danse club label bosses scott & austen smart aka brodanse unleash their second release on the label, the the ride featuring vocals from cari golden. the release kicks off with the original version of nobody walks, a tough and grooving slice of vocal house that employs a simple bass and piano chord groove to provide the soundbed for cari goldens distinctive vocals.

a harmless deed release number 8 brings the third installement from epiphany, a record we are really excited about. from the ever evolving and soul infused acid of -let the boy be- where everything sits over a deep and rhythmic chord progression, to the noisy deepness and jam feel of -player-, or the weirdly addictive groove of -on the run- where snares and pads find their way over a jazzy melody, -last gasp- proves itself to be epiphany s strongest release to date, a record that radiates energy and futurism.

a sublime three tracker that continues endless short history of releasing music that encapsulates an otherworldly beauty. the title track is a smooth deep dancefloor cut driven by a catchy chord pattern and crisp beats, while >vabene< encapsulates a rare exquisiteness with its chugging bassline and evocative melodic keys and already has a special place in clubbers’ hearts and minds after it was the opening track of lucas lauded set at sunday debauchery in nyc in june – a set he rates at the finest of the year so far. the ep is rounded out with the outstanding >la valse de la pertinence< that’s led by a call-and-response dual bass and key melody that drives the cut, making it simultaneously groove-ridden and sublime and spacey.

modernista returns with new music from paul bennett aka duster valentine! modthree features two tracks - *overtaking on the inside lane* is a sparse, wild pitch-style rhythm track built around modulating chord sounds. on the flip *apologies apparently unnecessary* is a more individual take on the melodic deep house sounds of chicago that paul first hinted at on modone.

we are proud to unveil the seventh release on telefonplan, osirus ep from anders hellberg, a berlin based producer and dj from south sweden. with osirus ep, it is immediately clear that anders is a fan and follower of the old school techno with elements of detroit techno and acid. four righteous slabs of hardware goodness is on the menu this time, all served tight and driving. from the opening track *beyond the stratosphere* with its pulsating rhythm and hypnotizing chords to *gondor*, a heavier, darker and dubbier acid anders showcases his uniquely modern flavour of techno. on the flip, *osirus* is a floor burning chord jam and *respond* finishes things perfect with hypnotic melody.

fred p immerses himself further into his techno alter ego, bringing more depth and insight to the saga, using sound to transcend time and space. *serinatatis* starts off the proceedings with a relentless drive and lofty pulsating pads that give you the feeling of a dismal oasis, with its brooding bassline and obscure vocals penetrating the construct. *dark population* takes us further down the rabbit hole into deeper rhythmic vibrations. this hypnotic ceremonial floor shaker echoes the cerebral ethos of the ep. last, but not least, *convective zone* cracks the sky and lets the sun shine in with its rolling baseline and ethereal chord structure. homage to the term techno soul is paid in full here as a trumpet blares through without losing the depth of the moment.

the french producer 1977 delivers with his first ep a bold and subtle blending of ambient textures, deep pads and raw rhythms perfectly mixed with some minimal sequences. in brief, a fine and complete piece of electronic music, made with constant attention to detail.

traumer aka romain reynaud has been plugging away of late with a string of fresh material surfacing in 2014, much of which has seen the blossoming producer pick up support from the likes of mr.g, franck roger, and doc martin to name but a few. here we see romain join the roster of loco dices desolat imprint. across the double pack we see traumer skilfully explore a range of styles, opening cut hoodlum eases us in nicely with a bass-driven, funk-infused groove fuelled by jazzy melodies and gritty drum sounds.

vibe008 open the way to the new techno flavour of the label with nikola gala (rekids) from salonicco, greece. raw sound and dub-techno influences on a1, the dark bassline with this fat kick it s simply killer... breaked by vocal-cut and deep-chord line. attemporal (att series) signed the first remix of the vinyl. the techno duo-project it s one of the new best talent comings out, growing up fast in the scene. with their elegant style the original-mix was been reworked in a conceptual-club version... stay tuned. marcos in dub (highgrade-lokal talk) on b1 pushed out a special remix, just to destroy the main room. love it. on b2 to close the release, kindimmer (lokal talk) that take back us to the detroit-house vibes,with a piano-chord line that floating till the end... feel it.

from the executive producer chez damier come a special edition release marking the 20th anniversary of balance and prescription records. side a. the mission: lavida (life) is a project and group from switzerland that was produce by chez damier and italian producer demetrio giannice, the track is deep with choped vocals of chez and chaka khan, very chord driven with a jazzy feel as the break of the track. a2. is a young group of french producers from paris called siler & dima , thomas zander with track called: inappropriate, a deep driven track with spoken words , more minimal and was inspired by some of ron and chez early works, this is for sure new school and very club friendly. side b is a remastered version of the rare prescription underground mix of ron trent and chez damier s classic --the choice-- this is one of the dance classics that helped shaped a new underground sound for the club, with ripping synth, raw snares and high strings, this 20 year old track hold up as well as a track made today.

luckyme are very proud to present the ‘rosario ep from s-type.s-types rise started in spring 2012. emerging, gleaming and show-stopping from rustie’s seminal bbc essential mix was a track called ‘billboard’ from a new producer that was part of the luckyme family as far back as his teenage years. the track had soundcloud and blog commentators looking around for the hugest most galactic superlatives for this ‘superhero’ music. as skyscraping as the biggest us hip hop instrumentals but born of the ferment of glasgow’s world-wowing club world, it made it into end of year ‘best of’ polls as well as the dj sets of rustie, tnght,and benji b. s-type aka 27 yo scot bobby perman started getting recognised down the shops glasgow. he was catapulted onto a 30 + date us tour and found himself in the studio with kindred spirits araabmuzik and baauer. there were rumours of national electronic goods adverts in south korea and s-type tracks in the running for inclusion on drakes nothing was the same album. on 19th sept 2013, the buzz started all over again as luckyme family member Éclair fifi dropped a new s-type tune ‘rosario’ on her bbc radio 1 in new djs we trust show. now luckyme can announce the wait is over. lm017 aka s-type’s ‘rosario’ ep is coming out on 16/6/2014. ‘rosario’ sets the scene with a 2 min intro called ‘outside (inside)’, featuring rustie and yc the cynic, a rapper from hunts pont, the bronx that xxl called ‘one of the most promising artists in recent years’, the complex wordplay sounding perfect over bobby’s wide screen arrangement. ‘franco’ is a fierce club banger with plenty of his signature chord work. ‘lost girls’ stunts and fizzes in the way only an s-type track can. for the outro ‘inside (outro)’, bobby’s sweeping instrumental sets the scene for long island mc (and one time flipmode squad member) roc marciano, who sharply describes the beat as ‘historic’. s-type addicts, he’s back. early dj support from hudmo, kode 9, baauer, joker, rl grime and jackmaster.

supported by: ben klock, speedy j, dubfire, marcel fengler, jonas kopp, peter van hoesen, ilario alicante, slam, maetrik and many more. another production by the turin duo d-vince and sergio pace. already on various releases of their own old and young records, they come back with a new ep. three tracks and one remix made by another italian talent, raffaele attanasio. pure analog sound imprinted by the detroit techno music. three tracks full of groove and powerful energy. the remix has done by raffaele attanasio, already appeared on label as non series, he s done a superb edit with his unmistakable style! old and young is back!

relating back to the etui records roots of monomood, abstract animal presents the remixes of absolute control that originally appeared on etuiltd 003. who can be more suitable for transforming the heavy chord sounds of the original into a forward pushing floor behemoth than 50 weapons multi talented sound artist benjamin damage? in addition to that monomood took a re-edit of his own track and put a even more dark and industrial feel on it. to close the circle etui records mastermind and dresdens very own insect o. converts the originals four to floor rhythm to a broken beat machine funk monster.

tom almex returns in 2014 with a brand new release called chorus 9. the delude records label owner presents a great techno track with a lot of chord elements and minimal influences.

nice price deal !!! vinyl only (ltd 200 copies)solid 3 track house ep!!! >take it back< is a driving beast, its raw groove and deep moving chord stabs make this a perfect peak time track. >piece by piece< takes things a bit little deeper, with its funky bass and deep warm chords its like an old detroit house track. >dingy room< is a simple but effective dj tool with attitude. the swirling gritty percussive top and the bouncy bass makes you wanna dance

an imaginary country continues from the trajectory of tim heckers last album, the critically acclaimed harmony in ultraviolet, while also showing a few new tricks. tim has incorporated more pulses into this work and also works with a sound pallete including overdriven mellotron strings and synthesizer. at times this album is less overtly aggressive than previous works, but the notion that this is pastoral work would be dead wrong as there are plenty of the agitated crescendos that he is know for. this music backs off from the void of immensity in favor of a terrain of lushness and warmth.

markant techno tune

autoreply music marks the coming of the summer season with a very tidy little 10inch from och. this man recently recorded for baby fords pal sl imprint, gaining support from a diverse range of djing luminaries including zip, sammy dee and efdemin. now the mysterious producer steps up with a big room floor rocker that has been described as ian pooleys >chord memory< meets christian vogel. thunderous drums, hypnotizing chords and a cheeky sample that the old house heads will be sure to recognise make this one for the peak time. claro intelectos warehouse sessions on modern love is regarded by many as one of the most definitive collections of contemporary techno to hit the shelves in recent years. fresh back from remixing depeche mode he takes time out of his busy schedule for remix duties. taking his cues from the warehouse classics that accompanied him through years in manchesters revered clubs like the hacienda, home and paradise factory, he serves up a powerful, stripped down reworking of the original track that is equally suited to sweaty dance floors. fasten your seatbelts.

need you tonight - this a1 killer tune a la aril brikhas art of vengeance: groove la chord is a brilliant 2014 diamont techno house underground mainstage track. expect original tr 909 drum programming, roland jupiter 8 synth chords... an insane deep party break with 20 hz low bass, topped off with some jazzy funky steps. feared in rotterdam and its suburbs and already played by laurent garnier! b1 is need you tonight in the alden tyrell remix... super dark building up power mono techno track... berlin/london/rotterdam style. b2 is made by the legendary rod ... a deep techno track with great groove perfect dj tool.

bristol music has always stood strongest as an alternative to the lowest common denominator, and so it is with brstl as the label continues to provide a platform to previously undiscovered talent in the underbelly of the citys flourishing house scene. following lauded debuts from shanti celeste and jay l, the sixth installment in the series turns to another unknown in the shape of samuel. as with other releases on brstl, 006 is made up of two distinct halves. on the a-side, >numberuma< delivers machine driven house of a rugged and charming nature. the drums switch up with playful intent but largely centre around a forward-charging 4/4 pulse with a faint hint of tropical flavour rubbed into the groove. meanwhile the limber lead keys speak of sunnier days through a cracked lens while the accompanying chord swells intone an equally uplifting and nostalgic message. while from the outset the track may be wrought from simple ingredients, the dynamic interplay between the different elements belies the producers years. on the flip, >groove therapy< opts for a more esoteric approach made up of long, dreamy lead-ins full of distant pads and delicate percussion and transitions as smooth as silk. indeed this track makes a smart foil to >numberuma<, choosing to snake its way into the subconscious through delicate melodic content and an undulating beat rather than rambunctious rhythm. slow-release filters draw that aforementioned pad in before sending it out to sea once more, and all the while the stripped back drums tick out a hypnotic chant. once again a pair of unique tracks loaded with character prove brstl to be an essential outpost for the most creative 4/4 music emanating from the west country.

after highlighting two young french talents for its first releases with madben and oniris, astropolis records now invites two french techno legends for its third release. the driver, techno aka for french rave key figure manu le malin and techno veteran electric rescue join their forces for a first 12 inch * the wolves * : a dark fang strike, fierce, beastly. the encounter of these two french techno activist couldnt have result in anything else than an explosiv termination : two raw and nagging techno tracks blending up both artist proper musical background.

another two-track mysterium by a well known hip producer. strike up your dancefloor and spread happiness all over with these early house cutz made for screamy girls, fancy boys and everything in between. b-b-b-bass! h-h-h-hands-up! already heavy plays by dj dis-cocks as they say. vinyl only it is.

with a self-proclaimed goal to showcase newcomers as well as established artists, melodymathics hands out their second punch with a killer track by detroit veteran gari romalis. gari is at the forefront of the detroit techno scene, working close with terrence parker, mike banks, cliff thomas and labels such as tresor, transmat, soma and many more. his productions clearly show that his 30 years experience djing made him realize what works on the dancefloor. the web on melodymathics ltd.002 is a sublime example of soulful keys combined with funky rhythm, resulting in the ultimate dj tool.

for its 15 th release, etruria beat welcomes french talent julien sandre, julien has been around for a while releasing music on hot waves, upon.you, one records, avotre, diynamic, tsuba and defines his music as french underground techno/house now with perception he expresses his passion for originally sound of detroit creating a track that blends a typical & powerful raw groove of the capital of the techno with a melancholic chord melody that reminds us of the most current electronic music mood

after exploring over 6 hours worth of unreleased original material from the relentlessly prolific and ever expanding production catalog of will azada, cgi is extremely proud to present these 3 stand-out cuts that represent a depth of production skill and aesthetic range unparalleled in today’s over-saturated dance music landscape. confronting the clichés head-on, azada breathes new life into tried-and-true templates of jacking, industrial funk and synth-y groovers with his remarkable ear for arrangement and sense of movement, masterfully exploiting the infinitely renewable resource of subtle variations that he continuously unfolds throughout the tracks’ durations. the material runs the gamut from the stark, throbbing, industrial workout “the whip” to the melody-driven, synth-fueled ecstasy of “michalski’s theme” and the chord-driven, vocal-chopped house of “cliché.” the fact that an ep this unique and diverse can also feel so unified is a testament to the vision on display here.

antoni maiovvis career began with a quite frankly amazing lie. in reality maiovvi is not an original italo producer from the 1980s come back to reclaim his crown, but a project started at the end of 2006 by composer anton maiof to explore a world made of synth pop, hi-nrg and horror soundtracks. the cry of >lets dance! lets kill!< somehow struck a chord among the followers of the new cosmic disco movement and has lead to a prolific discography. he is producer, dj, film composer and co-owner of giallo disco records. musically, maiovvi takes as many cues from john carpenter and goblin as he does from italian electro and san francisco hi-nrg right through experimental electronics and krautrock. in short antoni maiovvi makes epic horror disco. he follows his releases on deathwaltz, jam traxx and his own co-run giallo disco records with a journey into the furthest reaches of deep space with >monoceroticism< on flight recorder. four tracks inflected with slowmo detroit jams, new beat trash, spooktactual ebm and hyperborean prog

animal 004 introduces the alchemyst project by the two argentinian techno artist julixo and frederik who show us two creations of metallic dub techno and raw beat structures. on the b side code is law mastermind moerbeck puts some spooky atmosphere to the title track and monomood turns lucy into a chord driven funk monster.

ponta do sol is a homage to one of the greatest places known to man. madeira island. it also expresses perfectly the actual indian summer we enjoy in berlin.past summer euphoria meets the arising melancholy of fall-winter. lets dance! is inspired by a break from a unknown english indie band from the 80 s. the origins of the mix reach out to the style of vsq releases back in the days on combination records. uplifting bouncing house beats and chord progressions meet funky basslines.lets hustle! contains squeaky harmonics and chords that will drive you mad just until you will be relieved by a driving acid 303 underlined by a monster sub bass pattern. lets rock!

heavy phunky disco house and superb spheric detroitish tracks.

und es geht weiter - nach dem geglueckten labelstart von ritter butzke studio sind wir nun bereit für die naechste runde. das zweite release kommt ebenfalls von einem resident des hauses, naemlich patryk molinari, dessen >addicted to the vibe ep< schon ueber ihren namen deutlich macht wohin die musikalische reise gehen wird. die a-seite >addicted< ist ein 80s angehauchter track ohne dabei wie ein abklatsch aus alten zeiten zu wirken. getragen wird der song durch ein massives bass-fundament wozu sich dann im spaeteren verlauf noch wohlige pads und eingaengige weibliche vocals gesellen, welche den tracktitel besingen - >im so addicted!< die b-seite bietet dann mit >neon vibe< einen schoenen kontrast dazu. hier hat patryk wesentlich fokussierter auf den groove gearbeitet ohne dabei in die belanglosigkeit abzudriften. fuer die noetige spannung sorgen die tiefen maennliche vocoder-vocals, gutdurchdachte chord-rhythmen und natuerlich das punktgenaue drumming, welches sofort zum mitgrooven animiert. zu diesem track haben dann noch kotelett & zadak einen remix beigesteuert, der sich natürlich am original orientiert, ihm aber zugleich einen ganz anderen charakter verleiht. die beiden haben das thema deutlich percussiver aufgegriffen und den groove dann zusaetzlich mit einer sehr praegnanten bassline untermalt. das abwechslungsreiche arrangement und diverse effektspielereinen sorgen dafuer, dass mit sicherheit keine langeweile beim hoerer aufkommen wird. alles in allem ein sehr rundes release, wie wir finden, und daher hoffen wir dass es auch bei euch wieder auf anklang stoßen wird!

(rolando remix) timeless music with capital t. no repress! ltd amount of handnumbered copies!early support from surgeon, luke slater and more

baby ford and zip need little introduction and debut on trelik as > bfz< featuring co-conspiritor thomas melchior. the trio originally appeared on the 1999 >perlondon< 12 inch for perlon with ford and zip re-uniting for the >glidin along the riverbed< release then 2010s >clean hands< on pal sl. thomas melchior recently appearing on his own aspect music kicks off the 12 inch with a floor friendly up-beat 9 minute >melchior productions ltd< edit remix of >uff<. an >uffapella< closes the a-side featuring abstract sound design and textured vocals. side-bs >so they say< creates a feeling of space and unhurried rhythmatics whilst the title track >uff< combines deep instrumentals, chord and haunting vox with subtle bass and modulating kick. recorded in london and berlin. mastered at d & m

the unknown dj harlow debuts on delroy edwards l.a. club resource. raw & fast-paced club compositions ... kind of brutal!

new kanada presents three cuts from grazes forthcoming album, *edges*, pressed on 180g vinyl. *skip/crush* leads the 12 inch and is a mood-changing, chord-heavy broken house track. pounding toms, razor fine melodies and strutting with a heavy swing. *ripley* goes deeper and more hypnotic, with a low slung bassline, vocal manipulations and and a rugged dusty groove. *airror* closes the release on a bittersweet note, wounded ecstatic synths collide with epic drum programming for an alternative take on peak-time. european manufacturing.

returning to the fray for the second instalment in its deep house venture, the people are looking at you imprint sees a confident expansion on the sultry tones laid out on the first slab of wax, featuring a sturdy pair of cuts from london production duo jonno & tommo. taking charge with the a side, >a month of rain< is a multi-faceted mover loaded with suspense and surprise. in its opening strains the sharp beat ticks out across a sparse, dub-informed soundscape that slowly fills out via a captivating chord refrain, haunting and seductive in equal measure. without giving too much away ahead of experiencing the track for yourself, be prepared for a dazzling break in the clouds that lifts the summit of the track into an entirely different headspace...

dj stingray drops one of his most intense electro bangers to date, >assassin< no holds barred minimal, industrial-tinted and ghetto-ready electro for the dance floor! on the flip vin sols san fran >homo-house< anthem >edges of a vortex< gets a vinyl pressing after setting the underground on fire, having since been picked up by defected records and reworks of sade and soowavey 12s selling out in minutes.. dont sleep on dis shit!

warm and crispy as always, the third monday night - mixed, structured and recorded live on tape. the whole ep is a cutting-edge merger between old school and modern, carefully crafted sounds, to forge an outstanding collection of deep house tracks with a timeless fashion.the opening track on side a serves a gentle two-chord loop, locked with a groove beat progression, whilst track two builds up a dense swarm of rapid drums, with synthetic bursts twirling on an energetic bassline. on the b side, a bare, rampant one note bass leads a haunting, gloomy first track, whose main theme is surrounded by recurring confused, scatterbrained vocal samples, while the second one is characterized by the simplicity of an upright, stabbing rhythm directing an emotive one note chord. the ending track develops around a big, serious bassline, pleasantly contrasting with a succession of dreamy, floating melodies and noises

pomelos newest outing is delivered by the nyc based producer extraordinaire brendon moeller, a real master in the field of techno and dub, also well known for his productions under the monikers beat pharmacy and echologist.despite his 10 albums and over 50 singles released for some of the best labels out there, it is three of brendon’s strongest tracks to date that have made it on his reconcile ep. the ep’s title track promises a subtle fusion of house and techno through a loosly swinging techno groove, and duly delivers with echoing chord cascades and spluttering sound effects. machiavellian impulse picks up the intensity with a more direct, pounding beat, to which stuttering, spacious stabs add an element of deepness and dub. loudness sustain decay finally has a whole side to itself, starting out as a lofty house mover, with a pulsing wild pitch synths slowly adding tension until the track’s wild finale.

alex agore can be described as one of the bastions of the true house music, gaining notoriety for his no nonsense house productions. his unique deep sound has a resounding feel of classic 1990s with a refreshing melodic vibe.

this is the first release of mexican/canadian label departures records done by up-and-coming artist mike khayata. the ep features 2 original tracks and 2 remixes, shivers is a deep, slow but very dynamic track that reflects the artists thoughts on the immediacy of things these days. its chord progression drives the track and captures your attention from the moment it starts and makes for a very introspective listening experience not necessarily designed for the dance floors

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq’s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

hinter dem projekt washerman steckt der schweizer gianni siravo, der seit 1998 unter dem namen sequel eine ganze reihe von platten auf labels wie sonar kollektiv oder straight ahead veröffentlicht hat. später nannte er sich azuni, es folgten erfolgreiche maxis auf drumpoet community, morris audio, quintessentials oder sthlm. das projekt washerman steht für pumpende tracks zwischen klassischem house und techno in der tradition von detroits, aufgenommen mit einer roland 909 und einem juno 60-synthesizer. es ist musik für die tanzfläche. zu 100%. neben den 8 tracks der lp liegt dem album auch noch eine cd bei, die drei bonus-tracks enthält. all killers, no fillers. in diesem falle wirklich wahr

our fourth release comes from ogris debris, part of the affine family (home of dorian concept and cid rim) and an internationally acclaimed producer duo from vienna. combining cutting-edge digital production with finest ingredients of techno and house, ogris debris create a unique brand of dance music that is widely acknowledged as innovative by the global scene.
for this release, ogris debris deliver a uk-bass influenced, chord-driven primetime house stomper, somewhat different to their previous releases. on the b-side, hyperdubs grime and funky don scratcha dva eases the rhythm with his rolling bassline sound for a weighty dj tool track, while the clonious diverts the energy with his soulfull keyboard skills and swinging drums into an infectious late-summer future funk affair.

jacking drum machine driven cuts. a return to form for aos, and certainly not an fxhe release you want to be missing.

west midlands pair ultra knites touch down with the debut release on their own eponymously titled label. got to release has already been described as a future classic with its distinctive warm pads, vintage bassline and vocal hook while ny sleazd is the choice track for peak time dancefloor destruction. the b side takes things deeper underground providing variety with two more chord driven cuts, flanged synth stabs and harmonised basslines. all delivered on heavyweight 180g vinyl

the third gotwax! ep contains two fantastic detroit synth- & drum-groove tracks made with true love and real attitude. both tracks come from our new artist >florent/m<. >chemtrails< on the a-side instantly takes you up into the clouds, with a beautiful synth chord sequence that twists and glides over unique and energetic drum programming. the elements weave around each other over time and space, painting the sky with a question for the listener and the dancer. on the flipside, >message for the ground crew< sets the tone with a percussive conversation of high mid and bass notes, alive and full of curiousity. surreal chords arrive to the scene and pan across the horizon, anchored by an addictive rhythm that keeps evolving. a foreign language from another dimension, a sign of life. do you read us? mastering and vinyl-cut done by andreas >loop_o< lubich of calyx mastering.

martin ikin aka soul purpose is no stranger to success, his amazing trademark quirky house beats have made their way to imprints as big as defected or nervous, topping the charts many times.

following on from big releases by the likes of cherie lee, the storming danse club records are back with another big house classic that comes complete with on point remixes from dutch tech house hero lauhaus, label bosses brodanse plus bass culture alumni john jastszebski whos version will be vinyl only. kalishas original is a classic house beat released on n sync inc back in 1992, but it still sounds hugely on point. with garage inflected beats, grainy, catchy percussion and pristine chord stabs it is an ebullient jam that brims with personality. the recognisable vocal samples help take it to the next level and mean it cannot fail to fill dancefloors everywhere. updating the track for modern listeners are the three remixes.