infectious as ever - new album from new york ska-jazz ensemble.

the vast project is available as a strictly limited 5 lp box-set, with a deluxe booklet of extended liner notes

third volume in vampisoul’s series of afro-latin sounds from the golden period of the seminal discos fuentes label in colombia.

dark garage sounds from glockta, remixed by shawn cartier.

after a hectic weekend you awake dazed and confused deep in the urban jungle. as the sun starts to rise, in the distance a lush pad starts to drift closer. the sounds of your past... a time when everything in the world was right, perfect. tearing breakbeats release, kinetic energy moves your body and you start to reminisce about friends, love and music. days gone by, the vibe never ends. jem one kicks off 117 spring with 3 fresh cuts pressed on a limited edition red & white mixed vinyl.

180 grams, 500 only...tip! highlighting music by some of the pioneers and most influencial artists out of the minimal-cold-darkwave scene from the early eighties, >ever alive< pays tribute to snowy red and its frontman, micky mike. curated by his son, micheal.

rock / pop

mystic analogue rhythms and vintage sounds

kraut / modern electronics

ial welcomes giacomo pellegrino who arrives at our doors bringing a groovy and deep ep with his distinguishable sounds.

deluka comes back on his own imprint with four tracks marked out of his signature. a well complex that range tribal sounds and hypnotic vibes.

dimi angelis is coming bright-eyed and bushy-tailed with his 3rd appearance on tar hallow, bringing 4 intense, hard tracks.

minimalistic and mysterious sounds await you

this vinyl goes beyond conventional music creating a profound exploration of electronic artistry. introducing -real good- by trik, the fourth vinyl release from this seasoned artist. it s a rhythmic blend of house and techno, with each track crafted for the dance floor. the sounds are simple yet impactful, and expressive vocals create a unique atmosphere. -real good- also features a remix by dragomir, offering a fresh perspective on trik s tracks with pulsating beats and mesmerizing melodies, elevating the ep to new sonic heights.

black vinyl. this vinyl goes beyond conventional music creating a profound exploration of electronic artistry. introducing -real good- by trik, the fourth vinyl release from this seasoned artist. it s a rhythmic blend of house and techno, with each track crafted for the dance floor. the sounds are simple yet impactful, and expressive vocals create a unique atmosphere. -real good- also features a remix by dragomir, offering a fresh perspective on trik s tracks with pulsating beats and mesmerizing melodies, elevating the ep to new sonic heights.

der in großbritannien lebende produzent ist dabei, sich als einer zu etablieren, den man im auge behalten sollte, und die -four sides--ep bestätigt genau das. zwischen spacigem tech-house mit futuristischem acid-twist und raffinierten underground-sounds scheint paddy nicht davor zurückzuschrecken, mit einer vielzahl von texturen und vibes zu experimentieren, was ein gutes jahr verspricht.

multiples collaborative project by heavyweights surgeon and speedy j. 2x12inch + download code

psychedelic techno and tribal mix that invites you to explore new sounds.

great minimal/micro-sounds

post-grime club sounds from farr, remixed by ciel.

to infinity and beyond. ufo95, alias killian vaissade is a french artist and electronic music producer. in search of unknown sounds, ufo95 travels through different worlds and different eras. he finds his inspiration in the psychedelic rock from the 60s and 70s, and in the techno scene from the 90s or even the idm scene, such as aphex twin... he also draws from the jungle and experimental scenes to propel a hypnotic, alienating and decidedly unique sound. very early on, music was his calling. mainly because he lived with his family above his parents’s nightclub. killian learned to play several instruments, he will also tryout rock bands in high school. as he turned 18, he chose to move towards music through sound engineering. first contact: he was then abducted by electronic music and, selftaught, he launched other artistic projects. he started playing under other aliases, and first live performed with rgs collective. recently, he landed in the reunion island in order to set up a family start-up, which works to reclaim environmental waste. recently back in france, he confined himself out into the countryside during the spring of 2020 and fired up ufo95, an unidentified fabulous object of music. he also released his first lp >popularity is overrated< on mama told ya label, in a cosmic collaboration with anetha. ufo95 is a good guy. be like ufo95. explore. enjoy.the b-side starts with syndrome. its earth-shattering kick and hypnotic atmospheres drag the listening into a weird, occult journey. ideal for the late-night darkrooms, metaphorically and figuratively. takaaki itoh, the japanese techno sensation and founder of the acclaimed wols label, follows up with his own rendition of the track. the remix from this remarkable legend within the scene is both eerie and engaging from the get-go. its driven by a thumping kick, playful hi-hats, and modular bells – a combination that combines the whole release and makes it such an essential for djs who are daring enough to take their set toward unknown territory. the planet x label is the brainchild of the icelandic techno artist exos where the harder side of techno is explored.

sounds of emotional exorcism and rhythmic liberation from golden donna.

demonic sounds from stefano chesti aka stephno.

deep and dark electronic sounds and sound collages on cassette

denver is a lo-fi piano journal made up of short, melodic pieces, dark and sullen in places, uplifting and bright in others. pieced together like an old photograph album covered in dust, filled with memories. with a nostalgic sound throughout, to the listener denver can sound familiar or recognisable but at the same time sound original, unheard and deeply personal.

abstract reality presents you an album by french artist leonard lampion. it gathers a one hour selection of cuts that explores several different musical landscapes. harsh industrial tracks share the tape alongside dark drone ambient, tribal sounds and downtempo emo feelings. side a is the more dancefloor oriented side, while side b explores more experimental paths.

"many electronic producers make music that sounds like the future. alavux is making the future and has carved himself a millennium head start. whilst many of his peers maintain a course along the kraftwerk or drexciyan trajectory alavux is committed to creating his own path; still drawing on the inspiration these great pioneers gave to so many, but choosing to adopt their pioneering spirit and innovation rather than their sound and track structures.
many a conversation has taken place about whether alavux is a maker of techno or electro. his discography tells you that he can pull off both very well and octagon shows you that both can be combined with explosive results. the sheer power and intensity of his grooves make each track a force to be reckoned with.
supported by dave clarke, billy nasty, igloo magazine, thomas h green (the arts desk), dj stingray umwelt and more."

fresh water is the debut work by london based musician and visual artist, jake marshall. across eight tracks marshall twirls and bends his sound palette around motifs of emergency and crisis, “i was interested in distress sounds, sirens, flares etc”. the many sonic limitations in fresh water demonstrate marshall’s uniqueness. all kinds of plastic, caustic sounds, german ambulance sirens, bleeps rattling off unknown morse code, the highly synthetic strings emerging from the silence, it creates a somehow organic yet inhumane, but addictive turbulence.

“homoheterogeneity”, originally released in january 2015, is the debut album from raccoglimento parziale, the duo formed by andrea giachetti and stefano meucci (the clover, silent people). in eight dense tracks, the album builds piece by piece an arcane language, made up of electromechanical beats, powerful basses, digitized guitars and broken samples, assembled in a liquid and fluctuating atmosphere. “homoheterogeneity” is a microscope’s view, a revealing blow-up over a cloud of microsounds, sometimes digital, sometimes organic. it’s a discovery of new life forms, homo/heterogeneous to our eyes - and to our ears. delivered on vinyl 33 rpm and mastered by frank merritt at the carvery in london, the album boasts on the cover the experimental photographic work of sandro crisafi, who visually recreated in the darkroom the chemistry that connects these fluctuating sounds.

the first vinyl version of the upcoming cd album with some magical works of unit moebius. this first 12inch contains some of their hottest tracks including the legendary >world goes around<, an evil cover of a classic chicagohouse track by cool mccool. the flip side contains the more deeper side from their first releases. for those who were there in those years 91/92/93, at the famous parties in the hague and rotterdam, this is a walk down memory lane, for those to young or living in other parts of the world... imagine these tracks in a dark, very dark sweaty basement with only strobe light and smoke machines, camouflage nets, and jacking acid and techno sounds for more then 10 ours. djs such as i-f, serge, schmerzlabor, peter ptau ptau and live acts such as unit moebius played the hottest and freshest music all night long until you lost your sense of time and place and ended in a total mind trip. the pure essence of house and techno! the golden years :-)

bxl003 is the third release of the artist-run brussels based label bxl. this third release by simon halsberghe features a collaboration with sagat (real name wiet lengeler), who previously released on the brussels’ label vlek and had his music included in the fabric mixes of both ben klock and joris voorn. the track is called the set-up and is a relentless sawtooth rave tune that finds it’s balance between the heydays of belgian techno and more contemporary ‘hi-fi’ attitudes towards functional yet idiosyncratic dance tracks. on the b-side space tom sounds is a deeper and more hypnotic trip with lush broad pads that provide a space for the mind as well as sonic pressure on the body. the last track, snared, takes things into breakbeat territory. with razor sharp snares and a pulsating baseline this track lives somewhere in the venn diagram overlap between rave, front 242 and an air raid siren going off.

metal

pop