red vinyl mini lp, years of denial remix

format notes: part of music de wolfe reissue campaign, 2023 first time reissue, 140g vinyl

nach dem positiven ergebnis von jamuse records ist das schweizer label erfreut und geehrt, seine neueste vinyl-veröffentlichung mit dem talentierten rumänischen künstler lumieux vorzustellen.

black vinyl

limited red coloured vinyl

limited edition transparent vinyl repress

repress - 7 inch black vinyl with a manilla sleeve...
the cosmologist continues their trip around the musical universe, focusing on the records that were formative personal influences. this one is a detour away from the clubs and casts the spotlight on the modern soul world, with these new versions kept sympathetic to that era, but in a way that will still work up a sweat on today s soulful floors.

oladele franck komolou stammt aus den voodoo-wäldern von benin und gründete 2013 in helsinki die band frankosun and the family. seitdem hat die band mit ihrer erstaunlichen musik, shows und energie die herzen der menschen erobert. stark beeinflusst von den rhythmen und der geschichte der nago.

das wort -nago- leitet sich vom wort -anago- ab, ein begriff, mit dem fon-sprechende menschen nago-yoruba-sprechende menschen in benin beschreiben. die nago-yoruba-gemeinschaft zeichnet sich durch den maskentanz guèlèdè aus - einen besonderen tanz, der reich an liedern, musik, epischen und lyrischen gedichten im rhythmus und klängen von tam-tam ist.

die band kombiniert hervorragend beninischen und nigerianischen afrobeat im stil der 70er und 80er jahre mit afrofunk und afrorock.

das erwartete debütalbum -frankosun and the family- wird im frühjahr 2020 in den formaten vinyl und digital veröffentlicht.

lybes dimem is a project by visual artist and musician lukas rehm. with elaborate beat structures and the use of error, the music plays with cognitive phenomena and abstraction while maintaining an emotional refuge. lybes dimem is presented in formats ranging from spatial sound experiences to synesthetic shows complementing the auditive layers with visualizations of realtime data, computer graphics and moving image. lukas rehms installative art, and compositions have been internationally presented and awarded with multiple emerging arts prices. syncleft chronem is the first album released by lybes dimem in both digital and vinyl for-mat and accompanied by a moving image artwork. the title reflects the projects interest in the potential of difference, cognitive frictions and exertion: sync variability in the processing of auditive and visual signals, syncleft the synaptic cleft, which is a crucial empty spa- ce in biological neural networks, chronem the chroneme as a theoretical unit to measure the time of an articulated sound. mathematically clean sounds juxtapose patterns and transitions familiar from the realm of organic acoustics. multi-layered noise textures ex- plore the simulated space. a tem- porary continuity is provided by percussive and melodic elements, right until the next escalation, eventually awaiting a concluding resolution. the visual language explores different phenomena and techniques of cognition inspired by the rhetorics of big science (computer graphics, discontinuity of material, pop cultural references).

as a contrasting follow-up to our first single from rooteo & mahura’s metta album, the second single on made in green records keeps the format intact with entirely different results. deadbeat’s remix on part one was both respectful and subtly transformative, on part two, new york’s upcoming max mcferren, whose busy 2015 included eps on ultimate hits, allergy season, and 1080p, brings us a startling reinterpretation of album closer harmal very much in keeping with the vein of raw, aggressive house coming from brooklyn since that scene’s resurgence. the original version of harmal finishes the album in fine style, blending tablas, celestial electronics, and short melodica phrases that gradually swell with layers of vocal samples and orchestal pads before reaching a climax and slowly dying away in gradually receding layers of ambient electronics. mcferren’s remix leads off with only a bare framework of techno percussion. the entry of a sampled section of melody from the original signals a rapid transition to more abrasive territory, with sheets of metallic noise slashing through the high end, short vocal syllables stuttering, and an insistent bass pulse building up and breaking down with at least one element constantly in motion.

having reached double digits on its release roster, amsterdam-based techno label format presents its 11th release. and it’s a three-piece ensemble by label honcho juan sanchez himself.
fr011 delivers three techno bombs that perfectly reflect the format sound. things kick off with despite the..., which combines deep grooves to staccato bass pulses designed for peak-time moments. spanish dj/producer aiken delivers a superb remix that is propelled by a nasty industrial groove and coated in dark atmospheres. closing the release is the sinister in the dark, which is as deep as it is trippy...
format second 2017 release is another prime example of the label’s coveted sound.

haunter records’ 2017 kicks off with two new displays of aural expansion by longtime members of the milan-based crew. twin singles from weightausend and petit singe that also mark the label’s first ventures into 7” format. through heavy use of darkened breakbeats and angular dynamics, each of the two producers sets out to have their unique sonic approach ring on throughout the sprawl.
matthias girardi aka weightausend keeps on compiling his private neuroses in a process that seems to achieve catharsis through gloomy analysis and maniacal surgical dissection. hammering down on his dubwise tendencies and his love for the dark side of jungle, he gives out his most club-oriented work to date, channeling two new bassy rollercoasters, including a new version of “green death”.

amsterdam’s coveted format returns with a fresh slice of techno funk by argentinean producer flug. format’s latest offering sees flug throwing down his signature techno sound across three tracks, all of which are centered around stripped grooves and menacing fx. first up is obscure cells, which combines an infectious synth arp to an ever evolving groove with the outcome being a very hypnotic track. x28 turns things up a notch with a powerful offbeat groove and mental synth squeaks, while the highly energetic trip02 marks a venture into detroit techno territory. a highly diverse ep of a grade quality, this one... format’s ninth release has become another dancefloor damaging piece of work.

jerome derradji is proud to reactivate past due records - the boogie funk division of still music to release this fantastic archive – that many consider to be the holy grail - of chicago funk, boogie and soul.
“star time” will be released in a limited 500 copies 10 x 7” box set, faithfully reproducing the vision of lad productions, inc.
it features each and every larry dixon’s releases from 1971 to 1987, including the ultra rare “i’am so in love” lp recorded live at the copherbox club in 1980 and the ultra rare boogie funk “can’t price love” lp, each carefully re-mastered from the original tapes and a lot more!
many unreleased songs (some mixed by jerome derradji) are also featured. each format includes a unique booklet with the story of larry dixon and his friends, written by jacob arnold, along with numerous pictures and documents previously never published. artwork is by al kent from million dollar disco.

includes download code.

only one music presents format aka orlando voorn! this classic masterpiece from 1991, originally released on esp records, comes re-mastered to you back on vinyl!

kelli hand returns with more gold from the acacia records vaults. 3 more tracks of pure deepness from the first lady of detroit. this elusive ep has been tough to track down in the past, and we are proud to make it available again, re-mastered, re-pressed and re-released in conjunction with kelli and acacia records detroit. sounds raw & analog

following last mays label kick-off in the form of jssl s fake facade ep, format records now invites dutch prodigy qindek for its sophomore release, which is backed up with an excellent remix by swedish techno veteran paer grindvik.

vlada asanin & jorge montia debuting on sphera with a driving remix pack by dj pp (formatik, hotfingers) and dema (1605, natura viva)

after the huge success of the catalogue number 005, formatic records has carved the next dance board. the beginning of the new year gives thanks to the constructing dj madskillz- presenting the bottom of a noble carnival-wagon, which drills itself through the castle walls of lethargy like a trojan horse. behind it the client in person jumps out of the bellies strong vehicle and brings the format:b remix, making even more tumult in the- without a doubt from luck traced- party bodies. the communal phenomenon that dj madskillz describes as >carnival chaos< is also being picked up by ramon tapia, who (as usual) bits the celebrating horse from behind making it spit fire in front during peak-time. a movement with pyrotechnical potential in the yet young post new-years-eve-2010-era. cheers!

90s jungle

standard weight, translucent red vinyl. gatefold with 3 illustrated sleeves, here at last is its smashing soundtrack composed by kenji fujisawa, fully remastered in vinyl format in a translucent red 3lp edition!

for the 15th anniversary of this timeless classic, !k7 records are re-issuing tosca’s seminal album “no hassle” in an audiophile 3lp format.

basel based experimental techno producer and amenthia label co-owner agonis steps up on midgar. the release is inspired by the astronomical phenomenon of gamma rays, the most energetic form of electromagnetic radiation. gamma ray bursts are associated with the core collapse of massive stars leading to the formation of a black hole or a neutron star, which releases a tremendous amount of energy, outshining entire galaxies for brief seconds.

yo speed released their debut in digital format on the distorsion records in 2016. since then their sound has gradually evolved, as their productions have served to mark a turning point in today’s breakbeat sound, making them a leading name throughout the genre on the international stage. as you would expect, their first solo vinyl release comes courtesy of the label where they first started out.

wave / darkwave compilation!

carlos grabstein, langjähriger partner von oráculo records, leitet das in berlin ansässige label miseria records. gestartet als diy-kassetten- und digital-label im jahr 2021, ist das label klar fokussiert und spezialisiert auf ultra-rare synthie-basierte darkwave-compilations. jetzt im jahr 2023 schließt sich miseria mit oráculo records zusammen, um zum ersten mal eine auswahl seiner besten bisherigen veröffentlichungen im vinyl-format zu präsentieren, präsentiert im double gatefold-format in einer wirklich limitierten auflage von 300 exemplaren, gepresst auf hochwertigem, massivem schwarzem vinyl mit lackierung. alle tracks wurden von daniel hallhuber in den young and cold studios (deutschland) speziell für vinyl gemastert.

best of shoegaze 1990-2022

new release on 0 records by hashman and c3d-e - deeply recycled full record length electronic outings of all formats.

oráculo records präsentiert sehr selten re-editionen alter projekte, aber dies ist sicherlich eine veröffentlichung, die die aufmerksamkeit eines jeden liebhabers klassischer elektronischer musik verdient. 1988 in köln (deutschland) gegründet, ist impuls records zu einem legendären label geworden, das absolut inspirierend für die kommenden generationen elektronischer body music ist. diese tribut-veröffentlichung enthält eine auswahl der persönlichen projekte (sigbefia fiva / formal defect) der impuls records-gründer aus den jahren 1988 bis 1991, mit größtenteils unveröffentlichten tracks im vinyl-format.

dies ist ein echtes ziel für jeden vinyl-sammler, impuls records vinyl-veröffentlichungen sind eine der teuersten ebm-platten aller zeiten auf dem sammlermarkt. präsentiert als deluxe-edition mit bedruckter innenhülle in einer einmaligen, wirklich limitierten auflage von 400 exemplaren, gepresst auf hochwertigem, grünem 180-gramm-vinyl mit lackierung. alle tracks wurden von daniel hallhuber in den young and cold studios speziell für long cut vinyl restauriert und remastered.

ltd edition! zum 10-jährigen jubiläum des hochgelobten, selbstbetitelten ersten albums von melody s echo chamber gibt es eine neuauflage, die neben den 11 original-tracks auch 7 demotracks enthält, die aus sessions aus derselben zeit stammen und mit kevin parker aufgenommen wurden. format: - limitierte 140g 2lp im transparent-orangen (s/t debütalbum) vinyl und schwarzen vinyl unfold inklusive 16-seitigem booklet, 2-seitigem einleger, obi-strip und downloadkarte

format records releases fr009v / fr010v / fr011v as triple vinyl sales bundle.

format records releases fr012.1v / fr013v / fr015v as triple vinyl sales bundle.

sublabel von undersound recordings, das sich der elektronischen musik im 10 inch format widmet.

die tracks sind von den kindheitserinnerungen des künstlers an spaziergänge auf grünen hügeln vor vielen jahren inspiriert. obwohl sie mit unterschiedlichen ansätzen, sowohl aus der digitalen als auch aus der hardware-welt produziert wurden, zeichnen sie ein persönliches bild des künstlers.

we celebrate 30 years of mayday - strong limited 4xlp in gatefold sleeve!

limited edition

disco-formatted and world-fusioned four tracker with hints of finnish-prog-rock, jazz and new age by helsinkis jesse. last track being the burner on this ep, keke rullaa, a blissfull balearic pearl with mediterranean guitar, soft glow and afro-beating rhythms embedded in a dynamic 9 minute narration.

electronic music mit tiefgang im lp format!

limited one-off pressing of 300 copies on black 180 gram vinyl.

second installment in informa’s formation series with 8 cuts of extraordinary deep techno on double vinyl.

after a long time in making music, alexander returned to the stage in the role of io (mulen) and co-owner of mulen records. despite on absolutely non-commercial music format, project is attracted attention almost from the first days of existence, as or. after a long time in making music, alexander returned to the stage in the role of io (mulen) and co-owner of mulen records. despite on absolutely non-commercial music format, project is attracted attention almost from the first days of existence, as originality and professionalism. leaving aside the trend peak-time sound, io is explores a deep flows of house music. jazz reefs and an abundance of syncopation, samples and unhurried rhythms, gives a tribute to the traditions of the classical sound, but at the same time don t without futurism. due to the inventive production, io have especially recognizable groove, and therefore deservedly valued of underground music lovers.

the first studio album of the albanese duo i tpame i tvrame “ikin vijne&#776,,” is a catching, surprising and innovative masterpiece work composed of 10 new songs where they shown how noise can be dominated. if you follow and likes projects such as november no&#776,,velet, portishead, tropic of cancer or not waving, more than likely this album will be a highlight of your collection. it will be presented on double 12&#8243,, ep format and produced in a one-off truly extra limited edition of 200 copies lacquered pressed on 140 gram high quality solid black vinyl. all tracks have been specially mastered and remastered for long cut vinyl by eric van wonterghem.

up next on amsterdam’s format label is a four-tracker featuring original cuts and remixes by matrixxman, echologist and label boss juan sanchez himself.
the fourteenth format release is definitely one not to miss out on, as it offers material from some of today s most sought-after techno heads. up first is expiration, a joint effort from matrixxman and echologist. this one combines matrixxman’s signature bass and echologist’s one-of-a-kind dub techno flavors across a very trippy canvas. format’s juan sanchez follows with a dark and synth-heavy rework of the track. on fokus, juan displays a more melodic cut propelled by a playful groove. closing things off, matrixxman and echologist turn fokus into a crushing techno track filled with sweeping fx.
format continues with another strong release that’s destined to do the damage.

2016 fand in santiago de cuba das manana festival statt. es führte zu einem intensiven dialog zwischen vertretern regional-karibischer musiktraditionen und internationalen independent-künstlern aus dem spannungsfeld von dance, avantgarde und jazz. mit der gründung des labels manana wurden vor ort geknüpfte fäden aufgenommen und weitergesponnen. daraus resultierten bereits zwei außergewöhnliche tonträger. -soundspecies & ache meyi- ist der dritte dieser reihe, er fusioniert auf aufsehenerregende weise folk aus kuba mit britischer elektronik. hinter soundspecies verbergen sich zwei als djs und produzenten aktive brüder aus dem englischen dorset. in ihrer musik loten sie die verbindungen zwischen den klängen und formen elektronischer tanzmusik einerseits und den repetitiven mustern von traditionellem folk andererseits aus. die formation ache meyi hat sich hingegen afro-haitianischen rhythmen und stilen wie bembe, vodu, gaga und merengue verschrieben. und das auf eine ziemlich dynamische weise, was angesichts des bandnamens wenig überrascht. die yoruba-begriffe -ache- und -meyi- bedeuten so viel doppelte power.

california and new york aren t the only us cities to have pioneered underground hip-hop over the years. back in the nineties, southern states such as memphis, tennessee were also hotbeds for the fast evolving musical phenomenon. as we push on into the second millenium, from the swathes of short-run, tape-only releases that came out in the 1990 s, some are at last being cut to vinyl. shawty pimp and the big pimpin productions crew were brought to international ears in 2014 when his album comin real wit it was pressed to vinyl and sold out in the blink of an eye. gyptology records (a new europe-based hip-hop and egyptian archaology styled re-issue label) now present a vinyl pressing of the 1995 sequel, still comin real . here are eleven original, raw rap cuts, remastered and restored with love. available june 2018 for the first time in the format that never goes out of style. vinyl only for now and in one short-run only, no represses. produced with the full consent and participation of the artists.

the italian act geometric vision has earned a solid reputation as one of the best post-punk bands out there. this ep, with specially remastered versions, is an extract / advance of their very awaited new lp -fire! fire! fire!- to be released next april 23 at swiss dark nights on digital / cd and on vinyl standard lp version on manic depression records. somehow near of the best the cure but with clear reminds to the stone roses for the exquisite use of the reverbs and delays on all tracks, but all that, surely, with a more agressive and darky approach. volkan caner of she past away helps gv to close this ep with the amazing -jelly dream-. it arrives on 12&#8243,,, ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. all tracks have been specially remastered for long cut vinyl by eric van wonterghem

acid hologram is a record that travels between past, present and future. it is a real mix of different stiles, this makes it difficult to define as a genre. analogue incursions typical of acid and electro fuse with the melodic immediacy of trance, cohabit with cruel drum breaks and crazy idm interventions, creating a scenario composed of different styles and nuances, bizarre as well as emotional, enveloped by an idea of euphoria typical of the underground music of the early 90s, that allowed us to rediscover a personal sound, without compromise. produced between the end of 2013 and 2017, it was published as a limited edition and the first cassette release by weme records, the idea of the format justifies the need to publish such a high number of tracks, on an alternative medium that is able to reflect the identity of an equally unconventional sound. the tracklist titles reveal visual suggestions that recall the years of the rave scene of the early 90s and the cyberpunk imaginary in which the author grew up

amsterdam-based artist and format-label honcho juan sanchez himself delivers a quartet of tracks carrying his signature sound for the label’s thirteenth release. never one to settle for the ordinary, juan sanchez’ latest outing follows a more conceptual approach to techno. each track adds its own flavor to the mix, with the ep as a whole being a combination of dubby and dancefloor-fused material. synth and bass arps, stripped grooves and driving drums are the main ingredients of juan’s sound, all of which come together across this ep’s four-track canvas. the result is a balanced mix of both dubby and dancefloor-tinged techno laced with experimental twists and turns. with his new release, juan adds another quality slice of techno to the format roster.

iii is the third studio album of the spanish act we are not brothers, their style is an amazing mix and match between post-punk (more punk than post) and industrial experimental techno making of them one of the most interesting and suprising proposals in the spaniard electronic scene, prove of that is the high interest of spanish main press on their -surely not for all but completely new and different- work. -iii- will be presented on 12&#8243, ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. printed with deluxe silver metalic ink. includes printed innersleeve. all tracks have been specially mastered.