limited edition, gatefold, crystal clear vinyl

3x12inch vinyl with full cover print, shrink wrapped

full intention return with a killer new release and includes the acapella for the classic america

full picture sleeve, support by liquid earth, aladdin, julian anthony, will & batty, ray mono, venard

rsd 2024 release, limited gatefold translucent orange vinyl 2xlp

black vinyl incl full cover

definitive reissue of patrice rushen’s debut album for elektra in 1978, fully remastered from the original tapes.

2x12 inch vinyl with full cover print. incl remixes by marcel dettmann, dauwd, cassy and more. decks tip!

shall not fade presents the third longplayer from earth trax. black double vinyl edition, housed in full colour gatefold sleeve.

shall not fade presents the third longplayer from earth trax. limited clear double vinyl edition, housed in full colour gatefold sleeve.

fifth in a series of compilation boxes, spanning the full career of david bowie. includes 5 remastered studio albums (black tie white noise / the buddha of suburbia / 1. outside / earthling / hours...), the unreleased 2001 album toy, expanded 20 track bbc radio theatre live album (for the first time on vinyl) and the new re:call 5 compilation with single versions, b-sides and soundtrack recordings. the box also contains an 84-page hardcover book.

incl full picture sleeve

re-release with full cover artwork / remastered tracks

the production and dj sets from metabomen aka krause duo is constructed for the most part as a free-spirited bunch with a special twist. it doesnt matter whether the material is with a jazz catalog, a frizzy sound, a dragging house or a techno press. an inimitable signature is not only clearly identified, no, but for the listeners of krause duo the good ol 10-second preview doesnt need three guesses. the answer from every contestant in the studio booth comes as if shot out from a cannon, so distinct is that krause formulation. from depth and nevertheless a clubby art with stay-fresh ideas. here, reliable doesnt mean stagnant. for the (up to now) 34th release from musikkrause, ian simmonds is comfortably on hand for both sides of the vinyl disc in the studio. out comes two monumentally deep waltzes full of raunchy charm and a knee-deep appreciation for jazz. the impact of both tracks is so spiritual that to speak of dance music is not the issue at hand, but rather something of a ghostly slam to the body. if you listen closely enough you can hear the diligent work of your own being. by means of the poetically-painted tones of simmonds and the clutter, which despite the many tonal designs and devices in this >authoritive-techno<, it has no fore-bearer. you can also tell the form of the work undertaken by the joint venture krause/simmonds isnt complete by a long shot even though in this manifestation there is nothing left to add. the distribution of dynamics appears to be so well-coordinated that there is simply the thrill of savoring such thoughtful club music

duat (pronounced do-aht) was the realm of the dead in ancient egyptian mythology. the deity osiris was believed to be the lord of the underworld since he personified rebirth and life after death, being the first mummy as depicted in the osiris myth. the underworld was also the resi-dence of various other gods along with osiris. the duat was the region through which the sun god re traveled from west to east each night, and it was where he battled apep, who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. it was also the place where people’s souls went after death for judgement, though that was not the full extent of the afterlife. burial chambers formed touching-points be-tween the mundane world and the duat, and the akh, the effectiveness of the dead, could use tombs to travel back and forth from the duat.

memories — places, vacancies, allusions — are fundamental characters in mary lattimore’s evocative craft. inside her music, wordless narratives, indefinite travelogues, and braided events skew into something enchantingly new. the los angeles-based harpist recorded her breakout 2016 album, at the dam, during stops along a road trip across america, letting the serene landscapes of joshua tree and marfa, texas color her compositions. in 2017, she presented collected pieces, a tape compiling sounds from her past life in philadelphia: odes to the east coast, burning motels, and beach town convenience stores. in 2018, from a restorative station — a redwood barn, nestled in the hills above san francisco s golden gate bridge — emanates hundreds of days, her second full-length lp with ghostly international. the record sojourns between silences and speech, between microcosmic daily scenes and macrocosmic universal understandings, between being alien in promising new places and feeling torn from old native havens. it’s an expansive new chapter in lattimore’s story, and an expression of mystified gratitude. a study in how ordinary components helix together to create an extraordinary world.

12 inch comes with a downloadvoucher to the full album!
space is the place friends! we are happy to present “space consciousness”, the first album on our little imprint composed by astro traveller adham zahran. born on a day where the sun was aligned with the eridanus supervoid, a ray of energy from deep space unraveled an ancient force inside baby adham that allowed him to share the wonders of the cosmos through some seriously funky house muzak. the 8 track joint comes to you in a binary format with a 12” continuous analog excerpt (by buying the 12“, you will get a download-code for the complete album). on top of that we asked professor chinaski, a proofed expert of the chaos theory and meteor card collector, to invert the albums intro into a slammy dancefloor banger, which the professional disc jockey won’t be able to resist. if you don’t believe us, ask your astrologist!

marcel vogels intimate friends label turns to an unknown entity for their next release, giving dear earth no less than a full album to run with as a first outing. that s a strong statement of conviction, and the label are right to be so bold as dear earth shows off the kind of inventive, sample-rich approach that makes your ears prick up in an instant. supposedly hailing from london, this mysterious figure has been trawling through all kinds of ephemera and stewing it into a soulful, meandering body of work that touches on house, downtempo broken beat and more besides

ghost in the tapes return with a new full-length, holidays on earth on bmm records. this new lp sonically expands multilingual hip-hop and rap towards spiritual jazz and uplifting electronica. featuring members of levitation orchestra, zongamin, floating points, vanishing twin and ncy milky band.

lp comes with fullcover artwork, ambient music

debut lp incl feat. by space drum meditation

people of earth proudly presents warren harris aka hanna. blessing us with a 4 track ep titled from the dark sky. delivering his signature bass licks and providing us with a vocal track on top of it all in last forever. hints of jazz, gospel and straight deep house throughout the record, all beautiful, uplifting and full of purpose.

hot creations launch the new ‘paradise on earth’ dj mix series with the first installment coming as a mexico special from paradise residents and label regulars nathan barato and patrick topping. here is a 12” only sampler ahead of the full album featuring two tracks each from nathan barato and patrick topping.

hunter/game return with their second ep on last night on earth full of depth and warmth in time for the summer months. this four track release also features the talents of bajka and camille corazon. to round off the package are two superb remixes from german based baikal and jacob korn

from the ska era to reggay, earth sound, the roots of roots, brings you rare and exclusive tunes fully remastered for a crisp sound on vinyl.
the first release is the ultra rare earth sound, a bongo-led instrumental by the mountaineers, featuring rocksteady session man aubrey adams and best jazz guitarist on the island: ernest ranglin. recorded in 1970 at dynamic sounds, this session had been produced by the late sonia pottinger (i was one for drums). this is rasta-going-spiritual jazz. this is africa talking to the world through jamaica. this is bongo man jazz! limited edition of 500 copies.

sashas last night on earth continue with their ethic of releasing the highest quality electronic music. this time sees torontos my favorite robot deliver their occupation ep. following on from a successful release on life and death which featured mixes from photek and mano le tough as well as their debut appearance at ibizas infamous circo loco party at dc-10, they supply two superbly crafted tracks. both tracks on the ep, the liability within and wired which features phonogenic on hand with production duties, are full of analog warmth and technically brilliant programming. assets of which are clear to see in all mfr productions and with previous releases on visionquest and crosstown rebels it shows why they are so hotly tipped for this year

what is not strange? is the first full-length album by los angeles-based composer tashi wada in over five years, comprising his most far-reaching and impassioned music to date.

london-based four-piece adult jazz announce their first full-length album in a decade

transparent green vinyl, tri fold sleeve with a2 poster, repress ltd ed 500

second part of the serious beats 100 full of timeless tracks.. must have 5lp set

collectors 2 cd set

cool 3lp full with electro stuff not from this earth!!!

revelation ep is the debut release of australian record label denude, showcasing the latest work of melbourne based artist eddie hale. the title track revelation is both driving and warm - layered percussion lines rise and fall amongst detroit inspired stabs and subtly textured elements creating an infectious and uplifting groove. a2’s surging is both tunnelling and driving - straight into late night / early hours territory - with swirling sounds forming a hypnotizing sonic bath for the body and mind. rounding up the a side with a change of pace, aperture’s syncopated percussion leads us on a peaceful detour through ethereal synthscapes as we follow the round journey of an evolving sound that travels full circle. on the flip, joel mull’s hypno mix of revelations propels the listener with mechanical precision through dizzyingly expansive atmospheres of truly mind melting proportions. closing out the ep is terrace of an elephant, tranquil and reflective synth-work juxtaposed with coloured stabs striking through like comets across the night sky - brings us back down to earth in a contemplative mood.

subset is the featured artist for the 17th greyscale full-length. named >this quiet earth<, this 9 track heavyweight of dubby goodness offers a consistent variety of spatialness while the atmosphere clearly surrounds you with its innate charm. heavy chords are consistent characteristic here while the beats are strong and favor more of a steady low tempo. tracks like >the rivers are dry< and >trippy specs< are soaked in reverb with an old skool dub sound while >the community of worlds< and >two halves< are another pair of deep-seated scenic heaters. the steady static over many tracks give off a language of communication to the listener that balances the organic elements extremely well. >lucys sky dreams< is not unlike a classic echospace track with tremendous depth that has you on the edge of your seat. a gentle album across the board that still has a reserved serious tone to it. another fine addition to the camp, subsets debut with us is a memorable one.

steppas records presents ‘osaka steppas’ vol. 3, the third in a series of releases showcasing the japanese underground dub movement. this edition features osaka producers hiroshi and roots masashi in collaboration with spanish producer ojah and well-respected uk singer rudey lee. the osaka steppas’ raw and unrelenting sound developed in the subterranean clubs of osaka, a port city famous for its counterculture night life. inspired not only by the sounds of jamaica, but also drawing inspiration from uk and european soundsystem culture with enough bassweight to test even the toughest of soundsystems. presented in a beautifully designed full colour sleeve inspired by the works of the legendary ukiyo-e woodblock artist, hokusai. this release is not to be missed. side a features an earth rocker riddim from ojah & hiroshi, with conscious lyrics sung by the legendary rudey lee. side b features a much sought after dubplate from osaka producer roots masashi, a deep, dark & mystical steppa.

first official reissue of the extremely rare full-length album by lagos-based bandleader shina williams. clean copies of the original currently sell for up to £500. the record was born in 1979 when shina put biddy wright, fred fisher, saliu alabi, prince bola, tutu shoronmu, tunde willimas and several other decorated nigerian musicians – who played with the likes of fela kuti, sjob movement, sonny okoson, king bucknor amongst others – together to record. the result is ‘african dances’, a timeless fusion of afrobeat, electronics, boogie and disco. includes his most well-known song, ‘agboju logun’ that williams knew was ground breaking – “i want to show the whole wide world that africa is alive with modern musicians to reckon with anywhere,”. this album version is a different mix to the two-track 12” that came out under on earthworks, rough trade in 1984. official mr bongo reissue. replica original artwork. licensed direct from shina williams.

remastered from the original 2-track master tapes, all analogue mastering by bernie grundman. pressed on 180 gram audiophile grade vinyl. features the original album artwork.

brilliant 70s material by antonio carlos jobim – one of his key sets from the middle part of the decade that had the composer really deepening his approach to both singing and songwriting – moving past some of the more instrumental modes that he was using at the start of the decade! there’s a richness to the songs that goes way past simple bossa styles – and the lyrical brilliance shows that jobim hardly ever needed a poet or co-writer to help him hit the heights – as he really wins us over with his words as much as his music. claus ogerman produced, and gives things the right balance between fullness and space in the charts – which allows both a great focus on antonio’s vocal style – expressive, but very down to earth – and a few nice solos on fender rhodes too! titles include -saudade do brasil-, -correnteza-, -boto-, -ligia-, -valse-, -arquitetura de morar-, and -o homem-.

all analog remaster from the original 2-track master tapes by jimi’s original engineer. double vinyl housed in a gatefold sleeve, featuring the complete original artwork and an 8 page lp sized booklet with rare photos and liner notes.

detroit producer norm talley shares his debut album, * norm-a-lise* on fxhe records. from a prolific dance floor career comes this debut full length album.
featuring 14 original tracks with influences of disco, house, and beyond taking his signature infectious style deeper. the album includes a track written by fxhe label boss omar s aka alex smith featuring l ‘renee.
having started his career when disco was king, talley’s real life influences over his 25+ year career have included the originations of house through various iterations. his reference points as one of the original members of the west 6 mile detroit crew and his dedication to his analog only studio position him as one of the more dynamic detroit artists who’s finally taking the time to release a complete project for his long awaiting fans.

ruffien’s debut presents six songs of therapeutic ambience and enchanted basement workout. in its aesthetic, aired follows in the footsteps of modern day techno pioneers like actress or terrence dixon by creating a world in which all sounds are free-flowing but are fully under the control of the rigorous rhythmic chant of sidechain compression. the result is an ep that calmly embraces its dystopian and earthbound nature and keeps things organic and vibrant within its confines.

pacific horizons are outliers, largely unconcerned with much that goes on beyond their la studio. immersed in their own universe of sound, the pair cherry pick from genres to create their own raw, lo-fi take on what, if you must pin it down, can be defined as loosely balearic. the duos sound calls on various eras of pyschedelia through the years. from the scene s roots to the very modern but always circles back to the initial shamanic intention of mind altering ritual. drawing heavily on the raw and rugged west coast for inspiration they posses a sound entirely indigenous to their locality and peers. this stark individuality has brought the project to the attention of such seminal characters as francois k, andrew weatherall and david mancuso. pacific horizons are drawn back down to earth again by deus records for a rare excursion away from their pacific wizard foundation imprint, teeing up one side of an exclusive 7-. on remix duty peaking lights provide the perfect foil. the fellow west coast artists are kindred spirits in pushing against the norm but here bring some order to the release, segueing the raw ideas into a their own blissful, rolling balearic experience. equal parts melancholia and euphoria, burning stars dub version is entirely complimentary to the original track, giving space and structure to some of the more volatile elements of the original. anything pacific horizons put their name to exists to revel in the purity and energy of the original moment of creation, little if any editing is done once the song is whole, making them the perfect artists for this limited edition release full of spontaneity and ideas. pressed on 7 inch white vinyl in full picture sleeve.

duat (pronounced do-aht) was the realm of the dead in ancient egyptian mythology. the deity osiris was believed to be the lord of the underworld since he personified rebirth and life after death, being the first mummy as depicted in the osiris myth.the underworld was also the residence of various other gods along with osiris. the duat was the region through which the sun god re traveled from west to east each night, and it was where he battled apep, who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. it was also the place where people s souls went after death for judgement, though that was not the full extent of the afterlife. burial chambers formed touching-points between the mundane world and the duat, and the akh, the effectiveness of the dead, could use tombs to travel back and forth from the duat. duat (or duatrecords) is a label by amin fallaha and r100