nice price deal !!! dedicated to the 15th edition of ade, bla bla comes with the 2nd volume of their special ade ep with 4 massive tracks.

nice price deal !!! first single of english synth-melodic pop band chew lips on kitsuné. with remixes of tepr and david sugar. there is nothing quite usual about chew lips. not their way of making music, or their live shows, or indeed, their inception. when the vocalist tigs and multi-instrumentalists james watkins and will mcdonald decided to start making music together they had only one edict: not to sound like just another guitar band. the result was the organic and purely accidental evolution of their current, electronically enhanced sound every song sounds like it could be a planet-bestriding, galaxy swallowing pop smash, with will and james gorgeously whirling and mutating casiotone/guitar/bass/drum machine attack providing the perfect backdrop when the amazing frontwoman tigs s voice soars, swoops and dips precipitously and smoulders beautifully. with their first single solo on kitsuné, chew lips alternately capture the yearning, impatience, beauty, confusion and impermanence of youth, with tigs summing up the hopes and dreams of a whole generation with the fist-pumping battlecry of >we dont want to wait, theres no time, no time<. this is pop music alright, but pop with a gloriously vivid, almost cinematic sweep, as well as a human heart, filled with a very real sense of longing and desire, in amidst the shiny, clattering electronica. french producer tepr, well known for his remix of yelle >a cause des garcons<, has made of the song a dancefloor anthem while david sugar smoothly delivers an uplifted version of the track.

reasons marks fort romeaus first full solo release since 2016s secrets & lies on live at robert johnson, having previously released records with ghostly international, running back and his own cin cin imprint. the title track sees the development of the producers interest in playing with the human voice, developing a harmonic and rhythmic hook which builds to a crescendo of wailing synths. c.e.m is a focused dance floor workout built around syncopated sequences which ebb and flow creating a constantly evolving pattern of tension and release. on the final track satellite 2 a pair of beautiful duelling sequences unfurl giving a sense of weightlessness and provide the perfect epilogue to a record that marks the continuing evolution of the producers unique sound.

vinyl only. straight limited. no repress! sound spectrum is a project aimed at recording slices of human experience through sounds. it started among friends partying together in london, tokyo, new york and berlin. this is a journey of feelings which exists in a place with no time and space.

having emerged from the murky waters of the tape scene on always human and summer isle, strahinja arbutina follows up on a first 12- for bank records nyc with this sterling sure shot for the excellent bliq label. there s a range of styles displayed across fox venom, but the tracks are held together by the immersive, droning atmospheres that linger in the background of the productions. -fox venom- lurches under a heavy cloud like the best subterranean techno should, while -teabagging mystery- gets locked into a deathly minimal groove. this is music for the graveyard shift, although deemonlover s -so solid mix- of -fox venom- does inject some wild breakbeat action into the gothic surroundings

limitierte version mit goldenem 180 gramm vinyl und klappcover! erstes gesangsalbum des experimentierfreudigen und freigeistigen londoner kollektivs.

brandneues material der britischen elektronikpioniere the radiophonic workshop, die, 1958 gegründet, zahlreiche soundtracks für die bbc produzierten, vom nme als -the british kraftwerk- bezeichnet und von the orb, four tet und aphex twin (der 2003 auf seinem label rephlex eine 4x10inch retrospektive veröffentlichte) verehrt werden. das neue album burials in several earths entstand in kollaboration mit synth-pionier martyn ware (the human league, heaven 17) und steve dub jones (mit dem grammy ausgezeichneter toningenieur der chemical brothers, unkle, new order). trw verbinden experimentell-analoge und neueste, digitale techniken zu eindringlich-atmosphärischen klangstrukturen.

it’s time for lewis fautzi to introduce his first album on pole group, a collection of ten tracks of cosmic techno, carefully crafted making a soundtrack of the future, deep, intense and scientific.

hedonism in its purest form means nothing but adjusting one’s life and ambition towards pleasure and joy as well as the prevention of pain and sorrow. following that concept, wice’s first ep takes the listener along on a journey of extremes: persistently strolling between sensual desire, ecstasy and lust as well as the deepest abysses of human sensitivities.

resilience, the human capacity to flexibly assume limit situations and overcome them, has a lot to do with joton and his new sound project for this 2017. in the current national panorama of electronic club music and facing such difficulty, artists are a kind of modern and resilient heroes who are constantly in personal and professional struggle to be able to continue progressing in the achievement of their ideas, sounds and dreams.

the first release of -syncretism- is a strong declaration of techno made by cressida. the ep includes 4 tracks, 3 written and produced by cressida and 1 additional mix is made by uvb. all the tracks have got a solid raw sound, an excursion between the hardest industrial, the classic uk acid sounds and new wave. the first track, toxic masculinity, is a punching tune characterized by raw drums, rough synth and break sequencies. second track, the uvb testosterone mix, represents the masculinity killer track, with a screaming human being in a dark environment. third track, snakecharmer, is the anthem killer track characterized by acid and big room sounds. neurotic x represents the other side of the label where the artist experiments his tone bringing you in a post industrial and wave scenario.

ding. steve murphy returns with a banger for the mighty wilson
steve murphy returns on wilson records with a solid electro ep that hark back to the classic sound of some of the greatest international deejay gigolos records.

mannella brings a rousing 12’’ ep, enclosing a sunil sharpe’s remix done with the forthright purpose of make you go ape. the original mix of “nibiru road” is a ever-changing techno story, told by a steady groove and such a badass kick-drum. a vitalizing ebb & flow of that rubbery synth and that melodic, a bit saturnine pad, that let you fly to the next planet. “fourth dimension” has been recorded from one of the live performance that mannella is doing under dahraxt alias. the hypnotic bubbly atmosphere created around that chopped pad, delivers this track to another dimension of delight, giving it a unexpected slant. sunil sharpe doesn’t need introduction, since his multiple releases on imprints such “trensmat”, “labrynth”, “mord”, “mindcut”, “inner surface”, “works the long night” , “black sun records” or his own “on the hoof” to name a few, have made him the well appreciated artist that today he’s. with this rework he confirms how much enthralling his charisma is. jts004 “it can only be attributable to human error.” cit.

soul jazz records’ record store exclusive limited-edition soul 7” box set comprising five fantastic 70s soul seven-inch singles reproduced here in exact replica bespoke label artwork and all digitally re-mastered. previously only available individually and direct from soul jazz records website. seriously rare, killer and classic soul tunes brought together here in this unique one-off pressing record store day box-set edition.

having made himself an indispensable member of the uk soul/funk scene, playing live performances of ‘zoology’ to much acclaim, as well as setting up a regular groove night at london’s 606 jazz club, carl has recently finished work on his second album - pixel planet, which tells the story of an alien spacecraft, exploring our solar system, 30.000 years into the future - looking for the last bastion of human activity long after we have departed. this dystopian tale is told using a huge array of cosmic electronics, many of which were soldered together by carl himself, including his own diy synthesiser - the recyclotron 64 - constructed out of commodore 64 chips and built in an mdf box, and providing some of the monster bass lines on this album. as well as calling in the digisoul gang, some new friends appear on this album, including powerhouse drummers pete ray biggin, and ‘jungle’ jimmy norden.

limited double vinyl release, housed in a gatefold sleeve.
skam records are very proud to announce the return of bola. after 10 long years hidden away in the hills, huddled in the bolamachine - at long last bola awakens, delivering an album of power, elegance and beauty… recorded @ bolamachine b all tracks composed and performed by the bolaman. kappafects co-composed and performed by dennis bourne. no humans were harmed during the making of evensong. while every care was taken, slight but unavoidable human abuse was endured in the making of kappafects.

everybody needs a destructive love story to blow up in their face and and shake their solid ground, its a must for every human to get to his core of understanding, the centre of the pain, the middle of his earth, we hate to say it, but sometime that s the best thing that could happen to a person. especially for a talent like nadav spiegel. drop the needle at the beginning and listen to 9 songs about rage and compassion. i love you, go away is a temporary hate feeling that changes into a permanent understanding, and as the story unfolds, so will your heart. it s over now, you know, everything is alright, everything is alright.

monnom black debuts a brand new artist to the label for its esteemed tenth release. coming straight out of holland is the fast rising star, remco beekwilder! here he arrives with his monumental lsd ep. absolute essential floor killer!

there are depths in humanity which one cannot explore, as there are mephitic caverns into which one dare not penetrate. madness in any direction, at any hour. the anatomy of human destructiveness, a hole like a sewage drain for the fine clear coat of civilisation, a place where the eye wanders and the lip jerks and drools. if there is such a dark moloch which deviously knots a thread within us, with which to hold us and draw us down an eerie and delirious path that we would never otherwise have set foot on, then d. carbone’s mephistophelian alter ego honzo pulls us with his 4th installment “distopia - un mondo indesiderabile” right into its gaping abyss, leading us there where we would have never consented to go.
panic. it creeps up the spine like the rst rising vibes of an acid frenzy. the haunting chill upon your neck. there is a sound intensity makes while echoing through the body, the epinephrine pumping through the jugular vein, voices from unknown origin, the blood throbbing through the numb extremities, heart palpitations, the flashing visions, cold sweat, the heavy breathing, hyperventilation, dissociation, fight-or-flight. honzo gives us a vision of what it means to truly be in a world of terror and angst and in the secret bloodlit dark behind our eyes we enjoy the cathartic abreaction this brings us.

this anthology brings to light the music of robert Æolus myers, featuring recordings from 1982 to 2006 that were previously available only on cassette or cd.
the music within “a retrospective” tells the story of a man whose music elevates its listeners to a place of inspiration and enlightenment. often ethereal, Æolus’ music is driven by synthesizers, melodic flutes, sweeping patterns, and subtle rhythms to seed inspiration from deep within the listener.
one might assume that Æolus carved a new path for electronic music in hawaii, but the islands never quite fully embraced the burgeoning new age scene that Æolus found himself a part of during the 1980s and the early 1990s.
few artists in hawaii have produced a body of work, let alone embarked on a musical journey, such as the one that Æolus has created.
for aloha got soul, this release marks a new chapter of bringing rare and relatively unknown music of hawaii to the surface.

third chapter by homemadezucchero very own meze is a 4 dimension disengaged statement. wide ambiances wrap mental bass lines and saturated dynamics in a minimalistic melodics drama. tempered by icy harmonic pads and human shreds.

ultra limited! -even knowing the size of the universe, yet we are not able to imagine the vastness of our interior.- c.s.

we eroded pre-existent structures constructing an open heterotopic space, a horizontal and vertical thinking found its way through physical- and cyberspace, here, nothing manifested instantly - flippancy left space for any kind of interaction and appropriation. within (or well beyond) economic pressure points which diluted production, this was our opportunity to try out different potentials with no restrictions to the public, while simultaneously scrutinising the general framework of institutions and human behaviours. subversive potential always was variable, always asking, deconstructing and reconfiguring itself allowing new states of aggregation within diffuse interspaces and futures

it might not always be obvious, but music as escapism can serve as a radical social statement. what some may see as daydreaming or imagination of impossible realities, can constitute a sort of revolution of thought, the seed of a more human and sentient worldview. although on a first listen, high-level basis, it may seem as if the music contained in informa’s 10th release is a series of psychedelic, dystopian and otherworldly tools for escape, it might actually be a proposition for improvement, a route to self-discovery, a reflection on the true nature of our surroundings. although at no point in this release such high concepts are made explicit, there is a consistency in vision and methods present in the art created by the peers that label founder and owner deepbass has selected for this very special, celebratory release. encapsulating the product of eight minds, eight visions, in a common concept for evolution in unity.

for the second release of 2017 macadam mambo is launching a special compilation of adjustments made by friends and members of the label (kilian krings, sneaker/dunkeltier, obermannkind, panoptique, mori ra, shiny boots, misha geylen, smagghe & cross, guillaume des bois, johan ressle..). mostly very obscure tracks in sacha’s « metalic vibe », from post-punk to synth-pop, experimental and more… big up to artist khwezi strydom’s painting from lyon for the artwork !!

back in stock since a long time ... for years, jeff mcilwain has been recording music as lusine that expertly straddles the electronic/pop divide, with a certain distance, mcilwain cracks open his productions to reveal the beauty lurking within. a certain distance sees mcilwain employing human vocals and pop structures, hooks and melodies in the service ofsomething warmer and more welcoming than the lusine of old. mapping human emotions via technology may be an insurmountable task, but a certain distance brings mcilwain closer than most to achieving the impossible.

mihkel kleis, man behind the ratkiller moniker, listens to music on the verge of human capacity. and from what he hears, he compiles top 500 end of year lists to his friends. big tip - incredible talent from talinn... do not sleep on this taped nightmare.. cult! comes with insert. limited pressing.

a staple album since its release in 1998, heavenly is as relevant today as it was twenty years ago. it turned heads everywhere, got the underground scene buzzing and set dance floors ablaze like an accomplished pyromaniac. now, the album is back for another round of techno-flavored goodness. revisited, tweaked and rearranged by kevin saunderson under his e-dancer moniker, the album not only comes with additional material in addition to the 1998 originals, but is also poised to fuel a number of exclusive e-dancer live shows. a collection of songs sure to keep the dance floor ablaze for decades, heavenly (revisited) is set to make history once more

bunkr enslave dust-coated synthesizers, dilapidated drum machines and rusty fx boxes to craft 4/4 tunes for their impatient overlords. their vision is clear they will make techno, they will make house, they will make electronica, and you will listen and dance. its not yet clear if bunkr is the work of one frenzied human or many lazy individuals but we do know one thing - the ringleader is one james dean, who previously released as lost idol on labels such as pork recordings, nature, final frontier and cookshop. following a prolonged spell of writing music at slow tempos, dean initiated bunkr as a reactionary desire to speed things up. too much time had been spent just sitting around - it was time to stop sitting and start dancing. true to their vision, here we have cloud chaser, a bubbling jam backed with a huge remix from shan, who flips the mix with dramatic strings, sprinkles of magic dust and massive amen breaks. no less impressive is junos revenge, a track youd turn up on your headphones while taking a nice afternoon stroll on the moon, on a sunny morning after a long interplanetary rave. igor tipura delivers the rework, complete with a marching percussion workout and acid chemtrails that will send you right back to 1993.

the second new york dolls album, originally released in 1974, back on 180 gram heavyweight vinyl with download code included.

i walk in the dark i hear my steps, fixed, tough echoing, in the water, in the sound in the walls. so lonely, so confused, i sweep that ford of concrete, following a feeble light. i perceive other strides, more heavy, impetuous, that reverberate as well in these thick walls, of putrid water and violent brake-up an unusual calm until that, of such shadow i brush against the limbs, i perceive the essence, another breath indeed, but not of human’s appearance.

the fifth modern cathedrals release by altstadt echo seeks to exhume genuine, complex, and often contradictory human emotion from dead samples and broken beat structures. throughout the 1905 ep, the artist crafts melodies that embody a tension between nostalgia and frustration, supported by carefully textured and relatively functional percussion. the remix of dry despair by abdulla rashim (ar) strips the original of its lofty chords, instead pursuing a focused and bone-dry experimental techno approach. in contrast, the remix by stave combines elements of the original’s drifting atmosphere with violent industrial percussion.

the fourth hotflush release of 2017 comes from minneapolis-based dj and producer, tml. he made his debut in 2014 with one inch of water, an album in cassette form via always human tapes. his style takes cues from the bass and jungle halcyon days of yore, yet in his hands these influences are pestled into anything but nostalgia. no memory looks forward to a place where pigeonholes don’t exist, where past, present and future boil an amalgamated stew, where ‘experimental’ and ‘clubby’ aren’t effective antonyms. it’s an album in miniature - six tracks spanning a broad range. the unmistakable taste of jungle pervades side a, becoming increasingly less abstract as it goes: from the fractured opening of ‘face pads’, through the dub of ‘cold sleep’, to the sunrise head bang that is ‘crying’. side two moves inside. it’s darker there. the tunes - ’strainer’, ‘rhu’ and ‘code library’ - share a paredbackness. their beats look askance as they shuffle big and bold.

best selling sophomore albums are one of the music industry’s rarest gems. one example of such a gem is jamiroquai’s second album “return of the space cowboy”. improving on their infectious blend of funky r&b and acid jazz, jamiroquai delivered “return of the space cowboy” in 1994, hitting the charts with a vengeance and amassing global recognition as the leading pop funk band.
incredibly groovy and tight, jamiroquai expanded their compositions into the realms of jazz and this was accompanied by a positive but critical message regarding human rights and environmental issues. the hits “space cowboy” and “light years” propelled “return of the space cowboy” into all-time favourite status among alternative pop lovers all over the world. now with enhanced and remastered audio, pressed on audiophile 180 gram vinyl.

limited edition lp on double heavyweight vinyl plus exclusive 12 inch, featuring 3 bonus tracks. download code included.

standard edition lp on double heavyweight vinyl with download code included.

scone cash players is a super human supergroup featuring adam scone (sugarman 3), tommy tnt (menahan street band, budos band), eric kalb (john scofeld, deep banana blackout), homer steinweiss (sharon jones & the dapkings, amy winehouse, the arcs). together they deliver a tasty dose of hammond funk/soul/boogaloo.

das dritte studioalbum der pariser electro swing-pioniere caravan palace endlich wieder auf vinyl erhältlich! caravan palace haben sich der musik der goldenen zwanzigerjahre verschrieben und verpassen jener mit hilfe von treibenden dancefloor-beats einen futuristischen glanz - und das auf ihre ganz eigene, freche und sorglose art. nun darf man sich auf das dritte album <|°_°|> (robot face) freuen, ebenso wie auf die dafür geplante tournee, die caravan palace auch für vier termine nach deutschland führen wird. die instrumentalisten und studiovirtuosen charles delaporte (kontrabass), hugues payne (violine, backing vocals), antoine toustou (posaune, machine), arnaud vial (gitarre), chapi (klarinette) und paul-marie barbier (vibraphon) sowie die sängerin zoe colotis stehen für eine energiegeladene live-show, die alle anwesenden in ihren bann ziehen wird.

for its 6th release on ed banger records busy p asked his longtime friend from los angeles mayer hawthorne to write a love song. while the world is going crazy, the only answer is love. the song was recorded between threesome studio in paris and mayer’s own in l.a. to complete this ep, we’ve asked uk’s finest producers. the mysterious kda who’s topping uk’s charts, delivers an infectious remix with mental drums and funky twist. hot chip’s main man joe goddard has been one of my favorite producer ever. it was about time to have him on board! reckonwrong dropped the hottest ep of 2015 on young turks sublabel whities. his remix is pure magic. exotic beats with techno flavours. last but not least, we went experimental on this one! this is the first flow machines remix. the goal of flow machines is to research and develop artificial intelligence systems able to generate music autonomously or in collaboration with human artists.

gardens of god sodai imprint continues to unearth creative production talent from the label’s native city of vilnius with the third and latest artist from the city to feature on the label. introducing talassa barda for his debut introducing three expertly crafted techno cuts. lead track wolf has a howling big room sound effect and a dark techno underbelly. human with it’s haunting like qualities develops into a peak time monster that is sure to thunder in vast spaces over the summer. finally, bleed is a rolling acid tinged track that fuses electro, breakbeat and techno for possibly the most interesting of all three.

matuss takes techno and turns it on its head. the cybernetic sound has been filled with human emotion, giving it a more organic feel than much of the music that would fall under the genre. she opens her absence seizure 007 ep in trademark style, with a dark jacking cut entitled pitchureque, in which a pulsating bass line throbs alongside ominous acid swells and disorientating panning effects. next up, tektango takes a different route honing in on a set of live tribal tinged percussion, which sway and dissipate with hypnotic effect driven further into the depths with a bubbling synth lead and filtering atmospherics. this live percussion gives the track that organic feel mentioned earlier. escapade kick starts the b-side with a robust rhythm, built from the ground up with resonant hi hat stabs, echoing claps and sturdy kicks which forms the framework for a deranged lead melody laced with wide open synths and emotive chords to carry the groove. closing the package is fonque, where flanger-tinged snare rolls work in unison with driving rhythms, delicate arpeggios and an intricate 303 bass line to create an infectious closing cut.

in order to get lines of perspective moving, aufgang transcend their instrumentarium. from this organic corpus, they manage to extract a hand-stitched, deeply human kind of music. this exhilarating craft builds bridges between disciplines, skilfully pulling together acoustics and electronics while making bold connections between different eras. ancestral pianos are groovier than any sequencer, the synths they use are antediluvian and the drums are constantly oscillating between metal and skin. they may well be the first truly accomplished and unabashed explorers of the channel connecting various approaches which, so far, had at best only been piled up. aufgang transcend the confines of time to bring the past back into the future.
180 gram double vinyl cut at 45 rpm - download code, a3 poster and embroidered shield (patch) included.

house maestro uovo, of pastaboys fame, and fresco (one of the most sought-after sound engineers in italy) have crafted a killer sonic spiderweb. be it the evil and edgy acid mix or the slightly unsettling and poisonous retro mix, their “king khan” brings your emotions where they should be, while on a dancefloor. an outer, bittersweet space.after the mighty “er suonone”, by margot, dj ralf’s laterra label strikes back with another perfect, powerful gem.no human beings were harmed during the making of this ep. the following were manipulated: roland 606, roland tb 303, roland 808, roland 909, akai mpc60, acetone, nordlead2, moog little phatty, maschine, native instruments, ableton live, doepfer system a100, dark energy, arp 2600.

pl007 is the beginning of a duo with praymond and thomas murphy. it all started by setting up a temporary music studio in an old farm made of stones in the french countryside during the heat wave of summer 2016 in france first, plug a microphone and start recording a couple of dry leafs crunched with gentle hands and mixed with the sound of ice cubes tingling at the bottom of a pastis glass add to this some brushes played on a newspaper and fingers banging on the edge of a kalimba, then finally, build around with your drum machines and analog synths. the result is a classy brand a alternative minimal techno, mixing acoustic rhythmics and relentless swing. none of the tracks were designed for massive big room type techno with big drops and never ending build ups but more for human size bounding experiences and never ending after partys. both slow burning tracks have in common a introspective quality, specially les cailloux but both tracks remain solar in essence.cadillac has a more gold tooth & chains attitude to it and could remind the listener (if he ever had the experience) of being on the run in a get away car, stepping on the gas, crossing the desert with an open roof top after robbing our dear financial institutions

holic trax off shoot monoklo hits a third firing release now with a new ep from verrina & ventura. verrina & ventura are an italian pair who make fresh house and techno sounds and run the all inn, only 300 and howl labels. they are busy people who put out a lot of music and here serve up some brilliantly unhinged sounds for this darker, more club focussed series. up first, metaluna is a freaky track with shimmering voices and prickly, ticking percussion all underpinned by warm belches of sub-bass. it s a late night cut with plenty of unhinged atmosphere in its glitchy grooves. ork is less kinetic and more settled in a bulky, heavyweight groove. scraping perc and icy hi hats bristle and brim as muted synth stabs bring some colour and soul to the party. the deep and delicious dhrawn has big techno hi hats and more glitching, patchy machine sounds all run through with warming chords. trilling vocals go off in the distance and the whole thing manages to be emotive and human as well as devastatingly direct and dancefloor orientated. last of all, nihil is another visceral track with industrial synths, scurrying bass and sliding drums that makes you want to jerk your body. this is a brilliantly off balance ep full of arresting and inventive grooves aimed squarely at the floor

label debut from mysterious poland-based, always human tapes, recording artist. dark, atmospheric techno and heavy, gothic electro beats. stamped, white label release in custom screen printed jacket.

neuauflage des grindcore-klassikers auf vinyl.
»scum« ist das debütalbum der britischen grindcore-band napalm death aus dem jahre 1987. es gilt als eines der bedeutendsten alben dieses genres und war einige jahre nicht mehr auf vinyl erhältlich. das album wurde im fdr (full dynamic range) verfahren komplett neu gemastert und erstrahlt damit in neuem glanz.

we are at a point where progress is so rapid it outstrips humans ability to comprehend it. “singularity is near”, hidden behind this name we find the tracks alpha and omega, together they represent the theory of eternal return, and many human beliefs. both tracks were inspired by the last live performances by the transhumans.

dutch producer nathan surreal debuts on biologic records with ?star dust? featuring remixes from adesse versions and neville watson. exploring abstract, ?surreal? and melodic electronic sounds, the dutchman is a perfect addition to the biologic roster. appearing on a host of underground labels since 2014, nathan is set to make a breakthrough with ?star dust’ balancing on the edge of reality and pushing further into the abstract and surreal worlds ?star dust? unfolds through waving synths and dubby bass lines ??? is a darker track, the bassline punchier and driving acid-tinged synths create a dance-floor ready record. next up ?human music? has a more minimal introduction, building in intensity as the synths come through until finally the melody drops, maintaining the dreamy top line that nathan is so adept at maintaining. neville watson provides the first remix on the ep, he adds reverb to the vocal, amplifying its effect on the track. star dust is intensified, perfect for late night, or early morning, dance floors. addesse version?s remix of ?star dust? is a twisted acid remake, a left-field and off kilter beat is slowed down to a psychedelic swirl, pulsating throughout the track.