kamrans first 12inch since his acclaimed lp together we breathe on all inn records. the name kamran sadeghi and the sounds created by him have been present in the ether for quite some time. as son of rose and with the soundwalk collective, kamran has collaborated with patti smith, worked with morton subotnik, created sound design with recordings by jean-luc godard. this 12inch offers two of his productions created for the dancefloor, playful, hypnotic, poetic and introspective

very limited 2015 repress! supported by: tania vulcano, radio slave, matthias tanzmann, martinez, nick curly, johnny d, robert dietz, federico molinari, sis, steve bug, ryan crosson, deetron, ellen allien, ilario alicante, soul clap, kasper, brothers vibeà having established himself as a dj off the back of winning check magazine s dj contest and coming runner up in the red bull dj academy, the time has now come for jaffa surfa to spread the word via his impressive productions.throughly road-tested at his residency at hungary s roxy club , budapest s monthly party debut and in his regular european gigs, his early productions for the likes of bosconi and off have already picked up support from such names as dj sneak, lauhaus, mark farina, josh wink, osunlade and the revenge.today s three track release is possibly his finest work to date and kicks off with the serenely deep, classic beats and vocals of doin hauz . staying deep, u know delivers yet more oldschool sounds. built around a subtle rhodes riff and two stunning vocal samples, this 90 s tinged house cut oozes with sunshine vibes. final track drop it on is a more stripped workout. kick drum, snare and delicate keys are matched with a super spoken-word vocal

yell is an innovative label delivering a unique underground music experience. musically designed by zepherin saint yell intends to delve into hypnotic grooves mixed with enchanting layers of sound.

opening up with the deep space atmospherics of quiet life the album immediately transports you to another world. the title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. tracks like we search for answers combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. across the course of the album there are dark, moody and emotive pieces like worship (previously released in extended form on the mdl02 single) featuring qzen who reads a poem by patience agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like shadow theory. make it true (of which seth troxler will be releasing an extended edit on his play it say it label, complete with high profile remixes) is another great collab featuring the vocals of jojo de freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. the otherworldly, snaking feel free again showcases berkson & what s ability to coax alluring emotions out of their machines and closer logan five wraps things up in suitably spangled, textural fashion. despite the fact much of this album will work on a dancefloor in the hands of the right dj, there s an invention and musicality to it that renders the whole thing hugely listenable away from the club. a testament to berkson & what s analogue invention and fluid ideas, keep up appearances really is a master electronic oeuvre.

limited warehouse find... played by karotte, nick curly, sebo k, sascha dive, loco dice.... carlos soza aka dj sneak made a kindof comeback last year restarting his magnetic label with us and we promise - loud and clearly: zmag 23 will do its magic and the damage done to make him stay on the up. easy and cool , demanding and bright with a1 track >doing the dew< being the kind of uberbomb of the ep. centuring around the familiar >doo da doo< being as much very swingy jackin house as it could and as much jack in the box as it must. side b is equally as powerful with >the game< & >the science<, 2 tracks that explode with massive jackin beats and unrelentless grooves. these tracks will keep you bouncing until you drop of exhaustion. sneak is back and no, sneak wont let down!

pukemaster gehm kicks four uncompromising and banging acid tracks where you can feel his pure love for his partner in crime, the 303. stomping basslines, twirling and chirping 303 sounds, jerking hihats and hypnotic claps all over here. pukemaster gehm know what the crowd wants.... dancing, sweating, screaming. comes on juicy pink vinyl.

the common thread of the three songs contained in it is definitely the rhythm, on which glide sounds and tangles of micro melodies. the title track also is reinterpreted in the remix of rush arp & maurice giovannini, continuing on the same path marked minimalist hypnotism, a defined time microhouse.

robot kochs debüt auf monkeytown trägt die intensiven und emotionalen sounds von einem der talentiertesten deutschen produzenten in die affenstadt. er und einige seiner freunde vereinen ihre kräfte für eine ep, die kochs bisher ungehörte dancefloortauglichkeit hervorhebt. höchstwahrscheinlich beeinflusst durch seinen umzug nach los angeles, klingt jeder sound auf der platte wie unter kalifornischer sonne gereift. kein wunder, dass robot koch den deutschen musikautorenpreis 2014 als bester komponist elektro erhielt. auf der ep gefeatured sind curtain blue, born in flamez, may, schwarzmodul und blue, die zusammen mit robot koch eine platte gemacht haben, die gleichzeitig sexy, berührend und unglaublich sauber ist. jetzt schon ein anwärter für den favoriten 2015!

schon mal was vom gefährlichen denguefieber gehört? mindestens genauso ansteckend ist der treibende cumbia-future-sound des duos dengue dengue dengue! aus der peruanischen millionenmetropole lima. mit wobbeligen dubstep-bässen, futuristischen techno-klängen und psychedelischen sounds, inspiriert aus der 70er jahre cumbia-chicha, heben dengue dengue dengue! den cumbia-digital sound auf ein neues level. *la alianza profana*, das aufregende albumdebüt der beiden peruaner felipe salmon und rafael pereira, erscheint nun als limitierte vinylversion. die für die community freigegebenen albumtracks *don marcial*, *simiolo* und *don marcial* werden bereits von der globalen bass-szene zwischen lima, los angeles, london und berlin abgefeiert!

this compilation is in celebration of our berlin party cocktail damore, which we started with boris five years ago along with visual direction by pindar (goldnsour). what began as a gay monthly, focused on bringing quality music into the alternative culture of berlin, has grown to be host to a diverse range of open minded freaks, queers and more seeking a carefree atmosphere. the music we have compiled is a reflection of the variety of sounds our guests expect from the unique cocktail experience. the 3x12 inch vinyl comes in discodromo triple gatefold sleeve including poster and donwload code to redeem audio hi-res files.

following the success of its first release by the ever elusive jason grove, the vinyl-only sub-label skylax extra series returns with a little something beyond special. for those house-heads in the know, the man needs no introduction, but for those uninitiated, sit back and prepare for this double 12” selection to further your education in house music.joey kay hails from chicago in the us and has influenced a great many producers in the last two decades with his signature take on the deep house sound. he keeps things simple in the best possible sense of the word, stripping back tracks to their bare essentials in order to maintain what the spirit of house music is all about: the groove, the soul and the feeling of being carefree, even if only experienced for a few minutes at a time. there are no superfluous or ancillary sounds in joey’s music and this is all the more evident when taking a step back and listening to his spectrum of output in this collection, which spans more than twenty years of his career.

skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears ! what a special one we have here on skylax classic! damien zala, the man who put out the superb album ‘lonely happiness’ on rowtag records in late 2012, who gets heavy support from the great theo parrish, dishes up six special tracks for our next release. before diving in, it is well worth noting that a selection of damiens album tracks had remixes by the likes of house icons such as dj jus-ed, rick wade and boo williams! if those names register even the slightest blip on your radar, which they should, then this record might be the treasure youve been searching for. damiens sampling technique has a certain air of grandeur to it. shake vibration makes this apparent right from the start with intricate layers of vocals, guitar licks and keys. all my respect and come around both follow suit whilst dizzie picks up the b side with a bit more energy and frenzy compared to what has come before it. the record rounds out with two tracks taking things a bit deeper. stay where you are drives forward with filtered pad chords that accompany jazzy sax and vocal cuts while conversely, z to the jz brings in a moodier vibe with its jazz samples and smoky drums. do not miss the chance to get such a gem of a record from damien zala!, c l a s s i c ! a must to have in every djs collection. essential item no digital

our second 12inch will be featured by the gua camole duo with a brilliant remix by ana. some deep hypnotic sounds waiting to get pressed on black wax! and again with our selfprinted covers.

the cops are back on out-­&#8208,er and they came with their typical and unmistakable raw sound. it consists in 4 swinging crispy house tracks, deep atmospheres meet techno into a journey that will bring you straight into the anlogue cops’ dimension. on the flip, 2 collaboration with great injuries and stanley a take place to complete this totally analogue project. what makes this release so concrete and at the same time old school is the tape recording that characterize the whole ep, in it all the sounds are melted and result very consistent.

the second release on exploris comes from the mysteriously named mountainking. a meeting of minds from uk based producers ejeca and citizen, mountainking draws on the pairs love of acid, techno and tribal infused sounds. late night, dark room rhythms

inspired by a journey of a man, who is not afraid to leave everything behind and travel far beyond the stars, vakula sets off for the exploration on new sound magnitudes. written by david lindsay in 1920, a story of a fearless traveler who is exposed to sublime energies and unknown spheres concurs with vakulas perception of reality and his personal voyage to unknown dimensions. claimed to be a soundtrack to a voyage to arcturus, the album is an attempt to expend beyond conventions of the modern house music and dedication to daring ventures.

pablo and shoey return just in time for festival season with 4 new bits for the front of your box. e-man groove is a massive disco-rock jam that could have been sprung from the minds of dem idjut boys, with sympathy for the devil style percussion and wild guitar riffing driving the whole thing. blazing sunshine, meanwhile, is a funky, hammond organ led version of let the sunshine in, a guaranteed hands in the air moment when dropped at the right time. disco treat is more of a modern floor-burner, closer to straight production edit with a bouncing bassline and all manner of whacked out disco sounds in the mix, not to mention breakdowns for days. rounding off the package is some classic funky soul breaks - the lads tear a chunk off bettye lavettes soul tambourine to make play it, break it on down! as sampled on stezos golden era hip hop rocker to the max.

the utopia project, yet another one of many pseudonyms for legendary producer rheji burrell of burrell brothers fame. all 4 of the files contained within this ep bear the classic hallmarks and sounds of the burrell brothers signature style, taut drum programming, deep, melodic synth washes, bass-lines from the darkest recesses of nycs streets and dance-floors and an instantly recognizable atmosphere. like much of the brothers output these tracks are designed to be heard either very, very late at night or in the early hours of the morning and are some of the defining sounds of new yorks underground night-clubs in the formative parts of the 1990s. a true underground house record, over 20+ years old and still sounding as fresh and current as ever, file 1 is now available again for 2015, re-mastered and re-pressed with the permission of and in conjunction with the burrell brothers / nu-groove records, new york city.

opening the release is title track trudge , a hypnotic mood-driven composition with an ever-blooming feel throughout its nine-minute duration. traumer employs dusty percussive sounds and a weighty kick drum to create the bumpy groove, while warbling bass licks, menacing synth hooks and processed vocals are layered up to create an intricate progressive feel. following is underlying which takes a different route, this time going into deeper realms with floaty pad lines, jangling rhythms and rumbling sub tones, while classic dub techno stabs are thrown into the mix to create a gritty and understated composition.

primary colours welcomes one of the dons of dub, owner of echospace detroit, mr stephen hitchell, aka cv313 to the family. cv313 provides us with his decaying detroit dub. a ten minute journey of synthesis and design, a masterpiece of analog machines and synthesisers in harmony and sequence. deep, lost, layered textures and rhythms build to create a once off, totally unique piece of music that will be enjoyed by the most hardcore of listeners for many years to come. primary colours are proud to present their latest release nyctophilia. australian duo, echo inspectors, return with a track inspired by the darkness of a winters night. cut from the same cloth as eosophobia, nyctophilia continues on with a brooding, deep and erie track. hypnotic sounds flow in and out of one another while a deep bobbling bass and sharp percussive rhythms lock you in. timeless.vinyl only, 180 gramm pressing, red vinyl.

boston bun is back for 2015 with just for freaks, which is part 1 of a series of three eps dedicated to unrestrained underground clubbing. just for freaks 1 stays in the chicago house revival that boston bun established these past 2 years. the right balance between deep and ghetto music. a-side pleasure is a track that you can play very late in the darkest clubs. it drives us with unpitched voices and unleashed tr which succeed to a cut-up bass. b-side levitate flirts with lovely strummed music, almost nostalgic, interrupted by an harmonious and bouncy bassline. the lyric *you wanna play house some more?* sounds like the anthem of a neverending party. the vinyl ep includes a download code.

out comes dizzy tunes highly coveted 2nd release -acid revenge-. it s set to be an absolute floor killer, placing emphasis on pumping club sounds. yet again dizzy tunes resident dj krime got himself a well-known chicago celeb - ron maney, also known as dj skull, got involved in this piece of pure energy. the eps genre is most described as chicago, acid, oldschool, ghetto house.

the title track offers up a delicious concoction of rhodes keys and smoky jazz inflections before a brittle synth and snatch of soulful vocal usher in an entrancing chicago groove. utterly moreish, it s a tune to stick on repeat. philpot label founder jackmate s devilishly playful version does exactly what a remix should do: give the original tune s elements a fresh twist while respecting its distinctive spirit. a pounding kick, astonishing in its rippling intensity, underpins off-kilter and pitched-up samples that somehow hold together for an exhilarating ride. -fish paul- marries spacey eno-esque drones to a pounding beat and crackling interference. testament to gaiaschi s years of directing and promoting parties and his dj residencies at milan s dude and tunnel clubs, it s a tune that embodies a fine-tuned understanding of the dancefloor. -the point- rounds things off with bright keys and crisp claps, to build a dreamy, skilfully layered groove.

third child is a new project aimed to mix sounds micro-house and house music ..very influenced by the sounds of artists such as:three angles, zavor, sammy dee, cabanne, and many others. ep of 4 tracks including remixes of sonartek producing for kismet records, sono vivo, baile musik, little helpers, get physical music, hypergroove, sonartek are known for and are distinguished by their obsessive research for analogical sounds towards the creation of deep atmospheres.

- bail and bond rolling synthesizer sounds dominates the clashing kick drums and creates a thrilling powerful atmosphere.
- spaced out is a latent dark techno track with a stomping and kicking beat. flashing hi hats and open surfaces gives the trac

-der raum der glitzert- is the next 12- of vi tva records by fallhead feat. metamard. metamard s voice is known from the track -shekimon - die waschmaschine- (vi tva records). fallhead leaves the room glittering in many colors and sounds. this great relea

alex font repeats in oblack- only like the best and he does it showing the most acidic and clubby version of that the real house that permeates their sound from start to finish. this acid flow is the fifteenth reference of the pastorial label commanded by snna and nacho arauz- from ibiza the valencian alex font presents us with an original passage of festive house, trotter and no-friend of the depressions where the legendary sound of the roland tb-303 is the pacesetter, disguises the soul and adds foundation to the track. and, since it breaks the acidic sound through antonomasia, this acid flow, shows his playful and fun side. this is a bright and optimistic theme, designed and checked to make us dance with a smile on our face, no doubt. a bare-chested tribute to those early 90s when electronics was all about joy and effervescence.

informa experiments volume 2 continues with the same concept as the last, 4 artists submit a bank of sounds and from these sounds each artist composes a track. a simple idea that proves very effective. this time the contributors are claudio prc (prologue), takaaki itoh (wols), ben gibson (chronicle) & deepbass (informa) each version has come out very different but all have a beautifully analogous feel. deep, pulsing hypnotic techno. the release will be available on 12 inch only.

entirely off the safe path, nonconformity and badass sounds are merging for snork #72 to send the ultimate sos for genuine techno. snork enterprises meets remute out in left field with three tracks not only to save our souls, also to save our sound of raw, underground techno. in a distorted space of sound, eclectic morse-codes come floating while persistent base lines keep the machines running. sirens sound and tortured steel is building up a sphere of vibrating noise spreading all over the hull and sustainedly screaming for sos. soaring beats forecast the last burst of strength. a freak wave of forceful sounds is rearing up. scared minds are facing the darkness of endless depth, still longing for the last beam of moonlight. yet, the all-embracing wall of infinity is merciless closing the entire surface. in an ambience of distortion, finally everlasting silence is drawing through the dark deepness devouring every vivid glance. from the distance down below there remains one inward echo - the ultimate sos.

polluted system is a track suitable for the main room, the energy of the kick and the bass leave no respite from start to finish as a joint of metal percussion and synths fit gradually to fill the sound spectrum of this track. becomes human machine in a few minutes, using acid and industrial sounds, conveys the idea of the change that is happening around us: people are becoming more and more machines, and this is the soundtrack of the mutation. unlocked human, while remaining in acid and mechanical territories, thanks to a groove of more organic toms and hi hat still let the human element glimpse, not yet deleted by the machines, all accompanied by a relentless kick which makes it a perfect tool from the dancefloor . no system, which give the title to the ep, ends this sequence with dreamy and futuristic atmospheres, the ruling part is still a simple but instantly recognizable acid bass, over breakbeat-oriented rhythmics.

produced by steve poindexter and coming from the depths of chicagos 1991 underground comes sex chants, a killer 6 track ep of soulful, sleazed out box jams on poindexters tiny chicago bad boys records imprint. an extremely varied ep, sex chants has it all vocal cuts, oddball chi-town jackers, soulful, deep sounds and straight up raw dance-floor cuts, all steeped in that lo-fi, bedroom like quality that weve all come to appreciate. sex chants is a very sought after release and this is the first time the ep has been re-issued and re-mastered. this re-release has been done in conjunction with chicago bad boys and features the original 1991 label artwork. a true underground deep house gem, overlooked and now made available again

a truly essential piece of early detroit techno history here, octave ones original white label octivation ep from 1990 has long been a sought after and coveted slab of wax. this 5 track journey charts the burden brothers mood from sinister, spacey, acidic techno jams (sonic fusion) to deeper, more melancholic mid-tempo cuts (nicolette) and along the way manages to usher in a new wave of detroit techno sounds.

carl craig needs no introduction, he has been at the forefront of the international techno scene for over 20 years and has amassed a truly enviable back catalog of releases utilizing various pseudonyms and collaborating with many different artists during his stellar career. one of the detroit natives most enduring and popular guises has been his paperclip people project which has been active since 1991. country boy goes dub was originally released in 1996 on the seminal paperclip people long-player the secret tapes of dr.eich. its blend of samples, metallic drum machines, 808s, guitar loops and serious dubwise tendencies made it stand out instantly. as with a lot of craigs legendary productions it had that otherworldly swing, an incessant groove and a melding of various styles, sounds and influences informing its spirit.

deep upfront techno and techno with sounds & percussions.. special plastic sleeve / vinyl only

lvrvnl001 - abrete corazon is a release with extracts of andean sounds enclosing part of the culture and wisdom ancestral of ecuador this rare fusion promises surprises you. sponsored by the ministry of culture of ecuador.

nach der überraschenderweise in und um europa hervorragend aufgenommenen pace ep von marvin horsch setzt das kölner kollektiv dorfjungs nun wieder neue akzente im Überfluss der dj-kultur. wir präsentieren voller stolz das debüt des 2014 erstmals aus dem schlafzimmer ins tageslicht tretenden motip white. motip white hat für seine 12- lywer bent vier knarzig-rohe hymnen produziert, in denen prollige house-elemente und sonnen- aufgangs-kitsch aufeinander treffen. wilde sounds und mittelfinger steuern so lange gegen die klassische technowelt, bis eine wunderbare rave-melancholie entsteht. nicht zu knapp greift moe in den pathos-topf, bedient sich an trash-samples und traut sich mutige breaks, in denen alle struktur auseinanderzufallen droht, um dann mit brachialer wucht einzuschlagen. abgerundet wird die ep durch einen warmen, schwebenden remix des osnabrücker ambient-zauberers cass.

a brand new, strictly limited edition 7inch and digital release from fresh up records, ed dmxs label that specialises in authentically old-school but never heard before synth funk, moog disco and library sounds.

nplgnn creates a less pampered style of body music, stripping away the usual signifiers such as melodies and bass lines to create something more utilitarian, brutal and pure. this is the pre-babel language of dance music - it s cadences are rhythmic and its meaning is comprehensible to all on an innate, primal level. even in its creation it revels in the archeology of electronic music, stringing analogue sounds into hypnotic patterns and subtly evolving loops to create a primordial sludge of acid house and techno.

slow town records has really picked up the pace this year, delivering essential 12- singles from riccio and qx-i, amongst others. here, they round of 2014 with an ep of positively edible deep house from fouk man hans peeman. in typical peeman fashion, there s plenty of soul to the liquid beats and rich chords of -prologue-, while -monologue- is an attractive saunter through classic detroit deep house with the restless energy of a chicago production. mr k-s remixes the title track, delivering a heavily percussive version that sounds like a plea to head towards the dancefloor, pronto. a touch darker and altogether heavier, it offers an excellent alternative to peeman s eyes-wide-shut original.

nerolis quest for unique sounds this time leads to shannon harris of urbanicity. his rare previous releases being a favourite here at the neroli headquarter. the chicago artist delivers an spacey electric version of his classic kinetic energy, while on the other side he goes real spiritual with the incredible suite that is into the light. you will be entranced by charles stepneys grand daughter brandice manuels divine voice and then brought back to funk in a way that once again proves shannons originality.

already support by marcel dettmann, marcel fengler, steve rachmad, objekt, deetron, len faki, voiski, sebo k, dj deep, bleak, tripeo, jonas kopp, slam, electric indigo, the exaltics, stephen brown, jeroen search, xhin, dexter, dimi angelis,…

die neue fjaak-maxi ist wie ein bild, in dem die angenehmen sounds oben im stockwerk und die freakshow unten im kellergeschoss stattfinden. der stomper oben enthält ein cut-up des notorischen amen breaks und katapultiert den hörer und tänzer in einen tranceartigen zustand. unten steht für schweiß an der decke und halbnackte körper, die zu den resonanten sounds der kickdrum jacken. dazu noch eine hihat und einige claps - mehr ist nicht nötig. techno in seiner ursprünglichsten bedeutung!

the new ctf is here! with artwork shit and balearic bromance sounds. prinzenengel is alcoholic late 70s electro schnulzensound from the dusted juke box which is fed with d-marks by trannies and queens in a kreuzberg watering hole the other tahanah habahah is for your dancefloor happiness moments. really ill. available on 45rpm vinyl including limited edition artwork poster print.

music that keeps your body busy on the dance floor while it takes your mind to exotic places far away: timboletti creates a tense atmosphere between the stripped-down power of a kickdrum and the intricate network of sounds and melodies. during the titles murrakus and wüstenlauf your inner cinema will show mysterious scenes from an oriental bazaar, at the same time your body will have to deal with a pleasant feeling of restlessness. the frequency spectrum of makrovic is invaded by tripped-out samples, reminiscent of radio transmissions from some odd parallel dimension, resulting in a groove that is deep yet uplifting. barfussbravo sounds just as alien and is just as compelling, as delirious melodies and delay cascades unfold upon tight, driving rhythm sections. mollono.bass delivers a remix that is probably even deeper, a stardust phantasy flying high upon the solid foundation of a standing bass line. in contrast, carlos shifts down a gear and reflects on the multi-dimensional anatomy of barfussbravo during a smooth downbeat version.

as we like eclectic sounds from different genres within electronic music, our upcoming release leads us into more deeper and dubbed out grooves. to this occasion we have invited a new project to our roster, novio dub tribe who delivers some slow and warm sounding grooves to us, or as we call it, an >old school dream< the man behind the project is no other than roger gerressen and friends, who has already convinced many listeners with his works in recent years and we are really proud to welcome him to the label family. the track -boundary dub- is coproduced with ivano tetelepta. we continue our journey to deliver quality, timeless music, as always on vinyl!

vanguard sound follows up on guerilla soul’s self-titled ep with label co-head chris mitchell delivering feng shui flow. feng shui flow is an exploration into deep harmonic textures in the form of three distinct offerings. a1 primordial gravitational waves- as the name suggests, inspired by the possible discovery of gravitational waves believed to be reverberations of the big bang. staccato bass and drums provide the heavy background for a pulsing bass wave, accented by synths and chords conjuring up visions of interplanetary manifestation. b1 eurínome- melancholic and intensely emotive chords and bass layered with intricate drums to paint this impression of the mysterious water goddess. b2 4th density- a synth heavy offering with several layers of bass, string like patches, and a sprinkling of choral sounds driven by a pair of kick drums into a plane of telepathy, harmony and ascension.

tribute to the legendary moog club in barcelona! limited copies

marking a clandestine arrival out of, seemingly, nowhere, black swan emerges from the shadowy billows of smoke to immerse listeners in a lucid, cavernous dream, tracing silhouettes in the darkness with drowning ambience and orchestrated drones that screech and howl intermittently amongst the disorienting magnetic tape disturbances. black swan operates under a guise of far-away sounds traveling through murky waters, drowning the listener in its heavy-handed layers of ghostly resonance.
12 inch vinyl lp only limited to 500 copies worlwide.

the enigma that is black swan has emerged from the shadows to deliver its second work. awash with chilling ambience, found sounds and haunting samples, the quiet divide reins in the phantasmagoria, examining the blurred in-between, the darkness that lies at the divide. creeping ever so slowly out of the confined spaces of its previous work, in 8 movements, black swan moves further into the crevice, mining territory unbefitting to most composers. upon surfacing from the muck and grime, the resulting work is disquieting and poignant, exposing the listener to the inner workings of the desolate in hope that they will never have to plunge themselves into it.
12 inch vinyl lp only limited to 500 copies worlwide.