super deluxe edition 5lp box set. contains the remastered original album, 2 lps of new mixes and alternative versions plus 2 lps of live concert recordings from the 1976-77 world tour. also includes a replica world tour concert book, 40-page book with photos, artwork and liner notes plus colour poster.

there was a typo on the last mailer. please can listings spell coby sey as it is below. cheers mic returns with a blinding set of kolida babo remixes from coby sey and wah wah winos whos the technician?

shipping only to german customer!!! manueller plattenspieler mit direktantrieb perfekt für den professonellen dj bereich, king of turntables is back <b>new features:</b>
33 1/3, 45 or 78 u/min einstellmöglichkeit
reverse play (kann auch rückwärts abspielen)
abnehmbares netz und signalkabel
neu konzipierter motor
gewicht: 9.6 kg

betrachtet man die bewegte biografie des can-bassisten holger czukay, könnte man zu dem schluss kommen, der experimentierfreudige musiker sei ein exzentrischer und unbändiger freigeist. doch czukay betonte in interviews immer wieder, dass er in seinem schaffen stets auf einen musikalischen partner angewiesen sei, egal ob in form eines konkreten gegenübers oder durch radiowellen und später das internet. doch die meisten seiner partner waren aus fleisch und blut. sein dem kino verwandtes gesamtwerk schmückt sich mit einer besetzung, die der eines scorcese-films gleichkommt: brian eno, phew, rolf dammers, david sylvian, annie lennox, jah wobble, die kollegen von can – die aufzählung ließe sich noch weit fortsetzen. viele dieser meisterwerke sind heute vergriffen, und so hat es sich das label grönland, das anfang des jahres zu holgers 80. geburtstag bereits die vielbeachtete retrospektive cinema veröffentlichte, zur aufgabe gemacht, holgers musik in remasterten neuauflagen wieder zugänglich zu machen. den auftakt machten zwei wiederveröffentlichungen mit david sylvian (japan), der als musiker so sehr zu czukay passt, wie vielleicht kein anderer – sein werk ist geprägt von gegensätzen zwischen einladender popmusik und eigensinnigen experimenten. zwei der spannendsten dieser musikalischen versuche finden sich in -plight & premonition- (1988) und -flex & mutability- (1989), für deren wiederveröffentlichung kein geringerer als sylvian selbst die initiative ergriff. czukays musikalischer erstling -canaxis 5-, eine 1968 heimlich in der nacht in stockhausens kölner studio beim wdr aufgenommene frühe sampling-arbeit mit rolf dammers, die heute bei discogs höchstpreise erzielt, folgt ende september – zusammen mit -movies- (1979), dem ersten soloalbum nach can, sowie der postpunk-platte -full circle- (1982), eine kollaboration mit jaki liebezeit (can) und jah wobble (pil), die holger zu seinen favoriten zählte. mitte oktober dann erscheinen vier weitere solo-platten czukays, die einmal mehr deutlich machen, dass der kölner musiker zu den wichtigsten deutschen künstlern der nachkriegszeit zu zählen ist: -der osten ist rot- (1984), -rome remains rome- (1987), -radiowave surfer- (1991) und -moving pictures- (1993).

russian born anastasia vtorova is based in berlin and makes music under the name machine woman. prior to joining the technicolour ranks, she has released two 12”s - via the self-titled imprint of swedish producer peder mannerfelt (2015) and uk label where to now? (2016) - plus a handful of very limited cassettes via sacred tapes (2015), tesla tapes and ono (2014).

levantis, ein alias von einem der innovativsten elektronischen künstler unserer zeit, wird sein debüt-album *romantic psychology 1* ende oktober 2015 via technicolour records / ninja tune veröffentlichen. es handelt sich um das erste lebenszeichen von levantis seit der 2013 erschienen *believe* ep auf the trilogy tapes und ist ein elf song starkes album *about nigredo and possession of the shadow*. technicolour wurde ursprünglich von ninja tune als reines single-label gegründet. nach 12 inches von legowelt, hieroglyphic being, florian kupfer, kutmah, bnjmn und u ist *romantic psychology 1* das erste album auf technicolour. die schwarze 180g vinylversion kommt in tiefschwarzem sleeve mit lackiertem titel, das innenliegende album-artwork stammt von eve ackroyd und wird gedruckt auf unbeschichtetem 300g kunstpapier. ein downloadcode ist ebenfalls beigelegt.

deep and tripping acid backed with some jazzed out drumworks on the flip. limited to 400 copies and pretty damn bad ass!

after years of work as samplers and electronic textures operator in the famous french live dub band kaly live dub, uzul joins dub technic for his nu dubstep project released on 2 vinyls incl. walls will certainly be crumbling once its all heard! dj support from skream, starkey, mary anne hobbs, dj youngsta, the plastician, headhunter...

uzul from the live dub band kaly live dub releases a massive record including a remix by skream - whom he shared a tour in france with. this is a massive dubstep rinser that all djs have played worldwide!!!

one of the biggest tunes this year in miami !! >>> with original mix & olav basoski rmx

continuing to push the boundaries of extremity and precision playing, exocrine are the bridge between the ferocity of archspire and cryptopsy, and the potent progressive leanings of obscura and gorod. on their new album ‘legend’, the band pushed even further to be more technical and faster, but paid attention to and increased level of epicness to their music. with this, exocrine have created a more grandiose sound to their music. ffo: archspire, gorod, fallujah

brill electro classix by magic juan atkins !! 2023 repress

pink coloured vinyl

rawax proudly welcomes mr. joey beltram to the family! we are very honoured to present you technical onslaught * the calling*! a timeless masterpiece from 1990. new cut &new mastering and vinyl only!

following the success of holo’s groove-driven debut atlas ep, he’s back with another dreamy 3-tracker on lost palms. comes on red vinyl, housed in a label sleeve.

with gatefold cover

vanishing point is an autobiographical concert with the lute and theorbo of sofie vanden eynde, a haunting text by annemarie peeters, the voice of katelijne daemen, the technical ingenuity of jo thielemans and a mesmerising new composition by vladimir gorlinsky. the viny lp comes in a gatefold sleeve.

electronic/dance

electronic/ dance / leftfield

durchsichtiges standard vinyl (140g) inklusive downloadcode! nachhaltig gepresst mit 99% recycelten materialien.

schwarzes standardvinyl (140g) im pappschuber inklusive downloadcode.

b-stock! cover with seam split. vinyl unaffected & mint. incl vid vai remix

silver vinyl - picture sleeve

die referenzklasse unter dj plattenspielern silber edition 1200mk7. high end dj equipment. (we only ship this inside germany)

new 5-tracker from elkka. the vinyl release includes a download code.

new ep from berlin based peruvian artist sofia kourtesis.

the 1976 black sabbath album reissued on 180 gram vinyl.

vancouvers pacific rhythm crew back with their sister label specials light hearted summer music from gooch and backed with remixes from mood hut s local artist and yu-su (ppu, technicolour, rhythm section etc)

fantastic electro splitt ep from dj technician & dj overdose, tip!!!

black 180 gram double vinyl, including download code for the full-length individual tracks.

limited pearl white double vinyl edition - 300 copies - including download code for the full-length individual tracks.

octo octa with a 3-tracker for technicolour. the black vinyl is housed in a sleeve with artwork by brooke and includes a download code.

following a string of well-received eps on cin cin, exit strategy and get physical, belfast’s lor readies his debut, self-titled album ‘lunar orbit rendezvous’. this will mark the first release on his newly minted label lorec. a technique used in apollo lunar missions, lunar orbit rendezvous charts a journey to the moon and back. a bold album, both in concept and sound, its the work of an artist coming into his own.the title track and first single lunar orbit rendezvous prepares the album for lift off. its a track that carries the technical tension of crucial operations, with gnarly acid pulses and happily erratic synths sparring over a steadfast electro beat while vocal samples collapse into themselves. lunar orbit rendezvous comes accompanied by a video from studio creme whose design and video work has been championed by the likes of james holden, warp and simian mobile disco. using a hyper detailed black and white render of a nasa grade rocket, the video brings the optical journey of lunar orbit rendezvous to life

having produced a wealth of some of the most lovingly referential and consistent music of recent times, the tracks making up palta og ti på den tolvte Ø are slightly harder to pin down to exact genre markers. each song is busy yet never overcrowded with elements, building concise and playful grooves which if forced we would say positions them somewhere in the ambient space between jazzy-improv-house and dubby, hypnotic electronics. that s as absolute in adjectives as we would ever care to be... expertly crafted both technically and musically, we are more than excited to be able to present this to you as our fifth installment.

those who preordered, do not have to do so again - we will contact you when we have stock! recorded in the autumn of 2017 at their studio in vancouvers deep blue, mvx / u41a is the first new music from minimal violence to be released on ninja tunes technicolor imprint and the first to be recorded outside their usual home production space. the result is a record that intends to reduce pop music to its emotive qualities and apply that abstract nostalgia back into dance tracks. their penchant for the heavier and more aggressive side of dance music is most evident in its infiltration of the duo’s often raw and disorientating live set. formed in 2015 the duo, consisting of ashlee luk and lida p, have a string of releases to date with labels such as lobster theremin, 1080p and jungle gym records. drawing on luks years of experience playing in punk bands, they combine hardware sequencers, drum machines and synths, to weave together acid tinged compositions that derive inspiration from early electronic and minimal synth through to heavier uk rave and hardcore.

the canadian producer has built an impressive discography in recent years with a stream of quality releases via labels such as clone s royal oak imprint, spring theory, lone s magicwire and most recently his -hope you re well- ep on ninja tune s technicolour imprint. pitchfork were quick to acknowledge his unique production style and innate ability to balance the openness and experimental qualities of the back room and the hooks and sonics of the main room describing previous single is it dry? as -a rarity: peak-time techno that won t rot your brain or insult your intelligence, with appeal from the basement to the big leagues-. following recent excursions channeling the big room sound, he returns with a sleeker, more refined ep. -for this record i pushed myself to keep things more minimal than usual, in a relative sense.- he explains. -focusing on repetition in melody, rhythm and harmony, putting a lot of trust in my initial ideas and letting them play out. it was harder to stop than to add more.- the resulting five tracks span upbeat opener napoletana - -a rough and ready duet between a mfb 522 drum machine and juno 106-, through the swirling improvised piano loops of last day - recorded in an hour just before he packed up his gear at the studio of fellow montreal residents braids and moved it all home, to the bumpy 2-step of less and less .

giorgio gordano and giorgio dolce originally produced kkk back in 1983, and the track was taken into the hearts of the blossoming balearic scene hovering around dj alfredo at amnesia. its as gentle and sweet natured as italo disco can be, and of course it makes perfect sense that best records would dig it out of the archives and give it the shiny new reissue it deserves. the club mix of kkk is a feast of simple, charming programmed melodies and crisp drum machine rhythms with the innocence of the early 80s in its heart. the dub mix and bonus beats on the flip are handy for the technical djs out there, but the club mix is where it s at for the lovers.

at long last, mr. jacob korn gets drafted into team lph! technically,hes been in our orbit since 2015, when he remixed a leo wölfel track for lph white, but it s only now that we re presenting an ep of originals by him. about time! my business is classic korn a little nerdy (intricate arrangements twisty, turny top-line melodies), a little ravey, a little goofy, a little feisty, and a lotta fun. four sure-shot firebombs that ll slip into any set, hand in glove, real nice. try em out. wield em well.

comprising three sweetly-swung, groove-focused productions coaxed from her beloved mpc3000, its the perfect summation of peggys unique sonic signature. ltd repress

polish beatmaker pawel strzelczyk has been slinging out all manner of beats as teilete since 2010, largely on the u know me label, but now he brings his dynamic technicolour sound to father & son to surely catapult his skills to a wider audience. there s a rich musicality at work throughout magnetic soul/magnetic tree, as blues samples, rich orchestration, dubstep rhythms, juke patterns and soulful vocals all swirl around in a highly accomplished blender. the attention to detail is remarkable and the production is pristine, but for all the daring ideas and studio skill this is also an incredibly immediate listen that draws you in from the start.

cementing his reputation as the star toaster with the small but popular el paso sound system, based in the waltham park area, dennis alcapone was one of the first deejays to rise to prominence following u roy’s breakthrough in the late 1960s. born dennis smith in the rural district of culloden, he became immersed in sound system culture after settling in western kingston. once el paso became big on the sound system circuit, dental technician-turned-producer keith hudson brought him into the studio for his debut recordings, which led to a debut album for studio one and hit material for duke reid, some cut in concert with his deejay sparring partner, lizzy. alcapones longstanding links with bunny lee yielded the excellent guns don’t argue album, first issued in 1972, on which the toaster raps with style over some of lees all-time greatest rhythms, including delroy wilsons better must come, john holts left with a broken heart and slim smiths rendition of the temptations soul classic ain’t too proud to beg.

shadow play, the brand new label owned by parisian artist le loup and his partner pura, drops its second release courtesy of the bossman himself alongside chris carrier. the two men got together in the studio and cooked up some tasty goodness. the first of four tracks on this release is the intergalactic opus phoenix lights , which works off serene pads that transport you out into the cosmos, along with a warm, soothing bassline and electronic chirps and bleeps. research programm (outro) takes us into more obscure realms, as chris carrier and le loup sample a scientific vocal and create a mesmerising bed of sounds underneath it. on the flip we kick off with clouds reflection , another track which features a sample from an old instructional video. this track has minimal composition, with dreamy astral pads, shuffling beats and a grumbling low end. in the second half chris and le loup introduce more twinkling fx, to engage and hypnotise you... to bring the ep to a close we re presented with v-shape , which begins with a layer of clever drum programming aimed straight at the hips. once you re moving get ready for the juicy bassline, and a sultry top end that grips you and gripping progression. the perfect to end an utterly fresh ep..

!! ltd 50% deal !! following up on an excellent 12inch for karakul, a phonica records sub-label, he channels the spirit of legendary rhythm architects herbie hancock, theo parrish, kenny dope and lil louie vega, collating four rough gems made using an mpc, nord lead 2, roland sh101, roland 606, juno 106, jen sx1000, rhodes 88mk1 and with the help of mark hand on keys, misumami on vocals and ian blevins. each track packs incredible punch in the groove stakes, undoubtedly the characteristic that has attracted the likes of moodymann, seven davis jr and gilles peterson to ny*ak s music.

nice price deal !!! after his succesfull >makina girgir< project on das drehmoment records its now time to check out the story behind the main man from toulouse, aratkilo. these recordings were made during his escape from the agency up north after selling a cracked well-guarded chemical code to other parties. he takes you on a trip where conspiracy, confrontation, paranoia, suspicion, sabotage, sweaty palms and even murder are the daily facts. packed with 4 dangerous tracks this ep makes you feel you were there too. you better be friends with this one before they check up on you!

just in time for our third anniversary we are proud to announce our eleventh release featuring our latest family member pressure point. his invasion of futuristic modular synths combined with old school analog gear immediately abducted us. we welcome him to our tight knit family with open arms to spread his musical prowess with you all. the four-track ep takes the listener on a mysterious voyage through a deep arpeggiated wonderland. bringing a fresh approach by combining the use of older technology and modern production technics, his micro house works of art whisk the listener away through lush melodies and peculiar moods that will help you to fully process his theory.

following critically acclaimed releases from eduardo de la calle, refracted, and monomood, connwax returns with another exceptional offering of bold and original techno. for this release, they have enlisted the help of a rising young talent in berlins underground scene: akme. the producer and resident dj of renowned club, about blank demonstrates his uncommon technical precision and emotional depth with this debut ep, drawing on his vast array of influences and experiences across all genres. in elements, the bass drum takes centre stage. the engine room relentlessly driving everything forward. yet as the track develops, a fine lattice work of detail starts to unfold. meticulous percussive elements imbue the piece with an enigmatic depth as a sombre melody sweeps through the rough rhythmic landscape. we are allowed a brief moment to reflect before the bass drum continues its inexorable path forward. akme takes a more reduced approach in black matter space is left for the interplay between the understated acid bassline and delicate hi-hats to lock the track into a hypnotic groove. here, the statement is defined by what is left unsaid. for the final track concealing, ak