ltd 2013 repress !!
illusion recordings is bringing an absolute stomper from the appropriately titled ny stomp with a track called >the ny house track<. a massive track inspired by new york, jersey house music and designed to get every party rocking! ny stomp is a special project by gerd (clone/4lux) who made this track to add to his live set with no intention to release it. it was just a cut made for his live sets and done as an hommage to the early days of ny and nj house. however after playing this at a party from the illusion guys in leeds he got tortured by the guys to make him release it... and lets be honest... it would have been a shame if these cuts never made it to vinyl! one the flip side a slightly more introvert track calles >can you feel it<. on remix duty its nicholas and dj aakmael both doing an excellent job by smoothening things up and take things a bit deeper. proper house music!

new jersey based producer jorge velez returns to echovolt under his brand new guise bridge & tunnel kids with three tripped out, psychedelic journeys of the detroit kind plus a remix by fellow outsider willie burns! once again, only 300 copies.

from shattered court dreams to booming international dj gigs, marius maier, a former german youth basketball champion, retired from the game after sustaining a knee injury a few years ago. but like any as one door closes…-story goes, re.you quickly channeled his energy and ambition into electronic dance music. he exchanged his jersey number for an artst alias and the reincarnation birthed a rising talent by the name of re.you. new to the mobilee booking roster, re.you has already delivered his second ep on the 112 mark titled, anyway. this three-parter includes the self titled anyway dominating the a-side while the flip side brings it down with you had enough featuring forrest. and a remix of the lead track from re.yous live act partner, rampa. the duo perform as rar and are available on cocoon records.

vinyl only. 500 copies. french vinyl-only label latency comes back this spring with joey anderson. the former dancerand great house producer from new jersey gives us dark and melancholic vibes carefully combined with groovy motions and classical dance music elements.

trx is an exclusive collection of tracks that spot light the unknown and uprising producers featuring on a brand new compilation titled traxx. they bring us old school techniques against some clever bass manipulation to give us their interpretations of the original new york and new jersey sounds.

brodanses danse club records returns with another 90s new jersey gem reworked for 2013 with remix duties this time going to just be, lula circus & chubby dubz…

mit fade veröffentlichen yo la tengo eines der homogensten alben ihrer geschichte. durch seinen warmen sound und die dichten kompositorischen texturen erinnert das 13. werk des us-trios vor allem an die bandklassiker i can hear the heart beating as one und and then nothing turned itself inside-out . hier wie dort dominieren fein gesponnene melodien, rhythmische schattenspiele und dezent orchestrierte noise-passagen das variationsreiche klangbild. vor allem aber geht von fade eine tiefgreifende, schwärmerische erhabenheit aus, die selbst für die band aus hoboken, new jersey, außergewöhnlich ist. aufgenommen wurde das album in chicago zusammen mit john mcentire (tortoise). durch dessen unterstützung entstanden geschliffene songs, die trotz ihres facettenreichtums ein im zusammenhang geschlossenes klangbild ergeben - vom bedachtsam tänzelnden well you better über das fiebernde stupid things und die warmen verzerrungen von paddle forward bis zum groovenden schlusssong before we run mit seinen wunderbaren streicher- und bläserarrangements.

with smr010 underground unit e.p were revisiting vintage us grooves rather than 97-style ukg. with a split ep featuring nick beringer & kid mark. win my heart harks back to classic jersey garage, coming in original and manuel regnet mixes one night stand, meanwhile, looks to chicago and detroit for inspiration with kid mark & fabio monesi. support from - dj sneak, james johnston, chris udoh, samuel deep, mad mats (local talk) & loads more.

made fresh daily follow up killer 12 inches from geddes and mikki funk with the debut solo ep from rising house producer jackmaster k. though indebted to the current vogue for the sounds of 90s house, jackmaster ks productions are filled with enough unexpected twists and turns to keep the formula fresh, *house aint givin up* switches things up with its nyc electro stabs, saxophone solo and swelling sub-bass, while *get up* takes things into deeper territory with its thick bassline and dubbed out, candy sweet rhodes melodies. on the remix, james johnston flips *get up* inside out, giving it some classic new jersey bump and flex, and busying up the arrangement with added organs, while rosenhafts take on *house aint givin up* is much more expansive, allowing the bassline to breathe in a spacious composition of pitched vocals and drawn out chords.

we are super stoked to have this killer ep out on local talk as we have been big fans of both c.r.s.t. and chesus productions for good while now. as these guys are down with both house music and the uk garage scene we get served an ep that combines the best of both styles. the result is a jacked up house release that would work equally well at the classic new jersey zanzibar club or in your dirty london basement club. the first three tracks (monster munch, newark and life) takes us on a deep and jackin house trip with a bouncy garage twist. but to stir things up a lil extra the last track (special) goes all disco with some soulful philly samples ... perfect for the southport weekender crews!

having established his own basic grooves imprint with a trio of sultry new jersey influenced house releases, shane linehan hands the fourth release over to up and coming french producer janeret. *hard deep* goes even, ahem, deeper that linehans efforts for the label, combining a slamming mid-tempo kick drum with crisp and cavernous dub piano chords and the subtlest of organ riffs, making a nice contrast to the more upbeat styles of linehan. on the flip, linehan delivers his own version of track which ups the tempo and offers a ravey, pitched take on the originals simple one chord piano line, complete with bristling hi-hats and warm pad breakdown.

genius of time are back after a great year with houston, we have a problem on royal oak, gliese 581g on aniara, several excellent remixes and extensive touring with their unique, all-hardware live set that spans 30 years of music technology in one show. this release features two of the highlights from their current set: a-side tuffa trummor med synt is a new jersey house bomb for the year 2012, whereas tuffa trummor med röst on the flip follows up last years science fiction with an off the hook beat, expertly processed vocals and a strings breakdown reminiscent of that mid-90s inner city vibe. artwork by jeffrey meyers.. essential!

bring u up originally appeared on romans blackmale label in 1995 as a rumbling slice of new jersey garage complete with gospel samples and romanthony collaborator the trojan horse. it was a bit of a cult favourite with underground heads like dj deep. it wasnt until roman completely re-produced and re-sang the song in 2000 that it fully took on anthem status. out went the heavy kicks and hypnotic moods and in came james brown horn stabs and a live beat that sounded like bernard purdie had joined him for the session (the drums were actually provided by roman himself). the result was an instant club hit with everyone from pete tong to francois kevorkian that reached (a very respectable 74) in the uk national charts. on this 12 inch deetrons takes the funk vibe of romans 2000 version and toughens it up for todays dancefloors, lee webster adds a monster baseline and some serious beats. on the flip-side the original blackmale version is re-issued on vinyl for the first time as is an unreleased dj friendly edit of the 2000 version done by kevin mckay.

composing an entire electronic album around the notorious 15th century cult of assassins, new jersey based producer jorge velez (italians do it better, thisnotanexit), better known as professor genius, has created a unique and ambitious piece of work, under the guise of hassan, which strongly stands apart from his previous efforts. check!

hailing from ireland, shane linehan is committed to showcasing the finest that new jersey-styled house music has to offer. having impressed with his release for local talk, he returns to his own basic grooves imprint to get the good times rolling with aplomb. >ilinx< wears its heart on its sleeve with a crisp beat that makes all the right moves, while a slick organ chord line takes centre stage in an upbeat revelry written for the start of the weekend. >so now you know< on the flip is a more contemplative affair, although no less steeped in bumping house culture. the keys are played in a more downbeat refrain and the beats a little more restrained, but this is still very much a dancefloor burner

there s only one thing that matches a new my love is underground 12 - a remastered pressing of one of the label s certified hits! paris underground trax volume 1 was one of the records that catapulted the french label into the spotlight - at the time produced anonymously, it later emerged that mr brawther was the man behind the four retro house cuts. it s a wonderful homage to the deeper strains of 90s new jersey, nyc underground and sexy thing remix still smack of kerri chandler at his most bumping, with fat pads, sultry vocals and gritty basslines. the b-side features uptempo gem hardcore deep house , while gtfo! glides along with warm, embracing chords. if you missed out first time round, don t make the same mistake again.

london-based, belfast-born blogger-production duo matt mcbriar and andy ferguson need little by way of introduction. theyve released one absolutely killer track after another, snaking through everything from deep disco edits to moody two-step to classic new jersey house vibes with incredible ease, on some of the most exciting labels out there: throne of blood, under the shade, domino, love fever and now, aus music

the debut release from untilmyheartstops features the unique sound of new jersey-based artist joey anderson. with recent releases on strength music / inimeg, and tracks featured on levon vincent s fabric mix cd, we re very proud to have joey on board for our first 12 inch release. untilmyheartstops is a new vinyl label brought to you by freerotation residents joe ellis and leif

deep but purposeful, this is house music for the cosiest of late-night dancing spaces that will no doubt bring plenty of deserving attention on trevor deep jr.

newcomer italian label traxx underground calls on the service of kool vibe, a veteran record collector & clubber from paris who, after a well-received debut release on my love is underground, is back to offer four tracks produced with the steady hand of someone who knows his way around a house tune. as announced in the title of this ep record, mr. vibe continues to spread the vibe, this 90s house vibe made of tough drums, bumpin basslines, warm chords and chopped vocals. kool vibe has clearly been nurtured by all that was good about deep and garage house coming from new york and new jersey back in the 90s and he proves it again with this second release

introducing >the courts 12 inch, the first single from jam citys forthcoming debut album, out later this year on night slugs. a double-a side release that showcases the two extremes of the lps material - the sublime and the industrial. on the a-side is >the courts<, jcs rawest dancefloor-orientated work yet. hyper-tense club music built of skids, dribbles, passes, big jersey kicks, and permeated by an ostentatious slap bass. the result is a pounding, jacking grid of a rhythm track, moments of on-court action reassembled with robotic efficiency. on the flip, jam city links up with oaklands main attrakionz for a very special collaboration called >the nite life<. squadda b and mondrem.a.n. drop mesmerising other-wordly verses over jam’s low-slung beat. the atmosphere is dense, hazy with purple smoke and submerged in the smoggy californian marine layer.

someones gonna break your heart is the second 7-inch vinyl single from fountains of wayne’s long-awaited new album, sky full of holes. the vinyl single includes the non-album b-side song of the passaic, an ode to the toilet river that meanders through northern new jersey.

hdr002 takes us straight to 90s house territory with four new edits from nycs marcos cabral. the a-side opens with >sym phon<, an anthemic filtered piano house jam that opens up wide and swallows all in its path. a2 gives us >better think again< with sticatto chords and twinkling keys in a jersey-esque house sound. the b-side hits with >in the sea<, starting off with a giant slow tribal beat and then morphs into a psychedelically swirling synth workout. b2 wraps things up with >get get get< turning our ears to old school chicago house. rolands tr-707 lays the percussion down while the chant of >get in the groove< repeats into infinity

first of three parts of the first wurst compilation with 10 new exclusive tracks alltogether. part i boasts new york upstarts soho808, lisbon legend tiago, merc alum chicago damn, and new jersey outliers pink stallone. following appearances on soul claps social experiment 002 mix on no. 19 and jamie jones fabric 59 mix, soho808 land on wurst with >reach< feat. safiyah, easily their most accomplished work to date, fusing their now-patented slow house sound with a little of the citys r&b swagger. pink stallone hooks up with strictly rhythm alum joey washington on >help yourself<, a ridiculously nasty slice of future funk. tiago gives >peanuts not working< his i am the automan treatment, channeling the 80s cosmic sound for a driving dancefloor workout. rounding out the ep is chicago damns >romcom<, a smoky, subdued number, hinting at detroits beatdown sound with the mans now signature mpc moves.

southside johnny & the asbury jukes are a jersey shore musical group led by southside johnny. they have been recording albums since 1976 and are closely associated with bruce springsteen & the e street band.

>hollywood seven< has been a dance floor weapon of mike simonettis dj sets for almost six years. its one of those tracks people come up to the booth & ask about the most. >whats that song about omaha and the hotel?< we are happy to finally answer that question with this essential release. rescued from the depths of dollar bin obscurity. the a-side here was the closing track on mike & johnnys december 2007 cult mix >albuterol<. titled >disconet dilemma< alluding to mike scoring the disconet promo 12 inch while digging in jersey on one sunny afternoon.

released in 1999 produced by tedd patterson harry choo choo romero on remix duties here must have

pink stallone has been labeled everything from house to disco to garage r&b, but this concept project can only truly be defined by unique personality. a collaboration between fresh-faced new jersey producer, daniele barbarosa, and seasoned newark vocalist joey washington, pink stallone tracks are often marked by a concoction of classic songwriting sensibility with curious yet tasteful new instrumental landscapes. dancing in time, the followup to their self-released sleazoid funk anthem the six, wanders off into a dreamy-house domain, marked especially by additional production efforts from vietcong discos eddie mars

when talking about the music of com truise (one of the many pseudonyms of new jersey designer/musician seth haley), the nostalgia bit inevitably comes up, so lets get that out of the way. yes, his songs tap classic sci-fi and proto-electro in a way that is distinctly early eighties in scope. but they’re also remarkably weird--stutter-step proggy and intoxicatingly psychedelic, like those classic touchstones got drunk on lava lamp juice inside a pinball machine. after his well-received cyanide sisters ep, a grip of remixes for artists like twin shadow, neon indian, and, uh, daft punk, and a few floating mp3s, truises first lp, galactic melt, will finally enter brainspaces this summer.
code for free download of this album included.

as the producer responsible for some of lil b and soulja boys weirdest, most inventive beats, and following on from a critically acclaimed, self released mixtape of instrumentals collected from his work over the years with various forward thinking hip hop artists, tri angle is very excited to announce the release of >rainforest<, the debut ep by clams casino. the five songs that make up >rainforest< find clams casino (aka 23 year old new jersey native, michael volpe) refining his ethereal, otherworldly sound, whilst taking it to a heavier and more intense extreme. what has set clams casino apart from most other hip hop producers is his skill in making records that sound just as good, if not better, instrumentally as they do with vocals, and if anyone needed it, >rainforest< represents the confirmation of this. its a record drenched in mysterious atmospherics, like a foggy memory of a far off exotic place, the details buried beneath the mist of distortion, but present nonetheless. none of the songs on >rainforest< have ever been released before, and in contrast to most of his other productions these songs have always existed purely as instrumentals, free of any vocal presence. >rainforest< is an incredibly powerful release which signals the beginning of clams casino coming into his own and operating as an important artist in his own right

the newest installment in night slugs vinyl-only nswl series is dedicated to >liberation front<, a track taken from egyptrixx debut lp >bible eyes<, released on ns earlier this year. without a doubt the albums biggest dancefloor cut, >liberation front is built to work best in huge rooms, stirring thousands of people at a time into a frenzy. on the a side, the original track is taken on by dj mike q, a stalwart of the vogue / ballroom club scene of his native new jersey. mike delivers an incredibly raw and stripped down remix of >liberation front<, re-working egyptrixxs unique sound design into a matrix of hard kicks, runway percussion and the of course the ballroom genres masters at work-sampling dramatic ha snare. an uncompromising rhythm track, this is club music at its most direct. as a bonus, the a side also features an edit of mike qs remix by bok bok, re-arranging the track and adding a tuff acid bassline to bring that soundsytem weight ns is known for. meanwhile keeping djs happy, the b side is dedicated to the original mix of >liberation front< in its full seven-minute glory.

reissue - cass mccombs, singer-songwriter born in northern california in 1977 and currently residing somewhere in that state, is set to release wit’s end, his fifth-and-a-half album and third on domino, on april 11th. the result of two years recording in various homes and studios in california, new york, new jersey and chicago, wit’s end was produced by cass with ariel rechtshaid, with whom he also created catacombs.sounds that conjure the colors purple and black, this is his darkest record to date. it seems he is going deeper into the mania of a man buried alive inside his self-made catacombs, banging the stone walls, crying to be let out, and enjoying the quiet away from the outside world. however, he is not a man afraid of his own shadow, for in this environment of complete darkness, no shadows can be cast. this is a world of total feeling. here, words become a catalyst away from the slavery of arbitrary thought and toward feeling.

majestys pleasure volume 1 has finally arrived and for many months these secrets weapons have been burning up and hypnotizing the dance floors of the worlds more discreet discotheques. this is the first in a series of limited releases from majestys pleasure with a very special introduction from the labels ambassador strom vandenburg who after a rather jubilant and successful career as the netherlands number porn star has now decided to turn attention towards another passion of his lustful disco reworks. these productions are strictly for lovers of early prototype techno, twisted cosmic excursions, back street boogie and new jersey garage which will leave all the bedroom bloggers out there with a confused inquisitive look upon their faces

back at the tail end of the last millennium bbe released a comprehensive overview of house music in the latter stages of the 20th century. >henry street music: the story so far - 1993 to 1999< was a slice of superior contemporary club classics featuring all of the key players, architects and music makers of the day. todd terry, armand van helden, kenny dope, dj sneak, 95 north, robbie rivera, davidson ospina, ralphi rosario, mike delgado, king britt, and a handful of others under various alter egos and nom de plumes. it was a given that they were all great records, what was all the more impressive was that they all originated from the same recording home, henry street music. a label conceived and devised by johnny demairo, an italian-american from jersey who talked the talk, could easily have been an extra in the sopranos, and was known affectionately as the shark. to others he was just plain johnny d, and one half of the production duo johnick with studio partner nicky p palermo jr. tracks such as d2- d2 by dj duke are collectors classics and will be re-released and re-mastered on vinyl for the first time in over 10 years

lost obscurity from the master kerri chandler gets a full reissuing from nycs slow to speak imprint. continuing in the series of classic house re-illuminations, >core 1994 – stratosphere e.p.< unearths one of chandlers most ingenious and flooring moments from early in the new jersey legends rise to underground sainthood.

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

dance. drink. look. sharp. from glamourous to clamorous and back, friendly as a hand grenade and twice as explosive. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

after the success of the >nathaniel x project ep< in may, the parisian label finally comes back with another killer ep! from this label calling all souls and spirits from the old skool new jersey house, early italian after-hours house and chicagoan finests, from music station, to prescription underground, to palmares, to goldtone … who is paris underground trax? we dont really know, as the label wants to keep the producers name secret! only thing we know is that these tracks were produced in 2010 by a young french dude! so again, these are proper 90s vibes, in the purest deepest tradition, heavy kick, fat basslines, hard swing and massive oldschool keyboards! kerri chandler: >great tracks, i love them all<

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

dance. drink. look. sharp. from glamourous to clamorous and back, friendly as a hand grenade and twice as explosive. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

dance. drink. look. sharp. from glamourous to clamorous and back, friendly as a hand grenade and twice as explosive. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

dance. drink. look. sharp. from glamourous to clamorous and back, friendly as a hand grenade and twice as explosive. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

dance. drink. look. sharp. from glamourous to clamorous and back, friendly as a hand grenade and twice as explosive. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

rave in style. well, ’der mond ist unsere sonne’, as some use to say.even the moon can’t sleep when the bass and the treble are out of control. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

rave in style. well, ’der mond ist unsere sonne’, as some use to say.even the moon can’t sleep when the bass and the treble are out of control. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

footandmouths third release is a fantastic four track ep of some stupendous edits. if youve spent any time in ibiza this summer, youre sure to have heard d-sounds great take on hall & oates. a massive dc10 anthem, this is one of the most hyped tracks of the summer. subtle in execution, massive on impact, simply stunning! a2 is a great little disco edit, cheeky and fantastically infectious. the flip features another hall & oates revision by jersey shore guido, whilst, me & my fellas deliver another hot disco edit. great four tracker with something for all the family