ghostly international presents the third album from heathered pearls. limited pressing on rust patina coloured vinyl.

repress without fullcover , tracks by storken, alan dixon, zombies in miami, hokaiido

incl. darius syrossian , alan dixon love attack remix

la cheetah clubs outer zone label returns with a new ep from glasgow s modus. top drawer detroit rooted minimal funk essential for fans of classic claude young, terrence dixon and robert hood.

great techno 4 track ep.. dj support by the likes of laurent garnier, dixon, ame, adriatique, ian pooley, timo maas, trikk, frankey & sandrino, sacha, the drifter, severino (horse meet disco), alex dallas (zukunft zürich), yor kultura, lehar, denis horvat, bog, echonomist, fred everything, luca bachetti, karotte, roberto rodriguez

with full sleeve.. anthony bernardo delivers a shockingly good follow up to that luchesi belter on full dose that combines dub with the stark detroit minimalism of andre holland or terrence dixon

2020 re edition! supported by dj dixon and efdemin

stag-o-lee presents the 5th gunsmoke compilation, compiled by hank ray.

incl alan dixon mix (running back)

killer drop from matt o brien that takes influence from the terrence dixon / claude young end of detroit techno

stunning techno two tracker - must have for fans of terrence dixon & claude young

ltd 2020 repress - timeline is back with the next step 4wrd in the ever-evolving hi tech jazz movement. light my fire features an enchanting female vocalist over a bed of choice chords laid by timelines jon dixon. next step 4wrd on side b has been tried and tested here in detroit as well as europe! a favorite of timelines well received performances.

an essential record for those of you feeling jon dixon / 4vr 4wd, dirt tech and timeline.

for fans of ame , dixon...

ltd repress - 1- per - customer - the music institute 20th anniversary pt 3. so finally ndatl bring u the last installment of this legendary series! first up we have an unreleased version of alexander robotnicks >problemes d amour< retouched by detroit native kenny dixon jr. followed by an atkins diet of miller music and held up by a canadian abacus

supported by dixon, ame, pete tong, john digweed, gerd janson

repress, known for being at the forefront of the hi-tech jazz sound, underground resistance s timeline releases it s first ep on the new label 4evr 4wrd, founded by it s band leader and keyboardist jon dixon. this 2 track ep is sure to have your heads bobbing and feet moving on and off the dance floor.

it started with the idea and a few tracks and it ended with this megalomaniac looking package. one of the finest compilations we put together ever, touching every corner of today’s clubmusic we love! - kristian

strap yourselves in troops! this next one by our bavarian brothers has proven to be a bit of a hit round these parts over the past year.. recently theyve been prompting many id requests with the support of dixon, ame, roman flugel & kornel kovacs and now the secret is out!

this is the dawning of arcydaro. for the first time ever he unveils his work, expressing a very own approach to the current state of sound. early support for this one comes from Âme & dixon.

two double vinyl releases from out-er records (outa004 & outa005) in one special 4x12 inch pack!

tracks by storken, alan dixon, zombies in miami, hokaiido

supported by: dixon, seth troxler, gilles peterson, moxie, francois k, osunlade, josh wink, jovonn, kraak & smaak, tensnake, horse meat disco, crazy p, leo mas, luke solomun, hot chip, nightmares on wax, honey soundsystem, danny tenaglia, red rack’em, soul clap.

2019 repress - echoes of this summer’s ‘shango’ still shimmer through systems as detroit’s waajeed continues to make good on his promise: to “put paint where it ain’t.” after years of soul, funk and hip-hop explorations as a founding member of the platinum pied pipers (among many other innovative escapades) and, most recently, a soulful remix of amp fiddler on kenny dixon’s mahogany music, waajeed is building on the fresh line of house grooves he commenced this summer. his first pedigree dancefloor tracks in almost 20 years, he taps directly into the source and builds with his own soulful bricks. it’s working, too, dj-wise he’s playing alongside moodyman, mr. scruff and carl craig this fall, while ‘shango’ has enjoyed heavyweight support by the black madonna, carl craig, jackmaster, gilles peterson and many notable selectors.

zwei top-tunes des modern roots reggae aus den späten 90er jahren erstmalig als 7-inch single! complain war jahrelang ein soundsystem-klassiker bei jah shaka und give i strength der titelsong des gleichnamigen longplayer von 1999. beide eingespielt mit den musikern der firehouse crew und produziert von bobby dixon. garnett silk ist eine der tragischsten figuren des reggae: kurz nachdem er bei warner unter vertrag genommen wurde und zum neuen globalen star aufgebaut werden sollte, verstarb er 1994, als er versuchte seine mutter aus ihrem brennenden haus zu retten

dj support by francois kevorkian, greg wilson, mousse t, the reflex, hmd, red rack em

limited to 200 copies only and on repeat in sets from dixon

slamming remixes from ricardo villalobos, marco faraone, sante, sebo k.... already supported by richie hawtin, ame, gerd janson, dixon...

scatcity records startet 2019 un liefert uns einen schönen drei-tracker. support gibts von der innervision crew, dixon und ame.

repress without mp3 dl code / juan atkins infiniti project combines raw tactility and puristic elegance with skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure. alongside fellow detroit legend terrence dixon who appears on several tracks, atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. the ongoing importance of this album is indisputable, essential both to techno and to tresor.

juan atkins infiniti project combines raw tactility and puristic elegance with skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure. alongside fellow detroit legend terrence dixon who appears on several tracks, atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. the ongoing importance of this album is indisputable, essential both to techno and to tresor.

the accidental jnr label has just passed it s second birthday mark... so at 2 years and 15 releases in it only seems appropriate for the next 12- release to come from the artist that kicked the label off and has made it his home for the past 2 years... bambooman, with a remix from label boss matthew herbert himself on the b-side. the track can really speak for itself as this one is something special for the dancefloor, the only difficulty is choosing which version to play... dj support: gilles peterson, andrew thompson (huntley s & palmers), laurent garnier, simeon mobile disco, eclair fifi, bake, luke solomon, eliphino, severino panzetta, red axes, andrew weatherall, dixon...

slamming emotional techhouse / techno by bog ... he already released on innervision & diynamic ... with support from dixon & solomun

waajeed is proud to present strength, a cathartic ep on his own imprint, dirt tech reck. for this four-track package hes enrolled three detroit natives to collaborate ideeyah provides soulful vocals whilst jon dixon and jay daniel offer two diverse remixes. a detroit dream team, if you will. the title track is a radiant, melodic groover that looks to the sky for inspiration. ideeyahs lyrics battle with self-doubt, searching for solace in the harmonies around them, yet her vocals exude pure power. for his own string mix, waajeed elevates the delicate sentiment of the original to a sun-drenched dose of uplifting house. additionally, waajeed will perform across 17 dates for an extended tour between august and october this year, including shows at the legendary sub club in glasgow and movement festival torino. strength is the first of two singles from his full lp called from the dirt

played by dixon... die musikwelt beheimatet so viele wundervolle seelen, die alles geben, um uns diese speziellen und unvergesslichen momente der freude und des glücks auf dem dancefloor zu schenken. hinter all is well verbirgt sich ein mann, der seit mehr als 20 jahren eine vielzahl an einzigartigen dancetracks erschuf, einige davon wurden zeitlose klassiker. auf dieser ep vereint er verschiedene vibes und lässt die grooves in kosmischer synthesis miteinander verschmelzen. musik, die so versatil und deep und positiv ist, wie ihr schöpfer und die so frisch klingt wie ein neues subgenre im house. diese ep wird allen erwartungen gerecht und so ist es kein wunder, dass sie bereits von vielen djs gefeiert wird, die ihr handwerk als solches verstehen...keep on dancing!

executive producers: brett wilcots, jim stivers & graham carlton produced by kevin dixon & frank youngwerth / a1 mixed by larry heard originally released in 1990 / official repress 2018 groovin recordings licensed courtesy of brett wilcots

children of tomorrow will celebrate soon its 10 years anniversary. the label was created by emmanuel ternois back in the day and being joined by arnaud le texier in 2011. since then they focused on techno producing amazing artists, to name few: terrence dixon, zadig, tensal, antigone, oscar mulero, jonas kopp, samuli kemppi etc... children of tomorrow is now presenting the first album from arnaud le texier. after almost 30 years dj-ing around the world and almost 20 years producing. signing many releases over the years and always busy delivering dance floor releases, it s been a long wait to finally get an album from arnaudon his first album we can feel that he wanted to tell a story and to express something deeper with his production experience. there is a different variety of techno that stretches from ambient / broken beat / hypnotic / raw techno along with subtles grooves, wondrous atmospheres & sonic textures. on a side the album opens with dusk, an ambient atmospheric mid-tempo track with sonic sounds that is a perfect intro.pattern 2 starts with drones and blip sounds and a broken beat groove follows with a pad that sounds like a voice coming from the space. the track ends with some modular click sounds that make the whole track clever. followed by the album title granular therapy, a deep techno track with modular bass line and melancholic pad. a perfect track to play in after or to warm up a party.the b side is more dedicated to the dance floor with black nympheas that is a proper dark modern techno with a grinding bass line and magic drones. a simple beat makes the track evolve in a nice way. blade pass frequency is 4/4 effective techno with a 909 kick, a syncope acid bass line and a pad that sends you to another dimension. it is a powerful track but with a sense of deepness and sensibility that arnaud can achieve sometimes. this side closes with binary sun dawn which is an ambient track with melody that has a jazz feeling mixed with dark atmospheres, sonic drones and water drops. the c side opens with mono driver, a minimal track with a little synth that stays until the end repetitively until it makes you travel and lose your mind. deep and dance floor at the same time.

berlin based electronic mainstay marquis hawkes has announced details of his second lp the marquis of hawkes. the album will be the producers second lp for us, following his critically acclaimed debut social housing for the label, which was released in 2016. entitled the marquis of hawkes, the new album adheres to a specific sound palette whilst still displaying eclecticism across its eight tracks. opening with the beat-less droning ambience of beton theme, the album takes in a variety of themes from across the house music spectrum, from the deep and dubby meditation of instrument of thought to the body jerking rhythms and retro bass stabs of tough love, the introspective mood of the matrix, to the soulful new jersey styled house grooves with a contemporary twist of sunset building through the optimistic joyousness of ‘hope in our hearts before closing with lidells heartfelt and passionate emotional overload on we should be free. first emerging in 2012, after being sought out by glasgow label dixon avenue basement jams, and having previously been heavily involved with the free festival sound-system culture, the london born artists iconic sound has taken shape with the influence of music from cities like chicago, detroit and new york alongside the uks underground house scene. with both depth and clarity of vision, marquis hawkes second album for houndstooth expertly hones a shining hybrid of classic slamming house and grittily soulful optimism, making for a career-defining piece of work.

riot records deliver an almighty sermon of four gospel disco edits for the first in their take it to church series. channelling the divine goodness, spiritual choirs and godlike musicality of these choice gospel records, le visiteur, the soup dragons, jack tennis and alan dixon rework and rebeef with their own signature touch, producing four heavenly, dj friendly, dancefloor destroyers. dj support: unabombers - dimitri from paris - danny krivit - craig charles - horse meat disco - hifi sean - melvo baptiste

having already gained support from the likes of dixon, ame and red axes, scatcity records latest offering from ivory is already on the way to cause a serious stir this summer.

- 2 x 140g 12” vinyl - black gatefold sleeve - gold foil text - download card for wav files - original artwork by megan dixon / ora project innovative future beats duo ivy lab are set to release ‘death don t always taste good’, their debut album proper, t

including the summer hit by the organism (played by dixon). points what’s a perfect stranger? who is the perfect stranger? for us here at disco halal, the perfect stranger could be that person, which you will have a short encounter with that will almost change your life, give you much and ask little for return, without any restrictions, without any rules, without any obligation, just your full attention for a brief moment. whats a perfect stranger for you? disco halal is happy to announce the beginning, again. perfect strangers vol.1 is ready, press play.

executive producers: brett wilcots, jim stivers & graham carlton produced and mixed by kevin dixon originally released in 1991 / official repress 2018 groovin recordings licensed courtesy of brett wilcots, thanks to kelly wilcots.

four fresh jared wilson tracks on his own label 7777 in collaboration with glasgow s dixon avenue basement jams. 4 tracks influenced by acid, house, techno, roland, make noise, michigan and the great lakes.

marquis hawkes is an alter ego adopted by long time electronic music producer mark hawkins, founded for his house music focussed activities. hawkins decided it was time for a reboot after being head-hunted by old friends dan monox and kenny wasp, who had just founded dixon avenue basement jams in 2012, particularly as the material differed from what hed previously released.

in 1982, a group of friends deep into post-punk, jazz and dub got together in mad professors studio and lay down their youthful interpretation of a nyc disco cut. their unique take included trombone, vibraphone, piano, and an ital dose of tape delay. they called the song trouble and released two versions (vocal and dub) on their friend tony mcdermott s !drum! label with artwork inspired by russian constructivism. tip! . the group, comprised of justin langlands, chrysta jones, john schofield, tom dixon, and dave killen, decided to call themselves a-team, having no idea that mr.t and co. would make them almost totally ungoogle-able 30 years later. the result of their adolescent studio idealism sounds akin to otherdisco misfits like arthur russell, maximum joy, talking drums and wouldn t sound out of place on legendary nyc label 99 records. remastered with an extended club dub formaximum dance-floor action.

parisian veteran dj deep and romain poncet (well known for his traumer allias) released their first sergie rezza album on desire records in 2015, the album received heavy support from dixon, laurent garnier, hunee, antal to name a few. they now decided to start sergie rezza s own imprint. sergie rezzas sound is heavilly influenced by ambient, electronica, dub, jazz, industrial, funk, and also techno and house roots.

15th release of the strong barba records! and its fbk who s back featuring a remix by none other than claude young - a detroit heavy-weight who s been particularly selective with his output. kevin s previous record for barba, a 2016 twelve titled -screaming her name-, also featured a remixes by terrence dixon and plural. between then and now kevin managed to put out a track for -the cast project- va and a solo ep for radio slave s rekids imprint.

initially described as superlative 25th century electronic exotica by cowboy rhythmbox themselves, the fourth ep from phantasys in-house trouble and hitmakers received support from top jocks including dixon, jackmaster and marcel dettmann. now, i’s dynamic lead track is rejigged, expanded upon and shot through with analogue energy by two equally inventive producer pairings. fellow outsiders on the inside of the house of house, israels finest red axes take the first turn, coaxing the cosmos out of the original and allowing the bewildering vocal samples to lead the way through waves of more than pleasurable cosmic tension. soon, with the timing just right, feet to pedals and strobe to hand, the pair unleash a series of distorted guitar licks that blow dust off the stacks, even throwing in a sharp blast of their trademark surrealist vocals for extra freaky fx. on the flip, marvin and guy zone out and hone in on the originals ebm-indebted elements to contribute a trippy, wave-riding electro rework that oscillates irresistibly. teasing listeners with a playful, almost naive synth line, the mood shimmers instead with uncompromising acid, as the pair ultimately push the modulars into strange and hypnotic territories to get lost in.