limited pressing on red & black splatter vinyl, cut at 45rpm.

distinctive tenor singer linval thompson honed his singing craft in his formative years, growing in the west kingston ghetto of three mile, where he was associated with dennis brown, johnnie clarke and al campbell. a subsequent move to new york brought him into expatriate act hugh hendricks and the buccaneers, with his debut recording, �no other woman,� being made circa early 1974 at patrick alley�s art craft studio. a series of other singles followed from his new york sojourn, but the return to jamaica in 1974 led to more noteworthy singles for stamma hobson, phil pratt and lee �scratch� perry, with �jah jah redder than red� and �girl you�ve got to run,� both cut at the black ark for pratt, being the most successful. yet, it was all but a prelude to the breakthrough success he would finally achieve upon teaming up with bunny lee for �don�t cut off your dreadlocks,� one of the most popular releases of 1975, a debut album of the same name, issued by third world in 1976, contained some of his most outstanding material, including the devotional �jah jah the conqueror� and �long long dreadlocks,� the romance thriller �black princess lady� and the anti-rude boy opus, �cool down your temper.�

� run out run delivers yet another transatlantic link-up !
� one half of hermans, jerry riggs brings a healthy four tracker with two mike davis (brenda, berlin) collaborations
� hand stamped manila jacket

die single pr?sentiert zwei neue monster-tracks der ex-soledad brothers, die sich auf keinem album des trios finden. frei nach dem motto: die stooges treffen auf howlin wolf! auf der a-seite ziehen die amis den hut vor ihren blueshelden, auf seite b covern sie >road runner<, den live-favoriten von bo diddley. absoluter killershit vom label stag-o-lee!

la roux in for the kill gets the cut & run treatment as does dudley moore and co on the flip!

tu cafe is a massive roller with cool ragga/hip hop vocals in a fine remix by defkline red polo & jfb!!

cult hero manu chau is the latest to get the cut & run treatment ! already a breakbeat anthem with support from all the scen�s leading players. on the flip, a smattering of portishead help smash up the d&b proceedings

>the streets< getting beaten & booted

reissue

hard case box, lift off lid, each vinyl comes in it s own printed artwork sleeve.

label head honchos angioma and blanka are back on room trax�s newest vinyl release, providing two original pulsing cuts. and for the occasion, the imprint�s runners are accompanied by two high-caliber remixers: none other than matrixxman and adriana lopez.

limited clear orange vinyl plus download code.

b-stock! cover with bent corner. vinyl unaffected / & mint.. red & black splatter vinyl, cut at 45rpm.

part one: funk & soul vocal mover, part two: funky instrumental with drum break

five mesmerizing cuts of broken house beats from adam bfd on blue & white marbled vinyl. repress available!

remixed from the original master tapes, cut at 45rpm and pressed on 180 gram double vinyl. housed in a gatefold sleeve with 16-page booklet included.

rune nergaard (bass), olaf olsen (drums) and erik kimestad pedersen (trumpet) team up with emil nikolaisen to push the limits of sonic exploration. limited pressing on translucent purple vinyl, cut at 45rpm, download code included.

10x platin debut album ! lacquers cut !

n8noface was the vocalist for underground synth-punk legends crimekillz. he is the younger brother of tucson-bred modern boogie rocket man zackey force funk, both now residing in long beach, ca.in 2017, hit+run released n8�s visceral debut album stories of those, as well as demos and demons vol. 1, a ten-track collection of home demos recorded between 2015-2016. on dia de los muertos 2017, noface also unleashed the first single from his forthcoming new album true story, the haunting double a-side lathe cut �idgaf / say goodbye.�
true story, the 14-track lp due this august, reads like a collection of compelling mini-narratives, brief yet honest tales of personal struggles, anti-establishment rants, dead end loves, and real-life tragedies. n8�s minimal wave sound is not about nostalgic lo-fi nor home-recorder formulas, but his own instinctive style that defies categorization and comparisons. the result is a distinct sound of rapid-fire hardcore punk moshing with awkward pop music. standout tracks on the dense 18-minute album include �not like you�, �bad day�, �men who dress well� and �glasgow smile�.

another very special ep on al zanders a to z label teaming up this time with vocalist sheyi, for a one-off foray into broken beat territory. the story of its inspiration begins with a trip to notting hill record & tape exchange... after asking for some broken beat, the assistant ventured a withering opinion that -won t be monotonous enough, try the house music section instead- turns out it was phil asher of co-op fame - who, after establishing a genuine desire for said genre - sold al a bunch of west london music which became the influence for this ep. allowing sheyi to shine over a bare bones, syncopated rhythm track on the title cut and an equally stripped down satisfy al amps up the groove, with the g.i.t dub, which was made for ig culture s radio show. limited run on these - don t snooze !

4th tilly jam with four deep disco / house slammer
folks, here is tilly jam number four, served by till von sein with a striking can�t stop, won�t stop attitude. as if the first three fourtrackers were just heating things up, he�s firing out another ensemble of four to bring serious exercise to the floor. �say say say�, the opening title track of this ep checks many trademarks its originator is known and praised for. an explicitly soulful affair, even flexing some g-funk muscles here and there. crackling vinyl noise in the background, warm and thick bass footing, a bassline doing the filterhouse-routine and a sample heavy arrangement that even gets a boost-up after half of its running time. then there is �shadrach�. go do some exegesis if interested where that name stems from. we can assure you, this jazz-infused build-up including nervous hi-hat patterns, a boldly bass groove, a frenzy drum-solo, inciting chants and a horn section scaling things up, stems directly from peaktime heaven. and on b1, �impala� is taking up the thread of this rather outgoing vibe, tvs is going for with this set of tunes. find an energetic beat providing the ground work for filtered adlibs that kinda nail what comes to mind when this track gets mixed in. �whoo-hoo-hoo� � that�s right. just add some subtle percussive lining and let a saxophone take over and you�ll have another trigger for floor-ecstasy at hand. cooling things off a little bit it�s �baden powell dr� as closing cut. tilly is winding up the melancholy-meter on this one, reversing elements and by adding pianochords and synth-pads, infusing an overall mood of wind-whistling summertime-sadness

a selection of tried and tested cuts from king tubby�s hometown h-fi sound system.

the no ones ist ein norwegisch-amerikanisches quartett, bestehend u.a. aus mitgliedern von i was a king (frode stromstad), the minus 5 (scott mccaughey) und r.e.m. (peter buck). auf ihrer ersten 4-track-ep huldigen sie den vokalen harmonien und sonnig-psychedelischen sounds der 60er jahre, sowie inhaltlichen themen aus umwelt und geschichte. als gastmusiker sind steve wynn und patterson hood (drive-by truckers) mit an board.

berlin based producer synthek is a renowned name within contemporary techno. besides succesfully running his label natch records, he has been also a resident at the infamous tresor.
for the seventeenth installment in the string of attic music releases, synthek (luca landolfi) comes up with a staggering ep that contains a lot of adventurous drum patterns, bold arrangements and swells of daring fx.
on the a side we find �loser�, which is a brave cut of spherical yet moody techno that uses a buldging percussion line and otherwordly fx to create an ominous vibe. �uneven mind� is an exotic cut with tough drum sounds that uses a hypnotic synth swell that cuts throughout to create an alarming atmosphere. french producer and concrete resident antigone comes up with an uplifting (eight minutes long) remix for �uneven mind� on the b side which is beautifully orchastrated throughout. �faithless� is a percussive cut with intense fx blips.

the now long running and still essential rzone series hits release number 18 with four more busy and bristling cuts of club focussed weaponry.

after zine s m--e ep started the climb to the peak of the mind everest the crew s journey continues with this versatile four track ep by fairly unknown but up-and-coming producer lowshore. his debut record provides a fine selection of superb crafted house with a not to deny touch of funk and jazz influence featuring a tooled bassline cut, a drum infected sampler session surrounded by an emotive peaktime jam and an ambient run out on the flipside. each release comes in a black screenprinted sleeve with an embossed photographic fine art print.

danilo braca (danyb) arrived in brooklyn from his native rome in 2011 playing around town, running sound at the output events & slowly allowing these edits - informed by many years working the floors across europe - to evolve on and off the dancefloors of new york city busted vol. 1 kicks off with something very special - a lovingly reworked, top secret, late 70 s jam favoured recently by none other than dj demi-god harvey anyone who s heard him play in the last couple of years will be familiar with the original version of this truly magical 13 minute slo-mo disco jam - it s a genuine holy grail moment ! having established that quality is of the upmost importance, busted continues with a beautiful duo of amended cuts on the flip. the uptempo, playful play me hard works the groove, hard ! while have a cake is a gloriously sleazy mid-tempo workout one hell of a 12- ladies & gentlemen !

danilo braca (danyb) arrived in brooklyn from his native rome in 2011 playing around town, running sound at the output events & slowly allowing these edits - informed by many years working the floors across europe - to evolve on and off the dancefloors of new york city busted vol. 2 continues the journey with a fine foot-stompin slap bass jam, followed by a foot-workin & vibe heavy jazz funker. the b side gives us some top drawer psychedelic soul and another awesome cosmic cut that wraps up a package of the finest obscure floor-shakers around one hell of a 12- ladies & gentlemen !

techno duo slam present a brand new artist album �machine cut noise�. with the double vinyl album, machine cut noise, stuart mcmillan & orde meikle delve into the everyday workings of what makes us human, with life, so to speak, running at the very heart of album. much of their time is spent on the road, therefore, many of the original ideas for the album were created in airports, hotels and where ever the two found themselves inspired around the world. this created a vibe that each track was born of the modern machine itself.

a slice of international oddball rap from la baleine 3000, a group composed of belgian producer lawrence le doux, french dj afrojaws, and japanese mc illreme. the ep features seven cuts of soft, dreamy beats, vinyl fuzz, and delicate verses that speak to hip-hop�s universal appeal and ability to transcend boundaries. as illreme puts it on the nap , �the story is always over on the way. when does this story end?�
sleeve created on an analog typewriter in the vlek workshop by dimitri runkkari. hand-carved vinyl art by jeff ablezot.

nyc producer/dj follows releases for rush hour, 100% silk, and argot w/ gorgeous, idiosyncratic deep house cuts encorporating live instrumentation and catchy melodies that work equally well on a dancefloor or in headphones.

mark e last delivered on futureboogie back in november 2014, so it�s a welcome return to the label for the birmingham based dj & producer. with his merc imprint running on full steam, and previous releases on revered labels like spectral sound and running back, mark is becoming an ever dependent exponent of the real and raw house music vibe, and no more so than on the basement trax ep. basement trax 1, distorted synths wander over a low-slung beat, the marching hi-hats and filter work are tweaked to perfection. it�s a track of basic elements, but done so well, the arrangement building steadily and bags of warmth and soul deep at the heart of this track. the gnarly bass and classic string sounds of basement trax 2 make an ideal companion piece to the a side. delivered in the finest wild-pitch tradition, the raw sounding production packs a punch as the stomping drums and repetitive keys ramp up the heat for a real blazer of an underground club cut.

part two of a special two part series from michigan�s revered house and techno craftsmen, d marc cantu ! stunning hand stamped and printed jacket featured on part one and two brilliantly cut by simon at the exchange

all good things come to an end, and the very polish cut-outs is no different. the fifth sampler will be the last in the much loved & long running series. for the farewell record, label boss zambon has selected five unique reworks from top producers from poland and beyond.

following on from the release of innershades no stopping ep on creme organization last summer, the dutch label revisits the a side cut nina with two remixers in tow. those remixers are bristols bass pioneer kowton and the inimitable production duo of tuff city kids. unterton and delsin duo gerd janson & phillip lauer aka tuff city kids turn in a bulky, piano laced and acid riddled remix of nina that is a pure party starter. idle hands and hessle audio man kowton reworks nina into something run through with plenty of sirens, raw, crunchy drum loops and rolling percussive lines. its stormy and tumultuous and is full of frosty textures. these are two abrasive tracks designed for maximum impact on the dancefloor.

the very polish cut-outs crew is back with more goodies. after *krystyna* by ptaki, the labels most successful release so far, zambon & kapsa bring you another sampler, filled with great grooves from polands rich musical past. the most recent tvpc offering is curated by two norwegian heroes and one lesser-known, but equally talented pole.

pressed on 180gr vinyl... phonica records inaugurate a new series of releases that will fall under the special editions banner. a series that will feature collaborations, one-off releases and anything that doesnt fit into the main labels outlook. the first release comes from sinkane, a hotly tipped new artist from ny. sinkane is the project of sudanese-born musician ahmed gallab. gallab cut his own teeth as a youngster in the punk diy landscape of middle america, and then found himself touring far and wide as a member of yeasayer, caribou, eleanor friedberger, born ruffians, and of montreal. he has emerged from it all as sinkane, a project that identifies a renaissance within the space and spirit of the outposts of contemporary music. with an aesthetic range seamlessly shifting from soul to rock, and from jazz to pop, sinkanes vibe is timeless and the sound is now. runnin is a song taken from a collection of songs simply titled mars. on this limited edition 12 from londons phonica records, the album version of runnin is re-imagined as an increasingly dense longburn club jam by daphni (dan snaith of caribou fame) and as a more angular headjam by chandeliers of chicago

here we have the next instalment from the cut and run crew. this time they have sampled the classic 8 bit sounds from zelda which merge into a thumping break beat riddem. on the flip be prepared to be slapped in the face with heavy beats and glichy bass. this is a strong 12 so give it a listen!

here we have two slamming mixes from the cut and run crew and again they dont disappoint. two cheeky mixes, one of which is a hyped up mix of martin solveig and dragonettes >hello< and the other a breaks mix of deadmau5s >right this minute<

for this tune hem and terrible shock take apart an 80s soul lp, add some sci-fi synths, lazy drums and a sprinkling of analogue fx. after many painstaking hours of recording the duo take a well earned coffee break, then return to the studio just in time to see the back of the light-footed blunted robots man shortstuff as he runs off chuckling >your vocals are mine now!<. revenge plans are made, vehicles are fuelled up in preparation ? but these activities are cut short by the arrival of an email from the culprit ? it seems that he took the files back to his hq for what he describes as a refix ? with the engines still running, hem and shox check out the file and find it to be a work of genius ? what they hear is an accelerated kaleidoscopic fusion of on-beat claps and snares in a peak-time northern soul style, super heavy subbass hits and hectic syncopated keyboard chops.

cut and run return true to form with another banger! kc & the sunshine bands boogie shoes gets re jigged for 2009 and also an epic version of the horns track!!

following on from lcd soundsystems 45:33, nike continue to commission the great and good from the worlds global music scene to contributeexclusive tracks for their nike run campaign. such was the demand for this track, that the boys decided to concoct some exclusive alternative versions which would be more useful for a spot of dancefloor running. so, here you have it, four killer interpretations of a super hyped cut from one of the uks most celebrated acts

cut & run re-edits of run dmc

breaks 2 tracker - based on well known reggae tracks!! special limited repress!!!

ground cru, kicks off with some tough beats and old skool jungle ragga samples before it all goes very wobbly in a kinda early 90s jungle stylee! on the b side we have a funky breaks rendition of the soul ii soul classic. this is rough, , ltd repress