dj diamond is 24 year old karlis griffin from the west side of chicago. he has been producing music since the age of 13 and djing since 20, heading the -flight muzik- clique of footwork producers. you might recall his two tracks from our -bangs & works vol.1- footwork compilation of last year. in addition hes also released several mix cds in chicago, but this, his first international album showcases his unique style of footwork music. dj diamond is a unique producer with his own distinct style and an unusual ear for unexpected sonic and rhythmic combinations within the footwork template. often he thoroughly edits samples into tiny trance-inducing, techno-like stabs. combining this with a penchant for neon synths and loose, broken drums (that are often more effect-laden and freeform than those of of his peers) and you have a sound which has an intriguing, deeper, dreamlike feel. the breadth and quality of his production is clear when you listen to this album. take opener -rep yo clique-s woozy drawling synths and tribal tom patterns next to -speakerz n tonguez- with it-s snapping snares, minimal, repetitive voice samples and martial, detailed drum work. then a track like -torture rack- which is like grime in outer space: a minimal bassline and some samples from a computer game, while a bass kick stumbles at half time, swarms of percussive detail giving it drama. its a brilliant exercise in wonky tension. the extraordinary -decoded- comes across like a kind of amalgam of trance and prog rock bombast at 160bpm while -wreckageÕs- high pitch saw noise is like a strange metallic bird-call, over light cymbals, gabba-like kicks and metallic claps. -digimons- harmonic microedits could even be an snd track transported to chicago. finally the albums closer -i choose you- rolls out over a heavily edited and processed soul sample, its drums rolling off at odd angles to almost seasick effect.

these are not just simple beats: these are tunebeats! yesterday, today and tomorrow in 18 incredible tracks! selected and mixed by tuneboy !! need to say more?

15 track european collection includes -22 twos-, -dead presidents ii-, -ride or die-, -friend or foe 98-, plus collaborations with foxy brown, notorious b.i.g., gwen dickey and more...

derrick morgans recording career spans over five decades, starting with smiths in the late 1950s with mainly r&b style output. in the ska era of the early 1960s he moved on to work with producers: duke reid, prince buster, leslie kong, c.s. dodd (studio one) and later in the 1960s and into the 1970s, with the ubiquitous bunny lee. during this time, many of his own productions were also released, this compilation features ska productions from the 1960-1966 period. the lp has been re-compiled, re-mastered and has new art-work. it features the best tracks from now deleted 12 inch lp rrtlp 06 and concentrates on obscure and hard to find sides.

heidis-run jackathon parties have been hitting cities internationally since late 2009, now with residencies in london, berlin, paris, miami, manchester and amsterdam Ð jackd house is truly taking a fair slice of the scene. the compilation isnt an add on, a supplement to the nights: its deep grounded sound and thoughtfully crafted line-up backs up the global club-motion that is emerging within heidis control.mix favourites step up as the deep and bassy foundings of deetrons the juggler, funk-told incoming bitch by soul clap and move-strong whiff it yawl from jamie jones. although the first mix this year to really engage in houses history, its freedom status Ð it escapes cliche, avoiding big cheez for serious deep, electronics: heidi keeps the listing real. the especially-recorded vocal drops of house-legend derrick carter also make the record what it is, his infamous chicago-born vox gives residence to what heidis trying to do: resurrect the old school.dancefloor destruction is on pause, the club is still a playground, still moving hard theres just more room to play now, as steve bugs last track titles: jacks back.

dub police are proud to announce the release of their first artist album courtesy of birmingham-based producer emalkay, who is set to release his hotly anticipated debut lp eclipse this spring. first making a name for himself with early releases on his own morphic sounds imprint, emalkay has continued to push the boundaries of underground bass music ever since, delivering a slew of huge releases on the way. having been an integral part of the dub police stable ever since his >explicit / heroics< 12 inch for the label in 2009, emalkay has gone from strength to strength with a series of heavyweight tracks that includes the phenomenal >when i look at you< and recent smash >crusader<. comprised of 11 tracks, >eclipse< is a bold and powerful album encapsulating perfectly everything that makes emalkay such a prodigious talent, effortlessly showcasing the depth and diversity of his sound while always remaining true to his inimitable style. as addictive as it is hard-hitting, the album doesnt just provide a collection of dancefloor tracks, but a confident and coherent artistic statement.

with this, his debut full-length album entitled when the clouds ran away the man behind the music si tew has seamlessly tied together the many elements of musicality he loves, and from this has delivered a polished masterpiece of modern day electronic soul. featuring a talented crew of collaborators, the album swings from glitchy swung break beats via heart felt soul to organic cinematic compositions, and although this may seem like an impossible task si tew has produced this genre hopping expedition perfectly. the wonderful vocals on this album are performed by a handful of the uks best including leamington spas siren shanade, who opens the album with the divine >silhouette< gliding effortlessly along and introducing the oncoming album traffic

expect the unexpected, they say, and it should come as a surprise to many as we warmly welcome to the kompakt family one of americas most celebrated producers in dance music, john tejada! born in austria, he relocated to his current home of los angeles at the age of 8 and, following a brief career in hip-hop, found his home in electronic music. if you are even the slightest fan of the genre, you will be hard-pressed not to have heard his music over his decade+-long career. >parabolas< is a true highlight in john tejadas deep catalogue. bold words indeed for a producer who is known for unexpected variation and tremendous musical imagination

everybody better bring some towels, because housemeister is about to soak the world in electro champagne. presenting his third full length music, the dirty don of club music did it again. touching ravers hearts and hitting ravers right on their heads at the same time. in arts, good ideas are hard to have, but easy to get - masterful musical output is pretty hard to create, but once itÕs done, itÕs about pure listening pleasure. and with a thousand shitty drugs flooding the streets of music today, it isnÕt everyday you get to consume the 100% stuff. Òmusic is awesomeÓ is that shit thatÕs straight from the kitchen, and housemeister has produced this bitch to the point like a 5 star chef. it seems playing clubs and crowds all over the world do add to a players game. add class and confidence. add experience and excellence, add balls as well as balance, and maybe it just takes 15 years of hardcore djdom to be able to come out and kill like this. music is awesome!

each summer, a new raft of dance compilations stake claim to represent the real ibiza. but, if anyone deserves that that accolade, it is josŽ padilla, who first arrived on the white island in 1975 and who has been djling there ever since. for jose it has been always great to experience different music and play around the colours. as jose days if it was grey, id play one way, if it was very bright, id play happy. id play with the mood. those sunsets have become legendary Ð an essential part of the ibiza experience, climaxing in warm applause as the sun finally disappears beneath the waves, and those famous mix tapes evolved into the much-loved cafŽ del mar compilation albums, conceived and compiled by josŽ padilla, which have now sold over 5 million copies around the world.

whats the point of a concept album when no one hears the concept in it? maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. creativity by limitation and all thatÉ well spare you further theorizing. >fever<, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. all based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record Ð no additional synthesizers, drumcomputers or other samplesources involved. disco-edits, italo homages or filtered loops then? hardly. this is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest paradise garage connaisseurs wont recognize what just hit them. or in the words of musical allies martyn and pinch, who independently drew the same conclusion: >sorry, but i dont hear that whole disco story in there. this simply sounds like you.< completely failed as a concept album, then Ð and all the better for it.

the new album, liquorice, from martin stimming wasnt initially planned to be an album. there was an intrinsic need for him to express what was going on in this period of life. relationship problems led to a very punk, off-whack attitude to his producing. with seven tracks done and dusted, he figured the work was more than just a collection of weird shit, it was a whole new music experienceÉ add another 5 months of studio work, he named it liquorice. definitely hard to pigeonhole - call it minimal, stripped back, dub, experimentalÉ we think >electronic free jazz< comes the closestÉ no sign of a typical 4/4 bass drum at all and stimming has incorporated his trademark use of field recordings, from a marble run, a pizza slicer, a trashcan, a coffee machine, and an ice train shuttling past to name a few. the stimming esque percussion, which is even more radical this time, has been thrown in with all these facets in his massive melting pot, coupled with some dark emotions to create this liquorice. >this time i didnt use all the main events a groove normally has<, recalls martin

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

cd1 = mixed, cd2 = unmixed.feat. hot chip, greg wilson, holy ghost, soul clap..

junior sanchez produced albums and tracks for katy perry, ima robot, morningwood, princess superstar and good charlotte. he also remixed artists including madonna, shakira, katy perry, good charlotte, placebo, the bravery, daft punk, gorillaz, blaqk audio, hot hot heat, roisin murphy, felix da housecat, the faint, new order, emiliana torrini, jamiroquai, giorgio moroder, moving units, les rhythmes digitales.. and after that,he is currently djing in the biggest clubs all over the united states and across the world

hot compilation incl. >technoboy - catfight< !

planet mu prŠsentiert die erste musiksammlung aus der chicagoer >footwork<-szene. footwork ist hyperrhythmische, abstrakte tanzmusik, die sich bei 160bpm einpendelt und meist aus samplestuecken und phrasen bestehen, die in repetitive rhythmen und formen gedreht werden, waehrend synkopierte strukturen aus dem drumcomputer auf fette sub-basslinien treffen. bisher gibt es nur einige 12s und selbstgestaltete mix cds, die im underground kursieren.

thirty-five precious, stinging selections from an hmv run of more than four hundred 78s, recordings made in uganda and kenya from the mid-1930s till the mid-1950s.three main types of performance are featured (not forgetting a lovely early kenyan big-band calypso, as if straight from the pen of lord kitchener).luxuriously presented, like a small hard-cover book, with full notes, including extensive translation, and haunting photographs with the recordings brilliantly restored at abbey road

released on 8th november, ninja tunes >hard man< king cannibal aka dylan richards has created >the way of the ninja<, a 74 minute mix of 250 tracks blended, sliced, diced, torn up and finally rendered to audio. a lot of ninja tune classics, personal favourites, some slept on and a few exclusive acapellas and instrumentals - not only a ninja tune retrospective but the sound of king cannibals last 20 years.

lil silva, zed bias, kode 9, crazy cousins z, tubby t - the excursions in the uk funky underground1

follow up to the massive >bad bad jimmy ruckus< album - a soundtrack to a very hard to find blaxploitation film!

reissue of the first soulfire cd! soul strike is a raw-ass piece of instrumental funk, served straight up on a platter of nasty. from the very first note, you can tell that this is real deal, old-school funk played the way it should always be played: rough. calypso king & the soul investigators take us back, way back, to a time when locking into a groove meant something. with two sides of breakbeat-laden hard funk instrumentals, this record is the answer to all your bbq/funk needs. tip!

hardcooore

soca entstand anfang der 70er jahre aus der verknuepfung von calypso mit indischen rhythmen und ist eng mit dem jaehrlich im februar stattfindenden karneval auf trinidad & tobago verbunden. >soca gold 2010< praesentiert die stars der szene mit ihren aktuellen 17 hits auf cd, sowie 8 videos, 5 live-auftritte und impressionen vom diesjeahrigen umzug auf dvd.

this is the soundtrack to 135 grand street, new york, 1979 also released by soul jazz records on dvd. the cd includes all the bands featured in the film ( and comes with bonus tracks not in the film). wild, raw no wave meets garage band meets post-punk. glenn branca, rhys chatham, evan lurie (lounge lizards), visual artists frank schneider and robert longo, wharton tiers are just some of the people in the bands.

dity vegas live! mixed and recorded for a live audience!

kings of jump is thò label of the hard generation in jump & tek. originally from the north of france but very popular in benelux as well. the labels tracks are played by all djs from the jump scene at all major events like bassleader, reverze, tomorrowland, decibel... the artists of the label are invited to play in big clubs (complex, la bush, lagoa, the oh, metroplis) & festivals (defqon, qbase, love parade...). 2 years after the foundation, the label represents all artists with a main influence in the jump scene, like a.o. chicago zone, ronald-v, gave, wordenz, e-max.

produced entirely by seattle super producer vitamin d (g-unit, redman, young buck, gift of gab, choklate, lifesavas, black sheep, etc.), rejuvenation is a hard hitting soulful ryde showcasing ab rudes distinct and unlimited vocal styling.

you get 40 mind-blowing armada tracks, from orjan nilsens summer hit >la guitarra< to the latest w&w track, >countach< and several other beauties of heatbeat, push, fei-fei, dazzle and many other. for the armin lovers among you, the brand new single >in & out of love<, in the sensitive the blizzard remix is featured on this must-have