nice price deal !!! well known classic nelly theme! hands up in the air party bomb!!

igor from antwerp went a little crazy with one of his favorite pieces of music... but what igor did is not just another cover or re-intrepetation... he did make a highly expolsive track based on stravinsky s classic sacre du printemps. ok we agree.. that sounds kind of corny and pretentious... but somehow this bloke managed to get it all right. sounds like a forgotten techno classic from suburban knight who was recording with laurent garnier in his good old days and had henrick schwarz as studio engineer... a classic take on techno with a break that will revive more than one igor. this is a euphoric hands in the air, goose bumps al over record that works at the right moment.

back once again, all ears to the rescue... we ve got our hands on a limited amount of upfront copies of the latest ep on dave switch taylors dubsided label! new signings savage skulls come through with a double header of typically hefty club tackle bumps is an addictive old school meets new tricks rave up, while flabanco horses around with some favela flavours.

the latest gigolo release is one for the summer! aptly titled hot it comes courtesy of ivano coppola and christian prommer, the former being one of italia s most respected dj s and the latter being, amongst other things, one of the main collaborators for hells critically acclaimed album teufelswerk. taking a sample from willie ninjas classic record hot and building a track around the chords and the vocal leads us to our starting point ivano coppola plastic mix!
ivano coppola has been the resident dj at milan s plastic club since 1992, so it is fair to say that he knows what works on a dance floor, or, to use a popular phrase, what is hot and what is not. it is with this historical knowledge that we find the genesis of our track. i found it necessary to go back in the past, to start producing once again in a 90 style - using samples. the next step was to come back into the future and reach out to christian prommer, highly respected by many including ivan i consider (christian prommer) one of the best producers of the moment! he loved the idea, the remix was huge, and so we decided to co-produce the record. simple!!!
but, for christian this was more then a remix, hence the co-production credit! i liked the idea of translating an early 90 s house-music-sample in to a sample-style-percussive-techno-tune. lots of live played drums and percussion in this one, of course. i only later learned that the sample we used is from one of my house music heroes, maws louie vega. naturally the record found its way into the hands of gigolo in the best way possible, and in the tradition of such a great record label – i played it at the gigolo night in munich and hell came to me dancing and took the tune into his heart.

played by richie hawtin, monika kruse, dj hell !! kiko delivers the number eight in the afulab catalogue with his breathe of summer and three tracks that carry a more than a hot summer feeling. cala rossa starts with a catching melody and this sparkling glockenspiel sounds, served in a nice warm bed of funky strong rhythm and driving percussion! planetary is a prime time modern styled electro track with a slight influence by popof. the killer open air sunshine track is the flipside named musco. this is the definite big floor rocker for this sunshine season. its glitter melody and carrying pads will leave nobody with hands in pocket, but surely hands in the air ! we honestly cannot wait to hear this played by the djs around this planet and dance under sunflooded blue skies!!! make sure youll bring your sun blocker ...

phoniques unique vision of house music is continued with the next exciting release on his ladies & gentlemen imprint. serving as a teaser and a taster for the forthcoming >time for house< album, this ep holds three new and exclusive cuts. the album will feature these three lovely numbers, plus more hot new material from phonique, tigerskin, rubini and more. as the name suggests, >time for house< is an open-armed welcome into the blissful, warm and groovy, timeless house sound of l & g! dessous and poker flat key artist vincenzo has his say on the a side, with a long extended cut that gently builds lashings of tension and early morning drama with its deep stabbing push and open, floating breaks. as if we were soaring on the airy breeze of a warm summers evening, or raising our hands at an essential openair in berlin, >return of sha< captures that super elated feeling perfectly. vincenzo refines his sound once again, and marks a beautiful moment for the dancefloor, but also for more relaxed situations. fellow berliner tigerskin aka dub taylor aka alex kr³ger continues the summery, frozen-moment vibes with >too hot<. simple and classic synth hooks combine and layer to describe a chilled house jam that oozes positivity and good times. well known for his many aliases and wide variety of production styles, this track will not disappoint the deephouse heads out there, but will also please fans of his impeccable sound design and tasteful melodic abilities. belgiums kolombo aka olvier gregoire sends off the b side in style with his captivating classic deep dancefloor house exploration named >next dream<. wonderful, organic house sentiments meet characteristic percussion in this wonderfully sequenced conclusion to the ep. gregoire is by no means a newcomer, with countless releases and remixes under his belt, and the warmer-weather vibes of >next dream< works wonders as always!

larry jon wilson is the first larry jon record in nearly 30 years. previously only available as a high priced import, larry jon wilson is now available, reasonably priced. in addition to his own originals, larry jon wilson performs songs by mickey newbury, dave loggins and stuart wright as well as willie nelson & bob dylans heartland.

hailing from the musical mecca of austin, texas, and following up their brilliant debut album from last year, which featured in our year end top 10, with this already hugely lauded sophomore effort. recorded by the band in their infamous studio/trailer, wailing fuzz guitars, soulful, yearning, emotive vocals, and one of the tightest rhythm sections going provide the currency in which this unique power trio explore their brilliant, unexpected and wide ranging musical ideas. an entirely original, sprawling combination of sixties rock touchstones, free form jazz jamming, and a defiantly post punk spirit, and all performed with a precision, and vibrant intensity not often found on record.

after only two releases on 7even recordings f has already made huge waves on the scene with his unique sculpted approach to dubstep and techno.
now he is back with a cut which offers a glimpse at a different side to his productions, dub techno styled a-side >epilogue< comes correct, displaying what is clearly a long time love and appreciation of this music. clean production and atmospheric textures create the backdrop for a distant beat which drills into the psyche, making for a deep 4/4 journey trawling through the late night in a smoky haze.
on the b-side, ramadanman weighs in with a rework which absolutely slays. you could call it garage, you could call it dub-tech, but this track is so fresh, we re sure it ll have the funky house heads on their hands and knees as much as the dubstep crowd, dark as hell too - a total crossover. shit is tight, yo!
already supported by mary anne hobbs and rob booth amongst others, this release also featured in the 7even mix for the experimental show on bbc radio one in january 2009.

one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

dave dk needs no introduction, since his debut moodmusic album “lights and colours” he s been busy travelling the world preaching his trademark electronic deep house sound and remixing florian kruse, tigerskin and seva k for labels baalsaal, global underground and dirt crew among other things. for the new moodmusic release dave packs 2 tracks from the album in new edits as well some major remix biz from ada (areal, irr) and russ gabriel (mobilee, ferox) remixing cinema paraiso was ada s choice, the epic floating, almost balearic feel to it fitted perfectly the fine hand of ada and her perfect production values. starting with a rough 303 bassline, building an intense but deep affair buidling into a hypnotic frenzy of old school acid and modern electronics ! from the feedback from the few selected djs who got their hands on this gem, ada s remix is allready in groove mag top-10 ! the b-side coimbra, a rocking house belter with neat sample editing and the dave dk bassline juggling between the low end and the ultra low sub. russ keeps much of the original intact, deepening the groove with his funk injected beats and some lush detroit influenced chord action like we know and love from him. as a bonus we include the original mix for those vinyl lovers out there !

as the lead front room representative daniel steinberg has been one of the main flavours on the label, with this being his fourth release for front room recordings. daniels records frequently land in the crates of artists such as ricardo villalobos, luciano, claude vonstroke, richie hawtin and jesse rose to name a few. his previous releases on front room like cobra limbos, uptown and keep on movin still resonate around the dance floors of the world, proving time and time again that daniels sound continues to inspire djs and club goers alike.as well as having great success on front room recordings daniel also regularly airs his talents on labels such as style rockets, leftroom and grandpetrol. daniel can also be regularly found trotting the globe to showcase his skills at some of the finest clubs throughout the world. daniel steinberg is once again stepping up to the plate with two killer tracks showcasing his own unique take on house that will be sure to keep dance floors pulsing and hands in the air through summer, winter and beyond.

alasdair roberts spoils album features alasdairs old hands from appendix out (tom crossley and gareth eggie) as well as free percussionist xtraordinaire alex nielson, noted baroque guitarist gordon ferries, emily maclaren, niko matti ahti (of finnish free pop duo kiila), and david mcguinness and alison mcgillivray (both of scotlands concerto caledonia), bringing a loose and lively mixture of drums, bass, piano, flute, glockenspiel, harpsichord, harmonium, viola, synthesizer, dulcimer, psaltery, hurdy gurdy, fiddle, and of course guitars and voices. spoils has a lot on deck, but its meted out evenly and with an intense energy, always in service of the songs, which are marked with some of alasdairs finest melodies. additionally, spoils ingratiates new compositions in a deeply personal manner with the world of traditional music that has sunk beyond the horizon for too many of us. it is a gift to these latter days that a man like roberts exists, to sing us back to our ancient home.

this record is a well thought selection, all tracks are different and individual. its the second release on the berlin based label nights in gale, run by patrick graeser and mike vamp. squalid is made for the big rooms. the big bass, the big bang, the big machine. a saw soothy bass is driving the thing forward. claps. hands. delay. squalid remix by tom dicicco - we are in a dark, intense space, filled with something creepy and sonic. this is very detailed and serious soundscaping music for some mind-searching moments on the floor. the 20 year old tom dicicco from northamptonshire dissects the track like a professional killer. squalid remix by david harrow - now take it away, bring in the step, into the basement. the dub veteran harrow brings all his sound experience into his mix and treats his synths like huskies. others would have made three mixes out of the ideas in this track. nights in gale is meant to support serious music. vinyl only, best quality. artists from berlin, england and the us and more to come. available on 300 limited vinyl copies.

howards house - howards house is simply a beast. only in the hands of john digweed so far who simply commented this went right off ...

vlad caia, a young romanian living in norway, with his wide range of influences are worn as true colours in his music. his demo was thrust into our hands by one of his fine colleagues, and now finally we can bring his debut platter for horizontal. as you will hear its a bright start for vlad at horizontal, he brings us two charming pieces of upfront house, chango with its cuban overtones and incessant groove calling all at the party. johnny frisco on the other hand has its own low deep funk flavor. both tracks nevertheless are proving to be a favourite of chefs such as tobi neumann, locodice, onur ozer, raresh, josh wink and of course dinky & matthew styles. we hope you enjoy as much as we do this summers release for horizontal!

if we ever called it a classic…this is what we meant . after releasing one of the best artist album of the last years on carl craigs planet e label, kenny larkin joins now forces with one of the most influential artists of the recent times shlomi aber, and his acclaimed label be as one imprint. shlomi aber and legendary detroit pioneer kenny larkin are two artists that needs no introduction to the techno crowds. while the first one is recognized as one of the most forward thinking artists of the recent years, the other one is responsible for releasing some of the finest pieces of electronic music ever produced. sketches ep comes with 2 different versions of the same track, both having old school vibes reminiscent of the days when house and techno went hands in hands. kennys version is a superbly produced slice of techno, with an amazing drums progression in a typical larkin style sustaining a hypnotic lead pattern, all conjuring together to take the dancefloor into a 10 minutes long, deep and mind tripping tour. label boss shlomi aber, takes a different approach by putting out a tougher version, a loopy phat bassline and a jazzy rhythm with snare hits makes this tune a funkier techno shuffle a pure classic to come, already supported by basically everyone, from the detroit old school guys to the recent house and techno leaders

the second release on the clone loft supreme series... the disco dons of elitechnique with the much sought after munich emotions track (which previously was released as limited test pressing of 100 copies which changed hands for big amounts on ebay and discogs) and double destiny on the flip. munich emotions is an epic disco track full of live instruments, old analogue synths all recorded in their own studio. the flip has the new school-ish disco track called double destiny. a super sweet track that goes somewhere inbetween metro area and putsch 79 but with a more epic arrangement. these guys did a hell of a job!! classic tracks that already got big support!

... and one more time! put your hands up in the air and scream like you just dont care: pump up the jam!

lakeof = reboot & meat !!!! barbarito capote aka dj dove had devoted most of his career fine-tuning the sultry sounds heard throughout his eleven years as a producer. known for his legendary productions on labels like som underground,look at you, slip n slide, below is proud to rerelease one of his hard to find tracks. roots & culture, originaly released on the blue room session ep û som underground 2002 is one of this records where people spend tons of money to get a 2nd hand copy of this epic house release. lakeof aka meat and reboot took the chance to put their hands on this legendary track and the result is an puming bass in your face chicago bomb wich guarantees to set the dancefoors on fire all over the world.

french stepper von d puts his hands on mahanee and liquid wicked to build up 2 raving monsters of wobble!

the messengers (kev beadle & darren moss) get busy re arranging and re jigging two classic tracks from back in the day. side 1 kicks off with creative love - a straight forward extended re arrangement of the excellent creative source version of ew&fs classic cant hide the love which really emphasises the brilliant chorus hook and creates a brilliant end of the night, hands in the air, sing a long vibe. on side 2 the boys get into jazz funk disco mode with an excellent re arranged and beefed up drum version of the 1978 classic six million steps by rahni harris re titled too many steps. both tracks have already been getting props and plays from the likes of gilles peterson, rainer truby, michael rutten, souled and nik weston.

big room / hands up smash!!

remixes by shinichi osawa, k.i.m., light year, flight facilities featuring louis austen
bag raiders return from their middle american bowling alley dj tour to release the turbo love remixes on banggang 12s. ditching the b-side (to be re-released as its own a side real soonà.watch this space) this package turbos up, straps on some nitrodepth chargers and shoots the tune off into the noisy dancefloor hit-o-sphere. shinichi osawa. wow. his remix can only be described as power- dance. he takes the original, whacks even more turboness on it and re-sings the vocal himself to make an abrasive almost-but not-quite- trance hands in the air blisterer . the perfect soundtrack to your late night steroid and powerade party. kim took a short break from his role as presets party machini to reverse a monster truck and a half full of donks onto the original that hots-it-up into a turbospeed booty monster.

vegard wolf dyvik (aka lilwolf) steps up to the plate for his rong music debut, his unmistakable sounds have graced dancefloors worldwide via labels including brique rouge, deeplay, glitter & pias. one of norways finest exports has been regularly feat on radio 1 in the uk too via muched hype & support from the influential hands of annie nightingale & annie mac. his trio of gems for rong strike the nu disco-chord that the label seems to handle so effortlessly, top notch work from both producer & label another essential piece of rong wax

coming from vendetta, this number 13 is nothing to be afraid of. quite the contrary - put your hands up in the air and scream out loud for gui boratto, mastiksoul and cedric gervais!

richie layed his hands on 4 new hard rocking techno tracks by dariush gee! pounding beats for the spanish underground movement. this labels is growing and growing, don t miss out!

planet rhythm kicks off another double pack project and this time the one and only rotterdam techno governor bas mooy steps up, presenting a big time essential double pack, which techno lovers worldwide can t won t and shall not miss! watch mr mooy team up with none other then ortin cam & jeroen liebregts and watch his tunes get the remix treatment by people like dj boss, a.paul, wavemother & exium! either way essential status has already been reached by the a1 track, called white pony . watch those hands rise towards the sky for this gruesome techno beast. just watch the drop, then watch the people.. it will speak for itself. dj boss takes bas s bloedneus to a whole new level. feel the eastern vibes slam your face with its pounding subs and smashing kicks! angstgegner gets a straight up a.paul rework, making it an even more terrifying track as it already was. dark alley warehouse sounds all the way! just when you thought.. wheres the bas?... it starts hitting you on the b2 with kadaver . the man himself on a solo mission with some heftyness ready to fill up any arsenal that needs upgrading.. record number 2 is no different.. by teaming up with partner in crime jeroen liebregts (aka 1/2 of radial) they deliver warm beats, injected with some warehouse funk and fueled by industrial gasoline. a daring mixture with grand proportions. wavemother takes on the 3rd remix in this series and boy, if you like some quality good ol techno, this is the one for you! who s your mommy??? the mooy is back again on the d1 with some more of that gooooood ol techno sound! feel the industrial vibe in this one. something this guy is a king in doing, maintaining and moulding like its nothing! hear the kofferkuli murder and you know we re right! last but not least exium steps up for the final remix treatment. the side may be called d2 but this could easely be the a1. trance sounds sliced and diced like only those amazing spanish people can pull off! the digital release features 3 extra bonustracks, remixes by a. paul, diabla diezco and oliver kucera.

carl craigs creation of angel found its way onto the second installment of darkness, released 2005. observers of carls music declares this era to have been the strongest material since earlier tempered psyche / bfc classics. now reborn by the crafting hands of jerome sydenham and detroit native keith kemp, we enthusiastically introduceà guilty pleasures debut release, carl craig - angel remixes --- jerome sydenham: born and raised in ibadan, nigeria to an english father and jamaican mother, he was schooled in his teens in england before migrating to new york city in the early 80s. sydenhams work today is largely influenced by the cultural diversity of his upbringing and has echoes of a musical history that spans indigenous african and contemporary western music. during the mid 80s he became involved in the underground dance music scene both as a dj and a promoter. in 1986 he threw a successful weekly party in philadelphia and by 1987 he had a residency at the legendary nells in nyc. --- keith kemp: keith kemp has been a dj in and around the detroit area for the last 10 years, primarily focused on fusing fragmented bits of the detroit techno blueprint all over the dance floor. through various residencies, dj sets, and live performances, he has been on a constant personal journey within electronic music ranging from performing at the detroit electronic music festival to movie scores and sound design. since 2001, keith has found himself involved with the operations of the ferrispark record label as well as several releases on various detroit labels reaching all corners of the world. as a life-long connoisseur of music, his dj sets can range from glitch funk, industrial, hip-hop and jungle

this is an absolute balearic beauty. mendes & alþada, from portugal, release their first 12inch and it doesnt dissapoint. a head nodding 80bpm chugger with a beautiful guitar loop sat on a gritty analog line makes you want to put your hands up and wave them from side to side. label favourites, the idjut boys get pete z in and add percussion and more girth to make it another classic remix. absolutely essential.

some would say the chicken lips label is long overdue, but lipservice is worth the wait as it promises the very best from augmented cl clan of dean meredith, andy meecham, stevie kotey and johnny spencer - a collective who have remixed just about everyone, spawned a thousand copycats and destroyed a few floors in the process. the inaugural lipservice release sees the chaps unleash zeefungk, one of their most popular and rare guises. the a-side is occupied by >robot eyes< - a splendid slice of electro-disco-funk which is vintage chicken lips. acid bass and loose drums combine with keys which progress wonderfully to create a really special piece of dancefloor tomfoolery. next up is >feast of freeks< (stevie koteys tape edit), a new edit of a track featured on the bands now-classic >extended play< album but never released as a 12inch. the bearfunk main man and all round gent delivers a tweaky, driving uptempo disco monster which climaxes in some trademark kotey madness. >robot lips< closes the packages and displays more of the guys unreal keyboard work as the groove stays steady but the hands go hyper. riddled with vintage synth work, >robot lips< is heads down business and no mistake.

taken from the drumattics forthcoming album hammer & tongs comes back to the old school. a piano driven, hands in the air tribute to where it all began. with bambaata influenced strings to take us from the old school to outer space. the aa is drum thunder, with compelling orchestral stabs that drive right to the heart of this belting underground workout. a signature bassline squelches around the lead vocal, before an almighty breakdown twists the glitch to the max and propells us straight through the nearest dancefloor.

mufo has garnered attention a few years ago with his c.l.a.u.d.i.a. 12-inch for kompakts k2 imprint, and sounds set to do so again with colors. anything but monochromatic, >one color< opens with stripped-down, tech-house swing before adding shuffling pulses and melodic accents that are both jittery and robotic. working itself up to a skittish, metronomic broil, the track exudes an android relentlessness that?s offset by repeated change-ups. on the b-side, di francesco brings the funk on >two colors<, six minutes of swizzling electro-techno whose palette is anything but muted. the tune squawks and sputters like some incessantly sneezing synthesizer apparatus in what could pass for a fractured 23rd-century techno take on zydeco. with this release in hands, its again proven without a doubt, that persistencebit continues the global hunt for quality. supported by: robert leiner (www.leinermedia.net): >good use of the korg wavestation on both< andrew duke (andrew duke in the mix radio brodcast since 1987): >excellent my favourite track is one color< ryaz khan (ww.chry.fm / myspace.com/diversionsradioshow): >solid release i love both cuts<xpansul (minus,plus 8 records): >two colors is great. thanks.<

after respectable releases in the digital realm and on the german labels hardshower, kaufe musik aso. (both played by the big players like dj hell, laurent garnier george morel oder someone else aso.) he has now moved further and adds three brilliant tracks to the afulab catalogue. the driving and tension loaded bango banger opens on the main side with it s shuffling bongos and hands-in-the-air-and-scream frequency shifting sounds. this will surely rock big time and will leave no one unmoved and bored.the second track and the opener of the flipside drug pipe is another thrilling and funnily weird rocker that might be inspired by too much input to the maker ,-) der nougat baer rounds it up and shows that felix bernhardt is a promising new producer who will leave his marks and we are looking forward to hear his new material already

huuuuuuuuuge anthem here!! llorca with magic hands on it!!

hands on bucketheads - the bomb by mr. sunrider!!!

mr negro returns with the sunburst band for a superb e.p of remixes. æour lives are shaped is in the capable hands of mr grant nelson who keeps the original vibe alive adding his own chunky beats and flavour. æfree bass is a wicked slice of space funk. æwe can live forever is beautifully reworked by purple musics very own simon grey who provides 2 mixes the first being skillfully edited by joey himself and the dub taking the deep funky electronic route works so well. dj support seamus haji / danny krivit / dj meme / groove armada to name a few

switzerland finest producers crowdpleaser & gregorythme (1 half of digitaline) team up for a bunch of raw & dirty tech house tracks. >gygamore< opens on a dry funky beat and goes totally mad with processed ethno voices & space out pads. a sure player for the late hours ! bobbie dallas remix will satisfy house lovers: warm keys, sweet vocals & deep laidback groove. on the flip side >le ble du pays< is serious big room weapon full of percussions & a groundbreaking synth. lets go the windy city with >4 hands<, an insane tribute to the early chicago years. sonic bleeps, outstanding detuned toms & a jackin groove ...., special rerelease

thieves like us is a musical vehicle - an elegant starship, pointed straight to the heart of the listener. they align themselves musically with europe, and consider paris their home (although none of them are french). pontus berghe (drums) and bjorn berglund (keyboards) are from sweden. andy grier (vocals) is from the united states. they met at a picnic in berlin. people often ask them to describe their sound, and although they encompass a variety of influences, they ultimately consider themselves to be a pop band. but no matter how you interpret thieves like us if you have a pulse, youll know their songs by heart already.

he making of this record inadvertently began in cuba in january 2008. powershovelaudio was recording in la havana some of the best contemporary cuban singers and musicians. the resulting recordings were of an inspiring beauty. the situation was that powershovelaudio had this outstanding collection of voices, woods and brass, all infused by the tropical warmth. it was first-class material that should be put in the best hands possible, then maayan came to mind. ônight longö is a synthetic work. maayan has inexplicably, quickly and with incredible precision captured the essence and the expressivity of the cuban musicians and taken it to a hitherto unknown place. maayan is of course well-known for her diligent talent in inserting voices of quality in her mixes, but in this occasion the result is more than surprising. instead of concentrating in her signature minimal beats, maayan has experimented with different cadences, depths and moods, leaving behind her swirl a disconcerting record of inspired beauty. this art in this record is graced with photography by one of the best and most influential photographers in the world: moriyama daido. maayan asked moriyama san for permission to use the cover image, a request which moriyama san, after listening to the record, gladly accepted

neurotic drum band is john selway and ulysses(elliot taub). >fill in the blanks< has been in abes hands for some time. here is the release with a remix courtesy of abe and selway recorded in the tiny berlin flat. pulsing club music… yes.

much to our advantage, layo & bushwacka! have been seeking solace deep in their west london studio since the closure of the end. this means only one thingàmasses of quality tracks coming your way from the duo and olmeto records over the coming months! the pairs latest twelve takes in two very different sides of their personality. the a side 21, supplies a deep slice of electronic funk complete with mesmerising pads, rising percussion patterns and the most beautifully addictive synth hook put to wax in ages if it doesnt give you goose pimples you need to get to the doctors! heavy weight sub bass kicks demand this be played as loud as you can possibly get it! go on, turn it up, annoy the neighbours on the b side, l&b take it back, waaaaay back, and toy around with some classic house music, creating a patchwork of off kilter, looped up madness to get the party masses hands high up in the air. overflowing with old school flavour, to make you quickly glance over your shoulder back to the 90s, whilst still sounding supremely relevant on todays dance floors.

after being charted throughout the past few months with his label s previous release >slower lov<, cesare vs disorder continues to deliver the goods on his >mean< imprint with a divine release from long-term friend and musician ollie silva aka canary fontaine. here we are again with some obscure yet funky, driving and danceable material, the recognisable trademark sound that mean has been carving for the past two years. there s a certain latin vibe throughout the whole ep that shows ollie s chilean background, especially when he adds his live musical skills with congas, toms, guitars, basses, voices, anything he can get his hands on! the productions on this release are delicate and refined, with >clothes horses< being a deep rhythmic and harmonious jazz adventure, while >arizona creeping< and >cindy says so (feat. eddie smith aka zippy)< result in some very solid minimalist bouncy techno, two powerful alternatives that simply roll many danceable and percussive elements into one package, perfect for dark rooms during journey times. cesare vs disorders noctambular version of >cindy says so< will be on the vinyl release to add some spice to the dancefloor in his usual psichadelic rockin way.

now this is some seriously nasty shiznit from surgeon. recorded live at club fabrikken on oslo, this twelve contains beefed up and refixed versions of the well loved surgeon classics >screw the roses<, >body request<, >october request< and >bad hands break<. the 4 tracks were taken from an audio/visual set surgeon did at the aforementioned club and perfectly capture the uncompromising intensity of his laptop dj sets.

following on from 2006s debut lp path of the gods, arne weinbergs second album will take you on a musical passage from alpha to omega and demonstrate the diversion of arnes palette of sounds. too many modern techno albums feature just a collection of tracks with no real story to tell, arnes second album aims to be more than just that and pushes further the boundaries of modern techno music. from the dark and mystic feel of everlasting to the floor shaking grooves of nightstalker and eclectic spiral or the deep electro influenced ambience of synthetic dissection and with trembling hands this album has it all.

aint no stopping us now. even if you might feel that the release pressure is on, we just cannot help to put out these gems (at least, we think thats what they are). what you hold in your hands (or on your laptop) is neo-house of the finest order. rhein-main kid robert dietz (cécille, be chosen etc.) was so kind to share his definition of h-muzik with us. to put it in a nutshell: >forward snipping< slices and cuts some nice vocal bits in a true ear candy way. even my brother gets goose bumps. >witness< sounds like a lost k.o.t. track resp. them being on the right track again and to round it all up, >faber mix< is a disc jockey tool that brings you from a to b or even z. and please, always keep paul >trouble< anderson in mind: a house is where you live in and a garage is where you park your car. loop d loop! already played by everyone…ha, ha, ha

the 2nd solid installation of hands new techno label >gorsch<, detroit usa. as promised, this release features a new unreleased track of hands >wanderer<. a remix edit by ritzi lee (from netherlands) - side a. side b covers two tracks of minimal driving bass electro bass,beats, and grooves by k-hand. most requested sound from detroit,need we say more... your best pick in new music from detroit and atlanta, a djs collective!!! stay tune

first part of his debut longplayer ! support from raresh, robert dietz, arnaud le texier, d julz, julien chaptal, catz n dogz, tim xavier, mikael stavostrand, kreon, agnes... anthony collins is one of the safest pair of hands in house right now yet every release he puts out is both high quality and individual, as this new release on freak n chic proves. taken from collins debut long player, the impeccable (and much lauded) >doubts & shouts<, prism is collins at his hip swinging best. deep, yet powerful and driving, >prism< takes in elements of detroit techno, ny house and modern tech house and intertwines them.

upcoming talent from detroit and moscow meet on this first remix ep, based on the jason fine album, our music is a secret order. first out is the grandson of moscow - anton zap, with a remix of the track half. in the hands of anton, the original is present but with a major zap stamp on it. bent and quirky sounds, warm harmonies and baseline are edited into great house music. it is not often a remix out stands the original, but this time it might be the case. on the b-side luke hess gives his blessing to the dub track midwest_n. as the name implies we are going for a deep techno ride to detroit. with scientific perfectionism, hess approaches the dance floor, mixing warm sound-scapes and dub-cords with driving melodies, cymbals and claps. the result is once again elegantly produced mind transforming dance music. anton zap made his entrance to the house music arena through jus-ed and his underground quality label