the second album from evil blizzard, continuing the journey down into the nether regions of sub-frequency sound. pressed on 140g red vinyl.

repress in blue vinyl !! the late french soundtrack composer (1939-1975) was one of the first to use frequency modulators on an 8 track homestudio. he was known for his melodic works mixing electronic & acoustic. his oeuvre has been sampled by many. this release devotes a posthumous work composed for a cousteau documentary which was refused, probably beacuse it was too avant-garde. on the second disc youll find different tasty style-exercises that show to what extend roubaix manipulated the modulators with ingenuity.

after remixing idriss d’s “alger”, eduardo de la calle returns to memento records with a 2 tracker. the spanish vinyl maestro, analog solutions label owner and beatz documentary maker delivers 2 majestic cuts of deep techno at its best, inspired by the early ricardo villalobos music released on kanzleramt or playhouse some 15 years ago. following the same ideas of building and de-constructing sound patterns made up of pure minimal elements, eduardo here tries to be as simple as he can: direct and repetitive, back and forth non stop compositions that take on a life of their own as they expand and contract. the ep was made in a week of intense and mesmerizing studio work. * die einführung* is a 10 minute number where korg poly 61 arpeggios and spellbinding melodies draw the listener down a psychedelic hole of frequency shiftings and lysergic percussions. * sonst werden* is built around hazy chords and ghostly vocal snippets soaked in a feedback of tape delay, sinister ambient sounds vibrating in the background.

david meiser debuts on afu limited with -discipline for the masses-, an ep with a clear message for the upcoming generations of techno followers: take risks. innovate. get out of trends. . two stunning solid tracks composed of dirty and sharped analog sounds. meiser s breaks the trendy techno sounds to bring to the scene his own thing. the ep counts with two exceptional remixers: the horrorist and radical g, two of the artists with more character and personality in the techno scene who take the originals to their own terrain.

we are pleased to present with * black hole* by meta.83 the work of a consequent defender of the art of analogue production. the soon available track * black hole* by the liebe*detail co-founder jinxed us from the very first moment and it was clear to us, that we d like to add a number of top-class remixes beside the original. for this we were able to win no one else then the tobias and borrowed identity (after his recent release on pastamusik * crack in the box ep*). the powerful acid bassline in the original version as well as in the gravity version creates from the very first moment a hypnotic undertow which seems to keep increasing throughout the track. its masterfully celebrated how to generate effective hits by carefully chosen elements and canny used effects. tobias also devote the focus in his interpretation on the acid aspect – but with more dynamics and with a higher beat frequency which will make every techno-djs heart beat faster. when carefully set tones are fading in and out this version gets a brilliant final touch. the remix of borrowed identity sounds in its structure more dirty and rough and though at the same time very fragile. a wonderful gem in pure culture drifting towards a black hole ..... perfect.

reissue des legendären on-u-sound klassikers der missing brazilians von 1984, der mit seiner rhythmischen kollision aus noise, dub und elektro der musikwelt den atem raubte. vocals von shara nelson (später massive attack) und annie anxiety (crass records). neu geschnitten im berliner dubplates & mastering studio für noch wuchtigere bässe. schwarzes vinyl inklusive poster und downloadcard mit zusätzlichem bonus track *ace of wands (unreleased extended mix)*.

the first self titled album from emptyset is reissued. released in 2009 the material formed the initial departure within emptysets ongoing exploration of time, structure and analogue technology. the album highlights the projects development and the foundation of their studio based production process, forming the first part of a tryptic spanning across demiurge, released in 2010 with subtext and the 2013 raster-noton album recur. the eponymous debut creates the first point within this narrative, initiating a dialogue between full frequency audio, noise and the emergent properties of sound, and the starting point for their contained sonic approach.

ozone 23 is the second release to explode out of the sp23 studio bunker. ozone - 23 psi (sirius and crystal distortion) lay down a breakneck slammer bursting with whiplash breakbeats, dark gleaming basslines and a relentless, driving flow. ultra detroit - ixindamix kicks the doors off a heaving detroit warehouse with a funky roller fuelled by searing synths, hypnotic vocals and a steely edged analogue warmth. u boat - jeff 23 and crystal distortion dive deep down into the abyss with a mechanical symphony of dark menace, charged frequency and sublime tension

parisian artist nautil is a music student specialising in acoustics, signal processing, and informatics. his debut single, canopée, utilises analog synths, sampling and personal recordings to emphasize the geometrics of nature and music. on the a-side the lead track, canopée, is a cavernous, pulsing, low-frequency techno colossus destined to hypnotise dark warehouse spaces. on the reverse galdae is a propulsive tecnoid tweaker while mue is designed for head rolling after hours with mesmeric synth drones suspended over a brain melting sub-bass pulse.

the black dog returns with a viral antidote: an album of de-programming material called nether/neither.

dave clarkes protege rocks it big time with his crushing debut on the public stand.

straight analogue machine jack music for djs to play at the dance floor. tin man, born and raised in california, did a wonderful acid remix and complement this ep.

last year s disco (a fine selection of independent disco, modern soul & boogie 1978-82) compilation from soul jazz offered undeniable proof that few diggers deserve their reputation as much as dutch discotheque scholar disco patrick. given the reception, it s no surprise to see that the london label have commissioned patrick to undertake a second assessment of the genre s lesser known gems with the focus here on the years 1976-80. the first of two double lp vinyl samplers to accompany the full cd release finds pat pulling out gems like the extremely pricey skip jackson curio micro wave boogie and t.k. disco treat cosmic funk by mad dog fire department.

continuing on from vol 1 s theme of established artists working in disguise, music first vol 2 delivers another sonic assault with this absolute rollercoaster ride of a record. the mysterious scorpio t opens the ep with neptune rising , a squelching acid-bass boomer that can simultaneously spiritually elevate and physically devastate any dancefloor. rounding off side a it s followed by scandalous arthur s acid in my mind , a lo-fi tape-hissed jacking beast of a banger that sounds like it s genuinely been brewing in a vat of highly toxic acid for at least 25 years and guaranteed to melt your mind. on the flipside comes jax dax returning from vol 1 with the low-frequency moody slo-mo electro workout fucking computer that oozes bad attitude and booty-shaking basslines in equal abundance. bringing the trip to a close is kyrenic azalee with the self-titled kyrenic azalee , an x-rated new beat tour-de-force of epic proportions that will fry minds and bodies with its relentless energy. limited edition so don t sleep on it, not that it would let you.

ive been over and over track running orders, while taking into account the limitations of vinyl. it needs to be a loud cut as anything increasing the chances of this music being played in clubs is a priority. the major development is, i d really like the a side at 45rpm, as before. as well as the extra volume, granular psychosis is an exciting prospect to be able to play at both speeds as its so fast. with this track list below, we re exceeding the time slightly for what i ve been advised is the best 45rpm quality. however, as zattrday has such a limited frequency range, that can be cut to take a very small part of the vinyl. i will talk to, about all this, and ultimately go with his advice of the best way to do this on the day. but i can say it will almost definitely happen like one of the two options below

rrose returns to eaux with three new spellbinding techno tracks. *levitate* starts patiently with cosmic difference tones and sub bass bursts leading to the sudden drop of hammering, polyrhythmic drums, while *vellum* is a syncopated, percussion-heavy ride through frequency modulated peaks and belly-churning valleys. on side b, *signs* takes us on an extended journey made up of resonant kicks and inner-ear arpeggios that fold in on themselves until they finally become invisible.

dead rail is a soundshaping railroad soaked in fog and cough.
dead rail is the breath that transforms light into smoke, smoke into brain waves and brain waves into some anamorphic sound blend.
dead rail is a walk through an eyeburning beat and runs on mandibular tracks.
dead rail is the dark corner of a party where the tones are stagnant in a motionless dynamic.
dead rail is the suspended activity of synapses while earing is driving the other senses.
dead rail is the dying frequency in your ear.
dead rail is noise from within.
180 gram / vinyl only release.

armando gallop, the legendary chicago producer & dj whose career was tragically cut short by his death in 1996 left behind a legendary reputation as one of the windy citys finest. having released on seminal labels such as, trax, musique, westbrook and his own warehouse imprint, armando brought his own rough hewn brand of machine funk and acid to the table and the dance music world has been much better off for it since.

svengalisghost makes his eagerly anticipated return to wax after spending the better part of last year, crushing gigs throughout europe with his high impact live set. on this slab we get four tracks of industrial strength machine electronics put through the filter of the chicago native.... equal parts ebm and dare we say half time techno. this ep drives and hits hard as only the energy king knows how.

johannes volk is a discrete man, a talented producer who does not expose himself excessively, supporting a personal approach far from the common formats. for a long time we wished to invite him on the label : it s done !! he offers to us three tracks with retrofuturistic sonorities, forming the three parts of a puzzle. birth of frequency delivers to us the fourth part with a minimalist and remix, full of mystery

music that keeps your body busy on the dance floor while it takes your mind to exotic places far away: timboletti creates a tense atmosphere between the stripped-down power of a kickdrum and the intricate network of sounds and melodies. during the titles murrakus and wüstenlauf your inner cinema will show mysterious scenes from an oriental bazaar, at the same time your body will have to deal with a pleasant feeling of restlessness. the frequency spectrum of makrovic is invaded by tripped-out samples, reminiscent of radio transmissions from some odd parallel dimension, resulting in a groove that is deep yet uplifting. barfussbravo sounds just as alien and is just as compelling, as delirious melodies and delay cascades unfold upon tight, driving rhythm sections. mollono.bass delivers a remix that is probably even deeper, a stardust phantasy flying high upon the solid foundation of a standing bass line. in contrast, carlos shifts down a gear and reflects on the multi-dimensional anatomy of barfussbravo during a smooth downbeat version.

liiebermann is a japanese duo, ko-ta, previously ran stratosphere label in kushiro hokkaido, and his label mate, kiyokazu hamawaki. after releasing from labels like 31337 rcords/kina music/numbolic/early dub/multivitamins, they decided to set up a vinyl only label gabriiela. springy percussion and cutup samples with unique groove in lower frequency makes 3 tracks purely original. 3 tracks of floor bomb!

label head vohkinne steps up to the plate again with the sweaty and headstrong 3 rd release from atrophic society, creole rhythm. its concrete rhythm, combined with an analogue lead riff stirs echoes of warehouses, insistently driving forward, mindful of where its been. tripeo remixes the title track with gusto and flair as weve come to expect, staying faithful to the riff whilst aggressively re-paving the rhythm, offering a slight twist on the original idea. rounding out the ep, be like the sun removes the rhythm to focus on tone, frequency, shades of sub bass and saturation

early dj feedback: xdb, dj qu, martinez, dewalta and valentino kanzyani
after 4 years of silence, kreon & lemos are back with their first release on their own imprint, equivalence. having already a number of collaborations on labels such as be chosen, resopal and we are, the duo finished a number of projects that are going to be released exclusively on equivalence. the first record offers two dancefloor oriented techno tracks with heavy low frequency, modulated delays and heavy filtering - a modern take on the duos past collaborations.

part 2 of 2 from mfo on the dekmantel label. the machines take control. the label say: after making their debut on dekmantel not so long ago, italian duo rio padice and massimo di lena, together known as mephisto frequency oscillator (mfo) now serve up part two of the future city traffic ep. across four new tracks they continue to explore grainy, dirty house that is variously soulful, funky or cosmic in nature.

marking the start of an exciting new collaborative project, wolf + lamb proudly share the debut release of the waves & us. formed out of a creative meeting of minds between maayan nidam, markus nikolaus and louis mcguire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. maayan has already forged a formidable career in electronic music, both under her own name and as part of mara trax, scoring releases on such celebrated labels as perlon. markus performs his own solo project cunt cunt chanel, while louis is part of ballet school, a band releasing on noted indie label bella union. the whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers the waves & us. maayan s electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. markus guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. louis bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. with their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

21st century house music as its best. charming garage fragments and timeless motown compounds evolving into technological frequency texture through a combination of old transistors and contemporary circuit boards. uplifting, solid, soulful, ravy. dancefloor future classics.

after the success of the first ep on belief system records in 2013, ritzi lee has decided its time to deliver the next bomb! with radio signals ep ritzi is taking a deeper exploration on how certain signal sounds can influence space, and how he can apply this in techno music. the result (for now) is 4 tracks that cover different levels of suspence. >deflected< works like a frequency shield where no influences from outside can come through. >activate< is a subtile suspence build up to pass over the signals to infinity. >s.o.s.< is the tune to save our souls in techno music. and >code 754< is the technology to support intergalactic carrier wave transport.

after a great response from ejecas frequency ep previously released on sashas imprint last night on earth in january 2013, the label continues to support his sound by releasing a new 4 track ep called contemplation that will be available on the 28th july consisting of a wide range of electronics from ejecas many musical influences. never one to stick with a particular sound for too long, ejeca has constantly explored numerous styles, reflecting his own eclectic taste in music and shows that he has no strict music policy. just good quality and interesting electronic music, which is exactly what contemplation and last night on earth are all about.

obergman, the swedish master of minimal machine funk returns to abstract forms for the second part of the multiverse series. white vinyl!

keeping in line with the trademark birdsmakingmachine sound, comes the fifth release on their self-entitled label, bmm 004. with a more straight-to-the-point approach than its predecessor, the ep starts off on the dance floor, with rumbling bass lines and heavy metallic snares juggling with effects-laden delicacies on the a1s >ahora vengo<. the arrival of >ash but not arthur< on the a2 calms things down bit and takes the listener for a gentle journey through ambient pads and cleverly swinging hi hats, while on the flip, things get a little more bouncy in >oscars critical jack<, which is mostly due to the fact its main ingredient – the solid playful bass line – blends effortlessly with the higher frequency spices, keys, strings and rhythmic parts. the end credits roll down with >bonfume<, another relatively smooth yet jacking swinger that could either be used to kick it up a notch in a warm-up set or be danced to while finding yourself at an afterhour.

detroit dancer is back! this time its the dutch master >orlando voorn< behind the gidgets. 313 theory features 4 excellent detroit cuts, from soulful to phunk and electro to ghetto. no commercial top 10 beatport bullshit stuff on here, this is the real authentic techno deal folks!

nice price deal !!! beleif system never fails! amazing spaced out axis like techno release. keep this frequency clear! join the engineers of the other space as they embark on a journey deep into the outer realms of the imagination. travel to the outer space division and fall into the strata. process the information and then make your escape! belief system is proud to present the newly received random audio transmissions from deep space central. shrinked.

2014 brings a higher frequency positive dance vibe for the serious minded improvisational floor movers & elevators by the way this ep manifested by mr. luceri for his 3rd outing on the mathematics imprint. lovers of the murk, guidance, and the subwoofer sound of the mid nineties will love this.

early sounds collective is back with four stripped down house/techno tools. tip!

these tracks magnitude and direction is best understood when the dislocation-bearing crystal structure is first visualized without the dislocation. in this release structure, once the encompassing track is drawn, the dislocation can be introduced. this dislocation will have the effect of deforming, not only the perfect crystal structure, but the track as well. the direction of the vector depends on the plane of dislocation, which is usually on the closest-packed unit of a low-frequency cell.

after two releases with birth of frequency & detect audio... nowhere continues with german producer thomas hessler. gravity = techno news with detroit string influence, reaction for dark vibe.

a diamond in the rough. echologist aka brendon moeller is undoubtedly one of the most hardest working techno artists around the globe and has left a prolific trademark in the electronic music world. his 10th album, storming heaven, floods us with deep emotions and a unique sound experience. prologue is always looking for new directions of electronic music and we feel strongly that this album fulfills the labels pursuit in a extremely exciting way. it will be treasured for years to come.

hamsa intenational are hitting us with some obscure and analog live jams for club use only. rigid grooves that transform subtly by the use of frequency cuts and vocal chops make bodytalk an interesting lo-fi sounding yet energetic jam for peak hours and after. the analog warmth thats filling up the speaker cans comes straight out of old machines and a tape recorder.

new vinyl only label limited pressing......, supported by ricardo villalobos, raresh , onur Özer , baby ford

mellys uses striking kicks. sobre and efficient his sounds are physical and brings a natural born good feeling on the dancefloor. the a-side is all about that, a powerfull dancefloor 180 bpm fat confort. his selectas of friends tunes on b-side is exactly on the same scale. format c brings an obsessing hardtek oldschool tune while zside brings a superb dancefloor track as well. honstely this is a total sticking 100% to the peur bleue sound style. digging for more collab! and very awaiting playing this record for real on the dancefloor!

eighteen months after serving up his debut lp >fallen<, d marc cantu returns to his other home from home, creme organization

own label of the american artist r. datri aka realmz producer/dj/frequency architect in the realm of techno, electro, experimental, ambient, post industrial and various other ineffable sound creations.tending toward cinematic, surrealistic, dream like worlds with a strong focus on sound design and vibe.

kript 432 hz ep is composed by three tracks: two experimental and one techno set in the middle of the vinyl. it arises with the aim to reveal a theme which has been investigated since many years both by the musical and scientific theory: the universal frequency (432 hz).

this ep on memento records sees alfonso leon take his production skills to the next level. vinyl compresors soulful melodies and tribal percussions are matched by a deliciously funky and luscious bass line, until acid synth stabs open the way to a low-pitched, creepy, almost manic dark vocal that crawls along the groove.
fabrizio maurizis unique taste resonates hugely in his remix: a computerised, robotic low frequency bounce underpins a loopy rework of the dreary vocal, bringing its more rhythmical and human elements to the fore, marrying them to the relentless beat. outstanding works, both tracks.

white orange color edition.. • professional handphone • excellent sound reproduction • great quality • transport bag, a set of arificial leather- und velour cups are included • cable: spiral cable, 3 m • frequency response: 3-30000 hz • sensitivity: 114 db • weight: 253 g

osiris music uk continue to stake their claim as one of the most prolific labels of the year, with a rapid-fire release schedule boasting consistently excellent music from kryptic minds and their meticulously curated roster of talent. next to step up to the plate is sleeper, and he delivers two imperious examples of dark and twisted sub-frequency architecture, showcasing both his production prowess and his ever-fertile pool of creativity.

andres zaccos very own greener imprint is back with a brand new 12 inch release. as you can already tell from the labels frequency in output (the last 12 inch, andres zacco & franco cinellis the secret mission ep came out in may 2011), greener places its primary focus on quality, not quantity. for this fourth outing, greener is glad to welcome j.c. – a young, up-andcoming producer from madrid, who presents here his personal take on techno. both titles on the m-theory ep put forward a fine mixture of unyielding, grounding rhythmic structures and mesmerizing synths, building into grand momentums.