two extraordinary house edits by rising star hnny courtesy of new label no rights reserved. a super limited 12 that is already causing a stir in the hands of a few key players.
these stunning and effective steve reich and dorian concept reworks take the tracks into more dynamic, club-friendly territory without losing any of the magic of the original cuts.

bill withers >live at carnegie hall< was recorded almost 40 years ago on a rainy friday evening, but it is still regarded as one of the best live performances in the history of soul music.
music on vinyl is re-issuing this classic on 180 grams audiophile vinyl for the first time since 1975! comes in gatefold sleeve with printed innersleeves.

a limited chance for you to get your hands on this achingly-rare panda records track >people hold on<. originally released in 1984, this stylishly classy record feels like undiluted house brought to you from before house even existed! super-tight production skills from wuf tickets james mason pull together a goosebump-inducing bassline, deeply hypnotic synths and tantalising handclaps topped off with earl flints elegantly sexy, meltingly cool vocals to deliver a masterpiece in early 80s nyc groove. backed with a much in-demand killer instrumental version, this record is almost impossible to find out there on the wax market. killer electro house on quality remastered vinyl - an absolute must have. people dont hold on!

there must be something in the water of the canary island seas. something that turns quiet kids into tasteful buttoned-up hooligan experts in house music. >luxemburgo< is the huge vicario musique choon everyone was waiting for. a groovy sure shot which combines commanding ferocity and a delicate class in a way reminiscent of michael j collins early work, but also hints at alex & isaacs passion for house and mysterious funky vocals- almost ambient melodies a la lone, carried by a strong rhythm built on noble drums, unraveling the most >hands in the air< breakdown since the invention of putting your hands in the air.

a new 1track! produced by john daly and its one of the best tracks we know from his hands! a beautiful melodic track rooted in the best chi-town traditions sophisticated with dalys modern production skills.

jonny whites no.19 music imprint looks to new artist cameo culture for a stunning debut single of soul, emotive music backed with a remix from the ever-excellent ryan cavanagh aka slow hands…

stunning undergound sound builded by exceptional musical taste. all inns 14th release is a heavyweight drummer of the dancefloors, in unquestionable quality of techno music. voivode ep is a hard to find black beauty by the careful hands of anthea and alex celler.

trio is the alias name of kousuke ishida at playing music, and also producing bocca grande as focusing and marked by the piano blending in with electric sounds to the expression of music with former piano teacher yuka kobayashi.

we are overjoyed to get two of our favourite house producers onboard the local talk family for an amazing release. with two jacked up house cuts that goes perfect with the local talk sound it feels like we got a winner on our hands. first we go deep, real deep! sunday morning is the ultimate end of the night house cut that brings back memories of those melodic bobby konders productions. its a beauty! on the flip we jack things up with misdirection, a thumpin deep house cut with a chicago inspired groove that aims more for the floor but without loosing character. together the two tracks deliver the perfect local talk release. deep, old school, funky but most of all ... 100% house! local talk is talking to you!

killer re release of this regis masterpiece album

the wind up of phillip lauers album debut phillips (still available in all formats including gatefold double vinyl) is in the hands of nyc remix/production outfit runaway and versatiles very own i:cube. runaway do their best to turn tentatious into one of those early morning deep house dubs that you could find on the b-side on vintage designer labels of their hometown. music for baby powdered wooden floors. i:cube does the opposite and manufactures a bumper car boogie beat that also works as a uk rave dub. he likes to move it. on the flip, lauer himself turns in the hidden album track boringtone - his very own secret ode to the café del mar - and the super exclusive smashing pumpkin that is highdimes 100percent overground melodies

last year queen of jack heidi flashed the world with her jackathon compilation. now get physical present three killer remixes from the compilation at the hands of key game players deniz kurtel, richy ahmed and eats everything.

boston beat boi tanner ross is finally back, with another embodiment of his signature take on future efunk. ranging from creamy nostalgic r&b featuring pillow talk, slow hands and jesse rennix to tripped out weirdness in collaboration with lonely c and 80s synthesis romance with jules born, the straight to the moon ep on double standard will take you from palm-fringed miami sands to deep outer space. across five originals (side a and b on pure white 10?) and two instrumentals, tanner ross once again casts his sonic spell with a master class in originality with support from select members of the wolf + lamb collective, having already made his artistic footprint on labels land no.19.

in italys deepest south, where summer sun is harsh and burns you at midday, sweat is real. you can smell, taste and feel it. it s cold sweat. from constant fear, that haunts people in the dusty streets like shadows. some say, its only paranoia. but you can t deny the kidnappings, the stick-ups and the killings. police is doomed to watch, hands cuffed, since the power lays in the hands of others. who are they? they are invisible. you can only see the bloodshed and the tears. and like everywhere else in the world: violence is always calling for more violence. this is the life of jack curtu. and his music takes you there. three slices, each unique in style, yet united by human rage, misery and desperation. senza via duscita - theres no way out! lux rec knows.

on le rire ep jared wilson (7777 - skudge / detroit) leads the way with a pest chicago-house inspired rework, devilishly and deliciously analog without whittling down to a mere old-school homage, a sort of us-acid-dubstep version of addison groove, with a taste of slacker jak-beat for the nirvana generation! a melodic decomposer, scottish dam mantle (warp - ghostly international / glasgow) deceitfully feigns to mellow with what could at first glance seem like an edit. however deep excavations into the intense choir of >voyage vers l harmonie< leads to a surreal confrontation between a slum village like beat and a post-industrial version of melody nelson. thundery atmospheres, slippery slopes… the best way to pay tribute to luc marianni. famous for his duo as well as his label syncom data, nukubus (bunker / rotterdam) is nonetheless an inspired soloist, as this breathtaking remix once again proves. the 11 minutes long krautrock tunnel leaves many envious of its authenticity and sheer technical virtuosity. this swirling reinterpretation of mariannis work manages to leave the original behind and come into its own. its out of respect for the original work that nukubus requested to be credited only as a remixer. if youve bothered to read the few lines above, please remember it is both easier and wiser to form your own opinion with the vinyl in your own two hands. please note that the distribution of these eps will be accompanied by some very limited original editions of luc mariannis vinyls

after whalesongs huge run on trelik, och represents his new four tracker: roadmaster on all inn. aside comes with roadmaster, an almost nine minutes long flash on the time-travelling train, and before the road ends a voice tells us gently that we are close to the borders. on flipside the brotherhood of spacey tribalism and twisiting house-rollers is visualized by the parts of fever dubs. stunning package by the hands of the english wizard,och.

fur the texan, born bryce isbell, extracts minutiae with precision. his compositions, while airily sparse, are saturated with details plucked from broad of landscapes, whether they resemble the texan prairie or the expanses of industrial germany. isbells composite micro-samples are infinitesimal, soaked in breathless allusion and divorced from their context. the crisp, insistently percussive arrangement oscillates like metal shavings manipulated by an unseen magnet. fur has untraditionally tapped into a eu techno mind-meld, a berlin thought-stream. after his early work with neon indian’s alan palomo as ghost hustler, isbell dove deep into minimal sounds that transported listeners closer to inner city detroit than the mid-west. unos first fur ep cocoon follows several years of isbell silence. after a notable debut with lefse, fur submerged below a sea of techno and came up with a deep analog style that has acquired fans in fred p and firecracker records with twisting house like >knots<. a second part in the fur saga on the way, uno has faith this young westerner will be putting a big texan stamp on the house scene to come.

after 4 years and 14 digital releases, more or less is proud to present to you their inaugural vinyl release. the record is a fitting tribute to our fans, friends and the people who have helped support our sometimes illogical and irreverent musical endeavors. enjoy these previously unreleased tracks, and as one wise man with the red face once said … full support, will play.

for their sixth release, lets play house has headed down under to scoop up australias fantastic man, a second identity of dj/producer mic newman, with which the melbourne-based artist explores—and exposes—another side of his musical and stylistic skills. and the four original songs on the its essential ep most definitely mark a bit of a departure from newmans trademark sounds: he has exchanged the thumping, peak-hour, hands-in-the-air chaos and messiness of hits like 2009s >sizzled sally< for a more refined and subtle breed of deep house.

the wonderful debut album by cold specks as 12 inch vinyl in gatefold cover, including cd and booklet.

the prism is an aluminum cube, small enough to fit in your palm. it was designed by nicolas jaar as a new medium for releasing music. the first release - csa001 - features twelve (mostly) unreleased songs from jaar and other clown & sunset collaborators. the prism is a piece of art in and of itself, its contents beg to be shared. twin headphone outlets encourage connections to the object and between the two listeners. the prism tries to restore physicality to the listening experience. the medium and the method are as important as the music itself. the prism makes you consider how the music is being heard, the way the object feels in your hands, and its potential to foster intimacy between listeners. when the prism is unplugged, a beam of light passes through the empty center, revealing a void. someone is missing.

ilario alicante might well be best known for his previous releases on big room labels cocoon and cecille but preconceptions can be misleading. here on sudden drop we plough a deeper furrow, not ones for hands up in the air shenanigans we prefer to get our heads down on the dancefloor for some serious introspection, which is why this 3 tracker from the italian born ilario finds its way onto our label. echotechno is indeed a main room slice of stomping techno but with that oh so important moody vibe that we crave here at sd,rouge dub on the flip delves deeper with an exceedingly trippy soundscape whilst untitled drop rounds things off with a spritely techno groove.

will azada is back for his third appearance on proper trax, and his first solo 12 inch, with the appropriately titled strictly heat. drawing from the success of the labels split personalities ii, his collaboration with piltdown sound on the wet feet ep on woods n bass, and >easy does it< on the newly-minted mystical disco imprint, will azada continues to draw attention to his diverse style with three floor-torching cuts on proper-003. from the driven, hands-in-the-air piano house of >pump that shit<, to the queasy chords of the unconventional, yet highly mixable >drunk sequence<, to the relentless, searing arps of >for the floor<, strictly heat is likely to induce near-strokes on dancefloors globally. other info: marbled color vinyl, red jacket, black sleeve, 200 copies available.

in his biography, arjuna schiks is described as a producer with an ability to bring the human out of the machine, unleashing our emotions. after listening to doha , we were affected in the same way. simply put, his music makes us feel good. melodic accents and danceable rhythms blend in purposeful unison, and it is with the doha ep that arjuna will join wir. he has appeared on gem records, manual music, traum, and trapez, with original eps, and has recently graced a number of labels with remixes, leaving his signature on each ep. his production output is impressive, and like most greats, his sound continues to grow and develop with each studio session. arjuna resides in amsterdam, where he has developed a distinct and solid sound, and a loyal fan base. he performs live close to every weekend all over holland. we invited arjuna to come and perform as the special guest at our treibstoff 14.5 year anniversary party for his first ever performance on german soil. his set was received with smiling faces and hands in the air, coming from the brimming dance floor of colognes gewölbe, a warm welcome to say the least. we had the pleasure of spending some time together after the event, and his character is just like his music. he is a cheerful and passionate person with a bright sense of humor and we are elated to welcome him to wir. keep your ears open, for there is more to come..

a couple of months after the release of sweet nothings, dapayk & padberg are once again treating the vinyl-heads amongst us to a 12? consisting of a sunny selection of the albums core material, just in time for spring. kicking off the a-side, berlin summer nights is nothing short of an anthem: classic rave sounds of epic proportions glide through an arrangement of bouncy beats, crisp percussive work and hopeful vocals until a powerful breakdown delivers the hands-in-the-air moment. this year, summer has come early. next up, the sun came up bedazzles with a pumping beat and robotic vocals, while a progressive synth lead helps along the track’s love lyrics, turning this into a truly stunning musical moment, which already proved its power at sweet nothings’ heart. on the flip, dapayk & padberg present the albums opener, the trippy too lazy. here, were dealing with a rather brooding afterhours number that is equal parts paranoid and mesmerising as a wonky bass vibrates under dubbed out pads, eerie synths and vocal whispers. the perfect antidote to the cheery a-side!

180 g vinyl !!

part 3/3! close your eyes and let go. born in hannover daso enchanted us with this track. it is constantly building up until sunrise. this is how we got to know daso when he was playing his first gig at a treibgut getting our guests up and going. in hannover this night is known as the topless-party-animals-night. not many are as familiar with the treibgut sound as mario aureo proving with this tune. a year ago it was all hands up at treibgut but know we set it free to be passionately celebrated at other parties. leave the orchestra in rehearsals – until they have finished we keep on celebrating to the deep bassline for the plane has just landed. moritz approached this tune verytooly. we just remember him setting up stage for the party, ordering pizza and watching football. frieder, our youngest member, never looses the concept of time and spaces but this track has so much atmosphere in it that you can imagine which cloud he is on. the track comes in easy-going leaving you floating to the end

for another record store day release, british singer-songwriter victoria christina hesketh (little boots) teamed up with historic chicago house label trax to release the 12 inch for >every night i say a prayer<. she wrote this one with hercules & love affairs andy butler and it is better than anything on his groups sophomore dud blue songs. (it is also better than pretty much everything on little boots own spotty debut, 2009s hands.) the housey original version of >every night< incorporates a sort of cleaned-up old-school chicago aesthetic (dig the claps), but tensnakes posh freestyle rerub is the vinyls real winner. you can never go wrong with clinking 808s and pretty female vocals. fact.

200 ever made. hand made unique covers wrapped, in cellophane envelopes. pressure lost: a sci-fi novel in eight chapters about loss of pressure. in a part of the world where there are no rules, deep in the jungle where nothing that lives is safe, a mysterious artifact has been uncovered. nothing like it has ever been on earth before. it comes from the future, the thing that wont die, in the nightmare that wont end. your future is in his hands. once you go in, you dont come out... nature won is the collaborative project of rasmus mobius and morten bang larsen. rasmus mobius has previously released two albums, as half of melk in 2005, and his solo effort >medicine walk< from 2006, both on statler & waldorf. on this new full-length, morten and rasmus has crafted a new sound, like a tv tuned into a dead channel and the rainbow reflection of a laserdisc.

stefan goldmanns adem finally brings a new concept of handling melodies to the world of house and techno. pushy synths tuned to arabian intervals, playfully pitch bent around one repeated note that sticks to the kick as if its life depends on it. its as if a parallel universes acid has been invented in some lunatic asylum in tirana. this primitive melody is as alienatingly synthetic as it is offensively brain-dissolving. in the hands of a dj, adem” is like the captagon formula in the hands of the bulgarian secret service: many deaths, big bucks. chalga, tallava, manele - call it anything. the b-side’s rigid chain is as detuned, yet strictly limited to a rogue off-beat bassline pumping in between metallic house drums. thats it.

nach 500 auftritten in 30 ländern und 50.000 verkauften alben binnen vier jahren, alles in klassischer diy-manier, veröffentlichen das aus mathieu phil jourdain am schlagzeug und backgroundgesangs-mikrofon sowie leadsänger und gitarrist laurent malcom lacrouts bestehende duo the inspector cluzo ihr drittes album >the two mousquetaires< am 12. april 2012 als lp mit comicbook auf ihrem eigenen label fuck the bass player records.

with surprise cut on center ... after the success of the first release, tanstaafl returns for their second wax adventure, this time with the musical renegade dj october at the helm. october has entered a new phase of production for the tanstaafl series and has focused himself firmly on a reduced, stripped and effective formula for the floor. his productions are heavy, smoked out narcoleptic dub infused journeys, and his latest 12 offers more or less of the same opaque vibe but with his sights firmly set on the floor, with one foot in the past and the other in the future - drawing from his usual detroit, nyc and chicago influences. so we kick off 2012 with a future classic, singularity jump, which douses you in synthesized saxophone hooks, chopped vocal samples and a meaty juno hip-house inspired bass-line.planet of minds is more of a inner space affair very much inspired by acid and dub. successfully combining the two, october injects more of an airy feel into the mix and delivers a moody cosmic acid jam that will not fail your dancing feet or tripped-out mind. definitely one for the later hours.this is going to be an anthem, hands down, so get it before its gone for good.

as hot as ever the new ep from our siberian disco friends is finally landing into theomatic’s catalogue. the title track solar wind is a rhodes driven hands-in-the-air early night anthem: simple yet powerful, just the way we like it! the flipside features an offbeat cosmic number “planetarium” which sounds like a perfect soundtrack for some colourful sci-fi cartoon about the early years of space exploration, with all those rockets, flying saucers, stars and comets with long tails. the bonus track (available as a digital download only) is named after the soviet moon exploration robot vehicle lunokhod 2 (’moon walker’ in russian) which was sent to the moon in 1973. being rather minimalistic at the begining it slowly evolves and reaches its apogee closer to the end with calm and beautiful melody which leaves the listener in a peaceful mood

montgomery clunk delivers a minimal version of maximalism, combining crackpot neon melodies with complex and well-defined beat patterns. in his hands, hip hop becomes a glistening future thing again.
comes as heavyweight 180g wax in full-color sleeves & labels as a limited edition of 300 copies. purchase includes download of full album.

highly anticipated since their first ep, 51 ways to leave your lover, broke its way into the hearts of all who heard it, tristesse contemporaine has perfected this magic by taking it all the way to the parisian and french stages. crystalline arpeggios, dreamy loops and whispered vocals creating a world of destabilizing and refined emotions which carry a thrilling light to the darkened dancefloors. the trio of enigmatic donkey masked singer, maik, leo on guitars and narumi on synthesizers, trusted their minimalist melodies to the expert hands of dj / producer, pilooski. romantic and flamboyant, arrogant and haunting, this first album imagines a world in chiaroscuro, where the electrical illuminations of shoegazing merge with electronic beats, with a heightened new wave sensitivity. climb to the dark side of modern pop as you enter the fractured, hypnotic, dance of tristesse contemporaine.

the german based label kitty corner records turns back the wheel and starts a new series of fresh experimental techno music. the opening track hachzem from bristols kanji kinetic comes with storming mutant basslines and rave stabs collide over a thumping techno beat. for battle creek brawl rrritalin and cynthia stern take it back to 92 with pitched up rap vocals over a prodigy style breakbeat hardcore track.spacefaces hands of a lunatik is frenetic and crazy wonky techno, while lukes anger rounds off the ep with the robotic 909 warehouse beats of throwing switches.

discolight! pilocka krachs put your hands up in the air tune is getting remixed. wow! remixes by acid pauli, hrdvision, hannah holland, patric catani.

the nyc edit master kon (from kon & amir) has, after a bunch of hyped reworks on hands of time, bbe and on track delivered basic fingers a 12 inch with two killer disco reworks. we start with windy city >chicago<, a fierce disco edit that kon twisted just the right way! its playful and soulful disco at its very best. but the highlight of the release is possibly hidden on the flip. here we get a +10 min uplifting disco rework of sylvesters high energy hit >mighty real< which now sounds way fresher (and better) than the original if you ask us. yes, we are talkin real dance music on basic fingers ... a label with the goods!

house musics newest cause célèbre are finally here… put your hands together for frank & tony everybody! the world knows them as the latest sensation from the hot hot hot label scissor and thread, but hey now, theyre just two boys looking for affection. see you in paradise!

bristol hub soul motive scored a massive coup in enlisting punch drunk boss peverelist to remix >stableface<, one of the standout tracks from clouds of moments, the 2010 debut set from lithuanian experimental dubstepper eleven tigers. that they choose to complement it with two further remixes is tantamount to treating us, with both dark sky and macc on board to further re-contextualise the cracked atmospherics. in the hands of dark sky, >stableface< is twisted into a brooding dark side steppah with subtle hints of jungle pressure pervading the lower reaches, the 50 weapons trio playfully teasing with the vocal before dropping in a bassline that can only be described as rude. on the flip, macc showcases his enviable drumming skills with a heavily cinematic roller of a remix dominated by those rumbling, live rhythms

something of a new-wave house dream team, berlins dj kaos and a mysterious member of the chi-town crew rock up on hamburgs liebedetail spezial imprint with a majestic and uplifting house future-anthem. theyve teamed up with ange da costa to create a soaring, hands in the air peak time moment, underpinned by tight analog beats and full of smooth, warm pianos and heartbreaking strings. gliding through the urgent arrangement are da costa’s dulcet vocals urging you to discover your true self.surely one of the boldest and most musical house cuts around today.

thanks to those whove supported auntie flo and the first two sell out releases. ahead of his debut album, future rhythm machine, wed next like to introduce the hotly anticpated remixes forthcoming on vinyl from pearson sound and newcomer sophie. stripping back the original pearsons signature sound is all over oh my days and includes mix-friendly intro. his take has been a staple in every set from the hessle audio gang for months and recently featured in his essential mix on radio one.introducing the talented sophie in whose hands, highlife is morphed into a rapture of synth-laden goodness. one to watch over the coming months. early support and people with kind words to say include ben ufo, jackmaster, blawan, erol alkan, optimo and capracara amongst others.

the long awaited dubplate anthem is here! as soon as we at ns-hq heard >drum track<, we knew atlantas helix would fit right in around here. his two main obsessions are old grime and looping hypnotic berlin techno. and it shows, as both collide here to produce the ultimate rhythm track. this is anthemic 8 bar techno, or sublow gone hands-in-the-air raving. this trak destroyed every festival we played at last summer. this is super-stripped down, poised club music - exactly what night slugs is all about. on the flip, we are honoured to have one of our all-time favourite mic controllers flirta d bless drum track with his >no hook no bs< version. known best for such grime bangers as slks >hype hype< and his own >warp speed<, flirta brings that unique sound-effects laden flow to the riddim like its 2004 again and triumphant rave anthems are going off once more.

profound audio is back at it with a smashing new 12inch from monstar - and its one of many to come from this quickly rising talent. following up his devastating debut single, put ya hands up, monstar constructs two bangers of epic proportions. both harder & bastard have been inflicting massive damage in the dance and are currently receiving heavy club & radio support from some of the top taste-makers in the game. leading off the single, monstar delivers an anthem of a track that does exactly what it says on the tin. harder encompasses xxx female vocals, heavy-hitting drums and roller coaster-style, fluctuating basslines with enough sub to have your brain shaking inside your skull - what more could you ask for? a peak-time, dancefloor destroyer thats guaranteed to send the crowd into a frenzy! on the flip, he shows no mercy once again with bastard, a full-force, tearout dubstep number that will undoubtedly shred your bassbins into pieces. battering drums roll over ferocious, wobbling bassline combinations that fire at you in hyper-speed, leaving you no choice but to brock wild! this one is absolutely rough!

the irish blues-rock multi-instrumentalist rory gallagher recorded quite some solo albums throughout the 1970s and 1980s. music on vinyl already released the lost album >notes from san francisco<(movlp349) in september 2011. now its time for gallaghers first two albums to get fully remastered and pressed on audiophile 180-grams vinyl.
rory gallagher released his eponymous solo debut album in 1971. this album marked the departure from taste, the first band which gallagher founded, and the start of his solo career. gallagher wrote all the songs himself and recorded the album with two befriended belfast musicians.
remastered audio on 180 grams audiophile vinyl, including printed innersleeve.

>blueprint< (movlp 455) from 1973 presents a well-rounded picture of gallaghers eclectic influences. muddy waters, big bill broonzy, roy head are all shown their due. includes the brooding >seventh son of the seventh son<, which locks the band in a swampy groove for over eight mintues!
remastered audio on 180 grams audiophile vinyl.

with its 21st release, subb-an >what i do< remixes, culprit reinvigorates one of its signature tracks (and one of its biggest 2011 successes) while introducing three long-admired talents to the label, tom trago, konrad black and burnski.

excellent deep house groove , incl daniel solar remix (dikso)