delphi aka one half of tiger & woods

half of tiger & woods on a brillant release for skylax records

the 3rd longplayer from antwood on planet mu.

remixes fro phonk d & delphi (one half of tiger & woods)

already doing the rounds and the damage for a while, unleashed tapes vol. 1 is finally officially available. a special treat from the tiger’s lair with a different and darker twist, that seeks out the darker and more dodgy discotheques on the side streets and in the backyards, where the trough has no flush and the mirror balls have never been cleaned. automatic rhythms and electronic dancing sound made years after the future. make up your own mind!

already support by sam barker, dubfire, henry greenleaf and more

no. 9 of funnovojere records release comes as a collaboration by banana moon, label founder massimiliano pagliara and luigi di venere. delphinium blue is an ep filled with luxurious vocals, funky bassed and joyous rythms confirming the duos unconditional passion for the italo groove.

after the success of the first release, max duke gives us another great deep ep on delphine records. full of moody and jazzy vibes.

fresh repress ... max duke aus frankreich startet delphine records mit dieser wundervollen 4-track ep. hier ist der labelname definitv programm, denn die tracks tauchen ebenso tief in das house-meer hinab wie sie lebendig & freundlich sind. swingende shuffle-beats, ein hauch von jazz und perfekt eingesetzte vocals und instrumente erzeugen eine entspannte quirligkeit, die einfach nur lust auf frühling und noch mehr delphine-releases macht.

ltd one sided kyle hall remix

killer garage and uk funky-ish re-rubs of indie-dance act delphic from numbers deadboy and julio bashmore.

doc daneeka gives us two uk funky versions of the band of the moment, delphic, on the label that brought us l-vis 1990.
limited to 300 copies on electric blue vinyl.
support from martyn, kode9, l-vis 1990, seb chew, sinden and more.

delphic return this summer with their new single ‘this momentary’on kitsune, with remixes from parallels, golden bug and radioproof.released on the perma-chic french indie label kitsune,whose ability to spot tomorrow’s stars remains as strong asever, delphic’s ‘this momentary’ is a subtly blissed outblast of euphoria that takes in both the crisp drive of minimaltechno and the epic scope of bands like muse or radioheadto create something entirely their own and entirely new andbeguiling.>the guitar is dead, long live the guitar<, proclaim themanchester trio, fresh from supporting orbital and currentlybusy working on their new album, blurring the boundariesbetween indie and electronics until preconceived notions ofgenre have lost all meaning.their debut single ‘counterpoint’ pointed the way forward toa shining future straddling the hedonistic worlds ofglastonbury and berlin, while this summer has been spentcombining festival dates with working with producer ewanpearson in crafting a future classic steeped in bothintrospection and hedonism.the first results are ‘this momentary’, a restrained lyric gentlybuilding over sharply driving techno beats until it becomes aeuphoric future stadium anthem.

delphic are the real deal, the missing link between the chemical brothers and new order, between underworld and muse. sounds like a classic rave anthem

reissue of the 2011 album by sun araw aka cameron stallones.

limited edition pink clear wave coloured vinyl.

classic black vinyl edition.

nobu welcomes japanese sound artist doltz to his bitta imprint for a full pack of hypnotic techno

bolina records, born in italy and based in stockholm, is the brainchild of the cerrado studio crew, a dynamic team of artists and djs who have been organizing events and innovative initiatives since 2008.

searchlight moonbeam is the new narrative compilation from time is away (jack rollo and elaine tierney)

hedonistic highlights from the lowlands 1990 - 1999

back with our 5th vinyl installment and 4 amazing artists to introduce.

international feel welcomes ilija rudman

fiesta soundsystem arrives on the burgeoning yuku imprint with a fiercely experimental and timeless album - sinking - which simultaneously draws on the nostalgic complexity of idm and breakcore while leaning heavily into the future on the artist’s own unique terms.

7k! presents the third longplayer from niklas paschburg.

the punk anarchists any act return to tram planet with a 5-track slaughter, viebe po bratski.

secret society welcomes the french duo yamen & eda.

celebrating the 90th birthday of legendary french composer, musician and conductor with a collection of modern takes on his most famous songs.

big 5th anniversary compilation from the funclab family! featuring funkycan (ava, tax free), delphi from tiger & woods, uffe and more.

part 4

fresh melodies and a bass line that drives the mood from beginning to end.

a double vinyl collection of great songs from french female artists.

tunes between techno, minimal, house

atmospheric music with complicated sound design and hard hitting grooves.

austin wintory’s soundtrack for flavourworks innovative and interactive live-action thriller “erica”. pressing on 180 gram double vinyl, cut at 45rpm.

carlton doom has existed only in the shadows of a 27 year old’s delphian consciousness, until now. necrodancer ep emerges as deep sea frequency’s fourth and most audacious offering, a four track package of mutated breaks and scuzzy electro due 5th october 2018. charged forward by a riotous bass line, the title track brings together crystalline high end amidst dizzying drums. ‘pipepipepipe’ is a maximal dose of big room energy followed by ‘bad batch’, a messed up trip of broken beats and swollen bass. closing off the ep, choppy breaks take the lead on ‘rot’.

the prolific team from nantes is delivering its first label effort, bringing to light two complementary visions of dance music that matter equally in abstrack’s musical background. two ravy and breaky cuts by dj solange on the a side, flirting with minimalism while being obviously fit for the club floor. the balek band brings its instrumental and deviant grooves to the b side. serious slow dance madness!

limited classic re-press! all time favourite aphex twin album with nice and accessible experimental techno, originally released in 1992. (amblp3922)

the safe trip organisation has been broadcasting their musical version of a traditional numbers station on the frequency 5079. human intelligence suggests the agent behind four regular, ear-pleasing transmissions is the safe trip associate artis. using a specially modified one-time pad, we were able to decipher these undercover operatives. the ethereal, dreamy, arpeggio-driven throb of panthera pardus, with its poignant tone and undulating lead lines, was clearly meant as a warning.. the same could be said of -cetacea-, where melancholic synthesizer sounds and meandering electronics gently wind their way around hybrid electronic/acoustic percussion. panic set in once we deciphered giganthopithecus, a composition littered with frequent increases in percussive intensity and a mind-altering melodic refrain. our hunch that artis was ordering immediate action by agents was confirmed by delphinae, whose colourful melodic fluidity, futurist new age construction and layered wooden drum hits deeply affected our researchers. we ordered our own agents to raid the station, but artis had long since scuttled off into the hazy morning sunshine.

precision dubsteppin drum & bass collides with tweaked idm-techno and zero-gravity ambient.

y.o.u. is an emotive album of tripped out ambient hip hop instrumentals by from, written and recorded in the mid 90s under trevor jacksons infamous production persona the underdog.

redstone press is a new label from the highlands of scotland born out of long nights on homegrown soundsystems pushing the uk scene, with a unique northern edge that comes from the freedom and isolation felt in that part of the world. red001 compromises of three eclectic bass-driven cuts from delphic producer pseudopolis. the a side pulls no punches, pointing you front left with arpeggiated synths on at last and artillery like percussion on tracer. we can all groove is a grittier but more subtle workout on the reverse.

since they first appeared on the manchester scene around two years ago, the suzuki method have accomplished the rather unlikely feat of marrying the polar worlds of hard rock and eighties hard dance. like manchester peers the whip and delphic, they are a pop band who bring a wonderfully futurist imperative to the manc music table.