tom imprint delivers a brutal 5-tracker by industrial hero the relic !!this new release already is very well received in industrial hardcore land. ragin kickdrums, dark sounds, and phat effects make this 12inch another powerful release for the underground!

italians do it betters new sister edit label around kicks off with a re-vamp of a steve miller band classic. venice native william bottin is known mainly for his slick glossy italo-inspired productions and remixes on labels like italians do it better. this time he puts his signature spin on a few classic rock tracks turning them into a sick italo-rock floor filler. the b-side is a level 42 burner that will kill for you as well. much more than an edit, yet not a remix per-se- bottin has done something special this time! limited edition of 400 copies never to be repressed.

awesome second release on the startech label feat four tracks of killer club techno from some of the best names in the business.

after the massive success of the djoon experience old landmark part. 1, here comes three incredible remixes by the french top producers rocco, manoo and franck roger. just when you thought there couldn t be any better versions than the original versions, comes two remixes that are just gonna kill you... a massive deep re-interpretation from rocco, drive with a splendid piano session, that could have come from the best of def mix - from those glory days. and then, be ready to dance on it over and over with a dancefloor stomper from mr. manoo, that will keep your feet on the floor for 10 minutes and never leaves you... rough beatz, strong organ hook, and gospel vocal on fire - franck roger just did it again! pray the lord again! supported by black coffee, louie vega, marlon d, deli g, jammie thinnes, ralf gum, yass, brothera€,™,s vibes, patrick wilsona

after several eps for audiolab, planet kick, abralcore, psychik genocide and more, psiko now drops his debut-album - a heavy double 12 inch featuring 8 cuts of hard-hitting mayhem!

excellent 4 track ep with groovin minimal techhouse, made for the hottest floors on earth

the blanche hudson weekend is here. featuring caroline and darren (ex-manhattan love suicides) along with a bunch of other weekenders, and bringing to you all kinds of noise, fuzz, melody, dissonance, rawness, killer tunes and buzzsaw pop. take a bit of 1960s girl group sounds, mix with girls in the garage type ramshackle production, add some gun slugging guitars and sugar sweet vocals with a keen ear for a great hook, then lock the doors, bolt the windows, switch off the phone, kill the lights, turn up the volume to ear splitting levels and enjoy the blanche hudson weekend.

multi award winning dj cristian varela strikes again with his pepperoni ep. already the 30th porn cut, this is a massive ep spread over 2 new releases. the second version features the remixes of pepperoni from ckos, markantonio and jon rundell! another top notch production, 3 tracks that will blow your mind and kill your feet on the dancefloor..

another top notch production, 3 tracks that will blow your mind and kill your feet on the dancefloor..

ignition”, is a ‘,back to basics’, electro-techno ep, with breathtaking trax using 90’,s style drums & samples in redemption & dual effect, doing an electro anthem with >music more than a passion, a drug<. the ep also include a remix by kim from the presets, doing a bass jumper, mid tempo but that would kill any sebastian lover, but with a rocky siprit. we aren’,t finish to hear about dinamics with his musculars and explosives productions

keeping the momentum going after fukkk offf s much lauded debut release love me, hate me, kiss me, kill me , we are pleased to bring you remix is king , a full length overview of the hottest fukkk offf remix projects. remix is king brings you bangin fukkk offf remixes of other top artists like zobmie nation, the dance inc., monosurround, & midfield general and the hottest remixers like zodiac cartel, & markus lange putting their stamp across devastating fukkk offf originals. there s one new fukkk offf original as well, utopia, riding in at the end of the release with a full disco beat down plus unreleased mixes from gooseflesh, dirty disco youth, la clope aubec & frederic de carvalho. not to be missed... remix is king!

really great 4 track ep by minima (kill a beat / craft music), david ekenbaeck (jackmoves), ladies on mars (depeche mode remix winner), javiunder & fabian argomedo (pressure), a great mix between minimal, techhouse and techno!

repress of the 1970 classic!

nach dem ueberwaeltigenden erfolg des ersten samplers dirty laundry aus dem jahr 2004 gibts jetzt mehr country songs interpretiert von afroamerikanischen kuenstlern...

each remixer was specifically chosen by perspects to enhance the original sound, and results exceeded expectations. enjoy the fruits of these exchanges... part 5/4 of the perspects people skills complex project, autobody gets the remix treatment by french techno producer the hacker and comes with an additional franz & shape remix. the b midwest side comes with a dried funeral siegfried kill memory crash remix. memer has been remixed by goudron.

this release features the illusive talents of electric jones a.k.a jamie jones. this ep features three exclusive re-rubs that have are already highly in demand, largely due to the superb production and featuring some of the hottest re-rubs you will hear this year!

1991 classic, 180 g vinyl on 2x12 vinyl set!!

set to be huge all over the world, with a crazy amount of big mixers involved the hot pick being tiësto! supported by boys noize, tiësto, busy p, bates45, bingo players, sander van doorn, marco v, benni benassi, steve angello, laidback luke...

next funky techno strike by audioklinik

ltd repress !!! 3 stretched out and beefed-up edits of tracks that originally appeared as skits on the brilliant rockwell records label...tried and tested on the dancefloors of amsterdam - these are sure fire head rockers/ankle flexers!! >kutparra< is a contagious banger that makes you want to jump, like kriss kross used to do. >kutwell< comes as a catchy discofied house tune that reminds us of some detroit productions some years back.. this stays from though! >nosestep< finishes off in true aardvarck style.. a stripped down track with a bassline to kill for… bare essentials

fukkk offf is back with a scorching second single from his debut album love me, hate me, kiss me, kill me. more than friends has been the dominating track from the album with its male/female hip hop duet about a sneaky encounter at the club and has been begging for an equally dominating remix package.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

quality double 12inch 4 tracker!!