a list of related configurations: live for each moon, pacific horizons, split secs, bluntman deejay, mood hut artists from los angeles and vancouver 3 tracks - -tripping and gritty- - -earth scorchers- for -hot rooms-: -the party- and two -mould- remix extensions by bluntman deejay -full color- insert by james sinclair mastered by anders peterson

this is the first release of inversions, a label run by milo smee and thomas franklin. it s an offshoot of milo s power vacuum label. this first record is a various artists ep indicating the intended direction and scope of the label, featuring tracks from cavern of anti-matter, booze, fupper, clean & jerk and apotheose de la trahison. the record, and record label in connection with the first release, was featured in articles in dummy, thump, and ransom note blogs/magazines. the record received positive reviews by resident advisor, terminal 313, kiltr and beach sloth. milo and thomas were invited to play a guest mix on the baba yaga s hut podcast on london s resonance fm. tracks also played on audio texture radio show, independent music podcast and the zone.

there’s a delicacy to the performances by toxe—not a fragile delicacy, but the kind you’d associate with an olympic rhythmic gymnast, whose twirls only seem light and graceful because of the immense muscular power behind them. “ - fader toxe’s horizons are very wide - she has deconstructed britney spears in -xic- for halcyon veil and with ‘still life’ (co-produced with mechatok) she caught the atttention of kenzo who used it as a score to their fw 2016 prints’ presentation and she has also performed alongside arca. toxe exhibits her relentless creativity as she edits and produces her own videos designs her visuals, exhibiting her relentless creativity which has lead to the excitement for the upcoming audio visual collaboration. the work, ‘morning story’, was created in collaboration with artist niclas hille. released on limited edition vinyl and also digitally in may 2017. the swedish musician crafts some of the most stomach-churning music productions, innovative drum patterns and lovelorn melodies in the scene. her debut ep ‘muscle memory’ was released on staycore in october 2015. on the five tracks of this release she clashed boulder-heavy rhythms against intricate details painting a picture very human and emotional, developing a very distinctive sound. the artist concluded 2016 with her first ever south-american tour. more recently, toxe played at berlin s ctm festival and meetfactory in prague. the swedish experimentalist has just been announced for a gucci x club to club night in milan, best kept secret and wiener festwochen s new hyperreality festival.

3 teens kill 4 was born in the summer of 1980 in the east village of new york city. they took their name from a new york post headline. the group consisted of doug bressler, brian butterick, julie hair, jesse hultberg, david wojnarowicz. there was a conscious decision not to have a front person or lead singer. david made cassette tapes with voices and sounds that he held up close to a microphone, fast-forwarding and rewinding. julie tried different rhythms on a korg rhythm machine. brian played a casio drum machine and jesse was on bass. doug joined the group in time to make the debut album. he was a music lover who understood how to avoid covering over the band’s non-musicality. their debut 7-song mini-album “no motive” was recorded in fall 1982 and self-released in 1983.

der kölner produzent desmond denker präsentiert auf seinem aktuellen release zehn stücke auf einer gratwanderung zwischen electronica und grime. durch die absenz von vocals und beats wird die einnehmende atmosphäre angereichert durch pure synthesizer-melodien, von analogen und virtuellen klangerzeugern geschaffen. das ergebnis geht dabei weit über ambient hinaus und beweist, das seine essenz der elektronischen musik frisch und lebendig ist. nach seinem vinyl-album denking out the world (2010) und diversen maxis und compilation-beiträgen, setzt mdf03 nun den forschungsauftrag kölner elektronik-schule im uk-sound- fort. was damals als produzent der bambam babylon bajasch begann und sich in der zwischenzeit durch das renommierte musikprojekt the nest fortgesetzt hat, trägt hier früchte als weiterer brückenschlag zwischen tanz und geistesmusik.

solo project of vanishing twin (soundway) member. the song cucumuber sword feat. vocals by taishi nagasaka (fat white family) man from uranus has been making music inspired by the freakier edges of 60s and 70s library music and jazz for almost 2 decades, and like his predecessors - sun ra, space lady - he s never really fitted in, feeling more comfortable exploring cosmic realms than than with his feet firmly on his own planet. a prolific composer and home recordist, he has garnered a reputation for eccentric live shows, each presenting an entirely new repertoire. alien flowers, in a limited edition of 300, is one of few recordings capturing the spirit of an artist who is unwittingly on his way to attainting cult status. alien flowers has been played on nts, the wire s adventures in sound and music and the independent music podcast. support from the sunday experience, tom furse (the horrors), jonny trunk, doug shipton (finders keepers), emily bick (the wire) and anthony chalmers (baba yaga s hut).

mit der neupressung von -loop-finding-jazz-records- als doppel-lp (inlusive downloadcode) ist 16 jahre nach der erstveröffentlichung ein meilenstein deutscher minimalelektronik wieder verfügbar. das stilprägende album erschien 2001 auf dem wunderbaren berliner label scape, wo es zwischen den knister-, hall- und frickel-klängen eines pole, kit claytons und burnt friedmans hineinpasste, wie die faust aufs auge. mit jazz hatte das ganze natürlich nichts am hut, vielmehr mit clicks & cuts und glitschenden microsounds, die seinerzeit hoch im kurs standen. das szenemagazin -groove- nahm -loop-finding-jazz-records- 2013 in die liste der besten 50 elektronischen alben auf. kollege tobias thomas von kompakt schrieb in seiner laudatio: -seine clicks und cuts waren wie funkelnde fragmente, die man aus einem großen diamanten herausgelöst hatte. umhüllt von digitalem sternenstaub, dabei nie kalt, sondern geschmeidig und feinstofflich dahingroovend, bewegten sich seine tracks wie ein amalgam von ambient, freier elektronika und sehr tiefer, sehr reduzierter house music.- die neuauflage von -loop-finding-jazz-records- enthält die beiden bonustracks -moiré (guitar & horns)- und -poren-, die ursprünglich b-seiten-stücke der 2000 ebenfalls bei scape erschienen -tendency ep- waren

a rare look into the discotheque era of waikiki, al nobriga’s “my last disco song” tells of a time when nightclubs lined kalakaua avenue and practically every hotel hosted live entertainment. seven days a week, locals rubbed elbows with visitors in discos like the point after, cock’s roost, garden bar, infinity, duke kahanamoku’s, foxy lady too, valentino’s, hawaiian hut—the list goes on.

tuamie returns to street corner music with holy ghost spirituals, the third release in scm’s gospel flip series. following jake one and ras_g’s collections, tuamie chops and flips his sanctified selections into raw beats. a no brainer for a tuamie fans, this will not be around long.

since its inception in 2011 the fuse label has grown to be one of the leading voices in the dance music underground, originally kicking off with co-founder enzo siragusa s the sagamore ep , subsequent releases were kept strictly in-house with productions from the roster of resident djs that feature at their london based daytime raves (seb zito, rich nxt etc). in 2013 offshoot label infuse was initiated as a way of harnessing production talent from around the globe. as a celebration of reaching 5 years of releases, a three part vinyl only ep is to be released featuring tracks from the established fuse roster as well as a few new additions. the third & final ep features rich nxt, odd & rossko, archie hamilton & sam bellis strictly vinyl only!

drifting as a snow-smattered cloud from the north, breathing icy winds crackling with the splinters of crystal water and effervescent dust, hedge maze returns to the lobster theremin fold with four gently glowing tracks-from-the-hut that span crunchy house, hotel elevator ambient, deep-sea techno and skittering percussive drone. sand-blasted productions that curdle and bake with the treatment of valve-driven machinery, steadily condensing ideas on a window pane in todmorden.

nasty boy is a upcoming house producer nicola penna from vibo valentia in south italy. his debut 12inch on sahko recordings is two beautiful blue cuts somewhere between classic detroit techno/house and modern mood hut style distorted bass and kick.

(2x180gr vinyl in gatefold cover with luxurious gloss print, free download). lucys third solo album is inspired by legends and fairytales.

ruff daft returns, and after a various artist ep for number 7, number 8 on the label goes back to the founder, with three new tracks from cottam washed out kicks things off, at the cross roads between mood hut & basic channel where dub techno sensibilities meet dreamy chords for a delectable deep house track. horns harks back to cottam s earliest releases, with an afro-ish horn loop teased out over four minutes until the full loop and bass kick in to devastating effect. a ruff draft sees cottam look back towards his techno roots, with a killer kick drum and raw acid lending an abrasive edge to a well rounded ep of varied styles.

balbinas welt liegt versteckt, gleich hinter der realität. doch wenn man etwas unscharf hinsieht, dann kann man sie erahnen: *durch die gardine fällt das licht gerade so / ein in die wohnung, dass auf der tapete sterne tanzen*. denn die schatten des vorhangs bilden geheime zeichen an der wand, die heizungsrohre flüstern geheime botschaften und das pfeifen des teekessels summt eine melodie. die dinge haben eine seele und balbina kann sie sehen.
die vinyl lp erscheint im klappcover, inklusive cd-cversion des albums.

1 copy per customer, future times is very pleased to introduce this killer 12- to the globe, a serious disc by jack j. *american pressing* tip! . his 12- for mood hut last year flipped many wigs and this 12- is further proof that the dude is full-fledged. -thirstin - takes the day-in-the-life quintessence of -something (on my mind)- even farther, using his voice to beautify the sparkling, spaced track. the b-side -atmosphère- is just as mighty, as jack channels a velvet patrick adams vibe in this gorgeous instrumental, the pianos in particular take the song to a galactic place. both tracks feel like you could live inside them, each as good for walking around this life chillin as they are for the party. essential summer music

exciting 2nd release on the roze balletten label from belgium by a (new?) artist named walrus. a lovely 6track ep with a blend of house tracks ranging from melodic moody, jazzy acid injected to playful and even more stripped straight forward cuts. a new wave of bedroom producers is slowly penetrating the dance floors. excellent release that will go down well with fans of like minded releases mood hut records or going good for example.

rat life returns with the pagan rites on catalog number 4. little is known about the band from sweden, first signals were received in 2010 when they submitted their track 03 to the ifm demo contest. in october last year rat life sent out a submarine to search the swedish coast line for the small hut where the duo records their songs (apologies to the swedish authorities at this point, who confused our research with a russian military threat). all four tracks are packed with bittersweet melancholia, reflecting the neverending darkness of cold scandinavian winter, still the midnight sun is always in sight on the horizon! already recorded between 2008 - 2013, rat life records is very happy to finally make this music available on vinyl.

asoks scenery imprint continues to go from strength to strength, with the boss man following up bantam lions recent recollections ep with a single of his own. hunter is undoubtedly the liverpool-based producer s strongest track yet, with woozy, soft-focus chords and alien electronics riding a dusty, analogue-rich groove. as with much of the labels recent output, there are distinct hints of mood hut, future times and mister saturday night. experienced producer versalife reworks the title track, turning it into a blissful chunk of drexciya-style electro. flip to the b-side for cabal, an ultra-deep and occasionally discordant concoction, and the fuzzy, detroit-influenced bounce of millennium 2.2.

liverpool-based producer bantam lions has long been part of the scenery records family, helping label boss asok launch the imprint with 2012s one to one ep. here he returns with his third 12 inch for the label. lead cut *recollections* is particularly good, delivering a deep and attractive fusion of fuzzy analogue warm, dreamy melodies and intoxicating chords. he ups the tempo further on *many years later*. which layers dubbed-out chords and swirling textures over an energy-packed techno groove. the accompanying remixes are pretty tasty, too, with the cyclist particularly impressing with his detroit techno-goes-lo-fi interpretation of *recollections*. that said, the dreamy, new age-influenced downtempo take from mood hut regular cloudface is pretty darn good, too.

and anotha one from vancouvers mood hut collective! aquarian foundation member hashman deejay, delivers two monster tracks to future times.

future times is proud to present killer new music from vancouvers mood hut crew....tip!

mask, released in 2012 as the first track to come from the mysterious vaal, mask has been remixed by two purveyors of forward thinking electronic music. sei a and john tejada twist & cajole the original into new and darker territories, whilst vaals own hut remix adds another dimension to the ep.

hidden recordings presents the perfect soundtrack for the chilly, darker days of october. the month conjures thoughts of halloween and with it scenes of eerie, grim, and shadowy landscapes. it is the perfect time to showcase the latest addition to the hidden recordings family, american techno producer memnok who has become widely known for his ethereal sound full of heady grooves and self-reflective moments. on his debut his range includes spooky and gritty cinematic strains that would make alfred hitchcock proud. the pair of tracks each have a stand-out remix by techno fast risers – ascion who has worked in the past with labels such as drumcode, kiddaz, synewave, sleaze, and prosthetic pressings, and daegon who has graced releases from labels such as frucht, der hut, android musiq and silent steps.

early big support by hanne & lore, compact grey, audiopunkz, kanzler & wischnewski, chris blum, claude von stroke, kiko martinez, playane, mozaic, christian kornberg and many more.here is the remix ep of arts & lenis funny dancefloor bomb tony and the little violine with massive remixes by rich vom dorf (acker, rennbahn), felix bernhardt (afulab, der hut),martin dacar (supdub, shaker plates) and audiokalypse!the original was supported by adam beyer, rene bourgeois, hanne and lore, david jach, franco bianco, dr.needles, dembowski, thomas lizzara and many more!

new massive dancefloor killer track on ton liebt klang with funny german vocals. the track is remixed by arts & leni (ton liebt klang, deich), felix bernhardt (afulab, der hut) and tonmotiv (plattenbau, lust und freude) !early support by rene bourgeois, oscar, lars wickinger, someone else, patrick lindsey, nudisco, paco osuna, timo jahns, jonas wahrlich, howard & stereo, rich vom dorf, glanz & ledwa, compact grey, alex kennon..

coeter one shows two tracks in perfect style of the label. nutempo vinyl records means high-quality of minimal techno. sounds clean, modern and dark. repetitiveness that joins cadenced rhythms, perfect for the dancefloor. never boring and always something unexpected. the remix of >dreesch< signed by veteran mike wall (der hut, aspekt, eins plus, etc.) is decidedly more techno, sounds coming from deep, riffs that seem to remember an old school .. but fresh and strong. the version of >lankow< signed dubit (eminor) is essential and deliberately directed to the dancefloor in the darkest moments.

this outstanding live album was also released in 1971 and was recorded at newcastle city hall. a brilliant live document of a unique and unrivalled band at the top of their game.

einen abwechslungsreichen soundtrack für die vielen facetten, die eine spaßige nacht oder auch ein spaßiger tag im club zu bieten haben, präsentieren die herren kottlet & zadak passend zur kalten jahreszeit. just wait entwickelt eine minimal gehaltene, düstere und mysteriöse spannung, die sich schließlich in einem stehenden subbass entlädt. dessen vom ohr nicht mehr wahrnehmbare anteile erzeugen eine wonnige resonanz an der bauchdecke, die sich mit öffnendem cutoff über den rücken bis hinauf an die schädeldecke ausbreitet. freundlich, hell und auf anregende weise dennoch einlullend kommt danach der titel sunday daher, der in zusammenarbeit mit soukie & windish entstanden ist. mollono.bass lässt das im original humorvoll angesprochene arbeiten am montag mit seinem remix in geradezu phantastische ferne rücken: dubbige echoeffekte und eine extra portion verträumte melodie erwecken den eindruck von fortgeschrittenen stunden. doch auch die schwitzige stoßzeit einer party kommt nicht zu kurz: mit pulsierendem basslauf, dichten percussions und einem deutlichen anflug von swing vor einer soundkulisse, die an einen exzentrischen trickfilm erinnert, erfüllt hut ab alle anforderungen für das, was man landläufig als kracher bezeichnet.

laufmasche rmx! played by : bjoern stolpmann,brothers vibe, dj misk (radio altroverso // rome),jonas wahrlich (der hut), kiko martinez, sascha kösch aka bleed (de:bug), timo jahns (radio e-volution),tolis q! info : laurent garnier : very good mix by laufmasche will play it for sure , stephan bodzin : 900 for me

finest quality groovin techhouse to techno 4 tracker by alessio mereu, known from his well supported releases on amam, der hut, contexterrior, confused and many more..

vinyl only! first at decks.de! ben anders, bekannt von off und percusa, arbeitet auf inside out mit der stimme einer glühend verehrten sängerin aus dem britischen house-trifft-pop-kosmos von anfang der neunziger jahre. eine großartige idee und ein großartiger track, den wir unbedingt signen mussten. unschlagbar auch der fimo remix, eine perle subtiler deepness und gleichzeitig doch so kickend. drei farben house kommt in seinem remix mit oldschool-funk um die ecke und zeigt mal wieder, wie man soulful und straight unter einen hut kriegt. tenderpark bleibt am ball.

proper 4 tracker incl marco fender, robert sado aka niko schwind, philipp wolgast and toni vokado! each of these artists have already released huge tracks which gained them much praise from both the media and dj world. they are new school rising artists known from releases on der hut, eminor, kompass, hi freaks, still vor talent, autist, vivid, overdrive.

die single pr?sentiert zwei neue monster-tracks der ex-soledad brothers, die sich auf keinem album des trios finden. frei nach dem motto: die stooges treffen auf howlin wolf! auf der a-seite ziehen die amis den hut vor ihren blueshelden, auf seite b covern sie >road runner<, den live-favoriten von bo diddley. absoluter killershit vom label stag-o-lee!

after the success of their recent woolfy vs. projections remix, here comes the first full 12inch from the newly formed production outlet permanent vacation by the two label heads tom bioly and benjamin fröhlich. for the track tic toc they fullfilled themselves a long dreamt dream to work with their beloved disco diva numero uno kathy diamond. tic toc is a very hooky, oldscool sounding track with a strong piano line on the cutting edge of house and disco. the flipside of the 12 brings you zucker hut, which aims more at the dancefloor with its sweaty and tropical atmosphere,lots of percussions floating strings, an arrpegiated synth and a big horn section.

raffinierter sägezahn der nichts mit der alten schule am hut hat. roland m.dill ritzt mit >turboencobulator< einen extrem stimulierenden & kurzweiligen track ins vinyl der funktional, frisch und tricky ist. empfehlung !

eigenlob stinkt, also schnell die wäscheklammer auf die nase. wir haben immer schon gewusst, dass matias aguayo ein jahrhunderttalent ist. seit seinen ersten gehversuchen mit michael mayer als zimt oder später mit dirk leyers als closer musik und mit marcus rossknecht als broke und vor allem auch solo weiss matias immer wieder zu Überraschen. seine dj-/live-sets gelten von buenos aires Über paris bis köln als legendär und: visionär! nach seinem tongue-in-cheek sommerhit minimal lag matias jedoch nicht auf der faulen haut, sondern hat mal eben en passant eine der inspiriertesten techno eps der jüngeren geschichte aus dem hut gezaubert. der titeltrack walter neff ist ein gnadenloser poptechno-ohrwurm und dancefloor-destroyer zugleich. der teufel muss ihm diese bassline verraten haben! one for the ladies... bei rebolledo style schraubt matias das drecklevel kräftig hoch und serviert einen hochenergetischen chicago-meets-baile-funk-meets-pianohouse-slammer. dann rundet matias die platte mit einem weiteren ausnahmetrack ab, carter msp. die bassline ist schlichtweg krank, dabei aber unglaublich sexy und uplifting. ernsthaft, alle drei tracks sind derart brilliant, dass man sich fragt, warum fast alle anderen platten im vergleich mit der walter neff ep so Öde sind? so, jetzt könnt ihr die wäscheklammer wieder abnehmen.

>stark wie zwei< auf 2 vinyl - udo lindenberg in h?chstform, unterst?tzt von jan delay, helge schneider und silbermond. produziert von andreas herbig.

hoxton whores go miami with this massive 3 tracker feat dna and the whores themselves the great you re in my hut now uses the bassline of mr fingers can u feel it and the vocals of jungle brothers i ll house you not to be missed

ocean drums is the latest release form nero rec, this track have been a firm favorite amongst many of the worlds leading djs all of the summer. erick morillo for example has open many of his djset throw out the summer with ocean drums, causing the track to blow up big-time. with amazing vocals from kathy brown and a tight and energetic production this track is in the making of a huge hut. remix comes from the man of the hour mischa daniels, his higher mode remix is a slice of heaven,sounding epic and big room for all the fans of this sound

ocean drums is the latest release form nero rec, this track have been a firm favorite amongst many of the worlds leading djs all of the summer. erick morillo for example has open many of his djset throw out the summer with ocean drums, causing the track to blow up big-time. with amazing vocals from kathy brown and a tight and energetic production this track is in the making of a huge hut. remix comes from the man of the hour mischa daniels, his higher mode remix is a slice of heaven,sounding epic and big room for all the fans of this sound

great phreaky hittin techclubber

incl patrick alavi mix!! big french filter house monster and a catchy hook from terri bjerre (who sang hooks for dj antoine, jerry ropero,...) loop brothers have remixed michael gray -weekend- and many other hut tunes

zuckerbrot & sägezahn. fräsendes & metallisches von zwei wahlberlinern. hut ab, sicherheitskleidung an ! played by gigolo s dj hell

2 cd in 3-panel digisleeve with 24-page stapled booklet

pastoral/tropical soundscapes and post-brutalist compositions by max loderbauer and jacek sienkiewicz from their ÒendÓ cd seem to evoke those situations where can actually hear objects, shapes and time flow itself, a sort of synaesthesia which erases and obliterates beginnings and ends of events, processes and phenomena. apocalyptic and contemplative spaces generated by this pair of seasoned sound creators explode genre bastions of ambient and idm, leading into the spectral areas once explored by such pioneers and popol vuh or ilhan mimaroglu. above all, etheric and extra-sensitive ÒendÓ marks the meeting of two incurable individualists, who use various tools of their trade to come up with a surprisingly atemporal effect, an insistent pulse of detail on an ever-morphing background. without vivid commentary and recognizable soundbites of the present, ÒendÓ is simultaneously an interesting projection of hopes and anxieties of the new age. core of tracks included on the record has been produced on the occasion of max and jacek appearing as a live duo during 2015Õs berlin atonal festival, which resulted in well received Òalpine-tatra-himalaianÓ ep Òridges-. remaining compositions are natural conclusion of their friendship, conversations, meetings, trips and recording sessions that operate according to the rule of free improvisation with a reduced instrumental setup.

crack ignaz nennt sich schlicht den beliebtesten menschen …sterreichs. 2013 setze er mit elvis / based im nebel der hanuschplatzflow auf den plan, ein kollektiv befreundeter mcs und producer, das von salzburg aus mit einem rapentwurf steil ging, der einiges mit dem asap mob, young thug oder future am hut hat und sich eher wenig darum schert, was im deutschrap gerade passiert. fast forward nach 2015: money boy und l goony gehen mit casper auf tour und turn up ist das neue lŠuft bei dir. mit kirsch veršffentlicht crack ignaz nun ein album, das aus drei grŸnden neue standards setzt: 1. crack ignaz ist ein unfassbar guter mc. sein mundartrap flowt saucool und verhŠlt sich zu hochdeutschrap wie dirty south zu eastcoast. 2. crack ignaz hat die besten producer. lex lugner, wandl, feux, b.visible and padillion verpassen kirsch ein sounddesign zwischen wolke und footwork, das man so noch nicht gehšrt hat.

2014 gewann ein unbekannter newcomer namens gold roger das vom splash mag ausgerichtete mot-rap-turnier mit links. obwohl er mit battlerap nichts am hut hat und so recht in keine deutschrapschublade passen will. die gold roger story begann vor gut 20 jahren in dortmund. mit der ersten stereoanlage bekommt er zwei cds: eko fresh und die €rzte. gold roger wird €rztefan, entdeckt die white stripes und skaten fŸr sich. mit den ersten rŠucherstŠbchen wird die lieblingsmusik langsamer und erste raps ausprobiert. als er 2010 kendrick lamar hšrt macht es klick: zum ersten mal wusste ich, wie ich gern rappen wŸrde erinnert sich gold roger und fasst bald den entschluss es ernsthaft mit dem rapding zu probieren. nicht als karriereoption sondern als kunstform.